Showing 1–25 of 420 results
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Dusty Springfield – Dusty In Memphis
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! A classic by England's female soul queen! 180-gram 45 RPM double LP Mastered directly from the original master tape by Kevin Gray at Cohearent Audio Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Dusty Springfield shares rarified air with the top soul/R&B queens of the post-WWII era — Aretha Franklin, Etta James, and others. Originally released in 1969, the concept for Dusty In Memphis was to take England's reigning female soul queen to the home of the music which had inspired her. Produced by Atlantic's Jerry Wexler and Arif Mardin and engineered by Tom Dowd, the record's highlights include "Son Of A Preacher Man," "So Much Love," "Breakfast In Bed," "Just One Smile," "I Don't Want To Hear It Anymore" and "Just A Little Lovin'". Springfield is backed by a crack band that had previously worked with Aretha Franklin, Wilson Pickett, King Curtis and Elvis Presley among others. The musicians — collectively known as the Memphis Cats — include guitarist Reggie Young, bassist Tommy Cogbill, drummer Gene Chrismann, pianist Bobby Wood and Bobby Emmons on organ and electric piano. Songwriting contributions came from, among others, Randy Newman, Carole King, Gerry Goffin, Barry Mann and Cynthia Weil. Dusty Springfield is one of the finest white soul singers of her era, and this is the undisputed proof. Analogue Production's reissue here is perfection. Mastered by Kevin Gray from the original analog master tape. Double LP cut at 45 RPM, pressed on 180-gram vinyl at Quality Record Pressings, and housed in a Stoughton Printing tip-on old style gatefold jacket.
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Donny Hathaway – Everything Is Everything
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Grammy-nominated and critically-acclaimed soul and R&B album Featuring "The Ghetto," and "To Be Young, Gifted and Black" 180-gram 45 RPM double LP Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Donny Hathaway's first studio album Everything is Everything is a significant work in the realm of soul and R&B music, released in 1970. It marked an important point in Hathaway's career and showcased his exceptional talent as a singer, songwriter, and pianist. The album was Hathaway's first release after being signed to Atlantic in 1969. Hathaway had already built a reputation early in his life, first as a gospel singer as a child under the name Donny Pitts. Raised in St. Louis, with religious influences, his grandmother Martha Crumwell was herself an accomplished gospel singer and guitarist. After dropping out of Howard University in 1967, Hathaway moved to Chicago, his birthplace, and started working on music for Curtis Mayfield's Curtom Records label where he was a songwriter, producer, arranger, composer, conductor and session player. Everything Is Everything was produced by Hathaway and Ric Powell, who plays drums and percussion on the album; Hathaway wrote or co-wrote five of the album's nine songs. Hathaway had met Powell while at Howard University, as well as the future Impressions lead singer, Leroy Hutson, who jointly wrote the hit song that would eventually make it on the album, "The Ghetto." The track was mostly an instrumental, except for Hathaway's vocal ad-libs and his singing of the chorus. Hathaway and Hutson composed another socially conscious song for the album, titled "Tryin' Times." Other songs were split between covers (Ray Charles's "I Believe to My Soul" and Nina Simone's "To Be Young, Gifted and Black"), spiritual affairs ("Thank You Master for My Soul") and love songs ("Je Vous Aime (I Love You)"). Released in July 1970, the album peaked at No. 73 on the Billboard Top 200 Albums chart and No. 33 on the Billboard R&B Albums chart. This timeless classic is now reissued in the definitive deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic 75 Series) format.
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Pre-order
Ry Cooder – Buena Vista Social Club (Tape) (w/ 12 Page Booklet)
Tape580,00 €Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAnalogue Productions Ultra Tape reel-to-reel reissues! Buena Vista Social Club's famed album captivates with Cuban music! 15 ips, ¼-inch 2-track (½ track) analog tape copy Sourced from original master tapes Tapes transferred real time on Ampex ATR 102 at Blue Heaven Studios by Matthew Lutthans Includes 12-page booklet with lyrics and studio images Custom slipcase cover - highest quality tape reissue! Transport yourself to the vibrant streets of Havana with the Buena Vista Social Club's eponymous album, a captivating journey into the heart of Cuban music! Recorded in 1996 by acclaimed producer Ry Cooder, this timeless masterpiece celebrates the rich tapestry of Afro-Cuban rhythms and soulful melodies that have enchanted audiences for generations. From Analogue Productions comes another classic title in our Ultra Tape reel-to-reel album reissue series. Each is a 15 ips, ¼-inch analog tape copy (IEC equalization) sourced from a copy of the original analog master tape. Transferred real-time, using an ATR-modified Ampex Tape Machine with flux magnetic heads, by Matthew Luthans at Blue Heaven Studios. Custom slipcase cover. Buena Vista Social Club is both the name given to this extraordinary group of musicians and the album, recorded in just seven days in 1996 in Havana's 1950s vintage EGREM studios. From the infectious energy of "Chan Chan" to the heartfelt nostalgia of "Dos Gardenias," each track immerses listeners in the intoxicating blend of son, bolero, and guajira styles. Led by legendary musicians such as Ibrahim Ferrer, Compay Segundo, and Omara Portuondo, the Buena Vista Social Club ensemble delivers performances that are as exuberant as they are intimate, capturing the essence of a bygone era while igniting a passion for Cuban music that knows no bounds. The acclaim of the original album has elevated the artists (including Ibrahim Ferrer, Rubén González and Omara Portuondo) to superstar status, inspired an award-winning film by Wim Wenders, and has contributed to popularizing Cuba's rich musical heritage. Produced by Ry Cooder for World Circuit, the timeless quality of the music and the sheer verve of the veteran performers have ensured that this will go down as one of the landmark recordings of the 20th century. Embark on a musical odyssey filled with warmth, joy, and the irresistible allure of Havana nights!
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In stock
Foreigner – Double Vision
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Foreigner's singles smash follow-up to its blockbuster debut! Driving title track and "Hot Blooded" rock strong! 180-gram 45 RPM double LP Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Foreigner's Double Vision album achieved success through a combination of well-crafted songs, strong songwriting, talented musicians, extensive radio airplay, and favorable timing within the music industry. Double Vision, released in 1978, followed up the group's blockbuster debut with an album of FM mega-hits. Songs such as "Hot Blooded," "Double Vision," and "Blue Morning, Blue Day" became radio staples and resonated with a wide audience. Lou Gramm's powerful vocals and Mick Jones' guitar playing were key components of the band's sound, and their musical prowess was evident throughout the album. The album peaked at No. 3 on the Billboard 200 chart and earned platinum-selling certification just a week after its release, and now has marked 7x platinum for sales in excess of 7 million units. "Hot Blooded," reached No. 3 on the Billboard Hot 100 chart. In September, it was followed by "Double Vision," which charted at No. 2. This was the highest position Foreigner had attained to that time. The third and final single, "Blue Morning, Blue Day," was released in December and climbed to No. 15 on the chart. Foreigner was known for their energetic live performances, and they toured extensively to promote Double Vision. Their live shows helped to further connect with fans and promote the album. Analogue Productions is proud to offer the definitive reissue deluxe 45 RPM 2LP of Double Vision. For Foreigner fans, this is a can't-miss addition to your album collection.
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In stock
Bad Company – Run With The Pack
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Third studio album, featuring "Young Blood" and "Honey Child" 180-gram 45 RPM double LP Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Released in early 1976, the title track of Bad Company's third album Run With The Pack is, what one critic described as, "a male-bonding type of song" that frontman Paul Rodgers was inspired to write about the group's non-stop touring adventures. "Run With The Pack" is notable for its string arrangement, which Rodgers said he had in mind from the outset. "I wrote that song on the piano, and when I played it to the guys they fell right in. In my head, strings were always part of the song." The album was recorded in France using the Rolling Stones Mobile Truck in September 1975 with engineer Ron Nevison, and mixed in Los Angeles by Eddie Kramer. The Run With The Pack album reached No. 5 on the Billboard 200 and No. 4 on the U.K. chart. It was also Bad Company's third consecutive platinum-selling album. Rolling Stone, in its review, calls Run With The Pack Bad Company's third and best album, reiterating the raw, rowdy style of their debut, Bad Company. Cut at 45 RPM, pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
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In stock
J.J. Johnson & Kai Winding – The Great Kai & J.J.
44,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAcoustic Sounds Series reissues from Verve/Universal Music Enterprises! Monthly releases highlighting the world's most historic and best jazz records! Mastered by Matthew Lutthans at The Mastering Lab from the original master tape 180-gram LPs pressed at Quality Record Pressings! Stoughton Printing gatefold old-style tip-on jacket Series supervised by Chad Kassem CEO of Acoustic Sounds The first-ever Impulse release (catalog number A-1) and known as one of the best efforts of Kai Winding and J.J. Johnson, this 1960 session features a collection of jazz heavyweights, including Bill Evans (piano), Paul Chambers (bass), and Art Taylor & Roy Haynes (drums). Evans' playing, in particular, raises this album beyond a mere Kai & J.J. and spotlights the group as a whole. Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
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In stock
Lightnin’ Hopkins – Lightnin’ Strikes
44,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartLightnin' Hopkins — Lightnin' Strikes Acoustic Sounds Series reissues from Verve/Universal Music Enterprises! Monthly releases highlighting the world's most historic and best jazz records! All-analog mastering by Matthew Lutthans at The Mastering Lab 180-gram vinyl pressed at Quality Record Pressings Recorded in 1966 for the Verve Folkways label, Lightnin' Strikes may not have the notoriety as some of Hopkins' other albums, but this set backed by Jimmy Bond (bass), Earl Palmer (drums) and Don Crawford (harmonica) is classic Lightnin'. From the opener, "Mojo Hand," to the ballad "Woke Up This Morning," Lightnin' Strikes showcases classic blues from one of the best there was. Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
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Low stock
SACD Bad Company – Straight Shooter
SACD44,00 €Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Second studio album, featuring "Good Lovin' Gone Bad" Hybrid Stereo SACD Recorded straight on the heels of Bad Company's 1974 debut — just a matter of three months later; not quite long enough to know how big a success the first LP would be — Straight Shooter is seemingly cut from the same cloth as its predecessor. It is, after all, a tight collection of eight strong, steady, heavy rockers that never, ever proceed in a hurry, but from the moment "Good Lovin' Gone Bad" kicks off the proceedings, it's clear that Bad Company have decided to expand their palette this second time around, writes AllMusic. The album, released in April 1975, reached No. 3 on both the U.K. Albums Chart and the U.S. Billboard 200. It was certified gold (500,000 units sold) by the Recording Industry Association of America (RIAA) a month after its release. The jacket for the album was designed by Hipgnosis, who also designed their debut album. "Good Lovin' Gone Bad," was released in March 1975 and reached No. 36 on the Billboard Hot 100. The album was released in April. The album's final single "Feel like Makin' Love" was released in August and reached No. 10 on the Hot 100. "Feel Like Makin' Love" and "Shooting Star," became classic rock staples due to this expanded aural vocabulary, and even straight-ahead rockers like "Good Lovin' Gone Bad" and "Deal with the Preacher" benefit from this additional muscle, while they feel comfortable enough to settle into a soulful groove on "Anna" and "Call on Me."
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Backorder
SACD INXS – Kick
SACD44,00 €Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Show itemAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! 6x platinum-selling album includes "New Sensation," "Never Tear Us Apart," "Devil Inside," and the No. 1 hit "Need You Tonight" Hybrid Stereo SACD Mastered by Ryan K. Smith direct to DSD from an EQ'd tape copy Kick, the sixth and best-selling 1987 studio album by Australian band INXS, has the unmistakable sound personified by its four U.S. Top 10 singles, "New Sensation," "Never Tear Us Apart," "Devil Inside" and "Need You Tonight," — which reached the top of the U.S. Billboard singles charts. Between 1980 and 1984, INXS released four studio albums and had toured their native country Australia extensively. With Kick, producer Chris Thomas fused the funk and soul of their previous album The Swing with the mainstream rock of Listen Like Thieves. In an interview with MusicRadar, Andrew Farriss stated, "The melding of funk and rock was always in our heads. We were very excited about the idea of overlaying two types of songs and genres together." Kick showcased a diverse range of musical styles, blending rock, pop, funk, and dance elements. This versatility appealed to a wide audience, making the album accessible to fans of different genres. It's four catchy singles became radio staples and were accompanied by stylish music videos, helping propel INXS to international stardom. Incorporating elements such as electronic percussion and synthesizers gave Kick a modern sound, helping it stand out, together with Michael Hutchence's charismatic and sultry vocals that created a strong emotional connection.
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In stock
The Staple Singers – Hit Singles
34,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartTwo monumental hits, cut at 45 on 180-gram vinyl. Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering from the original analog tapes! "I’ll Take You There" (Side 1) A beautiful and now instantly-recognizable call-and-response chorus that scored a smash Number One hit on the Billboard charts of 1972. The backing instrumentation is simple with almost no changes. Atop that rock-solid foundation, we’re taken "there" with, "I know a place/Ain't nobody crying/Ain't nobody worried/Ain't no smiling faces/Lying to the races/Help me (backing vocals: "I'll take you there)." "Respect Yourself" (Side 2) The Staple Singers' 1972 hit that rose to Number Two on the Billboard charts, and, along with "I'll Take You There," affirmed this Chicago group as stars of the soul and pop worlds. The song begins with a blues-tinged electric piano introduction and then builds to a crescendo full of inspiration. Pops Staples begins the lyrics with, "If you disrespect anyone that you're running to/How in the world do you think anybody's supposed to respect you/If you don't give a heck about the man with the Bible in his hand/Just get out the way and let the gentleman do his thing." Pops' daughter Mavis, an absolute vocal giant, then takes over the vocals with, "If you're walking 'round thinking that the world owes you something 'cause you're here/You're going out the world backwards like you did when you first come here/You curse around women but you don't even know their name/Then you’re dumb enough to think it'll make you a big ol' man." Analogue Productions introduced test pressings from their Stax Records reissue at the June 2003 Home Entertainment Expo in San Francisco. Among the exhibitors to show off their wares using these yet-to-be-released 45s was Richard Vandersteen of Vandersteen Audio. "It was a big hit. The visitors packed the room every time we put it on. For once at one of these shows, there was some music that people wanted to hear. I mean, famous, classic music sounding incredible. It's just great old music that sounds much better than it ever had before. The people just loved it, and we loved playing it." - Richard Vandersteen, Vandersteen Audio
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In stock
Ray Brown – Super Bass
44,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartRay Brown and John Clayton — Super Bass Limited edition 180-gram vinyl LP Mastered by Doug Sax at The Mastering Lab Pressed at Quality Record Pressings Super Bass is an album from Capri Records Ltd. paying tribute to the great guitarist Freddie Green by musicians Ray Brown, Jeff Hamilton, Jeff Clayton, John Clayton and Green himself! The September 1988 recording by the ensemble lays down some of the best bass-driven jazz you're ever likely to hear. "Super Bass has been a dream of mine longer than I can remember. Back in 1945 I did One Bass Hit and in 1946 I did Two Bass Hit. All that time I had thoughts of doing the Triple and the Home Run. Well I guess Super Bass is a fulfillment to those two. First of all I had this young student that returned from studying at Indiana University as a complete 'wizard' of the bass. He also was studying conducting and arranging and will be one of the top arrangers in the music business. His name is John Clayton and he is a major part of this album." — Ray Brown This Limited Edition LP has been remastered by Doug Sax from the original master tapes through custom tube electronics. Pressing done by Quality Record Pressings on 180-gram pure virgin vinyl. This album was produced to the same standards of all Analogue Productions LPs.
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In stock
SACD Miles Davis – Birth Of The Blue
SACD44,00 €Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartMiles Davis — Birth of the Blue Smash prequel to what many consider the greatest jazz record ever! Four more songs from the pioneering ensemble that produced Miles Davis' Kind of Blue! Modal jazz precursor laid groundwork for future jazz innovation! Hybrid Stereo SACD Mastered by Matthew Lutthans at The Mastering Lab direct to DSD from a new 30 ips quarter-inch stereo master tape transferred from the original 3-track session tapes Miles Davis's Kind of Blue was the number-one jazz album in history. It totaled five songs. There are four more songs from that same historic group, recorded in the same time period and at the same studio. And here they are. These songs deserve to stand on their own with artwork to highlight the quality of the music and that matches the time period of the recording. This is a rare opportunity to have a smash follow-up to what many consider the greatest jazz record ever! Through the years, these four remarkable performances — all from a single recording session in 1958 and all exemplary of the sound of Miles Davis' legend-loaded sextet of that year — have not been served well. They have been largely treated as add-ons for other compilations. Now, for the first time, Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., has deservedly given these tracks a stellar stand-alone release for jazz fans to savor! The once-in-a-generation lineup that recorded these tunes is the very same that would be immortalized for the enduring classic they would record almost a year later, Kind of Blue. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley. Undervalued since their recording, the tunes on this album reflect historial and musical significance. They offer early glimpses into the modal jazz that Kind of Blue would bring to the forefront. Using modes common in modern classical music, rather than the chords of popular songs, Miles had begun to experiment with the new approach on the Milestones recording sessions previously. Analogue Productions is proud to present Birth of the Blue in an exclusive first-of-its-kind stand-alone release that reflects our reputation for meticulous production, capturing authentic sound with clarity, depth and fidelity that exceeds the audiophile standard. For this release, we started with the original 3-track recording session tapes that were mixed down to a brand-new 30 ips quarter-inch stereo master tape by senior mastering engineer Vic Anesini at Battery Studios. From that stereo master tape, Matthew Lutthans at The Mastering Lab mastered the album direct to DSD for this Hybrid Stereo SACD. Features: • Pioneering Ensemble: Captured the same rare and short-lived alignment of jazz legends including Miles Davis, John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Jimmy Cobb, as heard on the historic Kind of Blue. • Innovative Sound: The session represented a crucial transition in jazz, blending elements of hard bop with early modal jazz influences, showcasing the ensemble's experimentation and forward-thinking approach. • Undervalued Legacy: Despite its historical and musical significance, the session's recordings have been historically overlooked, often relegated to being add-ons in compilations rather than recognized as standalone masterpieces. • Modal Jazz Precursor: Offered early glimpses into the modal jazz that would later be fully realized in Davis's groundbreaking album "Kind of Blue," laying the groundwork for future jazz innovation. • Impact on Artists: Served as a critical point of development and confidence for the musicians involved, particularly Bill Evans, who noted the significant impact of this experience on his own identity and style. • Historical Context: Occurred at a peak moment in Miles Davis's career, following his signing with Columbia Records and his critical and commercial successes with albums such as ‘Round About Midnight and Miles Ahead.
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In stock
Ry Cooder – Buena Vista Social Club
169,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartComing February 14, 2025 180-gram 45 RPM 4LP set from Analogue Productions! Mastered by Bernie Grundman from the original analog master tape Buena Vista Social Club's famed album captivates with Cuban music! Plated and pressed at Quality Record Pressings Includes 12-page booklet with lyrics and studio images Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing Transport yourself to the vibrant streets of Havana with the Buena Vista Social Club's eponymous album, a captivating journey into the heart of Cuban music! Recorded in 1996 by acclaimed producer Ry Cooder, this timeless masterpiece celebrates the rich tapestry of Afro-Cuban rhythms and soulful melodies that have enchanted audiences for generations. Buena Vista Social Club is both the name given to this extraordinary group of musicians and the album, recorded in just seven days in 1996 in Havana's 1950s vintage EGREM studios. From the infectious energy of "Chan Chan" to the heartfelt nostalgia of "Dos Gardenias," each track immerses listeners in the intoxicating blend of son, bolero, and guajira styles. Led by legendary musicians such as Ibrahim Ferrer, Compay Segundo, and Omara Portuondo, the Buena Vista Social Club ensemble delivers performances that are as exuberant as they are intimate, capturing the essence of a bygone era while igniting a passion for Cuban music that knows no bounds. The acclaim of the original album has elevated the artists (including Ibrahim Ferrer, Rubén González and Omara Portuondo) to superstar status, inspired an award-winning film by Wim Wenders, and has contributed to popularizing Cuba's rich musical heritage. Produced by Ry Cooder for World Circuit, the timeless quality of the music and the sheer verve of the veteran performers have ensured that this will go down as one of the landmark recordings of the 20th century. This 45 RPM Analogue Productions reissue pressed by Quality Record Pressings on four dead-silent LPs makes every note a transcendent experience. Meticulously crafted using the finest materials and exacting standards, this reissue pays homage to the golden age of vinyl, capturing the warmth and depth of the original recording in stunning detail. The package includes a 12-page booklet with lyrics and stunning studio images, topped off by a tip-on old style gatefold double pocket jacket made by Stoughton Printing. Embark on a musical odyssey filled with warmth, joy, and the irresistible allure of Havana nights!
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Available for pre-ordering
Steely Dan – Katy Lied (45 RPM 200 Gram Clarity Vinyl)
198,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries. Available at a future date.Pre-order nowKaty Lied, Steely Dan's fourth studio album, originally released in 1975 by ABC Records, was certified gold-selling and peaked at No. 13 on the U.S. charts. The single "Black Friday" also charted at No. 37. Pitchfork noted: "(Katy Lied) captures Steely Dan in the thick of it all, still hungry and energized by their early burst of creativity but not taking anything for granted. Before Katy Lied, Steely Dan was a rock band, but this is the record where they became something else." Founded by core members Walter Becker (bass) and Donald Fagen (vocals, keyboards), Steely Dan's popularity rose throughout the late 1970s on, and their seven albums throughout that period of time blended elements of jazz, rock, funk, R&B, and pop. Steely Dan created a sophisticated, distinctive sound with accessible melodic hooks, complex harmonies and time signatures, and a devotion to the recording studio. Becker and Fagen, with producer Gary Katz, gradually changed Steely Dan from a performing band to a studio project, hiring session musicians to record their compositions. The duo didn't perform live between 1974 and 1993. But their popularity nevertheless grew throughout the '70s as their albums became critical favorites and their singles became staples of Adult Oriented Radio and pop radio stations. Katy Lied marks the first appearance of singer Michael McDonald on a Steely Dan album. Best known for his soulful voice as a member of the Doobie Brothers, McDonald is a five-time Grammy winner and was inducted into the Rock and Roll Hall of Fame as a member of the Doobie Brothers in 2020. The album cover features a picture of a katydid, a "singing" (stridulating) insect related to crickets and grasshoppers. This is most likely a pun on the album's title; the "singing" of a katydid sounds as though they're saying "Katy did, Katy didn't." Lyrics in the song "Doctor Wu" include "Katy tried, I was halfway crucified" and "Katy lies, you can see it in her eyes." The premise of the theme of Katy "lying" is based on a quote from Denny Dias when he came to the studio to play on "Your Gold Teeth II." Jeff Porcaro, then only 21 years old, played drums on all the songs except "Any World (That I'm Welcome To)," which features legendary session drummer Hal Blaine. After a brief battle with esophageal cancer, Walter Becker died on September 3, 2017 at the age of 67. Steely Dan has sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001. VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time. Rolling Stone ranked them No. 15 on its list of the 20 Greatest Duos of All Time. This stereo UHQR reissue will be limited to 20,000 copies, with gold foil individually numbered jackets, housed in a premium slipcase with a wooden dowel spine.
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In stock
Genesis – Genesis
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartUS Street date February 7th 2025 Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Genesis' self-titled Grammy-nominated album Featuring "Mama," "That's All" and "Second Home By The Sea" 180-gram 45 RPM double LP Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing In the spring of 1983, members of Genesis reconvened at their studio, named The Farm in Chiddingfold, Surrey, to start work on a new studio album, their first since Abacab (1981). Genesis became their first album written, recorded, and mixed in its entirety at the studio room; previously they had to write in an adjoining space. Having the group work in their own space without the additional pressure of booking studio time and fees resulted in a more relaxed environment. They were joined by engineer Hugh Padgham, who had also worked on Abacab, AllMusic writes: "Moments of Genesis are as spooky and arty as those on Abacab — in particular, there's the tortured howl of "Mama," uncannily reminiscent of Phil Collins' Face Value, and the two-part 'Second Home by the Sea' — but this eponymous 1983 album is indeed a rebirth, as so many self-titled albums delivered in the thick of a band's career often are. ... Anybody who paid attention to 'Misunderstanding' and 'No Reply at All' could tell that this was a good pop band, primarily thanks to the rapidly escalating confidence of Phil Collins, but Genesis illustrates just how good they could be, by balancing such sleek, pulsating pop tunes as 'That's All' with a newfound touch for aching ballads, as on 'Taking It All Too Hard.'" AllMusic reviewer Stephen Thomas Erlewine gives the album 4.5 Stars. For fans who appreciate the evolution of the band's music over the years, owning this album is important as it represents a distinctive phase in their career. This is the definitive deluxe 45 RPM 2LP Analogue Productions (Atlantic 75 Series) reissue of the classic Genesis. A classic for all true Genesis fans!
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In stock
Crosby, Stills and Nash – CSN
86,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartUS Street date February 7th 2025 Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Fifth album from Crosby, Stills & Nash featuring "Just a Song Before I Go" and "Fair Game" No. 2 on Billboard's Top Pop Albums chart 180-gram 45 RPM double LP Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing "CSN was the trio's last fully realized album, and also the last recording on which the three principals handled all the vocal parts without the sweetening of additional voices. It has held up remarkably well, both as a memento of its time and as a thoroughly enjoyable musical work." — AllMusic Crosby, Stills & Nash was a folk rock supergroup made up of American singer-songwriters David Crosby, Stephen Stills, and English singer-songwriter Graham Nash. CSN's 1977 self-titled album is a return to the harmony-soaked idealism with which the trio had been catapulted to popularity; it reached No. 2 on the charts, behind Fleetwood Mac's megasuccessful Rumours. AllMusic says the songs on CSN show a "great deal of lyrical maturity and compositional complexity compared to those earlier albums (from a far more innocent time). "Just a Song Before I Go" was the latest of Graham Nash's radio-friendly acoustic numbers, and a Top Ten single. "See the Changes" and "Dark Star" ranked with the best of Stephen Stills' work, while David Crosby contributed three classics from his distinctive oeuvre: "Shadow Captain," "Anything at All," and the beautiful "In My Dreams."And Nash's multi-part "Cathedral," a recollection of an acid trip taken in Winchester Cathedral on his 32nd birthday, became a staple of the group's live repertoire. Ground-breaking music perfection deserves definitive sound and top-notch packaging. This reissue was mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing.
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Sonny Rollins – Alfie (Original Music From The Score)
44,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cart -
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Bob Marley and The Wailers – Rastaman Vibration (45 RPM 180 Gram Double LP on Clarity Vinyl)
198,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartBob Marley & The Wailers' Rastaman Vibration Analogue Productions' UHQR, the pinnacle of high-quality vinyl! 45 RPM 2LP Ultra High Quality Record release limited to 4,500 copies Mastered from the original tapes by Ryan K. Smith at Sterling Sound Pressed on 180-gram at Quality Record Pressings using Clarity Vinyl® Includes "12 x 12" 8-page booklet featuring new liner notes by musician and Marley biographer Leroy Jodie Pierson (APO Records Direct-To-Disc AAPO 005), plus exclusive photos by Kim-Gottlieb Walker Purest possible pressing and most visually stunning presentation and packaging! When Rastaman Vibration was first released in America in 1976 it did what some in the music industry considered nearly impossible at the time. It took Bob Marley into the Top Ten alongside disco records and corporate rock, points out Rolling Stone, which rates the album 4 stars. Despite the good cheer of the title track and the upbeat "Roots, Rock, Reggae," Rastaman Vibration contains some of Marley's most intense images of oppression, paranoia and despair. Tracks such as "Who the Cap Fit," "Crazy Baldhead" and "War" are offered by the Wailers with dire urgency as Marley's brutal visions are echoed by his own church choir, the I-Threes. More than four decades later, neither Marley's music nor his message has lost its sting. Now, Analogue Productions presents perfection — Rastaman Vibration cut at 45 RPM in UHQR format on 180-gram 2LP Clarity Vinyl. This Ultra High Quality Record release will be limited to 4,500 copies, with gold foil individually numbered jackets. For Bob Marley, 1975 was a triumphant year. The singer's Natty Dread album featured one of his strongest batches of original material (the first compiled after the departure of Peter Tosh and Bunny Wailer) and delivered Top 40 hit "No Woman No Cry." The follow-up Live set, a document of Marley's appearance at London's Lyceum, found the singer conquering England as well. Upon completing the tour, Marley and his band returned to Jamaica, laying down the tracks for Rastaman Vibration (1976) at legendary studios run by Harry Johnson and Joe Gibbs. At the mixing board for the sessions were Sylvan Morris and Errol Thompson, Jamaican engineers of the highest caliber. Of the material on Rastaman Vibration, "War," for one, remains one of the most stunning statements of the singer's career. Though it is essentially a straight reading of one of Haile Selassie's speeches, Marley phrases the text exquisitely to fit a musical setting, a quiet intensity lying just below the surface. Equally strong are the likes of "Rat Race,""'Crazy Baldhead," and "Want More." These songs are tempered by buoyant, lighthearted material like "Cry to Me," "Night Shift," and "Positive Vibration." Not quite as strong as some of the love songs Marley would score hits with on subsequent albums, "Cry to Me" seems like an obvious choice for a single and remains underrated. This UHQR is remastered at 45 RPM by Sterling Sound's Ryan K. Smith from the original analog master tapes. Each UHQR will be pressed at Acoustic Sounds' industry-leading pressing plant Quality Record Pressings (QRP) using hand-selected Clarity Vinyl® with attention paid to every single detail. These records will feature the same flat profile that helped to make the original UHQR so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer's stylus to play truly perpendicular to the grooves from edge to center. Clarity Vinyl allows for the purest possible pressing and the most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a custom clamshell box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product. In addition to the UHQR booklet the package will contain a 8-page 12" x 12" booklet containing new liner notes by musican and Marley biographer Leroy Jodie Pierson as well as exclusive photos by Kim-Gottlieb Walker. Pierson is a past performer for Blues Masters at the Crossroads, the two-night historic blues festival at Blue Heaven Studios in Salina, Kansas. He's also recorded a Direct-To-Disc blues album for APO Records. (AAPO 005) Rastaman Vibration — now a landmark production on 180-gram 45 RPM Analogue Productions UHQR Clarity Vinyl!
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Bob Marley and The Wailers – Exodus (45 RPM 180 Gram Double LP on Clarity Vinyl)
198,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartBob Marley & The Wailers' Exodus Analogue Productions' UHQR, the pinnacle of high-quality vinyl! 45 RPM Ultra High Quality Record release limited to 4,500 copies Mastered from the original tapes by Ryan K. Smith at Sterling Sound Pressed at Quality Record Pressings using Clarity Vinyl® Purest possible pressing and most visually stunning presentation and packaging! By the time Bob Marley died, he was one of the world's first global superstars, famous and lauded from Europe through Africa and the Americas. Some even saw him as not just a reggae singer but as a folk hero, a sort of freedom fighter, and to this day his enduring image feels greater than the music he made, writes Pitchfork. In the 21st century, Bob Marley is a global cultural icon and the first Jamaican inducted into the Rock & Roll Hall of Fame. 1977's Exodus — recorded in London exile after a failed attempt on his life — turned out to be Marley's biggest-selling studio album. Time magazine named it the greatest LP of the 20th century. Other Marley discs had bigger hits and still others had better album tracks, but the balance Marley strikes between politics, religion, and romance on Exodus — compare and contrast the urgent title track and the laid-back "Jamming" — shows a pop star at the peak of his powers. Now, Analogue Productions presents perfection — Exodus in UHQR 45 RPM format on Clarity Vinyl. This Ultra High Quality Record release will be limited to 4,500 copies, with gold foil individually numbered jackets. After the success of 1974's Natty Dread and 1976's Rastaman Vibration, Bob Marley was not only the most successful reggae musician in the world, he was one of the most powerful men in Jamaica. Powerful enough, in fact, that he was shot by gunmen who broke into his home in December 1976, days before he was to play a massive free concert intended to ease tensions days before a contentious election for Jamaican Prime Minister. In the wake of the assassination attempt, Marley and his band left Jamaica and settled in London for two years, where he recorded Exodus. Exodus represented a subtle but significant shift for Marley; while he continued to speak out against political corruption and for freedom and equality for Third World people, his skill as a songwriter was as strong as ever, and Exodus boasted more than a few classics, "including the title song, 'Three Little Birds,' 'Waiting in Vain,' and 'Turn Your Lights Down Low,' tunes that defined Marley's gift for sounding laid-back and incisive at once," writes AllMusic. This UHQR is remastered at 45 RPM by Sterling Sound's Ryan K. Smith from the original analog master tapes. Each UHQR will be pressed on 180-gram vinyl at Acoustic Sounds' industry-leading pressing plant Quality Record Pressings (QRP) using hand-selected Clarity Vinyl® with attention paid to every single detail. These records will feature the same flat profile that helped to make the original UHQR so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer's stylus to play truly perpendicular to the grooves from edge to center. Clarity Vinyl allows for the purest possible pressing and the most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a custom clamshell box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product. Exodus — now a landmark production on 180-gram 45 RPM Analogue Productions UHQR Clarity Vinyl!
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Bob Marley and The Wailers – Natty Dread (45 RPM 180 Gram Double LP on Clarity Vinyl)
198,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartBob Marley & The Wailers — Natty Dread Analogue Productions UHQR, the pinnacle of high-quality vinyl Definitive limited run reissue Ultra High Quality Record! 45 RPM 2LP release limited to 4,500 copies Mastered by Ryan K. Smith at Sterling Sound from the original master tape Pressed at Quality Record Pressings using Clarity Vinyl® Custom clamshell box — highest quality pressing and packaging! Natty Dread, the seventh album by Bob Marley & The Wailers, released in 1974, was Marley's first recorded without Peter Tosh and Bunny Wailer as the Wailers. Natty Dread was most popularly received in the U.K., where it peaked at No. 43 and sold in excess of 100,000 copies, making it a gold album. Over time it gained popularity in other parts of the world, and in 2003 it was ranked No. 181 on Rolling Stone magazine's list of the 500 greatest albums of all time. Natty Dread was a pivotal album in Bob Marley's discography, embodying the spirit of Rastafarian culture and the socio-political landscape of Jamaica during that era. It's key track "No Woman, No Cry" not only became one of Marley's most famous and most-covered songs, it served as a powerful anthem of resilience and hope, capturing the struggles and joys of everyday life in the ghetto. Natty Dread propelled Marley to international fame and acclaim and established his worldwide reputation. Today, Natty Dread is considered Marley's finest album, the ultimate reggae recording of all time. Flawless is the only way to describe these limited edition 180-gram vinyl reissues. Featuring mastering by Ryan K. Smith at Sterling Sound from the original analog tape, and custom pressing at Quality Record Pressings, these beauties are created using Clarity Vinyl, for the purest sound and most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a custom clamshell box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. Natty Dread — now a landmark production on Analogue Productions UHQR Clarity Vinyl!
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Bob Marley and The Wailers – Natty Dread (33 1/3 RPM 180 Gram Clarity Vinyl)
178,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartBob Marley & The Wailers — Natty Dread Analogue Productions UHQR, the pinnacle of high-quality vinyl Definitive limited run reissue Ultra High Quality Record! 33 1/3 RPM LP release limited to 4,500 copies Mastered by Ryan K. Smith at Sterling Sound from the original master tape Pressed at Quality Record Pressings using Clarity Vinyl® Custom clamshell box — highest quality pressing and packaging! Natty Dread, the seventh album by Bob Marley & The Wailers, released in 1974, was Marley's first recorded without Peter Tosh and Bunny Wailer as the Wailers. Natty Dread was most popularly received in the U.K., where it peaked at No. 43 and sold in excess of 100,000 copies, making it a gold album. Over time it gained popularity in other parts of the world, and in 2003 it was ranked No. 181 on Rolling Stone magazine's list of the 500 greatest albums of all time. Natty Dread was a pivotal album in Bob Marley's discography, embodying the spirit of Rastafarian culture and the socio-political landscape of Jamaica during that era. It's key track "No Woman, No Cry" not only became one of Marley's most famous and most-covered songs, it served as a powerful anthem of resilience and hope, capturing the struggles and joys of everyday life in the ghetto. Natty Dread propelled Marley to international fame and acclaim and established his worldwide reputation. Today, Natty Dread is considered Marley's finest album, the ultimate reggae recording of all time. Flawless is the only way to describe these limited edition 180-gram vinyl reissues. Featuring mastering by Ryan K. Smith at Sterling Sound from the original analog tape, and custom pressing at Quality Record Pressings, these beauties are created using Clarity Vinyl, for the purest sound and most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a custom clamshell box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. Natty Dread — now a landmark production on Analogue Productions UHQR Clarity Vinyl!
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Bob Marley and The Wailers – Burnin’ (45 RPM 180 Gram Double LP on Clarity Vinyl)
198,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartBob Marley & The Wailers — Burnin' Analogue Productions' UHQR, the pinnacle of high-quality vinyl! 45 RPM Ultra High Quality Record release. Limited to 4,500 copies Mastered by Ryan K. Smith at Sterling Sound from the original master tape Pressed at Quality Record Pressings using Clarity Vinyl® on double LP! Custom clamshell box — highest quality pressing and packaging! Burnin' is the Wailers' sixth album, released in October 1973. All three members of the band — Bob Marley, Peter Tosh, and Bunny Wailer (the last time before Tosh and Bunny departed for solo careers and the band became known as Bob Marley & The Wailers) — wrote for, recorded and produced the album in Jamaica. Burnin' promoted the Wailers into international fame, led by the classic hits "I Shot The Sheriff" (a subsequent U.S. No. 1 for Eric Clapton) and the enduring anthem of people power, adopted by civil rights activists worldwide "Get Up, Stand Up." Burnin' was, to some degree, a summary of the Wailers' progress to this point. An album full of revolutionary fire and fervor, it was also the last, heroic distillation of a lineup that had taken the teenaged Wailer, Tosh, and Marley on a journey from the streets of Trenchtown to the brink of global stardom. Although a "new" act in Britain and America, the Wailers had been singing and recording together since 1963, and could boast a plentiful catalog of songs which were largely unknown outside Jamaica. Several of the tracks on Burnin' were re-recordings of songs that had been released before. "Put It On," a gentle, spiritual groove with the more emollient chant of "Lord I Thank You," had been released as a single on the Studio One label in Jamaica in 1965, when it was one of the first songs to coin the word "toasting" to refer to the lyrical style of chanting by the dancehall DJs. Likewise "Duppy Conqueror" and "Small Axe" were both new recordings of songs that were old favorites in the Wailers' story. From Burnin' forward it would be Bob Marley who was very much the man in charge. Here, with our UHQR format in Clarity Vinyl, you receive the added bonus of a 45 RPM cut that enhances the clarity and transparency of the music. It's all set against Quality Record Pressings' usual noiseless backgrounds 180-gram flawless records. Each UHQR will be packaged in a custom clamshell box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.
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Bob Marley and The Wailers – Burnin’ (33 RPM 180 Gram LP on Clarity Vinyl)
178,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartBob Marley & The Wailers — Burnin' Analogue Productions' UHQR, the pinnacle of high-quality vinyl! Definitive limited run reissue Ultra High Quality Record! Mastered by Ryan K. Smith at Sterling Sound from the original master tape 33 1/3 RPM LP release limited to 4,500 copies Pressed at Quality Record Pressings using Clarity Vinyl® Custom clamshell box — highest quality pressing and packaging! Burnin' is the Wailers' sixth album, released in October 1973. All three members of the band — Bob Marley, Peter Tosh, and Bunny Wailer (the last time before Tosh and Bunny departed for solo careers and the band became known as Bob Marley & The Wailers) — wrote for, recorded and produced the album in Jamaica. Burnin' promoted the Wailers into international fame, led by the classic hits "I Shot The Sheriff" (a subsequent U.S. No. 1 for Eric Clapton) and the enduring anthem of people power, adopted by civil rights activists worldwide "Get Up, Stand Up." Burnin' was, to some degree, a summary of the Wailers' progress to this point. An album full of revolutionary fire and fervor, it was also the last, heroic distillation of a lineup that had taken the teenaged Wailer, Tosh, and Marley on a journey from the streets of Trenchtown to the brink of global stardom. Although a "new" act in Britain and America, the Wailers had been singing and recording together since 1963, and could boast a plentiful catalog of songs which were largely unknown outside Jamaica. Several of the tracks on Burnin' were re-recordings of songs that had been released before. "Put It On," a gentle, spiritual groove with the more emollient chant of "Lord I Thank You," had been released as a single on the Studio One label in Jamaica in 1965, when it was one of the first songs to coin the word "toasting" to refer to the lyrical style of chanting by the dancehall DJs. Likewise "Duppy Conqueror" and "Small Axe" were both new recordings of songs that were old favorites in the Wailers' story. From Burnin' forward it would be Bob Marley who was very much the man in charge. Flawless is the only way to describe these limited edition 180-gram vinyl reissues. Featuring mastering by Ryan K. Smith at Sterling Sound from the original analog tape, and custom pressing at Quality Record Pressings, these beauties are created using Clarity Vinyl, for the purest sound and most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a custom clamshell box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. Burnin' — now a landmark production on Analogue Productions UHQR Clarity Vinyl!
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Bob Marley – Catch A Fire (45 RPM 180 Gram Double LP on Clarity Vinyl)
198,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartBob Marley & The Wailers — Catch A Fire Analogue Productions UHQR, the pinnacle of high-quality vinyl Definitive limited run reissue Ultra High Quality Record! 45 RPM LP release limited to 4,500 copies Mastered by Ryan K. Smith at Sterling Sound from the original master tape Pressed at Quality Record Pressings using Clarity Vinyl® Custom clamshell box — highest quality pressing and packaging! Catch A Fire is the Wailers' fifth studio album and their major label debut for Island Records — becoming an international success after its release in 1973. The album has nine songs, two of which were written and composed by Peter Tosh; the remaining seven were by Bob Marley. While Bunny Wailer is not credited as a writer, the group's writing style was a collective process. Although Marley may have been the main voice, every member of the Wailers made valuable contributions and they were never more united in their vision and sound. Catch A Fire did for reggae what Please Please Me, the first Beatles album, had done for pop and rock exactly a decade earlier. An album of revolutionary genius, which combined perfect timing with lasting cultural significance, Catch A Fire laid a foundation stone for the career of the world's first and indeed only reggae superstar and established a bridgehead between the deep roots music of Jamaica and the commercial pop mainstream of the First World. Its release marked the moment that reggae truly did begin to "catch fire" on the international stage. The result was an album with a groove that was languid, soulful, and sun-drenched, yet lean and taut as a coiled spring. The bass and drum parts — supplied by Aston "Family Man" Barrett and his younger brother Carlton Barrett, respectively — were welded together by the distinctive staccato scratch-strokes of Marley's rhythm guitar. The irresistible rhythmic tug which this produced was a revelation to the great majority of listeners discovering the band for the first time. Here, with our UHQR format in Clarity Vinyl, you receive the added bonus of a 45 RPM cut that enhances the clarity and transparency of the music. It's all set against Quality Record Pressings' usual noiseless backgrounds 180-gram flawless records. Each UHQR will be packaged in a custom clamshell box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Catch A Fire — now a landmark production on Analogue Productions UHQR Clarity Vinyl!
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Bob Marley – Catch A Fire (33 1/3 RPM 180 Gram Clarity Vinyl)
178,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartBob Marley & The Wailers — Catch A Fire Analogue Productions UHQR, the pinnacle of high-quality vinyl Definitive limited run reissue Ultra High Quality Record! 33 1/3 RPM LP release limited to 4,500 copies Mastered by Ryan K. Smith at Sterling Sound from the original master tape Pressed at Quality Record Pressings using Clarity Vinyl® Custom clamshell box — highest quality pressing and packaging! Catch A Fire is the Wailers' fifth studio album and their major label debut for Island Records — becoming an international success after its release in 1973. The album has nine songs, two of which were written and composed by Peter Tosh; the remaining seven were by Bob Marley. While Bunny Wailer is not credited as a writer, the group's writing style was a collective process. Although Marley may have been the main voice, every member of the Wailers made valuable contributions and they were never more united in their vision and sound. Catch A Fire did for reggae what Please Please Me, the first Beatles album, had done for pop and rock exactly a decade earlier. An album of revolutionary genius, which combined perfect timing with lasting cultural significance, Catch A Fire laid a foundation stone for the career of the world's first and indeed only reggae superstar and established a bridgehead between the deep roots music of Jamaica and the commercial pop mainstream of the First World. Its release marked the moment that reggae truly did begin to "catch fire" on the international stage. The result was an album with a groove that was languid, soulful, and sun-drenched, yet lean and taut as a coiled spring. The bass and drum parts — supplied by Aston "Family Man" Barrett and his younger brother Carlton Barrett, respectively — were welded together by the distinctive staccato scratch-strokes of Marley's rhythm guitar. The irresistible rhythmic tug which this produced was a revelation to the great majority of listeners discovering the band for the first time. Flawless is the only way to describe these limited edition 180-gram vinyl reissues. Featuring mastering by ????, from the original analog tape, and custom pressing at Quality Record Pressings, these beauties are created using Clarity Vinyl, for the purest sound and most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a custom clamshell box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. Catch A Fire — now a landmark production on Analogue Productions UHQR Clarity Vinyl!