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Jascha Heifetz, Charles Munch, & Boston Symphony Orchestra – Beethoven: Violin Concerto (in D)
85,00 €Add to cartRCA Living Stereo classical LPs — the gold standard for top quality orchestral performance and sound! Part of the Analogue Productions RCA Living Stereo 45 RPM Series! Remastered from the original master tape and cut at 45 RPM by Bernie Grundman Includes 2-panel insert 180-gram vinyl 45 RPM double LP pressed at Quality Record Pressings! When Jascha Heifetz stepped into the studio with Charles Munch and the Boston Symphony Orchestra, the result was nothing less than legendary. Beethoven's Violin Concerto, a work of noble lyricism and timeless beauty, found in Heifetz a soloist of supreme technical command and aristocratic poise. His playing radiates both precision and passion, every phrase polished to brilliance yet never losing its expressive depth. Charles Munch, the great French maestro, was a natural partner-bringing clarity, warmth, and a rhythmic lift that perfectly complements Heifetz's elegance. The Boston Symphony, in its Living Stereo prime, provides a luminous orchestral backdrop, captured with the spacious, natural sound that made RCA recordings of the era so prized. What makes this album especially notable is the sheer electricity of the collaboration: the world's most celebrated violinist at the height of his powers, paired with a conductor and orchestra who elevate the music to exhilarating heights. For classical music fans, it offers both an ideal introduction to Beethoven's concerto and a reference performance that seasoned collectors return to again and again. Mastered by Bernie Grundman from the original 2-track master tape, cut at 45 RPM and plated and pressed at Quality Record Pressings — makers of the world's finest-sounding vinyl LPs, — no other editions match these for the quietest 180-gram platters available. Each reissue in the RCA Living Stereo 45 RPM Series also includes a special 2-panel insert.
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Fritz Reiner, Chicago Symphony Orchestra – Tchaikovsky: 1812 Overture
85,00 €Add to cartRCA Living Stereo classical LPs - the gold standard for top quality orchestral performance and sound! Part of the Analogue Productions RCA Living Stereo 45 RPM Series! Remastered from the original master tape and cut at 45 RPM by Bernie Grundman Includes 2-panel insert 180-gram vinyl 45 RPM double LP pressed at Quality Record Pressings! Original 1958 "Shaded Dog" stereo release. The legendary Reiner 1812 that was only available as a 1S pressing having been deleted soon after the Mercury 1812 featuring live cannon shots was released. The performance on this reissue is mind bending and features the incomparable Chicago Symphony Orchestra brass section. Mastered by Bernie Grundman from the original 2-track master tape, cut at 45 RPM and plated and pressed at Quality Record Pressings — makers of the world's finest-sounding vinyl LPs. No other editions match these for the quietest 180-gram platters available. Each reissue in the RCA Living Stereo 45 RPM Series also includes a special 2-panel insert.
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Little Feat – Dixie Chicken
85,00 €Add to cartLittle Feat — Dixie Chicken The album where Little Feat came into full bloom! Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! Mastered by Matthew Lutthans at The Mastering Lab from the original master tape 180-gram 45 RPM double LP pressed at Quality Record Pressings Housed in a Stoughton Printing tip-on gatefold jacket With Dixie Chicken (1973), Little Feat came into full bloom. Here, the band locked into their signature sound: sly, soulful, and irresistibly funky. The title track oozes Southern charm, "Two Trains" rolls with hypnotic rhythm, and "Fat Man In The Bathtub" blends humor and groove in a way only Lowell George could. This 45 RPM pressing, with lacquers cut by Matthew Lutthans at The Mastering Lab from the original master tape, delivers deeper bass, crisper detail, and wider groove spacing for stunning playback realism. Every snare hit, every slide riff, every vocal inflection pops from the speakers with life and dimension. A cornerstone of ‘70s rock and funk, Dixie Chicken finally gets the deluxe, audiophile treatment it deserves.
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Little Feat – Sailin’ Shoes
85,00 €Add to cartLittle Feat — Sailin' Shoes Lowell George's vision takes flight! Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! Mastered by Matthew Lutthans at The Mastering Lab from the original master tape 180-gram 45 RPM double LP pressed at Quality Record Pressings Housed in a Stoughton Printing tip-on gatefold jacket Formed by the late, great Lowell George, Little Feat made music that was loose, funky, literate, and impossible to pin down. Sailin' Shoes (1972) caught the band just as their legend was taking shape — a mix of sharp-witted storytelling and swampy grooves that defined early-'70s cool. From "Willin'" and "Easy to Slip" to the swaggering title track, it's a master class in Southern California songwriting with a Louisiana twist. These songs defined Little Feat's legend as one of rock's most distinctive voices. This 45 RPM pressing, cut by Matthew Lutthans at The Mastering Lab from the original master tape, opens up the soundstage with wider grooves for superior tracking, lower distortion, and richer dynamics. Guitars shimmer, vocals breathe, and the rhythm section punches with warmth and clarity that only vinyl — at 45 RPM — can deliver. Pressed on ultra-quiet, perfectly flat 2LP by Quality Record Pressings, this timeless blend of storytelling from one of the most influential bands from the 70’s Warner catalog, sounds magnificent.
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Aretha Franklin – Lady Soul
85,00 €Add to cartAretha Franklin — Lady Soul Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Includes the smash hit "(You Make Me Feel Like a) Natural Woman" and the immortal "Chain of Fools" 180-gram 45 RPM double LP Mastered by Matthew Lutthans at The Mastering Lab from a flat 24/192 digital transfer of the original master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Lady Soul, released in January 1968, was one of Aretha Franklin's finest and most popular albums — a No. 2 record that featured her take on Carole King's "(You Make Me Feel Like a) Natural Woman" and the immortal "Chain of Fools." Just a landmark statement of female empowerment and inspired vocal performance. Other massive hits include "(Sweet, Sweet Baby) Since You've Been Gone" and "Ain't No Way." Lady Soul topped the R&B charts and reached No. 2 on the Billboard 200. Aretha also provides her own unique and soulful interpretations of James Brown's "Money Won't Change You," Ray Charles' "Come Back Baby" and Curtis Mayfield's civil rights anthem, "People Get Ready." Rolling Stone named Aretha Franklin as the No. 1 Greatest Singer of All Time and it's all in evidence on Lady Soul. Lacquers cut by Matthew Lutthans at The Mastering Lab from a flat 24/192 digital transfer of the original master tape. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
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Stephen Stills – Stephen Stills
85,00 €Add to cartStephen Stills — Stephen Stills Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Stephen Stills' 1970 debut solo album Includes hit singles "Love The One You're With" and "Sit Yourself Down" 180-gram 45 RPM double LP Mastered by Bernie Grundman from the original analog master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing This self-titled solo debut from CSNY's most musically adventurous member is a tour de force of bluesy rock, Latin grooves, and pure, unfiltered Stephen Stills energy. His songs are certainly in a league with those of the other members, and it's chiefly on his solo albums that Stills's own personality comes through. Still's Top 20 hit "Love the One You're With" was the lead single from the album, released in November 1970. The album's other smash, "Sit Yourself Down," the seccond single, reached the Top 40, peaking at No. 37. Stills doesn't just play guitar here — he wrestles it into submission, layering his virtuosity over an album that sounds both meticulously crafted and effortlessly cool. Oh, and did we mention it features both Jimi Hendrix and Eric Clapton? Because it does. That's like having both the Beatles and the Stones as your backup band. Recorded in the wake of CSNY's success, Stephen Stills proves that while Crosby and Nash leaned into their harmonies and Young wandered off into his own world, Stills was busy crafting something bolder, grittier, and sonically rich. Stills jumps from folk to blues to Latin to orchestral balladry, but it never feels disjointed. The production is warm and immersive, with Stills playing most of the instruments himself (because of course he does). If Déjà Vu was a collaborative masterpiece, Stephen Stills is proof that he could do just fine on his own. This definitive deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic 75 Series) reissue of Stephen Stills, is mastered by Bernie Grundman from the original master tape, and is pressed on 180-gram double LP at Quality Record Pressings. Housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
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The Jimi Hendrix Experience – Axis: Bold As Love (Stereo)
198,00 €Add to cartNewly Remastered by Bernie Grundman from the Original Master TapesPressed at Quality Record Pressings Using Clarity Vinyl®Includes 24-Page Booklet with Session Notes and Essay by Brad Tolinski (Guitar World Magazine)Analogue Productions is revisiting its first-ever UHQR (Ultra High Quality Record) title — The Jimi Hendrix Experience's 1967 masterpiece Axis: Bold As Love - newly remastered and available for the first time as a 45 RPM edition, in both stereo and mono pressings. Both the stereo and mono versions have been cut by noted mastering engineer Bernie Grundman from the original analog master tapes, and pressed at Acoustic Sounds' industry-leading pressing plant Quality Record Pressings (QRP) using hand-selected 200-gram Clarity Vinyl. Each UHQR is packaged in a deluxe clamshell box and includes a booklet with liner notes by Brad Tolinski, along with a certificate of inspection. Each LP jacket is gold foil numbered. -
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The Jimi Hendrix Experience – Axis: Bold As Love (Mono)
198,00 €Add to cartNewly Remastered by Bernie Grundman from the Original Master TapesPressed at Quality Record Pressings Using Clarity Vinyl®Includes 24-Page Booklet with Session Notes and Essay by Brad Tolinski (Guitar World Magazine)Analogue Productions is revisiting its first-ever UHQR (Ultra High Quality Record) title — The Jimi Hendrix Experience's 1967 masterpiece Axis: Bold As Love - newly remastered and available for the first time as a 45 RPM edition, in both stereo and mono pressings. Both the stereo and mono versions have been cut by noted mastering engineer Bernie Grundman from the original analog master tapes, and pressed at Acoustic Sounds' industry-leading pressing plant Quality Record Pressings (QRP) using hand-selected 200-gram Clarity Vinyl. Each UHQR is packaged in a deluxe clamshell box and includes a booklet with liner notes by Brad Tolinski, along with a certificate of inspection. Each LP jacket is gold foil numbered. -
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Van Morrison – Astral Weeks
85,00 €Add to cartVan Morrison — Astral Weeks Morrison's timeless masterpiece — folk, jazz, and soul collide! Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! 180-gram 45 RPM double LP Mastered by Matthew Lutthans at The Mastering Lab Mastered from a flat 24/192 digital transfer of the original master tape. EQ'd through The Mastering Lab's analog all-tube system Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Rolling Stone's 500 Greatest Albums of All Time No. 60/500! As Rolling Stone puts it, "Van Morrison's second album is quite unlike his first. For a start, there's nothing on it like ‘Brown Eyed Girl,' and that's what the world was expecting." The founder of Bang Records, the label he was signed to, had unexpectedly died. His widow blamed Morrison as the two had been arguing over the direction of his new music. Bert Berns wanted Morrison to head to a more pop orientated sound, but Morrison wanted to explore new terrain. Following the death, Morrison was blocked from recording. Warner Brothers, who subsequently signed Morrison helped him out of that deal. And Morrison set to work on recording a folk rock masterpiece, a stream of consciousness record with music a mix between folk, blues, jazz and even classical music. Astral Weeks is more than an album — it's an experience. Van Morrison's 1968 masterpiece defies genre, while rewarding listeners with new emotional and musical discoveries. It's a fusion of folk, jazz improvisation, and ethereal soul that transports the listener to another realm. Often regarded as one of the greatest albums of all time, Astral Weeks doesn't fit neatly into any category. It's Morrison's most emotional vocal performance — his voice soars, whispers, and wails, delivering poetic lyrics with an intensity that feels deeply personal yet universally resonant. With upright bass, flute, vibraphone, and acoustic guitar weaving hypnotic textures, the album's organic, free-flowing arrangements create an unparalleled sense of atmosphere. Morrison's stream-of-consciousness lyrics paint vivid, mystical portraits of youth, love, nostalgia, and longing. Tracks such as "Madame George" and "Cyprus Avenue" are cinematic in their storytelling. Van Morrison fans will immediately recognize Astral Weeks as his most adventurous and soul-baring work. It's not just music-it's a meditative, dreamlike journey that lingers long after the final note fades. Lacquers cut by Matthew Lutthans at The Mastering Lab at 45 RPM (Mastered from a flat 24/192 digital transfer of the original master tape. EQ'd through The Mastering Lab's analog all-tube system). Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
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Van Morrison – Moondance
85,00 €Add to cartVan Morrison — Moondance Melody, mood and romance — Morrison at his most effortless and inspired! Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! 180-gram 45 RPM double LP Mastered by Matthew Lutthans at The Mastering Lab Mastered from a flat 24/192 digital transfer of the original master tape. EQ'd through The Mastering Lab's analog all-tube system Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Rolling Stone's 500 Greatest Albums of All Time No. 120/500! Equal parts blue-eyed soul shouter and wild-eyed poet-sorcerer, Van Morrison is among popular music's true innovators, a restless seeker whose incantatory vocals and alchemical fusion of R&B, jazz, blues, and Celtic folk produced what is regarded as perhaps the most spiritually transcendent body of work in the rock 'n' roll canon. Hailed by critics as one of the greatest albums of all time, Morrison's Moondance was an immediate and commercial success after the Northern Irish singer-songwriter released it on Feb. 27, 1970. After the commercial failure of his first Warner Bros. album Astral Weeks (1968), Morrison moved to upstate New York with his wife and began writing songs for Moondance. There, he met the musicians that would record the album with him at New York City's A & R Studios in August and September 1969. The album found Morrison abandoning the abstract folk jazz compositions of Astral Weeks in favor of more formally composed songs, which he wrote and produced entirely himself. Its lively rhythm and blues/rock music was the style he would become most known for in his career. The music incorporated soul, jazz, pop, and Irish folk sounds into songs about finding spiritual renewal and redemption in worldly matters such as nature, music, romantic love, and self-affirmation. Moondance helped establish Morrison as a major pop music artist while several songs from the album, including the title track, became staples of FM radio in the early 1970s. Rolling Stone's updated list of the 500 Greatest Albums of All Time has Moondance at No. 120. Lacquers cut by Matthew Lutthans at The Mastering Lab at 45 RPM (Mastered from a flat 24/192 digital transfer of the original master tape. EQ'd through The Mastering Lab's analog all-tube system), pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
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Bob Marley and The Wailers – Kaya
82,00 €Add to cartBob Marley & The Wailers — Kaya Mastered by Ryan K. Smith at Sterling Sound from the original master tape Two 45 RPM LPs pressed on 180-gram vinyl at Quality Record Pressings Deluxe Old-Style Tip-On Stoughton Printing gatefold jacket Kaya, released in 1978, was the tenth studio album by the Jamaican band Bob Marley & The Wailers, comprising tracks recorded alongside those released on the Exodus album. On Kaya, the band continued what has become an unspoken tradition in the evolution of Bob Marley & The Wailers discography — blending western sounds and motifs with the icons and traditions from the very core of Jamaican society. Released in 1978, Kaya wasn't necessarily made with American tastes in mind, but it was an album that presented a more accessible version of Bob Marley. Lyrically, the songs avoided the political commentary or Rastafarian philosophizing that was at the forefront of Natty Dread and Rastaman Vibration, and instead emphasized tunes about love and ganga, such as "Easy Skanking" and the title cut. And the palpable musical tension that simmered beneath the surface on the Wailers' earlier material gave way to a more laid-back riddim that was more comfortable but a bit less demanding. Kaya presented a gentler and friendlier version of Bob Marley & the Wailers, but it also documented Marley and his group at the peak of their abilities. Likewise, Kaya could also be easily construed as an open love letter or musical paean to the lifestyle that Marley so eagerly embraced and promoted. Evidence that the spirituality that permeates the Wailers music is real and not lip service. Now, Analogue Productions presents Kaya in sonic perfection — featured on 180-gram vinyl pressed at 45 RPM at Quality Record Pressings. Housed in a deluxe Old Style Tip-On Jacket from Stoughton Printing.
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Bob Marley and The Wailers – Uprising
82,00 €Add to cartBob Marley & The Wailers — Uprising Mastered by Ryan K. Smith at Sterling Sound from the original master tape Two 45 RPM LPs pressed on 180-gram vinyl at Quality Record Pressings/Also on Hybrid Multichannel SACD Deluxe Old-Style Tip-On Stoughton Printing gatefold jacket Uprising would be the final studio album featuring Bob Marley & the Wailers to be released during Marley's lifetime. Prophetically, it also contains some of the band's finest crafted material, as if they were cognizant that this would be their final outing. Released in 1980, Uprising stands as one of Bob Marley's most poignant and spiritually charged albums, embodying both his enduring reggae genius and his reflective, almost prophetic musings on life and faith. What makes Uprising particularly unique in Marley's discography is its duality-balancing socially conscious anthems with deeply personal expressions of faith, hope, and mortality. Tracks such as the iconic "Redemption Song," with its acoustic simplicity and universal message of liberation, and the haunting "Forever Loving Jah," reveal a man at peace with his spirituality. Meanwhile, songs such as "Could You Be Loved" deliver infectious grooves and crossover appeal, proving Marley's ability to blend message and melody effortlessly. Critics and fans alike hailed Uprising as a high point in Marley's career. It received acclaim for its mature sound and cohesive vision, with reviewers highlighting its raw emotional power. While it didn't achieve the explosive commercial success of Exodus or Kaya, it cemented Marley's status as a global ambassador for reggae and freedom. For Marley fans, it's more than an album — it's a testament to his enduring spirit. Now, Analogue Productions gives Uprising the deluxe treatment this album, with its rich heritage, deserves. Pressed on 180-gram vinyl pressed at 45 RPM at Quality Record Pressings. Housed in a deluxe Old Style Tip-On Jacket from Stoughton Printing.
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Chet Baker – In New York
84,00 €Add to cartChet Baker — In New York Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering Double LP cut at 45 RPM and pressed on 180-gram vinyl at Quality Record Pressings! Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish On Chet Baker — In New York, Chet plays like an angel with a muted trumpet. In New York captures the moody prince of cool stepping into the East Coast hard bop ring — and holding his own with charm, tone, and those impossibly lyrical lines that seem to float above the beat like cigarette smoke in a club basement. Chet Baker didn’t play the trumpet. He seduced it. His tone? So velvety, you might try spreading it on toast. His solos? Like a conversation with someone who never raises their voice — but always gets the last word. On In New York, Chet proves that his famously fragile persona belied a rock-solid sense of melody, timing, and understated swagger. Chet may be the name on the cover, but he came to town with some serious firepower. Johnny Griffin (tenor sax), known as the “Little Giant” brings a big sound and a bebop bite, pushing Chet into edgier territory — and yes, it works. Al Haig (piano), is bebop royalty. Cool, crisp, and a perfect harmonic foil for Baker’s phrasing. Paul Chambers (bass), is from Miles’ first-call list. He doesn’t just walk the bass — he struts. Lastly, Philly Joe Jones (drums) swings so hard, it’s a wonder the studio walls didn’t cave in. This lineup turns In New York from a moody trumpet feature into a full-on jazz heavyweight bout, where elegance and energy shake hands for 42 glorious minutes. Among the tracks, “Fair Weather” opens like a sigh and builds to a gorgeous melodic statement. Chet’s tone is so pure, you’ll swear it’s whispering secrets. “Solar” is the Miles Davis tune. Chet steps into the master’s world and makes it his own. Confident, cool, and swinging. “Polka Dots and Moonbeams” is a ballad done Baker-style: Romantic, vulnerable, and smoother than a vintage Cadillac. These are just a taste of the treasures that await on In New York. This vinyl reissue is par excellence: Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180-gram vinyl at Quality Record Pressings! Plus it’s housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish. This is an album that deserves space in every jazz fan’s collection. It captures a unique moment in Chet’s career — between the breezy West Coast cool and the rawer later years. It’s a must-have for any jazz collector who values tone, taste, and a little touch of trumpet romance. Add to cart. Drop the needle. Cue the cool.
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Gene Ammons – Blue Gene
84,00 €Add to cartGene Ammons — Blue Gene Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering Double LP cut at 45 RPM and pressed on 180-gram vinyl at Quality Record Pressings! Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish Jazz lovers and sonic thrill seekers — here’s a horn-heavy hangout starring the smooth, swaggering Gene Ammons and a dream team of mid-century jazz legends. Think of it as a top-shelf jam session that someone wisely remembered to hit “record” on. This 1958 Prestige gem is bluesy by name and bluesier by nature — three of the four tracks ride those familiar blues changes like a Cadillac with velvet seats. But don’t get too comfortable, because pianist Mal Waldron penned the entire setlist, including the haunting, minor-key ballad “Hip Tip,” just to keep your ears on their toes. Gene Ammons, aka “Jug,” brings that famously expressive tenor sax of his — rich enough to butter toast with — and pairs up with two of the finest co-conspirators ever to bless a horn: the sharp, soulful Idrees Sulieman on trumpet and the baritone brawler himself, Pepper Adams. This trio doesn’t just blow; they converse, they duel, and occasionally they just throw down. Every player on this date had already jammed with Gene before, so the chemistry is tighter than a snare drum. It’s the kind of session where everyone shows up knowing it’s about to go down — and it does. The vinyl reissue is par excellence: Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180-gram vinyl at Quality Record Pressings! Plus it’s housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish. Blue Gene is a must-have slice of golden-era jazz — equal parts brains, brawn, and bluesy brilliance. File it under “Instant Vibe.”
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Fritz Reiner – Richard Strauss: Also Sprach Zarathustra
85,00 €Add to cartRCA Living Stereo classical LPs — the gold standard for top quality orchestral performance and sound! Part of the Analogue Productions RCA Living Stereo 45 RPM Series! Remastered from the original master tape and cut at 45 RPM by Bernie Grundman Includes 2-panel insert 180-gram vinyl 45 RPM double LP pressed at Quality Record Pressings! Praise for our 331/3 edition series reissues: "These are the best vinyl releases of RCA LPs I've yet heard." — Jonathan Valin, executive editor, The Absolute Sound
The legendary 1954 Fritz Reiner/Chicago Symphony Orchestra performance of a Strauss war horse. Recorded directly to 2-track analog by Jack Pfeiffer, the original session tapes were used in mastering for LPs and SACDS. Among the very first Living Stereo recordings ever made, these landmark performances document the start of the legendary partnership of Fritz Reiner and the Chicago Symphony Orchestra.Musicians: Chicago Symphony Orchestra Fritz Reiner, conductor -
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Charles Munch, Boston Symphony Orchestra – Ravel: Daphnis And Chloe
85,00 €Add to cartRCA Living Stereo classical LPs - the gold standard for top quality orchestral performance and sound! Part of the Analogue Productions RCA Living Stereo 45 RPM Series! Remastered from the original master tape and cut at 45 RPM by Bernie Grundman Includes 2-panel insert 180-gram vinyl 45 RPM double LP pressed at Quality Record Pressings! By far, this is Ravel's richest and most sumptuously colorful work. Charles Munch, throughout his conducting career, gave sympathetic attention to the music of Ravel, and, by performing the entire ballet score in its entirety, restored Daphnis and Chloe to a single rounded work, drawn together not only thematically, but by its characteristic mood and color. Recorded Jan. 23-24, 1955 at Symphony Hall. Originally released in 1960. Mastered by Bernie Grundman from the original 2-track master tape, cut at 45 RPM and plated and pressed at Quality Record Pressings — makers of the world's finest-sounding vinyl LPs, — no other editions match these for the quietest 180-gram platters available. Each reissue in the RCA Living Stereo 45 RPM Series also includes a special 2-panel insert.