Showing 76–100 of 451 results
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Muddy Waters – Folk Singer (Tape)
Tape580,00 €Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAnalogue Productions Ultra Tape reel-to-reel reissues! Sourced from original master tapes Transferred using ATR-modified Ampex Tape Machine with flux magnetic heads Custom slipcase cover - highest quality tape reissue! From Acoustic Sounds, Inc., the world leader in audiophile music sales, comes the highest quality analog reel-to-reel tape album reissues - Analogue Productions Ultra Tape! Follow along as writer/professor Wayne Goins explores the creation of Folk Singer, and leads a visual tour of the former Chess Records studios, here. "After a long wait, my copy of Analog Productions Muddy Waters - Folk Singer (Ultra Tape) 1/4 Inch - 15 IPS Tape finally arrived today. Mamma Mia! I'll write in more detail in upcoming reviews in due course, but there is something fundamentally right about the sonic scope and raw music that comes through this format. The lack of a mechanical imprint, which even the best digital is not free of, and the dynamic freedom is simply the charts. The packaging, the quality of the printing, and the overall experience of this format scream quality at every turn. Extremely impressive! You can call me a convert!" — Matej Isak, monoandstereo.com. "My first reaction when Chad Kassem told me at a recent audio show that Muddy Water's Folk Singer would highlight Acoustic Sound's second series of 15-ips tape releases was complete shock. Not for long, though, as exhilaration rapidly starting coursing through my body. What audiophile in their right mind with a tape machine wouldn't want a 15-ips tape copy of this classic Chess Records recording? One that has an extra, unlisted tenth track of Waters's 'You Can't Lose What You Ain't Never Had' (taken from an April 1964 recording session) that's not on the original album. For good reason, too, as this new 15-ips tape copy lives up to and exceeds even the most lofty expectations. The tape just brings this 1963 recording to life in new and unexpected ways whether it be foot taps, the sound of Guy's guitar and reverb trails." — Myles B. Astor, Positive Feedback.com, Issue 100, Nov. 1, 2018. Read the entire review here. "The Muddy Waters is the best sounding tape I have ever heard. It's beyond any expectation of what any tape could ever sound like. It sounded like Muddy was in our room! He came alive. It makes it all worthwhile. The packaging is over the top. It is heirloom quality. All you can say is: 'Holy Shit!' You nailed it." - Tom Caselli, Alpharetta, Georgia From Analogue Productions comes another classic title in our Ultra Tape reel-to-reel album reissue series. Each is a 15 ips, ¼-inch analog tape copy (IEC equalization) sourced from a copy of the original analog master tape. Transferred real-time, using an ATR-modified Ampex Tape Machine with flux magnetic heads. Custom slipcase cover. There are a handful of landmark albums in any genre. In the blues, one of them is Muddy Waters' Folk Singer. Originally released in 1964, Folk Singer was the only acoustic album Waters ever recorded, thus becoming the first and perhaps best blues concept album ever. Muddy of course started out playing acoustic blues in the Delta, and he's clearly very comfortable in this return to his roots, which was designed to appeal to the mid-1960s surge of interest in folk music. Muddy's supporting cast includes a very young Buddy Guy on guitar, Willie Dixon at the upright bass and Clifton James on drums. This recording has enormous presence with ample room for Muddy's booming voice to resonate.
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Ben Webster – Gentle Ben (Ultra Tape)
Tape580,00 €Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAnalogue Productions Ultra Tape reel-to-reel reissues! Twelve masterpiece titles, each a 15 ips, ¼-inch 2-track (½ track) analog tape copy Sourced from original master tapes Transferred using ATR-modified Ampex Tape Machine with flux magnetic heads Custom slipcase cover - highest quality tape reissue! From Acoustic Sounds, Inc., the world leader in audiophile music sales, comes the highest quality analog reel-to-reel tape album reissues — Analogue Productions Ultra Tape! Twelve masterpiece titles are featured in this new reissue series, each a 15 ips, ¼-inch analog tape copy (IEC equalization) sourced from a copy of the original analog master tape. Transferred real-time, using an ATR-modified Ampex Tape Machine with flux magnetic heads. Custom slipcase cover. The first two titles — Janis Ian's Breaking Silence and Ben Webster's Gentle Ben are releasing before 2016 ends. Gentle Ben was made 10 months before Ben Webster's death in 1972. Webster, who had left the United States in 1965 to settle in Europe — first in Copenhagen and then in Amsterdam — was visiting fellow musician and friend Tete Montoliu in Barcelona. Webster and pianist Montoliu went back a ways, having played together regularly in Webster's Copenhagen days. In fact, Montoliu cited Webster and Don Byas as his two chief musical influences. Webster and Montoliu understood each other deeply, and their comfort with on another is palpable in this recording. Their accompaniment of one another is seamless. On board with these two is Montoliu's regular working trio-mates, Eric Peter on bass and Peer Wyboris on drums. There's no shortage of Webster's trademark breathy, fat tenor tone here. In fact, given the sparse arrangement, that rich, humid, giant sax blooms like on few other recordings. Highlights include "Ben's Blues," "Sweet Georgia Brown," "The Man I Love" and "Don't Blame Me." Each Ultra Tape reissue copy is priced at $450. The entire series is available by subscription. The remaining titles include: Rickie Lee Jones' It's like This / Hugh Masekela's Hope / Rachmaninoff's Symphonic Dances (the famous Turnabout recording) / Fritz Reiner and the Chicago Symphony Orchestra's Scheherazade (RCA Living Stereo) / Fritz Reiner and the Chicago Symphony Orchestra's Pines of Rome and Fountains of Rome (RCA Living Stereo) / Leopold Stokowski's Rhapsodies (RCA Living Stereo) / René Leibowitz and the Royal Philharmonic Orchestra The Power of The Orchestra (RCA Living Stereo) / Fritz Reiner and the Chicago Symphony Orchestra's Lieutenant Kije and Stravinksy's Song of the Nightingale (RCA Living Stereo) / Abel /Steinberg — Beethoven Violin Sonata (Wilson Audio) / and Lowell Graham's Winds of War & Peace (Wilson Audio).
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Fritz Reiner – Rimsky-Korsakoff: Scheherazade (Ultra Tape)
Tape580,00 €Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartTwelve masterpiece titles, each a 15 ips, ¼-inch 2-track (½ track) analog tape copy Sourced from original master tapes Transferred using ATR-modified Ampex Tape Machine with flux magnetic heads Custom slipcase cover - highest quality tape reissue!From Acoustic Sounds, Inc., the world leader in audiophile music sales, comes the highest quality analog reel-to-reel tape album reissues - Analogue Productions Ultra Tape! "Chad, Good Thursday Morning! Several days ago, we had over a 'Reviewer' who wanted to listen to AP's Master-Tapes. He thought very HIGHLY after listening. His suggestion, as well as others in attendance, do more Classical tapes that have a bombastic, exciting, explosive, sweeping musical presentation. These tapes were wonderful and I am happy that you decided to become part of the 'PURE ANALOG-MOVEMENT'. We played both 'SCHEHERAZADE' & 'THE POWER OF THE ORCHESTRA'. Stupendous musical presentations!! Great job Chad. Kudos to yourself and your Team!!" — Bernard Ginsberg, Acoustic Sounds customer "It certainly wouldn't be going out on a limb to say that Scheherazade and The Pines of Rome were two of the most anticipated Analogue Productions Ultra Tape! Series releases. High expectations sometimes lead to disappointment, but not here! Both reel-to-reel tape releases live up to and exceeded expectations, especially in terms of recreating the original recordings dynamics, spatiality, and resolution." — Myles B. Astor, Positive Feedback magazine, Issue 93, Sept. 1, 2017. Read the entire review. Twelve masterpiece titles are featured in this new reissue series, each a 15 ips, ¼-inch analog tape copy (IEC equalization) sourced from a copy of the original analog master tape. Transferred real-time, using an ATR-modified Ampex Tape Machine with flux magnetic heads. Custom slipcase cover. The first two titles — Janis Ian's Breaking Silence and Ben Webster's Gentle Ben are releasing before 2016 ends. The jewel in the Living Stereo crown. Enchantment awaits within! Fritz Reiner and the Chicago Symphony convey the listener on a magic carpet of Living Stereo sound to mythic Arabia and China, guided by two of Russia's greatest orchestral masters. This, like the Respighi, is considered one of the very best recordngs by Reiner, the Chicago Symphony Orchestra and RCA's crew. An album of supple and sensuous performances, the sound alternately shimmers and stuns with the clarity of its definition and intensity of its climaxes. Each Ultra Tape reissue copy is priced at $450. The remaining titles include: Rickie Lee Jones' It's Like This / Rachmaninoff's Symphonic Dances (the famous Turnabout recording) / Hugh Masekela's Hope / Fritz Reiner and the Chicago Symphony Orchestra's Pines of Rome and Fountains of Rome (RCA Living Stereo) / Leopold Stokowski's Rhapsodies (RCA Living Stereo) / René Leibowitz and the Royal Philharmonic Orchestra The Power of The Orchestra (RCA Living Stereo) / Fritz Reiner and the Chicago Symphony Orchestra's Lieutenant Kije and Stravinksy's Song of the Nightingale (RCA Living Stereo) / Abel /Steinberg — Beethoven Violin Sonata (Wilson Audio) / and Lowell Graham's Winds of War & Peace (Wilson Audio).
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Hugh Masekela – Hope (Ultra Tape)
Tape580,00 €Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAnalogue Productions Ultra Tape reel-to-reel reissues! Twelve masterpiece titles, each a 15 ips, ¼-inch 2-track (½ track) analog tape copy Sourced from original master tapes Transferred using ATR-modified Ampex Tape Machine with flux magnetic heads Custom slipcase cover - highest quality tape reissue! From Acoustic Sounds, Inc., the world leader in audiophile music sales, comes the highest quality analog reel-to-reel tape album reissues — Analogue Productions Ultra Tape! Twelve masterpiece titles are featured in this new reissue series, each a 15 ips, ¼-inch analog tape copy (IEC equalization) sourced from a copy of the original analog master tape. Transferred real-time, using an ATR-modified Ampex Tape Machine with flux magnetic heads. Custom slipcase cover. The first two titles — Janis Ian's Breaking Silence and Ben Webster's Gentle Ben are releasing before 2016 ends. A longtime audiophile demonstration disc, Hope will show off your system's dynamic range as well as any album ever released. Hugh Masekela, the outstanding South African trumpeter, assembled a seven-piece group and recorded this great set live at Washington, D.C.'s Blues Alley. The songs stretch over a period of nearly five decades and serve as an informal guided tour of Masekela's life. The songs are honest and bare, and as for the sound — WOW! Each Ultra Tape reissue copy is priced at $450. The entire series is available by subscription. The remaining titles include: Rickie Lee Jones' It's Like This / Rachmaninoff's Symphonic Dances (the famous Turnabout recording) / Fritz Reiner and the Chicago Symphony Orchestra's Scheherazade (RCA Living Stereo) / Fritz Reiner and the Chicago Symphony Orchestra's Pines of Rome and Fountains of Rome (RCA Living Stereo) / Leopold Stokowski's Rhapsodies (RCA Living Stereo) / René Leibowitz and the Royal Philharmonic Orchestra The Power of The Orchestra (RCA Living Stereo) / Fritz Reiner and the Chicago Symphony Orchestra's Lieutenant Kije and Stravinksy's Song of the Nightingale (RCA Living Stereo) / Abel /Steinberg — Beethoven Violin Sonata (Wilson Audio) / and Lowell Graham's Winds of War & Peace (Wilson Audio).
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Oliver Nelson – Blues and the Abstract Truth (Tape)
Tape580,00 €Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAnalogue Productions Ultra Tape reel-to-reel reissues! Sourced from original master tapes Transferred using ATR-modified Ampex Tape Machine with flux magnetic heads Custom slipcase cover - highest quality tape reissue! From Acoustic Sounds, Inc., the world leader in audiophile music sales, comes the highest quality analog reel-to-reel tape album reissues - Analogue Productions Ultra Tape! From Analogue Productions comes another classic title in our Ultra Tape reel-to-reel album reissue series. Each is a 15 ips, ¼-inch analog tape copy (IEC equalization) sourced from a copy of the original analog master tape. Transferred real-time, using an ATR-modified Ampex Tape Machine with flux magnetic heads. Custom slipcase cover. "The Blues and the Abstract Truth is one of my favorite jazz recordings. What a group of heavy-weight performers! Besides Oliver Nelson on tenor sax, you've got the incomparable Bill Evans on piano, Freddie Hubbard on trumpet, Paul Chambers on bass, Roy Haynes on drums, and Eric Dolphy on flute and alto sax. This is the jazz equivalent of a super-group." — Jim Hannon, AVguide.com As Oliver Nelson is known primarily as a big band leader and arranger, he is lesser known as a saxophonist and organizer of small ensembles. Blues And The Abstract Truth is his triumph as a musician for the aspects of not only defining the sound of an era with his all-time classic "Stolen Moments," but on this recording, assembling one of the most potent modern jazz sextets ever. Lead trumpeter Freddie Hubbard is at his peak of performance, while alto saxophonists Nelson and Eric Dolphy (Nelson doubling on tenor) team to for an unlikely union that was simmered to perfection. Bill Evans (piano), Paul Chambers (bass) and Roy Haynes (drums) can do no wrong as a rhythm section. Originally released in 1961. Oliver Nelson, alto saxophone, tenor saxophone George Barrow, baritone saxophone Paul Chambers, bass Eric Dolphy, flute, alto saxophone Bill Evans, piano Roy Haynes, drums Freddie Hubbard, trumpet
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Miles Davis – Birth Of The Blue
54,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Show itemMiles Davis — Birth of the Blue Smash follow-up to what many consider the greatest jazz record ever! Four more songs from the pioneering ensemble that produced Miles Davis' Kind of Blue! Modal jazz precursor laid groundwork for future jazz innovation! 180-gram vinyl Mastered by Matthew Lutthans at The Mastering Lab from a new 30 ips quarter-inch stereo master tape transferred from the original 3-track session tapes Plated and pressed at Quality Record Pressings for flawless production and superior fidelity! Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish Miles Davis's Kind of Blue was the number-one jazz album in history. It totaled five songs. There are four more songs from that same historic group, recorded in the same time period and at the same studio. And here they are. These songs deserve to stand on their own with artwork to highlight the quality of the music and that matches the time period of the recording. This is a rare opportunity to have a smash follow-up to what many consider the greatest jazz record ever! Through the years, these four remarkable performances — all from a single recording session in 1958 and all exemplary of the sound of Miles Davis' legend-loaded sextet of that year — have not been served well. They have been largely treated as add-ons for other compilations. Now, for the first time, Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Prssings, has deservedly given these tracks a stellar stand-alone release for jazz fans to savor! The once-in-a-generation lineup that recorded these tunes is the very same that would be immortalized for the enduring classic they would record almost a year later, Kind of Blue. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley. Undervalued since their recording, the tunes on this album reflect historial and musical significance. They offer early glimpses into the modal jazz that Kind of Blue would bring to the forefront. Using modes common in modern classical music, rather than the chords of popular songs, Miles had begun to experiment with the new approach on the Milestones recording sessions previously. Analogue Productions is proud to present Birth of the Blue in an exclusive first-of-its-kind stand-alone release that reflects our reputation for meticulous production, capturing authentic sound with clarity, depth and fidelity that exceeds the audiophile standard. For this release, we started with the original 3-track recording session tapes that were mixed down to a brand-new 30 ips quarter-inch stereo master tape by senior mastering engineer Vic Anesini at Battery Studios. From that stereo master tape, Matthew Lutthans at The Mastering Lab cut the lacquers at 33 1/3 RPM utilizing the legendary Doug Sax's custom all-tube system and cutting lathe. The lacquers were plated and pressed on 180-gram vinyl at Quality Record Pressings. Lastly, the Stoughton Printing tip-on gatefold jacket with a deluxe scuff-resistant matte finish is the highest quality available. The artwork has an incredible spot-on look to a 1959 Columbia records release! Features: • Pioneering Ensemble: Captured the same rare and short-lived alignment of jazz legends including Miles Davis, John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Jimmy Cobb, as heard on the historic Kind of Blue. • Innovative Sound: The session represented a crucial transition in jazz, blending elements of hard bop with early modal jazz influences, showcasing the ensemble's experimentation and forward-thinking approach. • Undervalued Legacy: Despite its historical and musical significance, the session's recordings have been historically overlooked, often relegated to being add-ons in compilations rather than recognized as standalone masterpieces. • Modal Jazz Precursor: Offered early glimpses into the modal jazz that would later be fully realized in Davis's groundbreaking album "Kind of Blue," laying the groundwork for future jazz innovation. • Impact on Artists: Served as a critical point of development and confidence for the musicians involved, particularly Bill Evans, who noted the significant impact of this experience on his own identity and style. • Historical Context: Occurred at a peak moment in Miles Davis's career, following his signing with Columbia Records and his critical and commercial successes with albums such as ‘Round About Midnight and Miles Ahead. • Revealed backstory: Extensive liner notes by the Grammy Award-winning author Ashley Kahn, who also penned the estential book, Kind Of Blue — The Making Of The Miles Davis Masterpiece https://www.youtube.com/watch?v=9CGF9K2BzNo
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Ella Fitzgerald – Take Love Easy
54,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cart180-gram vinyl Cut from parts mastered by Stan Ricker from the original analog master tape Pressed at Quality Record Pressings Housed in Stoughton Printing tip-on single pocket jacket Ella Fitzgerald and guitarist Joe Pass teamed up in 1973 for a set of duets for this album. The fabulous pairing's highlights include "Don't Be That Way" and "A Foggy Day." The album is the first of four studio albums that Ella recorded with Pass, and it was the latest in a long line of duets for Ella with just one other instrument. Cut from metal parts mastered by Stan Ricker from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180-gram reissue is an audiophile treasure. Housed in a Stoughton Printing tip-on jacket.
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Art Tatum and Ben Webster – The Tatum Group Masterpieces
54,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cart180-gram vinyl Mastered by Kevin Gray from the original analog master tape Pressed at Quality Record Pressings Housed in Stoughton Printing tip-on single pocket jacket A historic meeting between pianist Art Tatum and tenor sax giant Ben Webster — recorded in 1956, but only first issued by Pablo Records in the 70s! At some level, it's clear that Tatum's the star of the sessions — as most tracks start out with that introspective and often complicated approach to the keys that marks his trio and solo work — but Webster always slides in just in time to keep the record from being a standard Tatum outing — blowing with a crisp tone that's beautifully recorded here, and hardly concerned at all with the presence of Red Callender on bass and Bill Douglass on drums - who are much lower in the mix. Titles include "Night & Day," "Where Or When," "My Ideal," "Gone With The Wind," and "All The Things You Are." Mastered by Kevin Gray from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180-gram reissue is everything jazz fans expect from an audiophile reissue. Housed in a single pocket Stoughton Printing tip-on jacket.
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Yes – Fragile
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Yes' breakthrough album! Includes hit singles "Roundabout" and "Long Distance Runaround" 180-gram 45 RPM double LP Mastered by Kevin Gray at Cohearent Audio from the original master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Fragile was Yes' breakthrough album, propelling them in a matter of weeks from a cult act to an international phenomenon. Not coincidentally, it also marked the point where all of the elements of the music (and more) that would define the group's success for more than a decade fell into place fully formed, writes AllMusic, giving Fragile a 5-Star rating. Propelled by the timeless hit "Roundabout," Yes' fourth album, Fragile, became an instant classic and is undoubtedly one of prog-rock's finest moments. It was the first Yes record to feature Rick Wakeman on keyboards and the first to display the inimitable artwork of Roger Dean. Here's the ultimate way to enjoy one of Yes's most popular and enjoyable albums. This Analogue Productions (Atlantic Series) reissue of Fragile is a standout for your collection. First, we turned to Kevin Gray at Cohearent Audio to cut lacquers from the original master tape. Pressing on 180-gram vinyl is by Quality Record Pressings, and the album is housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing. Dream on, on to the Heart of the Sunrise!
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Otis Redding – Complete & Unbelievable… The Otis Redding Dictionary Of Soul
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Soul legend's 1966 album 180-gram 45 RPM double LP Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Complete & Unbelievable: The Otis Redding Dictionary of Soul was the soul legend's 1966 album (and the last issued in his lifetime). The original album features mostly covers on side one and original compositions by Redding on side two. The album features musical assistance from Booker T. & the M.G.'s-organist Booker T. Jones, pianist/guitarist Steve Cropper, bassist Donald "Duck" Dunn, drummer Al Jackson, Jr.-pianist Isaac Hayes, and the Memphis Horns, consisting of tenor saxophonist Joe Arnold, trumpeter Wayne Jackson, tenor saxophonist Andrew Love and baritone saxophonist Floyd Newman. The Otis Redding Dictionary of Soul was released in October 1966 on the Stax label and peaked at No. 73 and at No. 5 on the Billboard 200 and the R&B LP charts respectively. The album produced two singles, "Fa-Fa-Fa-Fa-Fa (Sad Song)" and "Try a Little Tenderness." In 2,000 it was voted No. 488 in Colin Larkin's All Time Top 1,000 Albums. In 2012, the album was ranked No. 254 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time. Cut at 45 RPM, pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
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Boz Scaggs – Boz Scaggs
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Show itemAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Boz Scagg's debut album praised by critics — an enduring blue-eyed soul masterpiece! Featuring "Loan Me a Dime" and "Waiting for a Train" 180-gram 45 RPM double LP Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing
Boz Scaggs' self-titled album, released in 1969, is an iconic and pivotal record in his career, marking a shift in his musical direction to incorporate elements of soul, R&B, and showcasing his musical versatility.Departing from the Steve Miller Band after a two-album stint, Boz Scaggs found himself on his own but not without support. Rolling Stone publisher Jann Wenner, his friend, helped him sign with Atlantic Records and the label had him set up shop in Muscle Shoals, recording his debut album with that legendary set of studio musicians, known for their down-and-dirty backing work for Aretha Franklin and Wilson Pickett, among many other Southern soul legends. AllMusic writes: "The Muscle Shoals rhythm section, occasionally augmented by guitarist Duane Allman, gives this music genuine grit, but this isn't necessarily a straight-up blue-eyed soul record, even if the opening 'I'm Easy' and 'I'll Be Long Gone' are certainly as deeply soulful as anything cut at Muscle Shoals." Scaggs dabbled in country and blues along with the soul and R&B that grounds this record. The extended 11-minute blues workout "Loan Me a Dime," functions as much as a showcase for a blazing Duane Allman as it does for Boz. But even with that show-stealing turn, and even with the Muscle Shoals musicians giving this album its muscle and part of its soul, this album is still thoroughly a showcase for Boz Scaggs' musical vision. "Loan Me a Dime" is blues-rock classic. It showcased Scaggs' soulful vocals and Allman's remarkable guitar skills. Boz Scaggs' songs garnered significant radio airplay and helped introduce Boz Scaggs to a wider audience. The impact of Boz Scaggs extended beyond its initial release. It has continued to influence and inspire subsequent generations of musicians, particularly those interested in blending blues, rock, and soul. This definitive deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic 75 Series) reissue of Boz Scaggs, housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing, will be a highlight in your most-listened-to album rotation. -
In stock
Jimmy Smith – The Cat
44,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to carthttps://www.youtube.com/watch?v=N1MKSxAGkgY New for 2024! Acoustic Sounds Series reissues from Verve/Universal Music Enterprises! Monthly releases highlighting the world's most historic and best jazz records! Mastered by Ryan K. Smith from the original analog tapes 180-gram LPs pressed at Quality Record Pressings! Stoughton Printing gatefold old-style tip-on jackets Series supervised by Chad Kassem CEO of Acoustic Sounds The Cat is jazz organist Jimmy Smith's 1964 album, a notable chart-marking release that reached No. 12 on the Billboard 200. Featuring Smith on the Hammond B-3, this set has some tasteful arrangements for the big band by Lalo Schifrin, and some good playing by the great organist on a variety of other blues-oriented material. Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
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In stock
Ben Webster – See You at the Fair
44,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to carthttps://www.youtube.com/watch?v=N1MKSxAGkgY New for 2024! Acoustic Sounds Series reissues from Verve/Universal Music Enterprises! Monthly releases highlighting the world's most historic and best jazz records! Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes 180-gram LPs pressed at Quality Record Pressings! Stoughton Printing gatefold old-style tip-on jackets Series supervised by Chad Kassem CEO of Acoustic Sounds Ben Webster's final American recording was one of his greatest. At 55, the tenor saxophonist was still very much in his prime but considered out of style in the U.S. He would soon permanently move to Europe where he was better appreciated. Webster's tone has rarely sounded more beautiful than on "Someone to Watch Over Me" and "Our Love Is Here to Stay." Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
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Nina Simone – In Concert
44,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to carthttps://www.youtube.com/watch?v=N1MKSxAGkgY Acoustic Sounds Series reissues from Verve/Universal Music Enterprises! Monthly releases highlighting the world's most historic and best jazz records! Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes 180-gram LPs pressed at Quality Record Pressings! Stoughton Printing gatefold old-style tip-on jackets Series supervised by Chad Kassem CEO of Acoustic Sounds "Mississippi Goddam" staked out Nina Simone's support of the Civil Rights movement when this album debuted in 1964, helping make it probably the most personal album that Simone issued during her stay on Philips during the decade. Writes AllMusic in a 4.5 Star review: "On most of her studio sessions, she worked with orchestration that either enhanced her vocals tastefully or smothered her, and she tackled an astonishingly wide range of material that, while admirably eclectic, made for uneven listening. Here, the singer and pianist is backed by a spare, jazzy quartet, and some of the songs rank among her most socially conscious declarations of African-American pride: 'Old Jim Crow,' 'Pirate Jenny,' 'Go Limp,' and, especially, 'Mississippi Goddam' were some of the most forthright musical reflections of the Civil Rights movement to be found at the time. In a more traditional vein, she also reprises her hit 'I Loves You, Porgy' and the jazz ballad 'Don't Smoke in Bed.'" Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
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Low stock
Jimmy Smith – Root Down
44,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to carthttps://www.youtube.com/watch?v=N1MKSxAGkgY New for 2024! Acoustic Sounds Series reissues from Verve/Universal Music Enterprises! Monthly releases highlighting the world's most historic and best jazz records! Mastered by Ryan K. Smith from the original analog tapes 180-gram LPs pressed at Quality Record Pressings! Stoughton Printing gatefold old-style tip-on jackets Series supervised by Chad Kassem CEO of Acoustic Sounds Root Down was Hammond B-3 jazz legend Jimmy Smith's 1972 live jazz album for Verve. Recorded in Los Angeles on February 8, 1972, it includes the title track, which was sampled by the Beastie Boys for their song "Root Down." The song peaked at No. 24 on the Billboard Top Jazz Album charts. Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
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In stock
Art Pepper – Gettin’ Together!
39,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartContemporary Records Acoustic Sounds Series continues in 2024! Twelve standout albums from the Contemporary Records catalog reissued on 180-gram vinyl Titles featuring Art Pepper, Sonny Rollins, Helen Humes, Ben Webster and many more! Mastered AAA by Bernie Grundman from the original analog tapes 180-gram LPs pressed at Quality Record Pressings! Stoughton Printing gatefold old-style tip-on jackets Series supervised by Chad Kassem CEO of Acoustic Sounds Continuing Craft Recordings' celebration of seminal jazz artists from Contemporary Records Two more essential Art Pepper reissues, originally recorded in 1960, are the albums Gettin' Together! and Intensity. Originally released on either side of Smack Up, these albums underscore just how refreshingly creative Pepper was at the time. Gettin' Together's tight "Bijou the Poodle," penned by Pepper, leads the way, with Jazzwise admiring its "angularity...representing the darker side of the Californian jazz idyll." Often described as a sequel to Art Pepper Meets the Rhythm Section, Gettin' Together! once again finds Pepper backed on beat by Miles Davis alums (bassist Paul Chambers, drummer Jimmy Cobb). Meanwhile, the San Francisco Examiner sums up 1963's Intensity, the last release of his early period, as Pepper being "well on his way toward a new kind of playing freedom." Writes AllMusic, "Pepper sticks to swinging standards such as ‘I Can't Believe That You're in Love with Me,' ‘Gone with the Wind, and ‘I Wished on the Moon' as points of departure on this interesting and largely enjoyable set." This new edition, released as part of the Contemporary Records Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a Stoughton Printing tip-on jacket.
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Art Pepper – Intensity
39,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Show itemContemporary Records Acoustic Sounds Series continues in 2024! Twelve standout albums from the Contemporary Records catalog reissued on 180-gram vinyl Titles featuring Art Pepper, Sonny Rollins, Helen Humes, Ben Webster and many more! Mastered AAA by Bernie Grundman from the original analog tapes 180-gram LPs pressed at Quality Record Pressings! Stoughton Printing gatefold old-style tip-on jackets Series supervised by Chad Kassem CEO of Acoustic Sounds Continuing Craft Recordings' celebration of seminal jazz artists from Contemporary Records Two more essential Art Pepper reissues, originally recorded in 1960, are the albums Gettin' Together! and Intensity. Originally released on either side of Smack Up, these albums underscore just how refreshingly creative Pepper was at the time. Gettin' Together's tight "Bijou the Poodle," penned by Pepper, leads the way, with Jazzwise admiring its "angularity...representing the darker side of the Californian jazz idyll." Often described as a sequel to Art Pepper Meets the Rhythm Section, Gettin' Together! once again finds Pepper backed on beat by Miles Davis alums (bassist Paul Chambers, drummer Jimmy Cobb). Meanwhile, the San Francisco Examiner sums up 1963's Intensity, the last release of his early period, as Pepper being "well on his way toward a new kind of playing freedom." Writes AllMusic, "Pepper sticks to swinging standards such as ‘I Can't Believe That You're in Love with Me,' ‘Gone with the Wind, and ‘I Wished on the Moon' as points of departure on this interesting and largely enjoyable set." This new edition, released as part of the Contemporary Records Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a Stoughton Printing tip-on jacket.
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In stock
Genesis – A Trick Of The Tail
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to carthttps://www.youtube.com/watch?v=sX3dDLwHqPo Genesis' seventh studio album was released in February 1976 on Charisma Records and was the first to feature drummer Phil Collins as lead vocalist after the departure of Peter Gabriel. The album was a critical and commercial success in the U.K. and U.S., reaching No. 3 and No. 31 respectively. A Trick Of The Tail was a landmark album for the band, and it still stands today as one of their best with classics such as "Dance On A Volcano" and "Squonk." In the wake of Peter Gabriel's departure from the band, the remaining members of Genesis were determined to forge ahead, showcasing their songwriting prowess and recording prowess in the absence of their iconic frontman. This period marked the genesis of A Trick of the Tail. In mid-1975, the band embarked on an intensive creative journey, crafting new compositions and diligently rehearsing them. Their quest for a new lead vocalist led them to sift through a staggering 400 audition tapes. As the autumn leaves began to fall, Genesis found themselves at Trident Studios in October, accompanied by producer David Hentschel. Surprisingly, the recording sessions began with an air of uncertainty regarding who would take on the role of lead vocalist. However, fate intervened when Phil Collins was persuaded to step up and deliver a powerful rendition of "Squonk." The strength of his performance not only won over the band but also paved the way for him to assume lead vocals for the entirety of the album. Genesis has always been synonymous with grandeur and innovation, both in their electrifying live performances and their trailblazing studio albums. From timeless classics such as Nursery Cryme, Foxtrot, Selling England By The Pound, to the epic concept album The Lamb Lies Down On Broadway, the band has consistently pushed the boundaries of musical creativity. Over the span of four remarkable decades, Genesis has left an indelible mark on the music industry, having sold a staggering 150 million albums worldwide. Their influence extends far and wide, inspiring artists ranging from the indie rock stylings of Elbow to the experimental sounds of The Flaming Lips, and even the soulful resonance of Jeff Buckley. A Trick of the Tail stands as a testament to their enduring legacy and their ability to adapt and thrive in the face of change.
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Donny Hathaway – Donny Hathaway
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to carthttps://www.youtube.com/watch?v=sX3dDLwHqPo
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Low stock
Milt Jackson & John Coltrane – Bags & Trane
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to carthttps://www.youtube.com/watch?v=sX3dDLwHqPo Vibraphonist Milt Jackson and tenor saxophonist John Coltrane make for a surprisingly complementary team on this 1959 studio session, their only joint recording. AllMusic notes that with fine backup by pianist Hank Jones, bassist Paul Chambers, and drummer Connie Kay, Bags and Trane stretch out on two of Jackson's originals (including "The Late Late Blues") and three standards: a romping "Three Little Words," "The Night We Called It a Day," and the rapid "Be-Bop." The highlight of the set is the eponymous opening track, which just oozes late-night cool. This deluxe 180-gram 45 RPM 2LP reissue from Analogue Productions (Atlantic 75 Series) is a gem and will be a must-have for all jazz music fans.
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In stock
Genesis – The Lamb Lies Down On Broadway
SACD75,00 €Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartGenesis' sixth studio album was released as a double album in November 1974 by Charisma Records and is the last to feature original frontman Peter Gabriel. The group's longest album to date, The Lamb Lies Down on Broadway peaked at No. 10 on the U.K. Albums Chart and No. 41 on the Billboard 200 in the U.S.. The album is a concept album and tells the surreal story, devised by Gabriel, of a young Puerto Rican named Rael who embarks on a journey through a series of strange and bizarre events in New York City. Musically, the album is a departure from the band's previous works, incorporating a wide range of styles including progressive rock, art rock, funk, and jazz fusion. The album features complex rhythms, intricate melodies, and dense layers of instrumentation, showcasing the band's virtuosic musicianship. The album is notable for its use of storytelling, with each track contributing to the larger narrative of Rael's journey. The lyrics are often cryptic and abstract, and the album's surreal imagery has been interpreted in a variety of ways by listeners and critics. The Lamb Lies Down On Broadway gained acclaim in the years after its release, reaching gold certification for sales in the U.K. and U.S.. In 1978, Nick Kent wrote for NME that it "had a compelling appeal that often transcended the hoary weightiness of the mammoth concept that held the equally mammoth four sides of vinyl together." In a special edition of Q and Mojo magazines titled Pink Floyd & The Story of Prog Rock, The Lamb ranked at No. 14 in its 40 Cosmic Rock Albums list. The album came third in a list of the 10 best concept albums by Uncut magazine, where it was described as an "impressionistic, intense album" and "pure theatre (in a good way) and still Gabriel's best work." A Rolling Stone poll to rank readers' favourite progressive rock albums of all time placed The Lamb fifth in the list. The Lamb Lies Down On Broadway is widely regarded as one of Genesis's most important and influential works, inspiring generations of progressive rock musicians.
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In stock
Sonny Rollins – Way Out West
39,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartContemporary Records Acoustic Sounds Series continues in 2024! Twelve standout albums from the Contemporary Records catalog reissued on 180-gram vinyl Titles featuring Art Pepper, Sonny Rollins, Helen Humes, Ben Webster and many more! Mastered AAA by Bernie Grundman from the original analog tapes 180-gram LPs pressed at Quality Record Pressings! Stoughton Printing gatefold old-style tip-on jackets Series supervised by Chad Kassem CEO of Acoustic Sounds Continuing Craft Recordings' celebration of seminal jazz artists from Contemporary Records A classic of the genre, Way Out West was tenor saxophonist Sonny Rollins' first album for west coast label Contemporary Records. The New York Times wrote, "He is jazz's greatest living improviser, able to imbue his solos with wry humor, surprise, brilliant logical form, and profound emotion." In a genre where so much talent burned out too young, Rollins (now retired at age 93) held court as one of jazz's most formidable talents. Way Out West, his classic 1957 album, received 5 Stars from Rolling Stone's prestigious Jazz Record Guide and has prompted Pitchfork to deem it, "an album that looks like a novelty and sounds like transcendence." The album's infamous 3 a.m. recording sessions featured Rollins' sax strolling over the contributions of onetime Ella Fitzgerald bassist Ray Brown and iconic West Coast Jazz drummer Shelly Manne, neither of whom he'd ever played with. The results are incredible, with "I'm an Old Cowhand (From the Rio Grande)," a satirical song about Texas written by Johnny Mercer and made famous by Bing Crosby, skillfully merging country with jazz, while Rollins' own composition, the title track "Way Out West," reminds us of his dexterity and playful ambivalence towards time signatures. This new edition, released as part of the Contemporary Records Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a Stoughton Printing tip-on jacket.
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Low stock
Mel Torme – Torme
46,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartNew for 2024! Acoustic Sounds Series reissues from Verve/Universal Music Enterprises! Monthly releases highlighting the world's most historic and best jazz records! Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes 180-gram LPs pressed at Quality Record Pressings! Stoughton Printing gatefold old-style tip-on jackets Series supervised by Chad Kassem CEO of Acoustic Sounds Tormé is an uptempo gem that Mel Torme swings to perfection. Nicknamed "The Velvet Fog," Torme was a noted singer, composer, arranger, drummer and actor. This self-titled 1958 studio album was his first record for Verve. Reviewer John Bush, writing for AllMusic, gives the album 4 Stars, saying Torme skillfully blends both carefree and reflective numbers. "For every bouncy single like 'That Old Feeling' or 'I'm Gonna Laugh You Out of My Life,'" there's drama in "'Gloomy Sunday,' 'The House Is Haunted (By the Echo of Your Last Goodbye),' and his dramatic eight-minute reading of 'Blues in the Night.'" Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
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In stock
Sarah Vaughan, Clark Terry, Zoot Sims, Quadrant – A Celebration of Duke
54,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cart180-gram vinyl Mastered by Kevin Gray from the original analog master tape Pressed at Quality Record Pressings Housed in Stoughton Printing tip-on jacket Producer Norman Granz was an associate of Duke Ellington's for many years, and it is not surprising that his labels have frequently hosted Ellington tributes that bring out the best in the participating world-class musicians. Although Clark Terry is the only participant in the present celebration to have logged significant time as an Ellingtonian, all hands draw sustenance from the unbeatable material here. Of special interest are the tracks on which Zoot Sims plays soprano sax, especially the neglected "Tonight I Shall Sleep," and Sarah Vaughan's pair of urbane and intense vocals, accompanied only by the guitar of album-MVP Joe Pass and pianist Mike Wofford. Mastered by Kevin Gray from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180-gram reissue is everything jazz fans expect from an audiophile reissue. Housed in a Stoughton Printing tip-on jacket.
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Count Basie & The Kansas City 3 – For The Second Time
54,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cart180-gram vinyl Mastered by Kevin Gray from the original analog master tape Pressed at Quality Record Pressings Housed in Stoughton Printing tip-on single pocket jacket Anyone who ever heard Count Basie launch his band into a blues with several choruses of effortless piano has lamented that there is far too little of Basie the soloist among his recorded legacy. This shortage was rectified to a certain extent by the trio albums Basie made with Ray Brown and Louis Bellson in the Seventies, of which this is the sequel to the For the First Time set of the previous year. Once again, Basie's poetic introductions, precise calibrations of touch and coloration, and definitive swing create a joyous program of four venerable standards and an equal number of new blues. Bellson is empathetic throughout and dances with his brushes on "Sandman," while Brown's robust tone and earth-moving walking lines bring out the best in Basie the soloist and accompanist. Mastered by Kevin Gray from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180-gram reissue is a reissue jazz fans and audiophiles alike will treasure. Housed in a single pocket, Stoughton Printing tip-on jacket.