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Art Pepper – Art Pepper – Meets The Rhythm Section (45 RPM 200 Gram Double LP on Clarity Vinyl)
198,00 €Add to cartArt Pepper's Contemporary Records debut — Now on UHQR! 200-gram 45 RPM 2LP release Numbered edition limited to 2,750 copies! Mastered AAA by Bernie Grundman from the original analog tapes Set includes deluxe 16-page booklet telling the history of Contemporary Records together with new album liner notes by John Koenig, son of the label founder Pressed on Clarity Vinyl at Quality Record Pressings Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish Purest possible pressing and most visually stunning presentation and packaging! Step into the timeless jazz realm of saxophone great Art Pepper! Embark on a musical journey like no other with Pepper's iconic album Art Pepper Meets The Rhythm Section, now available in a breathtaking Ultra High Quality Record vinyl edition from Analogue Productions. The Perfect Trio: Pepper, Garland, Chambers, and Jones Imagine the magic when Art Pepper, the virtuoso of the alto saxophone, joins forces with the legendary rhythm section of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums. This 1957 Contemporary Records label debut spotlights their synergy on classics such as "You'd Be So Nice To Come Home To" and "Waltz Me Blues," sounding nothing short of sublime! For Pepper, known for his emotionally charged performances, Art Pepper Meets The Rhythm Section marked a career milestone. According to him, the album was recorded under enormous pressure, as he first learned of the recording session the morning he was due in the studio, and he had never met the other musicians, all of whom he greatly admired. His horn was also in less than exceptional condition. Still, the session produced results that Becky Byrkit, writing for AllMusic, deemed, "a diamond of recorded jazz history." Brian Morton and Richard Cook, writing for The Penguin Jazz Guide (10th ed.), described Meets The Rhythm Section as "a poetic, burning date, with all four men playing above themselves... Between them, they'd delivered a masterpiece." Meets The Rhythm Section also shares a storied link to the origins of Contemporary Records, founded in 1951 by Lester Koenig. For this UHQR edition of Meets The Rhythm Section we have an included a 16-page booklet that tells the history of Contemporary Records as well as offering new liner notes from John Koenig, Lester's son, known for his insightful jazz reviews. Why UHQR vinyl? • Craftsmanship: Analogue Productions' UHQR editions are crafted with the utmost precision and care, ensuring each note is faithfully reproduced with unparalleled clarity and warmth. Four glorious sides of 200-gram Clarity Vinyl from Quality Record Pressings, the world's best pressing plant. Cut at 45 RPM by Bernie Grundman to reduce distortion and frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. Lastly, your record is housed in a Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish. The record and supporting materials are contained in a deluxe textured clamshell box. • Collectibility: UHQRs are more than records; they're sought-after pieces of art cherished by audiophiles and collectors worldwide for their exceptional sound quality and rarity. • Exclusivity: Limited to a select few, owning an UHQR edition is a testament to your passion for music and dedication to experiencing it in its purest form. Rediscover the Magic Relive the brilliance of Art Pepper Meets The Rhythm Section with a vinyl pressing that honors its legacy and elevates your listening experience to new heights. Whether you're a seasoned jazz aficionado or discovering the genre anew, this is a must-have addition to your collection. Secure your piece of jazz history, now!
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Sonny Rollins – Way Out West (45 RPM 200 Gram Double LP on Clarity Vinyl)
198,00 €Add to cartSonny Rollins' groundbreaking album _ Now on UHQR! 200-gram 45 RPM 2LP release Numbered edition limited to 2,750 copies! Mastered AAA by Bernie Grundman from the original analog tapes Set includes deluxe 16-page booklet telling the history of Contemporary Records together with new album liner notes by John Koenig, son of the label founder Pressed on Clarity Vinyl at Quality Record Pressings Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish Purest possible pressing and most visually stunning presentation and packaging! A classic of the genre, Rollins' first album for the Contemporary Records label! Dive into the timeless brilliance of Sonny Rollins' legendary album Way Out West like never before with the Analogue Productions UHQR edition! Meticulously pressed at Quality Record Pressings, this definitive audiophile version stands as a testament to one of jazz's most formidable talents. Way Out West, his classic 1957 album, received 5 Stars from Rolling Stone's prestigious Jazz Record Guide and has prompted Pitchfork to deem it, "an album that looks like a novelty and sounds like transcendence." How Way Out West shaped jazz • Masterful Trio: The album's infamous 3 a.m. recording sessions featured Rollins' sax strolling over the contributions of onetime Ella Fitzgerald bassist Ray Brown and iconic West Coast Jazz drummer Shelly Manne, neither of whom Rollins had ever played with. An open setting gives Rollins space to be harmonically inventive. Rollins' saxophone mastery shines brightly on every track! • Musical innovation: From the swinging "I'm an Old Cowhand (From the Rio Grande)," written by Johnny Mercer and made famous by Bing Crosby — skillfully mixing country and jazz, to the haunting Rollins' original composition and title track "Way Out West," the album redefines jazz improvisation. • Frequently included in "Best Saxophone Albums" and "Best Jazz Trios" lists. AllMusic rates it 5/5 Stars! Sonny Rollins' groundbreaking album is a cornerstone of jazz history. The Ultimate Listening Experience • UHQR Vinyl: Immerse yourself in unparalleled sound quality with the Acoustic Sounds UHQR pressing, crafted for audiophiles who demand the best, with attention paid to every single detail of this one-of-a-kind reissue. • Precision craftsmanship: Four glorious sides of 200-gram Clarity Vinyl from Quality Record Pressings, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. UHQRs from Analogue Productions are the gold-standard in premium vinyl releases. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. The heavier vinyl minimizes resonance and warping, providing a stable and flat playing surface. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process. Lastly, your record is housed in a Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish. The record and supporting materials are contained in a deluxe textured clamshell box. Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records. Own a Piece of Jazz History: Rediscover Way Out West in its purest form and elevate your vinyl collection with this essential masterpiece. Limited edition — reserve yours today and experience jazz like never before!
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Aretha Franklin – Aretha Now
87,00 €Add to cartAretha Franklin — Aretha Now Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Includes the knockout anthem "Think"! 180-gram 45 RPM double LP Mastered by Kevin Gray at Cohearent Audio from the original master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Aretha Franklin had some modest success as a singer of standards and torch songs, during her tenure with Columbia Records in the early- and mid-'60s, but it wasn't until she signed with Atlantic Records in 1967 that she found her true voice, becoming, in essence, the Aretha Franklin the world came to love — the Queen of Soul! 1968 was a watershed year for Franklin. In January, she released Lady Soul, one of her finest and most popular albums — a No. 2 record that featured her take on Carole King's "(You Make Me Feel Like a) Natural Woman" and the immortal "Chain of Fools." She closed out the year with her first live album, Aretha In Paris, performing some of her best Atlantic material in a concert setting. Sandwiched between those two records was Aretha Now, a continuation of the great, grooving R&B she'd made her own since signing with Atlantic. Side One is a flat-out classic. It starts with "Think," the timeless empowerment anthem, with its gospel call and response and "Freedom!" refrain-truly one of the '60s great soul songs. A reinvention of the Bacharach/David hit "I Say a Little Prayer" follows, as Franklin both leads and yields to the Sweet Inspirations, whose harmonies define this new version of the Dionne Warwick hit. A slinky take on "See Saw" leads into Franklin's brassy cover of "The Night Time is the Right Time," taking the sweaty Nappy Brown/Ray Charles bedroom come-on to church, as only Franklin could do it. She also takes a spritely stroll through Sam Cooke's "You Send Me," ending the side on a romantic high. Take a breath before flipping over to Side Two — you're going to need it, not just to recover from the string of knockouts on Side One, but also to marshal the energy you'll need to dance through the up-tempo stunners to come. Roger Hawkins' drums are the first thing you hear when the needle hits the groove-the count in to "You're a Sweet, Sweet Man," which gets the head bobbing. By the time Franklin sprints through the Clyde Otis tune "A Change," you'll be shimmying across whatever floor you happen to be standing on. It all leads up to the album closer, the simmering "I Can't See Myself Leaving You," an R&B chart smash with an understated vocal that should be considered among Franklin's finest performances. Aretha Now was a hit album in its own right, but it's sometimes overlooked, standing as it does in the shadow of Lady Soul. Still, Aretha Now is an effortless-sounding showcase of her range and versatility; portraying her talent for not only elevating any song she sang, but to make it completely hers in such a way that it's impossible to imagine anyone else singing it. This definitive deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic 75 Series) reissue of Aretha Now , is mastered by Kevin Gray at Cohearent Audio from the original master tape, and is pressed on 180-gram double LP at Quality Record Pressings. Housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
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Graham Nash – Songs For Beginners
82,00 €Add to cartGraham Nash — Songs For Beginners Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Graham Nash's auspicious solo album debut! Features "I Used to Be a King" and "Man in the Mirror" plus "Chicago" 180-gram 45 RPM double LP Mastered by Bernie Grundman from the original analog master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing After finding fame with the Hollies and Crosby, Stills, Nash & Young, expatriate Englishman turned West Coast rock icon Graham Nash made an auspicious solo debut on this 1971 disc. It's an exemplary singer-songwriter effort, striking a vital balance between graceful introspection and political fervor — and while it's deeply personal, it still carries the harmonies, heart and politics that made CSN(Y) so essential. With assistance from the likes of David Crosby, Jerry Garcia, and Dave Mason, highlights include the sensitive internal explorations "I Used to Be a King" and "Man in the Mirror" and the impassioned protest anthems "Chicago" and "Military Madness." If Déjà Vu was a wild canyon party with four competing egos, Songs for Beginners is Nash's introspective morning after — a mix of heartbreak, hope, and a little bit of righteous protest. He recorded it while reeling from his split with Joni Mitchell, and you can feel that melancholy seeping through the grooves. But don't mistake this for a wallowing breakup album — it's also a call to action, packed with the kind of folk-rock anthems that made Nash an indispensable voice of his era. If you love CSN's folk-rock harmonies but also crave a more personal, raw touch, this is a must-listen. This Analogue Productions (Atlantic Series) reissue of Pain in My Heart is a standout for your collection. First, we turned to Bernie Grundman to cut lacquers from the original master tape. Pressing on 180-gram vinyl is by Quality Record Pressings, and the album is housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
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Ray Charles – What’d I Say
82,00 €Add to cartRay Charles — What'd I Say Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Album popularized Ray Charles' first Top 10 hit! 180-gram 45 RPM double LP Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Ray Charles' 1959 album What'd I Say popularized Charles' first Top 10 hit, "What I'd Say" and became his first gold-selling record. The tune was written on the fly by the American singer, songwriter, pianist and composer during a 1958 live show. Indeed, "What'd I Say" stands as one of the most recognizable and enduring songs of the 20th century. Its electrifying combination of gospel fervor, bluesy sensuality, and soulful exuberance sent shockwaves through the music industry. Daringly different, wildly sexy — Ray Charles' gritty, impassioned vocals combined with his virtuosic piano playing created an irresistible groove that had listeners dancing in the aisles. In addition to the title track, the album boasts other standout songs like "Tell Me How Do You Feel," "Rockhouse," and "Roll with My Baby," each showcasing Ray Charles' unmatched ability to infuse his music with raw emotion and soulful authenticity. "What'd I Say" became an instant classic and a commercial juggernaut. Notably, it was a Top 10 hit on the Billboard Hot 100 chart, peaking at No. 6. In addition to the title track, the album boasts other standout songs such as "Tell Me How Do You Feel," "Rockhouse," and "Roll with My Baby," each showcasing Ray Charles' unmatched ability to infuse his music with raw emotion and soulful authenticity. Upon its release, a reviewer for Billboard referred to What'd I Say as "A fine, swinging album," and wrote that Charles "is at his best here." This definitive deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic 75 Series) reissue of What'd I Say is going to be a keepsake for Ray Charles fans.
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Wishbone Ash – Argus
82,00 €Show itemWishbone Ash — Argus 180-gram 45 RPM double LP Mastered from the original analog master tape by Sean Magee at Abbey Road Studios Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Features the beloved fan favorite "Blowin' Free," plus "The King Will Come," "Time Was," "Warrior" and more! Wishbone Ash reigned supreme through the 1970s — centered on inspired musicianship, joyful spirit and inventive songs. Their concerts were uplifting and their recorded work sublime. Argus remains a stunning high point in the band's startling repertoire. Argus was a 1972 tour de force, a hard-rocking masterpiece that has gone on to have a huge impact on rock bands moving forward. If you've never heard Argus, you've surely heard music that it inspired. The British quartet's trademark harmony guitars became a touchstone for many: Thin Lizzy, Iron Maiden, Opeth, and Lynyrd Skynyrd have all acknowledged an Ash influence, and tracks such as Lizzy's "The Boys Are Back in Town," Maiden's "The Trooper," and even Steely Dan's "Reeling in the Years" all have twin-guitar moments that hark back to Argus. But Wishbone Ash were different from the start. They were never strictly a hard rock band; their soaring vocal harmonies and musical grandeur placed them close to progressive rock. But they weren't strictly prog either: They had no keyboards, no real classical influence and weren't into side-long suites. Their roots were in the blues, and their calling card was twin lead guitars in harmony (played in the original lineup by Ted Turner and Andy Powell). Even the hardest Ash rockers — like "Blowin' Free," the most famous track from Argus — had an ethereal touch. They could rock the big stages, but they did it with subtlety and grace. This is reflected perfectly in the classic album sleeve by prog-associated designers Hipgnosis: The front cover shows a Greek sentry — the "argus" of the title — staring off into the distance. It's a mythic, old-world kind of image until you look closely at the back cover, and see that he's heralding the arrival (or perhaps watching the departure) of a spaceship. Two worlds colliding. Exactly what the band and album were all about. By the time of Argus, Wishbone Ash were stars in England and cult heroes among Anglophiles in the US. What made Argus a step forward was its flow of moods. The songs don't run together, but there's an emotional connecting thread from the album's somber beginning to its heroic end. The band insisted at the time that lyrics were something of an afterthought: Shortly after its release, main lyricist Martin Turner told NME that he wrote them mainly to fit the mood of the music: "The music that was coming out was very English, very medieval, and the lyrics had to reflect that." Added Powell at the time, "The expression comes out in the guitars. We wouldn't play it if it didn't express something." Now, Analogue Productions has applied all of its vaunted craft and technical expertise to make this epic album shine! Two 45 RPM LPs pressed on virtually silent 180-gram vinyl at Quality Record Pressings make the remastered audio sparkle. Quieter lyrical sentiments and softer musical passages are rendered precisely, while majestic riffs and fist-waving anthems fully reveal the energy of the music! Argus isn't just another rock record — it's a journey through a sonic landscape rich with depth, emotion and technical prowess. It's the album that solidified Wishbone Ash as masters of twin guitar harmony. Discerning audiophiles will find Argus an essential addition to their record collection. It's a masterclass in sound engineering that fully captures the intricate interplay of dual guitars with pristine clarity and a warmth that only analog recordings can provide.
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Joan Baez – Diamonds & Rust
82,00 €Add to cartJoan Baez — Diamonds & Rust 180-gram 45 RPM double LP Numbered and strictly limited to 2,000 copies Mastered by Matthew Lutthans at The Mastering Lab from a 1/2" flat tape copy of the original analog master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing Natural tonalities, superb balances, prinstine clarity and richer sonic detail are what separate this exceptional Analogue Productions 45 RPM reissue of this Joan Baez classic from previous versions. This is dedication to preserving deserving recordings for future generations to enjoy. Vinyl enthusiasts will find this definitive 180-gram 45 RPM audiophile reissue of Diamonds & Rust to be an essential addition to their record collections — an epic sonic journey through Baez's most personal and refined work. Released in 1975, this album marked a pivotal moment in Baez's career, where her powerful folk roots seamlessly blend with the lush, polished production of the era. Her voice-pure, haunting, and timeless-has never sounded richer, and on this reissue, the analog warmth of her vocals will immerse you in every note like never before. At the heart of Diamonds & Rust is the title track, one of Baez's most celebrated songs. It's a nostalgic, poetic reflection on her relationship with Bob Dylan, a song that resonates with anyone who's experienced the bittersweet sting of love and loss. On vinyl, every detail-from the intimate strumming of her guitar to the breathy quiver in her voice-comes alive with the clarity and texture that only analog recordings can deliver. But it's not just the title track that makes this album indispensable. Baez's interpretations of songs such as Jackson Browne's "Fountain of Sorrow" and Stevie Wonder's "Never Dreamed You'd Leave in Summer" reveal her unmatched gift for bringing new depth to songs. Her renditions cut to the core, revealing emotional layers that other artists can only aspire to touch. And on "Winds of the Old Days" and "Dida," Baez gives listeners an intimate window into her ever-evolving artistry. For those less familiar with Joan Baez, Diamonds & Rust serves as the perfect entry point into her discography. It's a masterclass in storytelling, and an album that shows the full spectrum of her talent — from folk ballads to contemporary covers, all delivered with an emotional intensity that lingers long after the last note fades. Baez's legacy as a voice for social justice and a champion of acoustic beauty is firmly grounded in her ability to make the personal feel universal — and Diamonds & Rust is the purest expression of that gift. This reissue brings the album back in all its original analog glory. Mastered by Matthew Lutthans at The Mastering Lab from a 1/2" flat tape copy of the original analog master tape. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold jacket with textured stock by Stoughton Printing. If you want to experience the soul of Joan Baez, there's no better place to start — or return to — than Diamonds & Rust.
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Yes – Close To The Edge
82,00 €Add to cartFebruary 7th 2025 Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Yes' 1972 Atlantic Records masterpiece! 180-gram 45 RPM double LP Mastered by Kevin Gray at Cohearent Audio from the original master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing Yes's 1972 3-track recording masterpiece, Close to the Edge, presents a snapshot of an adventurous rock band at the peak of its powers, daring to push itself musically, both as individuals and as a unit. The first half of the 1970s was an especially fertile period for British progressive rock, laying claim to classics such as Tarkus, Selling England by the Pound, Larks' Tongues in Aspic, The Dark Side of the Moon, and Thick as a Brick. Collectively these and other works represent the best British progressive rock had to offer. Yet, many reviewers cite Close to the Edge as the ultimate prog rock album. Author and music journalist Will Romano writes: "Yes had previously penned epic tracks for The Yes Album and Fragile, but nothing on the magnitude of the musical gems appearing on Close to the Edge. It's something of a small miracle — perhaps even magic — that the virtuoso quintet crafted such a cohesive and compelling album during an often-hectic recording process that very nearly relegated this monumental work to the dustbin of history." The album's centrepiece is the 18-minute title track, with themes and lyrics inspired by the Herman Hesse novel Siddhartha. Side two contains two non-conceptual tracks, the folk-inspired "And You and I" and the comparatively straightforward rocker "Siberian Khatru." Original drummer Bill Bruford found the album particularly laborious to make, which culminated in his decision to quit the band after it was recorded, to join King Crimson. Close to the Edge became the band's greatest commercial success at the time of release. It peaked at No. 4 on the U.K. Albums Chart and No. 3 on the Billboard 200 in the United States, the highest position Yes has reached on the latter chart. In 2020, Close to the Edge was ranked at No. 445 on Rolling Stone's list of the 500 Greatest Albums of All Time. Mastered by Kevin Gray at Cohearent Audio. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing.
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Genesis – Abacab
82,00 €Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Genesis' multiplatinum-selling album Abacab! Featuring "Abacab," "No Reply At All," and "Man on the Corner" 180-gram 45 RPM double LP Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Certified multi-platinum-selling in several countries, including the United States and the United Kingdom, Genesis' album Abacab, released in 1981, marked the band's move from their progressive music roots to more accessible and pop-oriented songs. Genesis released four singles from the album, the most successful being "Abacab" and "No Reply at All," together with "Man on the Corner." Extensive radio play helped boost the album's commercial success. The album was engineered by Hugh Padgham, known for his work with other successful artists like Phil Collins and The Police. His production techniques, including the gated reverb drum sound, contributed to the album's modern and radio-friendly sound. In November 1980 the band bought Fisher Lane Farm, a farmhouse with an adjoining cowshed near Chiddingfold, Surrey, as their new private rehearsal and recording facility. In the process of remodelling the building into a studio, the trio reconvened in the farm house to write and rehearse new material, which initially took place in the living room, and they started recording Abacab in March 1981 once the studio was operational. It was the first Genesis album recorded in England since A Trick of the Tail (1976). This is the definitive deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic 75 Series) reissue of the classic Abacab. A sonic gift for all true Genesis fans!
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Roberta Flack – Killing Me Softly
82,00 €Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Platinum-selling, Grammy-nominated album featuring the No. 1 smash title track! Tip-on old style gatefold double pocket jacket by Stoughton Printing Female R&B singers were expected to be forceful, big-voiced divas (like Aretha Franklin) or come-hither seductresses (like Diana Ross), but, as AllMusic says, Roberta Flack had her own unique approach. Flack's voice is vast, deep, and stately — where some singers confuse frenzy with passion, she is confident, majestic, and unhurried, intense in a profound yet reserved manner. The title song of this 1973 masterful eight track album, "Killing Me Softly," was her second No. 1 hit, establishing her as a major modern R&B stylist. Killing Me Softly reached No. 3 on the Billboard Top LPs & Tape and No. 2 on the Soul LPs chart. The Recording Industry Association of America (RIAA) certified the album gold on August 27, 1973, and double platinum on January 30, 2006, denoting shipments of 2 million copies in the United States. It was nominated for a Grammy Award for Album of the Year, which it lost to Stevie Wonder's 1973 album Innervisions. The album's title track was released as a single and topped the Billboard Hot 100. The title track won the 1974 Grammy Award for Record of the Year. This deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic Series) reissue of Killing Me Softly is a true audiophile gem and a worthy addition to your music collection.
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Ray Charles – The Genius Of Ray Charles
82,00 €Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Rolling Stone list of 500 Greatest Albums 265/500 for 2012 180-gram 45 RPM double LP Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing The Genius of Ray Charles, his sixth studio album, released in 1959 by Atlantic Records, eschewed the the soul sound of his 1950s recordings, which fused jazz, gospel, and blues, for swinging pop with big band arrangements. Charles is joined bymany ringers from the Count Basie and Duke Ellington bands for the first half of this program, featuring Charles belting out six songs arranged by Quincy Jones. "Let the Good Times Roll" and "Deed I Do" are highlights, and there are solos by tenorman David "Fathead" Newman, trumpeter Marcus Belgrave, and (on "Two Years of Torture") tenor Paul Gonsalves. The remaining six numbers are ballads, with Charles backed by a string orchestra arranged by Ralph Burns (including "Come Rain or Come Shine" and "Don't Let the Sun Catch You Cryin'"). Charles' voice is heard throughout in peak form, giving soul to even the veteran standards. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
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John Coltrane – Coltrane Jazz
82,00 €Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Coltrane playing with his former Miles Davis bandmates Featuring originals "Harmonique" and "Like Sonny" 180-gram 45 RPM double LP Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing The first album to hit the shelves after Giant Steps, Coltrane Jazz was recorded in November and December 1959, although one of the eight tracks ("Villiage Blues") was recorded in late 1960. On everything save the aforementioned "Village Blues," Coltrane used the Miles Davis rhythm section of pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb AllMusic describes Coltrane Jazz as the saxophone legend's preparation for his launch into his peak years of the 1960s. There are three standards aboard, but the group reaches their peak on Coltrane's original material, particularly "Harmonique" with its melodic leaps and upper-register saxophone strains and the winding, slightly Eastern-flavored principal riffs of "Like Sonny," dedicated to Sonny Rollins. The moody "Village Blues" features the lineup of McCoy Tyner on piano, Elvin Jones on drums, and Steve Davis on bass; with the substitution of Jimmy Garrison on bass, that personnel would play on Coltrane's most influential and beloved 1960s albums. Sound excellence can be found on this definitive deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic 75 Series) reissue of Coltrane Jazz.
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Jethro Tull – Benefit
82,00 €Add to cart180-gram 45 RPM double LP from Analogue Productions! Mastered by Matthew Lutthans at The Mastering Lab from flat copies of the original U.K. and U.S. analog master tapes Third studio album featured advanced studio recording techniques Featuring original U.S. tracklisting with bonus track "Alive And Well And Living In" from U.K. release Plated and pressed at Quality Record Pressings Gatefold old-style tip-on jacket by Stoughton Printing Jethro Tull's 1970 classic Benefit was their third studio album in as many years, following the successes of This Was (1968) and Stand Up (1969). For Benefit, Ian Anderson (flute, guitars, vocals), Martin Barre (guitars), Glenn Cornick (bass), and Clive Bunker (drums) were joined by John Evan on piano and organ. Evan would go on to play on all of Jethro Tull's albums throughout the '70s. It was also the last to include Cornick, who was fired from the band upon completion of touring for the album. Recorded at Morgan Studios, where the band recorded Stand Up, the album featured more advanced studio techniques, such as a backward-recorded flute on "With You There To Help Me" and a sped-up guitar on "Play In Time." Frontman Ian Anderson said Evan had changed the band's style: "John has added a new dimension musically and I can write more freely now. In fact anything is possible with him at the keyboard." Compared to Stand Up, although containing a similar mix of bluesy hard-rockers and melodic acoustic numbers, Benefit had, as Ian Anderson put it, a "harder, slightly darker feel" compared to previous material. The eclectic fusion of folk, rock, and progressive elements creates a sonic tapestry unlike any other. Anderson's virtuosic flute playing intertwines with Barre's electrifying guitar work, weaving intricate melodies that transport listeners to a world of introspection and imagination. From the hauntingly beautiful "With You There to Help Me" to the whimsical energy of "To Cry You a Song," each track invites exploration of both the inner self and the world beyond. This Analogue Productions 45 RPM release, plated and pressed at Quality Record Pressings, gives this historic album the rich sonic presentation it deserves. The dead-quiet double-LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. Benefit stands as a testament to Jethro Tull's pioneering spirit, pushing the boundaries of musical expression and leaving an indelible mark on the landscape of rock music. This reissue is clean, balanced and richly detailed, the way an Analogue Productions reissue should sound.
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Bad Company – Burnin’ Sky
82,00 €Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! One of the finest albums of the classic rock era! 180-gram 45 RPM double LP Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Bad Company's Burnin' Sky, released in March 1977, continued to showcase the band's bluesy rock roots, with Paul Rodgers' soulful and powerful vocals leading the way. The album's musical style is characterized by its gritty, guitar-driven sound and blues-infused melodies. The 12 songs were recorded in France at studio Château d Hérouville, where David Bowie would record Low later that same year. The album's hit single and title track "Burnin' Sky" reached No. 78 on the U.S. Billboard pop singles chart. The album peaked at No. 15 on the Billboard 200 chart. This 180-gram 45 RPM 2LP of Burnin' Sky is the definitive reissue of this chart-making classic.
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Dr. John – Dr. John’s Gumbo
82,00 €Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! No. 404 on Rolling Stone's list of 500 Greatest Albums of All Time! A tribute by the New Orleans singer and pianist to his native city! 180-gram 45 RPM double LP Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Dr. John's Gumbo is the fifth album by New Orleans singer and pianist Dr. John, a tribute to the music of his native city. The album is a collection of covers of New Orleans classics, played by a major figure in the city's music. Dr John's Gumbo was released in 1972 and is in many ways a tribute by Dr. John, aka the Night Tripper, to his hometown of New Orleans. It features excellent interpretations of New Orleans traditionals ("Iko Iko", "Tipitina", "Junko Partner" and "Stack-O-Lee") and contemporary R&B written or played by the likes of Huey Piano Smith ("Blow Wind Blow" and "Huey Smith Medley") and Earl King ("Big Chief" and "Those Lonely Lonely Nights"). Dr. John delivers a strong set of infectious songs drenched in good vibes and spiced with a pinch of voodoo. His eccentric (stage) appearance adds unique color to his stature as master of the ivories and as an entertainer. We expect this definitive deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic Series) reissue of Dr. John's Gumbo to be a cherished addition to the music collections of all fans of New Orleans classics.
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Dusty Springfield – Dusty In Memphis
82,00 €Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! A classic by England's female soul queen! 180-gram 45 RPM double LP Mastered directly from the original master tape by Kevin Gray at Cohearent Audio Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Dusty Springfield shares rarified air with the top soul/R&B queens of the post-WWII era — Aretha Franklin, Etta James, and others. Originally released in 1969, the concept for Dusty In Memphis was to take England's reigning female soul queen to the home of the music which had inspired her. Produced by Atlantic's Jerry Wexler and Arif Mardin and engineered by Tom Dowd, the record's highlights include "Son Of A Preacher Man," "So Much Love," "Breakfast In Bed," "Just One Smile," "I Don't Want To Hear It Anymore" and "Just A Little Lovin'". Springfield is backed by a crack band that had previously worked with Aretha Franklin, Wilson Pickett, King Curtis and Elvis Presley among others. The musicians — collectively known as the Memphis Cats — include guitarist Reggie Young, bassist Tommy Cogbill, drummer Gene Chrismann, pianist Bobby Wood and Bobby Emmons on organ and electric piano. Songwriting contributions came from, among others, Randy Newman, Carole King, Gerry Goffin, Barry Mann and Cynthia Weil. Dusty Springfield is one of the finest white soul singers of her era, and this is the undisputed proof. Analogue Production's reissue here is perfection. Mastered by Kevin Gray from the original analog master tape. Double LP cut at 45 RPM, pressed on 180-gram vinyl at Quality Record Pressings, and housed in a Stoughton Printing tip-on old style gatefold jacket.