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Aretha Franklin – Aretha Now
87,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAretha Franklin — Aretha Now Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Includes the knockout anthem "Think"! 180-gram 45 RPM double LP Mastered by Kevin Gray at Cohearent Audio from the original master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Aretha Franklin had some modest success as a singer of standards and torch songs, during her tenure with Columbia Records in the early- and mid-'60s, but it wasn't until she signed with Atlantic Records in 1967 that she found her true voice, becoming, in essence, the Aretha Franklin the world came to love — the Queen of Soul! 1968 was a watershed year for Franklin. In January, she released Lady Soul, one of her finest and most popular albums — a No. 2 record that featured her take on Carole King's "(You Make Me Feel Like a) Natural Woman" and the immortal "Chain of Fools." She closed out the year with her first live album, Aretha In Paris, performing some of her best Atlantic material in a concert setting. Sandwiched between those two records was Aretha Now, a continuation of the great, grooving R&B she'd made her own since signing with Atlantic. Side One is a flat-out classic. It starts with "Think," the timeless empowerment anthem, with its gospel call and response and "Freedom!" refrain-truly one of the '60s great soul songs. A reinvention of the Bacharach/David hit "I Say a Little Prayer" follows, as Franklin both leads and yields to the Sweet Inspirations, whose harmonies define this new version of the Dionne Warwick hit. A slinky take on "See Saw" leads into Franklin's brassy cover of "The Night Time is the Right Time," taking the sweaty Nappy Brown/Ray Charles bedroom come-on to church, as only Franklin could do it. She also takes a spritely stroll through Sam Cooke's "You Send Me," ending the side on a romantic high. Take a breath before flipping over to Side Two — you're going to need it, not just to recover from the string of knockouts on Side One, but also to marshal the energy you'll need to dance through the up-tempo stunners to come. Roger Hawkins' drums are the first thing you hear when the needle hits the groove-the count in to "You're a Sweet, Sweet Man," which gets the head bobbing. By the time Franklin sprints through the Clyde Otis tune "A Change," you'll be shimmying across whatever floor you happen to be standing on. It all leads up to the album closer, the simmering "I Can't See Myself Leaving You," an R&B chart smash with an understated vocal that should be considered among Franklin's finest performances. Aretha Now was a hit album in its own right, but it's sometimes overlooked, standing as it does in the shadow of Lady Soul. Still, Aretha Now is an effortless-sounding showcase of her range and versatility; portraying her talent for not only elevating any song she sang, but to make it completely hers in such a way that it's impossible to imagine anyone else singing it. This definitive deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic 75 Series) reissue of Aretha Now , is mastered by Kevin Gray at Cohearent Audio from the original master tape, and is pressed on 180-gram double LP at Quality Record Pressings. Housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
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Graham Nash – Songs For Beginners
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartGraham Nash — Songs For Beginners Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Graham Nash's auspicious solo album debut! Features "I Used to Be a King" and "Man in the Mirror" plus "Chicago" 180-gram 45 RPM double LP Mastered by Bernie Grundman from the original analog master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing After finding fame with the Hollies and Crosby, Stills, Nash & Young, expatriate Englishman turned West Coast rock icon Graham Nash made an auspicious solo debut on this 1971 disc. It's an exemplary singer-songwriter effort, striking a vital balance between graceful introspection and political fervor — and while it's deeply personal, it still carries the harmonies, heart and politics that made CSN(Y) so essential. With assistance from the likes of David Crosby, Jerry Garcia, and Dave Mason, highlights include the sensitive internal explorations "I Used to Be a King" and "Man in the Mirror" and the impassioned protest anthems "Chicago" and "Military Madness." If Déjà Vu was a wild canyon party with four competing egos, Songs for Beginners is Nash's introspective morning after — a mix of heartbreak, hope, and a little bit of righteous protest. He recorded it while reeling from his split with Joni Mitchell, and you can feel that melancholy seeping through the grooves. But don't mistake this for a wallowing breakup album — it's also a call to action, packed with the kind of folk-rock anthems that made Nash an indispensable voice of his era. If you love CSN's folk-rock harmonies but also crave a more personal, raw touch, this is a must-listen. This Analogue Productions (Atlantic Series) reissue of Pain in My Heart is a standout for your collection. First, we turned to Bernie Grundman to cut lacquers from the original master tape. Pressing on 180-gram vinyl is by Quality Record Pressings, and the album is housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
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Wishbone Ash – Argus
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartWishbone Ash — Argus 180-gram 45 RPM double LP Mastered from the original analog master tape by Sean Magee at Abbey Road Studios Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Features the beloved fan favorite "Blowin' Free," plus "The King Will Come," "Time Was," "Warrior" and more! Wishbone Ash reigned supreme through the 1970s — centered on inspired musicianship, joyful spirit and inventive songs. Their concerts were uplifting and their recorded work sublime. Argus remains a stunning high point in the band's startling repertoire. Argus was a 1972 tour de force, a hard-rocking masterpiece that has gone on to have a huge impact on rock bands moving forward. If you've never heard Argus, you've surely heard music that it inspired. The British quartet's trademark harmony guitars became a touchstone for many: Thin Lizzy, Iron Maiden, Opeth, and Lynyrd Skynyrd have all acknowledged an Ash influence, and tracks such as Lizzy's "The Boys Are Back in Town," Maiden's "The Trooper," and even Steely Dan's "Reeling in the Years" all have twin-guitar moments that hark back to Argus. But Wishbone Ash were different from the start. They were never strictly a hard rock band; their soaring vocal harmonies and musical grandeur placed them close to progressive rock. But they weren't strictly prog either: They had no keyboards, no real classical influence and weren't into side-long suites. Their roots were in the blues, and their calling card was twin lead guitars in harmony (played in the original lineup by Ted Turner and Andy Powell). Even the hardest Ash rockers — like "Blowin' Free," the most famous track from Argus — had an ethereal touch. They could rock the big stages, but they did it with subtlety and grace. This is reflected perfectly in the classic album sleeve by prog-associated designers Hipgnosis: The front cover shows a Greek sentry — the "argus" of the title — staring off into the distance. It's a mythic, old-world kind of image until you look closely at the back cover, and see that he's heralding the arrival (or perhaps watching the departure) of a spaceship. Two worlds colliding. Exactly what the band and album were all about. By the time of Argus, Wishbone Ash were stars in England and cult heroes among Anglophiles in the US. What made Argus a step forward was its flow of moods. The songs don't run together, but there's an emotional connecting thread from the album's somber beginning to its heroic end. The band insisted at the time that lyrics were something of an afterthought: Shortly after its release, main lyricist Martin Turner told NME that he wrote them mainly to fit the mood of the music: "The music that was coming out was very English, very medieval, and the lyrics had to reflect that." Added Powell at the time, "The expression comes out in the guitars. We wouldn't play it if it didn't express something." Now, Analogue Productions has applied all of its vaunted craft and technical expertise to make this epic album shine! Two 45 RPM LPs pressed on virtually silent 180-gram vinyl at Quality Record Pressings make the remastered audio sparkle. Quieter lyrical sentiments and softer musical passages are rendered precisely, while majestic riffs and fist-waving anthems fully reveal the energy of the music! Argus isn't just another rock record — it's a journey through a sonic landscape rich with depth, emotion and technical prowess. It's the album that solidified Wishbone Ash as masters of twin guitar harmony. Discerning audiophiles will find Argus an essential addition to their record collection. It's a masterclass in sound engineering that fully captures the intricate interplay of dual guitars with pristine clarity and a warmth that only analog recordings can provide.
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Joan Baez – Diamonds & Rust
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartJoan Baez — Diamonds & Rust 180-gram 45 RPM double LP Numbered and strictly limited to 2,000 copies Mastered by Matthew Lutthans at The Mastering Lab from a 1/2" flat tape copy of the original analog master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing Natural tonalities, superb balances, prinstine clarity and richer sonic detail are what separate this exceptional Analogue Productions 45 RPM reissue of this Joan Baez classic from previous versions. This is dedication to preserving deserving recordings for future generations to enjoy. Vinyl enthusiasts will find this definitive 180-gram 45 RPM audiophile reissue of Diamonds & Rust to be an essential addition to their record collections — an epic sonic journey through Baez's most personal and refined work. Released in 1975, this album marked a pivotal moment in Baez's career, where her powerful folk roots seamlessly blend with the lush, polished production of the era. Her voice-pure, haunting, and timeless-has never sounded richer, and on this reissue, the analog warmth of her vocals will immerse you in every note like never before. At the heart of Diamonds & Rust is the title track, one of Baez's most celebrated songs. It's a nostalgic, poetic reflection on her relationship with Bob Dylan, a song that resonates with anyone who's experienced the bittersweet sting of love and loss. On vinyl, every detail-from the intimate strumming of her guitar to the breathy quiver in her voice-comes alive with the clarity and texture that only analog recordings can deliver. But it's not just the title track that makes this album indispensable. Baez's interpretations of songs such as Jackson Browne's "Fountain of Sorrow" and Stevie Wonder's "Never Dreamed You'd Leave in Summer" reveal her unmatched gift for bringing new depth to songs. Her renditions cut to the core, revealing emotional layers that other artists can only aspire to touch. And on "Winds of the Old Days" and "Dida," Baez gives listeners an intimate window into her ever-evolving artistry. For those less familiar with Joan Baez, Diamonds & Rust serves as the perfect entry point into her discography. It's a masterclass in storytelling, and an album that shows the full spectrum of her talent — from folk ballads to contemporary covers, all delivered with an emotional intensity that lingers long after the last note fades. Baez's legacy as a voice for social justice and a champion of acoustic beauty is firmly grounded in her ability to make the personal feel universal — and Diamonds & Rust is the purest expression of that gift. This reissue brings the album back in all its original analog glory. Mastered by Matthew Lutthans at The Mastering Lab from a 1/2" flat tape copy of the original analog master tape. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold jacket with textured stock by Stoughton Printing. If you want to experience the soul of Joan Baez, there's no better place to start — or return to — than Diamonds & Rust.
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Joan Baez – Recently
58,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartIn 1987, the "Madonna of Folk" returned to U.S. record shops with a vengeance, delivering here interpretations of songs by Dire Straits, Johnny Clegg, U2 and Peter Gabriel — performers, writes AllMusic, whose political consciousness had been formed by listening to old Joan Baez albums. We've taken a classic and kicked it up a notch. Several notches, in fact. This 200-gram stunner, pressed at Quality Record Pressings, was expertly remastered by Kevin Gray at Cohearent Audio. Lacquer plating was by QRP's master technician Gary Salstrom, topped off by a heavy cardboard tip-on jacket from Stoughton Printing with vibrantly reproduced original artwork. How does it get any better? The title track from Recently is a stunning Joan Baez original, where she boldly answers ex-husband David Harris' downbeat memoir of the '60s, Dreams Die Hard, as well as other '80s revisionists. The track "Asimbognagna" was nominated for a Grammy Award for Best Contemporary Folk Recording.