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    Sonny Rollins – Sonny Rollins And The Contemporary Leaders

    39,00 

    Includes 19% MwSt DE
    Additional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.

    Contemporary Records Acoustic Sounds Series continues in 2025! Mastered AAA by Bernie Grundman from the original analog tapes   180-gram LP pressed at RTI   Tip-on jacket   Series supervised by Chad Kassem CEO of Acoustic Sounds Continuing Craft Recordings' celebration of seminal jazz artists from Contemporary Records Sonny Rollins and the Contemporary Leaders was originally released in 1959 by west coast jazz label Contemporary Records. Rollins is backed by a who's who of the labels players, including Hampton Hawes (piano), Barney Kessel (guitar), Leroy Vinnegar (bass) and Shelly Manne (drums). This edition, released as part of the Acoustic Sounds Contemporary Records Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed at RTI on 180-gram vinyl, and presented in a tip-on jacket.

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    John Coltrane – A Love Supreme (Tape)

    Tape
    620,00 

    Includes 19% MwSt DE
    Additional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.

    Analogue Productions Ultra Tape reel-to-reel reissues! Each title a 15 ips, ¼-inch 2-track (½ track) analog tape copy Sourced from original master tapes Transferred using ATR-modified Ampex Tape Machine with flux magnetic heads Custom slipcase cover — highest quality tape reissue! A Love Supreme is John Coltrane's classic album originally released in 1965 on Impulse! RecordsColtrane's immortal A Love Supreme (1964) and Ballads (1963) both are music landmarks. Here, with our Ultra Tape 15 ips 1/4-inch analog tape copy, the music sounds its purest and most vital. The tape playback brings crystal clear fidelity to the highest and lowest freqency ranges. The original master tape is available but it's not in the best shape. This tape transfer is from a flat tape copy made by Rudy Van Gelder and used for cutting in the U.K. in April of 1965. Of course, the original recording was in December '64, so only a handful of months later. This tape was discovered at Abbey Road and had been untouched between 1965 and 2002. So while the original tape is available and while we would always opt for the original whenever we can, in this case this copy was the better choice as the tape has incurred less overall wear and sounds much better than the original. Jazz critics have lauded A Love Supreme as Coltrane's most important recording. The rave reviews that appeared in the magazines DownbeatJazz HotJazz Podium and Swing Journal reflected this: critics all over the world, in America, Europe and Japan recognized Coltrane's declaration that his musical devotion was now intertwined with his faith in God. In many ways, the album mirrors Coltrane's spiritual quest that grew out of his personal troubles, including a long struggle with drug and alcohol addiction. From the opening gong and tenor saxophone flutter, a four-note bass line builds under the sound. This simple riff becomes the musical framework for the rich improvisations that comprise John Coltrane's 33-minute musical journey.

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    John Coltrane Quartet – Ballads (Tape)

    Tape
    620,00 

    Includes 19% MwSt DE
    Additional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.

    Analogue Productions Ultra Tape reel-to-reel reissues! Each title a 15 ips, ¼-inch 2-track (½ track) analog tape copy Sourced from original master tapes Transferred using ATR-modified Ampex Tape Machine with flux magnetic heads Custom slipcase cover — highest quality tape reissue! "My first introduction to this outstanding Rudy van Gelder recording dates back to the '90's JVC's XRCD series. Since then, I've acquired different versions on LP, each one being a step better, culminating in the 45 rpm reissue. And now we have it in the ultimate format 15-ips reel-to-tape. Here we find the aptly titled Ballads featuring a much mellower version of Coltrane, backed by the likes of McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums. Or as Ashley Kahn wrote, 'In 1963 had Impulse decided to title his new album something like Coltrane Plays for Lovers Only rather than Ballads, it would have been cliché, but more accurate.' Nothing could be closer to the truth and just a great demonstration of Coltrane's incredible talent." — Myles B. Astor, Positive Feedback, 2022 Writer's Choice Awards A.B. Spellman, former administrator for the National Endowment for the Arts, once described Ballads as "some of the most sensitive, heartfelt music that any lover ever sang on a horn." Put simply, most guys don't play the saxophone like John Coltrane. And even the finest-sounding LPs can't match the fidelity and sonic detail captured by a master tape. Here, with our Ultra Tape 15 ips 1/4-inch analog tape copy, the music sounds its purest and most vital. The tape playback brings crystal clear fidelity to the highest and lowest freqency ranges. The intense passionate Coltrane interpretation of standards such as "All Or Nothing At All," "What's New," "It's Easy To Remember" and the Sinatra classic "Nancy (With The Laughing Face)" are the essence of Ballads. When asked why attempt such an undertaking, Coltrane replied "Variety." While it may have been a short detour by Trane before he exploded off into the nether regions of jazz music a few years later, it is still a fantastic document of one of the premier jazz groups of the 1960s. Recorded December 21, 1961 and September 18 & November 13, 1962 at Rudy Van Gelder Studios.

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    Oscar Peterson – We Get Requests (Tape)

    Tape
    580,00 

    Includes 19% MwSt DE
    Additional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.

    Analogue Productions Ultra Tape reel-to-reel reissues! Sourced from original master tapes Transferred using ATR-modified Ampex Tape Machine with flux magnetic heads Custom slipcase cover - highest quality tape reissue! From Acoustic Sounds, Inc., the world leader in audiophile music sales, comes the highest quality analog reel-to-reel tape album reissues - Analogue Productions Ultra Tape! From Analogue Productions comes another classic title in our Ultra Tape reel-to-reel album reissue series. Each is a 15 ips, ¼-inch analog tape copy (IEC equalization) sourced from a copy of the original analog master tape. Transferred real-time, using an ATR-modified Ampex Tape Machine with flux magnetic heads. Custom slipcase cover. When Jim Davis started producing records at Verve, he changed the company's recording philosophy toward its most prolific instrumentalist. Where Norman Granz had produced countless Oscar Peterson albums dedicated to the popular song, Davis was more interested in making albums closer to how the Peterson trio sounded live. His first Peterson records were the legendary London House sessions. By the time of this album, there had been no personnel change in the trio for five years - so it is no surprise that the rapport among the musicians here is telepathic. Originally released in 1964. Musicians: Oscar Peterson, piano Ray Brown, bass Ed Thigpen, drums

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    Fritz Reiner – Bartok: Concerto For Orchestra (Tape)

    Tape
    580,00 

    Includes 19% MwSt DE
    Additional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.

    Analogue Productions Ultra Tape reel-to-reel reissues! Sourced from original master tapes Transferred using ATR-modified Ampex Tape Machine with flux magnetic heads Custom slipcase cover - highest quality tape reissue! From Acoustic Sounds, Inc., the world leader in audiophile music sales, comes the highest quality analog reel-to-reel tape album reissues - Analogue Productions Ultra Tape! From Analogue Productions comes another classic title in our Ultra Tape reel-to-reel album reissue series. Each is a 15 ips, ¼-inch analog tape copy (IEC equalization) sourced from a copy of the original analog master tape. Transferred real-time, using an ATR-modified Ampex Tape Machine with flux magnetic heads. Custom slipcase cover. Since its original release on LP in the mid-1950s, Fritz Reiner's rendition of the "Concerto for Orchestra" has stood as the standard against which all other recordings of the work are measured. Reiner's superb control of his orchestra and of Bartók's rhythms and textures is still unsurpassed, even by dozens of subsequent conductors in the digital age. Likewise, the "Music for Strings, Percussion and Celesta" shows just what an incredible ensemble the Chicago Symphony was under Reiner's direction.

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    Fritz Reiner – Prokofiev: Lieutenant Kije/ Stravinsky: Song of the Nightingale (Tape)

    Tape
    580,00 

    Includes 19% MwSt DE
    Additional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.

    Analogue Productions Ultra Tape reel-to-reel reissues! Twelve masterpiece titles, each a 15 ips, ¼-inch 2-track (½ track) analog tape copy Sourced from original master tapes Transferred using ATR-modified Ampex Tape Machine with flux magnetic heads Custom slipcase cover - highest quality tape reissue! Positive Feedback magazine Writer's Choice Awards for 2017! "One area where the tape truly stands (out) with both pieces lies in its ability to reveal subtleties during louder passages. Not to mention the tone in the lower registers of reed instruments. The attack and decay of individual instruments and mood swings on a dime. The strike and ringing of triangles (are) unlike you'll ever hear on LP. Plus the recording's crystalline-like transparency allows more of the sense of Chicago Symphony Hall to emerge." — Myles B. Astor, Senior Editor, Positive Feedback magazine, January 12, 2018. Read the whole review here. Astor also reviewed Lt. Kije here for the magazine's Writer's Choice Awards 2017 "Number six on Sid Marks' all time RCA Living Stereo list (Ultimate Audio, vol.3, no.4, pgs.72-76, 2000) and for good reason. To quote Sid, 'From tonal qualities to dynamics, staging and ambience, this beauty has always been among the brightest of stars in the RCA analog heaven.' Sid might even after hearing this 15 ips reel-to-reel tape reissue rank this recording even higher. Two of the greatest Russian composers. Two great tales. One of a fake soldier and the other a fake nightingale. Reiner and the CSO at their best and unbelievable sonics some 60 years ago all wrapped up into one. "This tape is a system buster! Word of warning! Play the tape the first time through at lower than normal volume levels. There isn't another tape, LP or CD with greater dynamic range. A very few recordings may equal but none will surpass the feeling of an orchestra playing in your listening room. Oh, those Chicago strings! Buy the Acoustic Sounds remastered LP if you don't own a tape machine!" — Myles B. Astor, Senior Editor, Positive Feedback magazine From Acoustic Sounds, Inc., the world leader in audiophile music sales, comes the highest quality analog reel-to-reel tape album reissues — Analogue Productions Ultra Tape! Twelve masterpiece titles are featured in this new reissue series, each a 15 ips, ¼-inch analog tape copy (IEC equalization) sourced from a copy of the original analog master tape. Transferred real-time, using an ATR-modified Ampex Tape Machine with flux magnetic heads. Custom slipcase cover. The first two titles — Janis Ian's Breaking Silence and Ben Webster's Gentle Ben are releasing before 2016 ends. One of the most sought-after Living Stereos and deservedly so, especially for the "Song of the Nightingale" which is one of Mohr and Layton's finest efforts. The sound is truly wonderful on the Stravinsky too. The original 3-track session tapes were used in mastering for LPs and SACDs. Truly one of Fritz Reiner and the Chicago Symphony's best. Each Ultra Tape reissue copy is priced at $450. The remaining titles include: Rickie Lee Jones' It's Like This / Rachmaninoff's Symphonic Dances (the famous Turnabout recording) / Fritz Reiner and the Chicago Symphony Orchestra's Scheherazade (RCA Living Stereo) / Fritz Reiner and the Chicago Symphony Orchestra's Pines of Rome and Fountains of Rome (RCA Living Stereo) / Leopold Stokowski's Rhapsodies (RCA Living Stereo) / René Leibowitz and the Royal Philharmonic Orchestra The Power of The Orchestra (RCA Living Stereo) / Hugh Masekela's Hope / Abel /Steinberg — Beethoven Violin Sonata (Wilson Audio) / and Lowell Graham's Winds of War & Peace (Wilson Audio).

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    The White Stripes – Elephant (Tape)

    Tape
    620,00 

    Includes 19% MwSt DE
    Additional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.

    Analogue Productions Ultra Tape reel-to-reel reissues! Each title a 15 ips, ¼-inch 2-track (½ track) analog tape copy Sourced from original master tapes Tapes transferred real time on Ampex ATR 102 at Blue Heaven Studios by Matthew Lutthans Custom slipcase cover - highest quality tape reissue! From Acoustic Sounds, Inc., the world leader in audiophile music sales, comes the highest quality analog reel-to-reel tape album reissues - Analogue Productions Ultra Tape! From Analogue Productions comes another classic title in our Ultra Tape reel-to-reel album reissue series. Each is a 15 ips, ¼-inch analog tape copy (IEC equalization) sourced from a copy of the original analog master tape. Transferred real-time, using an ATR-modified Ampex Tape Machine with flux magnetic heads, by Matthew Luthans at Blue Heaven Studios. Custom slipcase cover. Originally released in 2003, the fourth studio album by the rock duo the White Stripes was an extraordinary success. It peaked at No. 6 on the Billboard charts and topped the U.K. Albums Charts. To date it's sold 4 million copies worldwide, achieving platinum-sales certification from the Recording Industry Association of America and 3x platinum from the British Phonographic Industry. It spawned the hit single "Seven Nation Army," the band's signature track that's become a sports anthem, plus the hits "I Just Don't Know What to Do with Myself," "The Hardest Button to Button" and "There's No Home for You Here." Elephant has received critical acclaim and it's often cited as the White Stripe's best work, including receiving a nomination for Album of the Year and a win for Best Alternative Music Album at the 46th Grammy Awards in 2004. Rolling Stone ranked the album No. 449 on its 2020 list of the 500 Best Albums of All Time. The Stripes, it said, exploded out of Detroit with a minimalist garage-blues attack: just Jack White on guitar and Meg White on drums, taking on the world.

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    Art Pepper – New York Album (Tape)

    Tape
    580,00 

    Includes 19% MwSt DE
    Additional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.

    Analogue Productions Ultra Tape reel-to-reel reissues! Sourced from original master tapes Transferred using ATR-modified Ampex Tape Machine with flux magnetic heads Custom slipcase cover - highest quality tape reissue! From Acoustic Sounds, Inc., the world leader in audiophile music sales, comes the highest quality analog reel-to-reel tape album reissues - Analogue Productions Ultra Tape! From Analogue Productions comes another classic title in our Ultra Tape reel-to-reel album reissue series. Each is a 15 ips, ¼-inch analog tape copy (IEC equalization) sourced from a copy of the original analog master tape. Transferred real-time, using an ATR-modified Ampex Tape Machine with flux magnetic heads. Custom slipcase cover. This classic lineup from 1979 features virtuoso Art Pepper on alto sax, Hank Jones on piano, Ron Carter on bass and Al Foster on drums. Recorded in 1979 at the sessions that produced So In Love, but not released on the Galaxy label until 1985.

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    Fritz Reiner – Respighi: Pines Of Rome & Fountains Of Rome (Tape)

    Tape
    580,00 

    Includes 19% MwSt DE
    Additional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.

    Analogue Productions Ultra Tape reel-to-reel reissues! Twelve masterpiece titles, each a 15 ips, ¼-inch 2-track (½ track) analog tape copy Sourced from original master tapes Transferred using ATR-modified Ampex Tape Machine with flux magnetic heads Custom slipcase cover - highest quality tape reissue! "It certainly wouldn't be going out on a limb to say that Scheherazade and The Pines of Rome were two of the most anticipated Analogue Productions Ultra Tape! Series releases. High expectations sometimes lead to disappointment, but not here! Both reel-to-reel tape releases live up to and exceeded expectations, especially in terms of recreating the original recordings dynamics, spatiality, and resolution." — Myles B. Astor, Positive Feedback magazine, Issue 93, Sept. 1, 2017. Read the entire review. From Acoustic Sounds, Inc., the world leader in audiophile music sales, comes the highest quality analog reel-to-reel tape album reissues — Analogue Productions Ultra Tape! Twelve masterpiece titles are featured in this new reissue series, each a 15 ips, ¼-inch analog tape copy (IEC equalization) sourced from a copy of the original analog master tape. Transferred real-time, using an ATR-modified Ampex Tape Machine with flux magnetic heads. Custom slipcase cover. The first two titles — Janis Ian's Breaking Silence and Ben Webster's Gentle Ben are releasing before 2016 ends. A highly sought-after RCA shaded dog Living Stereo title, the performance and sonics found within these two classic albums rate a 10/10. Led by conductor Fritz Reiner and performed by the Chicago Symphony Orchestra, this is a must have — the dynamics are monstrous! Whichever other Respighi tone poem recordings you ultimately purchase, you MUST own this one. Since the early ‘60s it has been the standard by which all others have been judged, and in terms of both sound and performance, it has never really been surpassed. The final March of Pines is simply incredible: Thundering bass drum, crashing cymbals and gongs, bellowing brass — nobody since has brought the whole thing off with the same combination of excitement and discipline. Each Ultra Tape reissue copy is priced at $450. The remaining titles include: Rickie Lee Jones' It's Like This / Rachmaninoff's Symphonic Dances (the famous Turnabout recording) / Fritz Reiner and the Chicago Symphony Orchestra's Scheherazade (RCA Living Stereo) / Hugh Masekela's Hope / Leopold Stokowski's Rhapsodies (RCA Living Stereo) / René Leibowitz and the Royal Philharmonic Orchestra The Power of The Orchestra (RCA Living Stereo) / Fritz Reiner and the Chicago Symphony Orchestra's Lieutenant Kije and Stravinksy's Song of the Nightingale (RCA Living Stereo) / Abel /Steinberg - Beethoven Violin Sonata (Wilson Audio) / and Lowell Graham's Winds of War & Peace (Wilson Audio).

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    Muddy Waters – Folk Singer (Tape)

    Tape
    580,00 

    Includes 19% MwSt DE
    Additional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.

    Analogue Productions Ultra Tape reel-to-reel reissues! Sourced from original master tapes Transferred using ATR-modified Ampex Tape Machine with flux magnetic heads Custom slipcase cover - highest quality tape reissue! From Acoustic Sounds, Inc., the world leader in audiophile music sales, comes the highest quality analog reel-to-reel tape album reissues - Analogue Productions Ultra Tape! Follow along as writer/professor Wayne Goins explores the creation of Folk Singer, and leads a visual tour of the former Chess Records studios, here. "After a long wait, my copy of Analog Productions Muddy Waters - Folk Singer (Ultra Tape) 1/4 Inch - 15 IPS Tape finally arrived today. Mamma Mia! I'll write in more detail in upcoming reviews in due course, but there is something fundamentally right about the sonic scope and raw music that comes through this format. The lack of a mechanical imprint, which even the best digital is not free of, and the dynamic freedom is simply the charts. The packaging, the quality of the printing, and the overall experience of this format scream quality at every turn. Extremely impressive! You can call me a convert!" — Matej Isak, monoandstereo.com. "My first reaction when Chad Kassem told me at a recent audio show that Muddy Water's Folk Singer would highlight Acoustic Sound's second series of 15-ips tape releases was complete shock. Not for long, though, as exhilaration rapidly starting coursing through my body. What audiophile in their right mind with a tape machine wouldn't want a 15-ips tape copy of this classic Chess Records recording? One that has an extra, unlisted tenth track of Waters's 'You Can't Lose What You Ain't Never Had' (taken from an April 1964 recording session) that's not on the original album. For good reason, too, as this new 15-ips tape copy lives up to and exceeds even the most lofty expectations. The tape just brings this 1963 recording to life in new and unexpected ways whether it be foot taps, the sound of Guy's guitar and reverb trails." — Myles B. Astor, Positive Feedback.com, Issue 100, Nov. 1, 2018. Read the entire review here. "The Muddy Waters is the best sounding tape I have ever heard. It's beyond any expectation of what any tape could ever sound like. It sounded like Muddy was in our room! He came alive. It makes it all worthwhile. The packaging is over the top. It is heirloom quality. All you can say is: 'Holy Shit!' You nailed it." - Tom Caselli, Alpharetta, Georgia From Analogue Productions comes another classic title in our Ultra Tape reel-to-reel album reissue series. Each is a 15 ips, ¼-inch analog tape copy (IEC equalization) sourced from a copy of the original analog master tape. Transferred real-time, using an ATR-modified Ampex Tape Machine with flux magnetic heads. Custom slipcase cover. There are a handful of landmark albums in any genre. In the blues, one of them is Muddy Waters' Folk Singer. Originally released in 1964, Folk Singer was the only acoustic album Waters ever recorded, thus becoming the first and perhaps best blues concept album ever. Muddy of course started out playing acoustic blues in the Delta, and he's clearly very comfortable in this return to his roots, which was designed to appeal to the mid-1960s surge of interest in folk music. Muddy's supporting cast includes a very young Buddy Guy on guitar, Willie Dixon at the upright bass and Clifton James on drums. This recording has enormous presence with ample room for Muddy's booming voice to resonate.

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    Ben Webster – Gentle Ben (Ultra Tape)

    Tape
    580,00 

    Includes 19% MwSt DE
    Additional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.

    Analogue Productions Ultra Tape reel-to-reel reissues! Twelve masterpiece titles, each a 15 ips, ¼-inch 2-track (½ track) analog tape copy Sourced from original master tapes Transferred using ATR-modified Ampex Tape Machine with flux magnetic heads Custom slipcase cover - highest quality tape reissue! From Acoustic Sounds, Inc., the world leader in audiophile music sales, comes the highest quality analog reel-to-reel tape album reissues — Analogue Productions Ultra Tape! Twelve masterpiece titles are featured in this new reissue series, each a 15 ips, ¼-inch analog tape copy (IEC equalization) sourced from a copy of the original analog master tape. Transferred real-time, using an ATR-modified Ampex Tape Machine with flux magnetic heads. Custom slipcase cover. The first two titles — Janis Ian's Breaking Silence and Ben Webster's Gentle Ben are releasing before 2016 ends. Gentle Ben was made 10 months before Ben Webster's death in 1972. Webster, who had left the United States in 1965 to settle in Europe — first in Copenhagen and then in Amsterdam — was visiting fellow musician and friend Tete Montoliu in Barcelona. Webster and pianist Montoliu went back a ways, having played together regularly in Webster's Copenhagen days. In fact, Montoliu cited Webster and Don Byas as his two chief musical influences. Webster and Montoliu understood each other deeply, and their comfort with on another is palpable in this recording. Their accompaniment of one another is seamless. On board with these two is Montoliu's regular working trio-mates, Eric Peter on bass and Peer Wyboris on drums.   There's no shortage of Webster's trademark breathy, fat tenor tone here. In fact, given the sparse arrangement, that rich, humid, giant sax blooms like on few other recordings. Highlights include "Ben's Blues," "Sweet Georgia Brown," "The Man I Love" and "Don't Blame Me." Each Ultra Tape reissue copy is priced at $450. The entire series is available by subscription. The remaining titles include: Rickie Lee Jones' It's like This / Hugh Masekela's Hope / Rachmaninoff's Symphonic Dances (the famous Turnabout recording) / Fritz Reiner and the Chicago Symphony Orchestra's Scheherazade (RCA Living Stereo) / Fritz Reiner and the Chicago Symphony Orchestra's Pines of Rome and Fountains of Rome (RCA Living Stereo) / Leopold Stokowski's Rhapsodies (RCA Living Stereo) / René Leibowitz and the Royal Philharmonic Orchestra The Power of The Orchestra (RCA Living Stereo) / Fritz Reiner and the Chicago Symphony Orchestra's Lieutenant Kije and Stravinksy's Song of the Nightingale (RCA Living Stereo) / Abel /Steinberg — Beethoven Violin Sonata (Wilson Audio) / and Lowell Graham's Winds of War & Peace (Wilson Audio).

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    Fritz Reiner – Rimsky-Korsakoff: Scheherazade (Ultra Tape)

    Tape
    580,00 

    Includes 19% MwSt DE
    Additional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.

    Twelve masterpiece titles, each a 15 ips, ¼-inch 2-track (½ track) analog tape copy Sourced from original master tapes Transferred using ATR-modified Ampex Tape Machine with flux magnetic heads Custom slipcase cover - highest quality tape reissue!From Acoustic Sounds, Inc., the world leader in audiophile music sales, comes the highest quality analog reel-to-reel tape album reissues - Analogue Productions Ultra Tape! "Chad, Good Thursday Morning! Several days ago, we had over a 'Reviewer' who wanted to listen to AP's Master-Tapes. He thought very HIGHLY after listening. His suggestion, as well as others in attendance, do more Classical tapes that have a bombastic, exciting, explosive, sweeping musical presentation. These tapes were wonderful and I am happy that you decided to become part of the 'PURE ANALOG-MOVEMENT'. We played both 'SCHEHERAZADE' & 'THE POWER OF THE ORCHESTRA'. Stupendous musical presentations!! Great job Chad. Kudos to yourself and your Team!!" — Bernard Ginsberg, Acoustic Sounds customer "It certainly wouldn't be going out on a limb to say that Scheherazade and The Pines of Rome were two of the most anticipated Analogue Productions Ultra Tape! Series releases. High expectations sometimes lead to disappointment, but not here! Both reel-to-reel tape releases live up to and exceeded expectations, especially in terms of recreating the original recordings dynamics, spatiality, and resolution." — Myles B. Astor, Positive Feedback magazine, Issue 93, Sept. 1, 2017. Read the entire review. Twelve masterpiece titles are featured in this new reissue series, each a 15 ips, ¼-inch analog tape copy (IEC equalization) sourced from a copy of the original analog master tape. Transferred real-time, using an ATR-modified Ampex Tape Machine with flux magnetic heads. Custom slipcase cover. The first two titles — Janis Ian's Breaking Silence and Ben Webster's Gentle Ben are releasing before 2016 ends. The jewel in the Living Stereo crown. Enchantment awaits within! Fritz Reiner and the Chicago Symphony convey the listener on a magic carpet of Living Stereo sound to mythic Arabia and China, guided by two of Russia's greatest orchestral masters. This, like the Respighi, is considered one of the very best recordngs by Reiner, the Chicago Symphony Orchestra and RCA's crew. An album of supple and sensuous performances, the sound alternately shimmers and stuns with the clarity of its definition and intensity of its climaxes. Each Ultra Tape reissue copy is priced at $450. The remaining titles include: Rickie Lee Jones' It's Like This / Rachmaninoff's Symphonic Dances (the famous Turnabout recording) / Hugh Masekela's Hope / Fritz Reiner and the Chicago Symphony Orchestra's Pines of Rome and Fountains of Rome (RCA Living Stereo) / Leopold Stokowski's Rhapsodies (RCA Living Stereo) / René Leibowitz and the Royal Philharmonic Orchestra The Power of The Orchestra (RCA Living Stereo) / Fritz Reiner and the Chicago Symphony Orchestra's Lieutenant Kije and Stravinksy's Song of the Nightingale (RCA Living Stereo) / Abel /Steinberg — Beethoven Violin Sonata (Wilson Audio) / and Lowell Graham's Winds of War & Peace (Wilson Audio).

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    Hugh Masekela – Hope (Ultra Tape)

    Tape
    580,00 

    Includes 19% MwSt DE
    Additional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.

    Analogue Productions Ultra Tape reel-to-reel reissues! Twelve masterpiece titles, each a 15 ips, ¼-inch 2-track (½ track) analog tape copy Sourced from original master tapes Transferred using ATR-modified Ampex Tape Machine with flux magnetic heads Custom slipcase cover - highest quality tape reissue! From Acoustic Sounds, Inc., the world leader in audiophile music sales, comes the highest quality analog reel-to-reel tape album reissues — Analogue Productions Ultra Tape! Twelve masterpiece titles are featured in this new reissue series, each a 15 ips, ¼-inch analog tape copy (IEC equalization) sourced from a copy of the original analog master tape. Transferred real-time, using an ATR-modified Ampex Tape Machine with flux magnetic heads. Custom slipcase cover. The first two titles — Janis Ian's Breaking Silence and Ben Webster's Gentle Ben are releasing before 2016 ends. A longtime audiophile demonstration disc, Hope will show off your system's dynamic range as well as any album ever released. Hugh Masekela, the outstanding South African trumpeter, assembled a seven-piece group and recorded this great set live at Washington, D.C.'s Blues Alley. The songs stretch over a period of nearly five decades and serve as an informal guided tour of Masekela's life. The songs are honest and bare, and as for the sound — WOW! Each Ultra Tape reissue copy is priced at $450. The entire series is available by subscription. The remaining titles include: Rickie Lee Jones' It's Like This / Rachmaninoff's Symphonic Dances (the famous Turnabout recording) / Fritz Reiner and the Chicago Symphony Orchestra's Scheherazade (RCA Living Stereo) / Fritz Reiner and the Chicago Symphony Orchestra's Pines of Rome and Fountains of Rome (RCA Living Stereo) / Leopold Stokowski's Rhapsodies (RCA Living Stereo) / René Leibowitz and the Royal Philharmonic Orchestra The Power of The Orchestra (RCA Living Stereo) / Fritz Reiner and the Chicago Symphony Orchestra's Lieutenant Kije and Stravinksy's Song of the Nightingale (RCA Living Stereo) / Abel /Steinberg — Beethoven Violin Sonata (Wilson Audio) / and Lowell Graham's Winds of War & Peace (Wilson Audio).

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    Oliver Nelson – Blues and the Abstract Truth (Tape)

    Tape
    580,00 

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    Analogue Productions Ultra Tape reel-to-reel reissues! Sourced from original master tapes Transferred using ATR-modified Ampex Tape Machine with flux magnetic heads Custom slipcase cover - highest quality tape reissue! From Acoustic Sounds, Inc., the world leader in audiophile music sales, comes the highest quality analog reel-to-reel tape album reissues - Analogue Productions Ultra Tape! From Analogue Productions comes another classic title in our Ultra Tape reel-to-reel album reissue series. Each is a 15 ips, ¼-inch analog tape copy (IEC equalization) sourced from a copy of the original analog master tape. Transferred real-time, using an ATR-modified Ampex Tape Machine with flux magnetic heads. Custom slipcase cover. "The Blues and the Abstract Truth is one of my favorite jazz recordings. What a group of heavy-weight performers! Besides Oliver Nelson on tenor sax, you've got the incomparable Bill Evans on piano, Freddie Hubbard on trumpet, Paul Chambers on bass, Roy Haynes on drums, and Eric Dolphy on flute and alto sax. This is the jazz equivalent of a super-group." — Jim Hannon, AVguide.com As Oliver Nelson is known primarily as a big band leader and arranger, he is lesser known as a saxophonist and organizer of small ensembles. Blues And The Abstract Truth is his triumph as a musician for the aspects of not only defining the sound of an era with his all-time classic "Stolen Moments," but on this recording, assembling one of the most potent modern jazz sextets ever. Lead trumpeter Freddie Hubbard is at his peak of performance, while alto saxophonists Nelson and Eric Dolphy (Nelson doubling on tenor) team to for an unlikely union that was simmered to perfection. Bill Evans (piano), Paul Chambers (bass) and Roy Haynes (drums) can do no wrong as a rhythm section. Originally released in 1961. Oliver Nelson, alto saxophone, tenor saxophone George Barrow, baritone saxophone Paul Chambers, bass Eric Dolphy, flute, alto saxophone Bill Evans, piano Roy Haynes, drums Freddie Hubbard, trumpet

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    Miles Davis – Birth Of The Blue

    54,00 

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    Miles Davis — Birth of the Blue Smash follow-up to what many consider the greatest jazz record ever! Four more songs from the pioneering ensemble that produced Miles Davis' Kind of Blue! Modal jazz precursor laid groundwork for future jazz innovation! 180-gram vinyl Mastered by Matthew Lutthans at The Mastering Lab from a new 30 ips quarter-inch stereo master tape transferred from the original 3-track session tapes Plated and pressed at Quality Record Pressings for flawless production and superior fidelity! Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish Miles Davis's Kind of Blue was the number-one jazz album in history. It totaled five songs. There are four more songs from that same historic group, recorded in the same time period and at the same studio. And here they are. These songs deserve to stand on their own with artwork to highlight the quality of the music and that matches the time period of the recording. This is a rare opportunity to have a smash follow-up to what many consider the greatest jazz record ever! Through the years, these four remarkable performances — all from a single recording session in 1958 and all exemplary of the sound of Miles Davis' legend-loaded sextet of that year — have not been served well. They have been largely treated as add-ons for other compilations. Now, for the first time, Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Prssings, has deservedly given these tracks a stellar stand-alone release for jazz fans to savor! The once-in-a-generation lineup that recorded these tunes is the very same that would be immortalized for the enduring classic they would record almost a year later, Kind of Blue. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley. Undervalued since their recording, the tunes on this album reflect historial and musical significance. They offer early glimpses into the modal jazz that Kind of Blue would bring to the forefront. Using modes common in modern classical music, rather than the chords of popular songs, Miles had begun to experiment with the new approach on the Milestones recording sessions previously. Analogue Productions is proud to present Birth of the Blue in an exclusive first-of-its-kind stand-alone release that reflects our reputation for meticulous production, capturing authentic sound with clarity, depth and fidelity that exceeds the audiophile standard. For this release, we started with the original 3-track recording session tapes that were mixed down to a brand-new 30 ips quarter-inch stereo master tape by senior mastering engineer Vic Anesini at Battery Studios. From that stereo master tape, Matthew Lutthans at The Mastering Lab cut the lacquers at 33 1/3 RPM utilizing the legendary Doug Sax's custom all-tube system and cutting lathe. The lacquers were plated and pressed on 180-gram vinyl at Quality Record Pressings. Lastly, the Stoughton Printing tip-on gatefold jacket with a deluxe scuff-resistant matte finish is the highest quality available. The artwork has an incredible spot-on look to a 1959 Columbia records release! Features: • Pioneering Ensemble: Captured the same rare and short-lived alignment of jazz legends including Miles Davis, John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Jimmy Cobb, as heard on the historic Kind of Blue. • Innovative Sound: The session represented a crucial transition in jazz, blending elements of hard bop with early modal jazz influences, showcasing the ensemble's experimentation and forward-thinking approach. • Undervalued Legacy: Despite its historical and musical significance, the session's recordings have been historically overlooked, often relegated to being add-ons in compilations rather than recognized as standalone masterpieces. • Modal Jazz Precursor: Offered early glimpses into the modal jazz that would later be fully realized in Davis's groundbreaking album "Kind of Blue," laying the groundwork for future jazz innovation. • Impact on Artists: Served as a critical point of development and confidence for the musicians involved, particularly Bill Evans, who noted the significant impact of this experience on his own identity and style. • Historical Context: Occurred at a peak moment in Miles Davis's career, following his signing with Columbia Records and his critical and commercial successes with albums such as ‘Round About Midnight and Miles Ahead. • Revealed backstory: Extensive liner notes by the Grammy Award-winning author Ashley Kahn, who also penned the estential book, Kind Of Blue — The Making Of The Miles Davis Masterpiece https://www.youtube.com/watch?v=9CGF9K2BzNo

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    Ella Fitzgerald – Take Love Easy

    54,00 

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    180-gram vinyl Cut from parts mastered by Stan Ricker from the original analog master tape Pressed at Quality Record Pressings Housed in Stoughton Printing tip-on single pocket jacket Ella Fitzgerald and guitarist Joe Pass teamed up in 1973 for a set of duets for this album. The fabulous pairing's highlights include "Don't Be That Way" and "A Foggy Day." The album is the first of four studio albums that Ella recorded with Pass, and it was the latest in a long line of duets for Ella with just one other instrument. Cut from metal parts mastered by Stan Ricker from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180-gram reissue is an audiophile treasure. Housed in a Stoughton Printing tip-on jacket.

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    Art Tatum and Ben Webster – The Tatum Group Masterpieces

    54,00 

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    180-gram vinyl Mastered by Kevin Gray from the original analog master tape Pressed at Quality Record Pressings Housed in Stoughton Printing tip-on single pocket jacket A historic meeting between pianist Art Tatum and tenor sax giant Ben Webster — recorded in 1956, but only first issued by Pablo Records in the 70s! At some level, it's clear that Tatum's the star of the sessions — as most tracks start out with that introspective and often complicated approach to the keys that marks his trio and solo work — but Webster always slides in just in time to keep the record from being a standard Tatum outing — blowing with a crisp tone that's beautifully recorded here, and hardly concerned at all with the presence of Red Callender on bass and Bill Douglass on drums - who are much lower in the mix. Titles include "Night & Day," "Where Or When," "My Ideal," "Gone With The Wind," and "All The Things You Are." Mastered by Kevin Gray from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180-gram reissue is everything jazz fans expect from an audiophile reissue. Housed in a single pocket Stoughton Printing tip-on jacket.

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    Yes – Fragile

    82,00 

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    Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Yes' breakthrough album! Includes hit singles "Roundabout" and "Long Distance Runaround" 180-gram 45 RPM double LP Mastered by Kevin Gray at Cohearent Audio from the original master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Fragile was Yes' breakthrough album, propelling them in a matter of weeks from a cult act to an international phenomenon. Not coincidentally, it also marked the point where all of the elements of the music (and more) that would define the group's success for more than a decade fell into place fully formed, writes AllMusic, giving Fragile a 5-Star rating. Propelled by the timeless hit "Roundabout," Yes' fourth album, Fragile, became an instant classic and is undoubtedly one of prog-rock's finest moments. It was the first Yes record to feature Rick Wakeman on keyboards and the first to display the inimitable artwork of Roger Dean. Here's the ultimate way to enjoy one of Yes's most popular and enjoyable albums. This Analogue Productions (Atlantic Series) reissue of Fragile is a standout for your collection. First, we turned to Kevin Gray at Cohearent Audio to cut lacquers from the original master tape. Pressing on 180-gram vinyl is by Quality Record Pressings, and the album is housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing. Dream on, on to the Heart of the Sunrise!

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    Otis Redding – Complete & Unbelievable… The Otis Redding Dictionary Of Soul

    82,00 

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    Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Soul legend's 1966 album 180-gram 45 RPM double LP Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Complete & Unbelievable: The Otis Redding Dictionary of Soul was the soul legend's 1966 album (and the last issued in his lifetime). The original album features mostly covers on side one and original compositions by Redding on side two. The album features musical assistance from Booker T. & the M.G.'s-organist Booker T. Jones, pianist/guitarist Steve Cropper, bassist Donald "Duck" Dunn, drummer Al Jackson, Jr.-pianist Isaac Hayes, and the Memphis Horns, consisting of tenor saxophonist Joe Arnold, trumpeter Wayne Jackson, tenor saxophonist Andrew Love and baritone saxophonist Floyd Newman. The Otis Redding Dictionary of Soul was released in October 1966 on the Stax label and peaked at No. 73 and at No. 5 on the Billboard 200 and the R&B LP charts respectively. The album produced two singles, "Fa-Fa-Fa-Fa-Fa (Sad Song)" and "Try a Little Tenderness." In 2,000 it was voted No. 488 in Colin Larkin's All Time Top 1,000 Albums. In 2012, the album was ranked No. 254 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time. Cut at 45 RPM, pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.

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    Boz Scaggs – Boz Scaggs

    82,00 

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    Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Boz Scagg's debut album praised by critics — an enduring blue-eyed soul masterpiece! Featuring "Loan Me a Dime" and "Waiting for a Train" 180-gram 45 RPM double LP Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing

    Boz Scaggs' self-titled album, released in 1969, is an iconic and pivotal record in his career, marking a shift in his musical direction to incorporate elements of soul, R&B, and showcasing his musical versatility.
    Departing from the Steve Miller Band after a two-album stint, Boz Scaggs found himself on his own but not without support. Rolling Stone publisher Jann Wenner, his friend, helped him sign with Atlantic Records and the label had him set up shop in Muscle Shoals, recording his debut album with that legendary set of studio musicians, known for their down-and-dirty backing work for Aretha Franklin and Wilson Pickett, among many other Southern soul legends. AllMusic writes: "The Muscle Shoals rhythm section, occasionally augmented by guitarist Duane Allman, gives this music genuine grit, but this isn't necessarily a straight-up blue-eyed soul record, even if the opening 'I'm Easy' and 'I'll Be Long Gone' are certainly as deeply soulful as anything cut at Muscle Shoals." Scaggs dabbled in country and blues along with the soul and R&B that grounds this record. The extended 11-minute blues workout "Loan Me a Dime," functions as much as a showcase for a blazing Duane Allman as it does for Boz. But even with that show-stealing turn, and even with the Muscle Shoals musicians giving this album its muscle and part of its soul, this album is still thoroughly a showcase for Boz Scaggs' musical vision. "Loan Me a Dime" is blues-rock classic. It showcased Scaggs' soulful vocals and Allman's remarkable guitar skills. Boz Scaggs' songs garnered significant radio airplay and helped introduce Boz Scaggs to a wider audience. The impact of Boz Scaggs extended beyond its initial release. It has continued to influence and inspire subsequent generations of musicians, particularly those interested in blending blues, rock, and soul. This definitive deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic 75 Series) reissue of Boz Scaggs, housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printingwill be a highlight in your most-listened-to album rotation.

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    Jimmy Smith – The Cat

    44,00 

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    https://www.youtube.com/watch?v=N1MKSxAGkgY New for 2024! Acoustic Sounds Series reissues from Verve/Universal Music Enterprises! Monthly releases highlighting the world's most historic and best jazz records! Mastered by Ryan K. Smith from the original analog tapes 180-gram LPs pressed at Quality Record Pressings! Stoughton Printing gatefold old-style tip-on jackets Series supervised by Chad Kassem CEO of Acoustic Sounds The Cat is jazz organist Jimmy Smith's 1964 album, a notable chart-marking release that reached No. 12 on the Billboard 200. Featuring Smith on the Hammond B-3, this set has some tasteful arrangements for the big band by Lalo Schifrin, and some good playing by the great organist on a variety of other blues-oriented material. Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.

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    Ben Webster – See You at the Fair

    44,00 

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    https://www.youtube.com/watch?v=N1MKSxAGkgY New for 2024! Acoustic Sounds Series reissues from Verve/Universal Music Enterprises! Monthly releases highlighting the world's most historic and best jazz records! Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes 180-gram LPs pressed at Quality Record Pressings! Stoughton Printing gatefold old-style tip-on jackets Series supervised by Chad Kassem CEO of Acoustic Sounds Ben Webster's final American recording was one of his greatest. At 55, the tenor saxophonist was still very much in his prime but considered out of style in the U.S. He would soon permanently move to Europe where he was better appreciated. Webster's tone has rarely sounded more beautiful than on "Someone to Watch Over Me" and "Our Love Is Here to Stay." Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.

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    Nina Simone – In Concert

    44,00 

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    https://www.youtube.com/watch?v=N1MKSxAGkgY Acoustic Sounds Series reissues from Verve/Universal Music Enterprises! Monthly releases highlighting the world's most historic and best jazz records! Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes 180-gram LPs pressed at Quality Record Pressings! Stoughton Printing gatefold old-style tip-on jackets Series supervised by Chad Kassem CEO of Acoustic Sounds "Mississippi Goddam" staked out Nina Simone's support of the Civil Rights movement when this album debuted in 1964, helping make it probably the most personal album that Simone issued during her stay on Philips during the decade. Writes AllMusic in a 4.5 Star review: "On most of her studio sessions, she worked with orchestration that either enhanced her vocals tastefully or smothered her, and she tackled an astonishingly wide range of material that, while admirably eclectic, made for uneven listening. Here, the singer and pianist is backed by a spare, jazzy quartet, and some of the songs rank among her most socially conscious declarations of African-American pride: 'Old Jim Crow,' 'Pirate Jenny,' 'Go Limp,' and, especially, 'Mississippi Goddam' were some of the most forthright musical reflections of the Civil Rights movement to be found at the time. In a more traditional vein, she also reprises her hit 'I Loves You, Porgy' and the jazz ballad 'Don't Smoke in Bed.'" Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.

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    Jimmy Smith – Root Down

    44,00 

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    https://www.youtube.com/watch?v=N1MKSxAGkgY New for 2024! Acoustic Sounds Series reissues from Verve/Universal Music Enterprises! Monthly releases highlighting the world's most historic and best jazz records! Mastered by Ryan K. Smith from the original analog tapes 180-gram LPs pressed at Quality Record Pressings! Stoughton Printing gatefold old-style tip-on jackets Series supervised by Chad Kassem CEO of Acoustic Sounds Root Down was Hammond B-3 jazz legend Jimmy Smith's 1972 live jazz album for Verve. Recorded in Los Angeles on February 8, 1972, it includes the title track, which was sampled by the Beastie Boys for their song "Root Down." The song peaked at No. 24 on the Billboard Top Jazz Album charts. Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.

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    Art Pepper – Gettin’ Together!

    39,00 

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    Contemporary Records Acoustic Sounds Series continues in 2024! Twelve standout albums from the Contemporary Records catalog reissued on 180-gram vinyl Titles featuring Art Pepper, Sonny Rollins, Helen Humes, Ben Webster and many more! Mastered AAA by Bernie Grundman from the original analog tapes 180-gram LPs pressed at Quality Record Pressings! Stoughton Printing gatefold old-style tip-on jackets Series supervised by Chad Kassem CEO of Acoustic Sounds Continuing Craft Recordings' celebration of seminal jazz artists from Contemporary Records Two more essential Art Pepper reissues, originally recorded in 1960, are the albums Gettin' Together! and Intensity. Originally released on either side of Smack Up, these albums underscore just how refreshingly creative Pepper was at the time. Gettin' Together's tight "Bijou the Poodle," penned by Pepper, leads the way, with Jazzwise admiring its "angularity...representing the darker side of the Californian jazz idyll." Often described as a sequel to Art Pepper Meets the Rhythm SectionGettin' Together! once again finds Pepper backed on beat by Miles Davis alums (bassist Paul Chambers, drummer Jimmy Cobb). Meanwhile, the San Francisco Examiner sums up 1963's Intensity, the last release of his early period, as Pepper being "well on his way toward a new kind of playing freedom." Writes AllMusic, "Pepper sticks to swinging standards such as ‘I Can't Believe That You're in Love with Me,' ‘Gone with the Wind, and ‘I Wished on the Moon' as points of departure on this interesting and largely enjoyable set." This new edition, released as part of the Contemporary Records Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a Stoughton Printing tip-on jacket.  

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