45 RPM Vinyl Record
Showing 49–64 of 122 results
-
Sale!
Pre-order
Fritz Reiner – Bartok: Concerto For Orchestra
82,00 €Add to cartRCA Living Stereo classical LPs — the gold standard for top quality orchestral performance and sound! Part of the Analogue Productions RCA Living Stereo 45 RPM Series! Remastered from the original master tape and cut at 45 RPM by Bernie Grundman Includes 2-panel insert 180-gram vinyl 45 RPM double LP pressed at Quality Record Pressings! Praise for our 331/3 edition series reissues: "Analogue Productions' reissue of the RCA Living Stereo titles continues apace with one of the great masterpieces of the twentieth century — Béla Bartók's Concerto For Orchestra with the Chicago Symphony Orchestra, conducted by Fritz Reiner. ... (it) is is an audiophile's dream recording. It has string tone to die for, a soundstage that fills your living room, and exhibits startling dynamics. ... if you pass on this issue, you will miss out on what is the best-sounding pressing of this LP. In combination with great remastering, pressing on whisper quiet vinyl, and packaging in a first-class record sleeve, this is a bargain." Recording = 10/10; Music = 10/10 — Dennis D. Davis, Hi-Fi +, Issue 121 "These are the best vinyl releases of RCA LPs I've yet heard." — Jonathan Valin, executive editor, The Absolute Sound Since its original release on LP in the mid-1950s, Fritz Reiner's rendition of the Concerto for Orchestra has stood as the standard against which all other recordings of the work are measured. Reiner's superb control of his orchestra and of Bartók's rhythms and textures is still unsurpassed, even by dozens of subsequent conductors in the digital age. Likewise, the Music for Strings, Percussion, and Celesta shows just what an incredible ensemble the Chicago Symphony was under Reiner's direction. The original 2-track session tapes were used in mastering for LPs and SACDs. Reiner delivers definitive interpretations that set a standard that remains unsurpassed. Mastered by Bernie Grundman from the original 2-track master tape, cut at 45 RPM and plated and pressed at Quality Record Pressings — makers of the world's finest-sounding vinyl LPs, — no other editions match these for the quietest 180-gram platters available. Each reissue in the RCA Living Stereo 45 RPM Series also includes a special 2-panel insert.
-
Sale!
Pre-order
Heifetz, Hendl, Dallas Symphony Orchestra – Rozsa: Concerto For Violin And Orchestra / Benjamin: Romantic Fantasy
82,00 €Add to cartRCA Living Stereo classical LPs — the gold standard for top quality orchestral performance and sound! Part of the Analogue Productions RCA Living Stereo 45 RPM Series! Remastered from the original master tape and cut at 45 RPM by Bernie Grundman Includes 2-panel insert 180-gram vinyl 45 RPM double LP pressed at Quality Record Pressings! Praise for our 331/3 edition series reissues: "These are the best vinyl releases of RCA LPs I've yet heard." — Jonathan Valin, executive editor, The Absolute Sound Another fine Pfeiffer / Chase / Heiftez collaboration. Throw in Hendl conducting the Dallas Symphony Orchestra on the Rozsa Violin Concerto and Izler conducting the RCAVVO on Benjamin's Romantic Fantasy and you've got a winner. The result? Not to be missed! For classical enthusiasts and collectors alike, this album represents the essence of what made RCA's Living Stereo series legendary: great artists at their peak, captured in sound that has stood the test of time. Mastered by Bernie Grundman from the original master tape, cut at 45 RPM and plated and pressed at Quality Record Pressings — makers of the world's finest-sounding vinyl LPs. No other editions match these for the quietest 180-gram platters available. Each reissue in the RCA Living Stereo 45 RPM Series also includes a special 2-panel insert.
-
Sale!
Pre-order
Jascha Heifetz, Charles Munch, & Boston Symphony Orchestra – Mendelssohn: Concerto In E Minor / Prokofieff: Concerto In G Minor
82,00 €Add to cartRCA Living Stereo classical LPs — the gold standard for top quality orchestral performance and sound! Part of the Analogue Productions RCA Living Stereo 45 RPM Series! Remastered from the original master tape and cut at 45 RPM by Bernie Grundman Includes 2-panel insert 180-gram vinyl 45 RPM double LP pressed at Quality Record Pressings! Praise for our 331/3 edition series reissues: "These are the best vinyl releases of RCA LPs I've yet heard." — Jonathan Valin, executive editor, The Absolute Sound This 1958 3-track recording has Heifetz teamed up with Munch and the Boston Symphony. Cutting the lacquer directly from the original session master tapes has increased the transparency and 3-dimensional imaging on this reissue over original pressings. The performance, as always with the last century's top violinist, is almost without compare. If you have an original copy (white or shaded) you'll be shocked — this reissue has diaphonously beautiful string tone, superior low end dynamics and very deep bass. Mastered by Bernie Grundman from the original master tape, cut at 45 RPM and plated and pressed at Quality Record Pressings — makers of the world's finest-sounding vinyl LPs. No other editions match these for the quietest 180-gram platters available. Each reissue in the RCA Living Stereo 45 RPM Series also includes a special 2-panel insert.
-
Sale!
Pre-order
Jascha Heifetz, Sir Malcolm Sargent, New Symphony Orchestra of London – Bruch: Concerto In G Minor / Mozart: Concerto In D Major
82,00 €Add to cartRCA Living Stereo classical LPs — the gold standard for top quality orchestral performance and sound! Part of the Analogue Productions RCA Living Stereo 45 RPM Series! Remastered from the original master tape and cut at 45 RPM by Bernie Grundman Includes 2-panel insert 180-gram vinyl 45 RPM double LP pressed at Quality Record Pressings! Praise for our 331/3 edition series reissues: "These are the best vinyl releases of RCA LPs I've yet heard." — Jonathan Valin, executive editor, The Absolute Sound Violinist Jascha Heifetz, playing with the New Symphony Orchestra of London, conducted by Sir Malcolm Sargent. Heifetz was the leading figure among the extraordinary group of Russian Jews who dominated violin playing in the second and third quarters of the 20th century. As a technician he had no superior, and, of all the artists of his time and later, only two or three could even offer a challenge to his electrifying precision of execution. His diamond-point tone and quick vibrato afforded his playing a clarity of line that some felt was almost too perfect, even cold. Most conductors and other violinists — and audiences — felt differently and a Heifetz concert inevitably drew sell-out crowds. Mastered by Bernie Grundman from the original 2-track master tape, cut at 45 RPM and plated and pressed at Quality Record Pressings — makers of the world's finest-sounding vinyl LPs, — no other editions match these for the quietest 180-gram platters available. Each reissue in the RCA Living Stereo 45 RPM Series also includes a special 2-panel insert.
-
Sale!
Pre-order
Jascha Heifetz, Sir Malcolm Sargent, New Symphony Orchestra of London – Bruch: Scottish Fantasy / Vieuxtemps: Concerto No. 5
82,00 €Add to cartRCA Living Stereo classical LPs — the gold standard for top quality orchestral performance and sound! Part of the Analogue Productions RCA Living Stereo 45 RPM Series! Remastered from the original master tape and cut at 45 RPM by Bernie Grundman Includes 2-panel insert 180-gram vinyl 45 RPM double LP pressed at Quality Record Pressings! Praise for our 331/3 edition series reissues: "These are the best vinyl releases of RCA LPs I've yet heard." — Jonathan Valin, executive editor, The Absolute Sound Stunning performances of Heifetz showpieces with Sir Malcolm Sargent and the New Symphony Orchestra of London. Recorded in May 1962 by Kenneth Wilkinson and the Decca Recording team at Walthamstow Hall. This is a must have for all audiophiles! Mastered by Bernie Grundman from the original 2-track master tape, cut at 45 RPM and plated and pressed at Quality Record Pressings — makers of the world's finest-sounding vinyl LPs, — no other editions match these for the quietest 180-gram platters available. Each reissue in the RCA Living Stereo 45 RPM Series also includes a special 2-panel insert.
-
Sale!
Pre-order
Jascha Heifetz, Walter Hendl, Izler Solomon, William Primrose – Glazounov: Violin Concerto / Mozart: Symphonie Concertante in E-Flat
82,00 €Add to cartRCA Living Stereo classical LPs — the gold standard for top quality orchestral performance and sound! Part of the Analogue Productions RCA Living Stereo 45 RPM Series! Remastered from the original master tape and cut at 45 RPM by Bernie Grundman Includes 2-panel insert 180-gram vinyl 45 RPM double LP pressed at Quality Record Pressings! Praise for our 331/3 edition series reissues: "These are the best vinyl releases of RCA LPs I've yet heard." — Jonathan Valin, executive editor, The Absolute Sound Within the RCA Living Stereo catalog, few recordings capture the balance of virtuosity, refinement, and sonic brilliance as this remarkable pairing of Glazounov and Mozart. At the center is, of course, Jascha Heifetz — the violinist whose name became synonymous with perfection. Here he delivers one of his most commanding and lyrical readings of Glazounov's Violin Concerto, a work that was very much his own calling card. Backed by conductor Walter Hendl, Heifetz brings both dazzling precision and an almost vocal warmth that turns the concerto into a soaring narrative. Many collectors regard this as among his greatest concerto performances on record. The companion work, Mozart's Symphonie Concertante in E-Flat, adds yet another dimension. Joined by the legendary violist William Primrose and guided by conductor Izler Solomon, Heifetz reveals his chamber instincts in a performance that feels both intimate and grand. The interplay between violin and viola has rarely been captured with such finesse, each phrase glowing with personality while maintaining Mozart's classical balance. For classical enthusiasts and collectors alike, this album represents the essence of what made RCA's Living Stereo series legendary: great artists at their peak, captured in sound that has stood the test of time. Mastered by Bernie Grundman from the original master tape, cut at 45 RPM and plated and pressed at Quality Record Pressings — makers of the world's finest-sounding vinyl LPs. No other editions match these for the quietest 180-gram platters available. Each reissue in the RCA Living Stereo 45 RPM Series also includes a special 2-panel insert.
-
Sale!
Pre-order
Pierre Monteux, Boston Symphony Orchestra – Tchaikovsky: Symphony No. 4
82,00 €Add to cartRCA Living Stereo classical LPs - the gold standard for top quality orchestral performance and sound! Part of the Analogue Productions RCA Living Stereo 45 RPM Series! Remastered from the original master tape and cut at 45 RPM by Bernie Grundman Includes 2-panel insert 180-gram vinyl 45 RPM double LP pressed at Quality Record Pressings! Symphony No. 4 was written during the most tumultuous period of Tchaikovsky's life. It was during a period in his life when he was both recently married and divorced. During this time period he also attempted suicide. Of all his works, Symphony No. 4, is considered by many to have more emotional impact and musical structure then any of his earlier pieces in part due to the personal tragedies he endured while writing this symphonic masterpiece. This important work is performed by the Boston Symphony Orchestra and conducted by Pierre Monteux, the well-known Classical Conductor from Paris, known for the molding of the Boston Symphony Orchestra in the mid-nineteen twenties into an Orchestra who's reputation was known worldwide as having the "French" sound and for being the experts in French and Russian repertoire. Musicians: Boston Symphony Orchestra Pierre Monteux, conductor. Mastered by Bernie Grundman from the original master tape, cut at 45 RPM and plated and pressed at Quality Record Pressings — makers of the world's finest-sounding vinyl LPs. No other editions match these for the quietest 180-gram platters available. Each reissue in the RCA Living Stereo 45 RPM Series also includes a special 2-panel insert.
-
Sale!
Pre-order
Rene Leibowitz, Royal Philharmonic Orchestra – Moussorgsky: The Power Of The Orchestra: A Night On Bare Mountain / Pictures At An Exhibtion
82,00 €Add to cartRCA Living Stereo classical LPs — the gold standard for top quality orchestral performance and sound! Part of the Analogue Productions RCA Living Stereo 45 RPM Series! One of the undisputed finest recordings in the history of classical music now sounds better than ever! Simply put, The Power Of The Orchestra will blow you away! A recording this bold, this bombastic with totally jaw-dropping dynamics just begged to be cut at 45 RPM. Oh, it was awesome at 33 1/3 — no question. But wait 'till you hear it now. UN-FREAKIN'-BELIEVABLE!! Mastered by George Marino at Sterling Sound from the original analog master tape Includes 2-panel insert 180-gram vinyl 45 RPM double LP pressed at Quality Record Pressings! "The original The Power of the Orchestra has been on many 'best recording' lists, and the discontinued Chesky reissue, with Leibowitz and the Royal Phil, made it on HP's Super Disc list. Yeah, this is one of the best RCA Living Stereo DECCA recordings at Kingsway Hall by Kenneth Wilkinson and pristine original copies cost a mint. This is really accessible, power classical music." — Jim Hannon, AVguide.com Recorded at Kingsway Hall and engineered by Kenneth Wilkinson, this record couples Moussorgsky's Pictures At An Exhibition with Night On Bare Mountain. It has long been considered among the greatest sounding records ever made. Perhaps most stunning about Power of the Orchestra are the effortless dynamics, which have been reviewed and raved about ever since the first RCA shaded dog. From the teeny, tiny, itsy, bitsy gentle plucks of strings to the WHAM!! CRASH!! SLAM!! of a full orchestra without a bit of notice. It's heart-stopping, jump-out-of-your-seat-type dynamics. The Power of the Orchestra — a more appropriate title there never was. But to hear it at 45 RPM...Oh! My! God! This thing's got all the weight of an anchor but at the same time the clarity and airiness and sparkle of a feather. Nuance, a holographic soundstage, emotion to spare — this one's got it all. A true reference. Power, indeed. Mastered by George Marino at Sterling Sound from the original master tape, cut at 45 RPM and plated and pressed at Quality Record Pressings — makers of the world's finest-sounding vinyl LPs, — no other editions match these for the quietest 180-gram platters available. Each reissue in the RCA Living Stereo 45 RPM Series also includes a special 2-panel insert. Originally recorded in 1962.
-
Sale!
Pre-order
Societa Corelli – Vivaldi: The Four Seasons
82,00 €Add to cartRCA Living Stereo classical LPs - the gold standard for top quality orchestral performance and sound! Remastered from the original master tape and cut at 45 RPM by Mattew Lutthans at The Mastering Lab Includes 2-panel insert 180-gram vinyl 45 RPM double LP pressed at Quality Record Pressings! The 13 string virtuosi who make up this conductor-less ensemble did well to name themselves after Areangelo Corelli. Both as a violinist and as a composer, Corelli brought the art of string-playing to heights never-before achieved, exploring new dimensions of dynamics and tonal richness. What makes the Societa Corelli virtually unique among interpreters of Corelli, Vaivaldi and other masters of that period is their style. Their tone production, use of vibrato and other subtleties evident in this performance are artistic, creative and vital music-making. Mastered by Mathew Lutthans at The Mastering Lab from the original master tape, cut at 45 RPM and plated and pressed at Quality Record Pressings — makers of the world's finest-sounding vinyl LPs. No other editions match these for the quietest 180-gram platters available. Each reissue in the RCA Living Stereo 45 RPM Series also includes a special 2-panel insert.
-
Sale!
Pre-order
The Festival Quartet – Schubert: Trout Quintet
82,00 €Add to cartRCA Living Stereo classical LPs - the gold standard for top quality orchestral performance and sound! Part of the Analogue Productions RCA Living Stereo 45 RPM Series! Remastered from the original master tape and cut at 45 RPM by Matthew Lutthans at The Mastering Lab Includes 2-panel insert 180-gram vinyl 45 RPM double LP pressed at Quality Record Pressings! A jewel of the RCA Living Stereo series, this recording of Schubert's beloved Trout Quintet unites four chamber music legends —violinist Szymon Goldberg, violist William Primrose, cellist Nikolai Graudan, and piano Victor Babin — joined by Stuart Sankey on double bass. What makes it so remarkable is the effortless interplay between these masters: refined, spirited, and full of warmth. Captured in Living Stereo's famously natural sound, this album remains one of the most joyful and intimate performances of the Trout Quintet ever preserved. The Trout Quintet itself is one of the most beloved works in the chamber repertoire, and in the hands of these players it becomes a performance to treasure: vibrant, lyrical, and endlessly rewarding. Mastered by Matthew Lutthans at The Mastering Lab from the original 2-track master tape, cut at 45 RPM and plated and pressed at Quality Record Pressings — makers of the world's finest-sounding vinyl LPs. No other editions match these for the quietest 180-gram platters available. Each reissue in the RCA Living Stereo 45 RPM Series also includes a special 2-panel insert.
-
Sale!
In stock
Otis Redding – Pain In My Heart (Mono)
77,00 €Add to cartOtis Redding — Pain In My Heart (Mono) Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Debut album by the master of soul Otis Redding! Original 1964 mono pressing reissue 180-gram 45 RPM double LP Mastered by Bernie Grundman from the original analog master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Pain in My Heart marks the electrifying debut of Otis Redding, introducing the world to one of the most powerful and emotionally charged voices in soul music history. This album lays the foundation for Redding's signature blend of raw passion, deep vulnerability, and explosive vocal delivery that would define an era. This is the first of six studio albums in Redding's legendary career, cut short by his death in a plane crash on Dec. 10, 1967. There are five Redding originals here, the timeless "These Arms Of Mine" Redding's first to hit the charts, "Hey Hey Baby" is an influenced tribute to Little Richard, and also "Security," "That's What My Heart Needs," and "Something Is Worrying Me." Notable covers include Ben E King's "Stand By Me," Sam Cooke's "You Send Me," The Kingsmen's "Louie Louie," and Little Richard's "Lucille." The tight backing band, featuring Booker T. & the M.G.'s and the Memphis Horns, provides a gritty, groove-laden foundation that makes every track sizzle. This album is where Otis Redding's unmistakable style begins, paving the way for the soul revolution that followed. Fans will hear the early fire that would lead to legendary performances and recordings. Otis Redding fans will instantly recognize the raw, unfiltered soul that would make him an icon. Pain in My Heart is more than a debut — it's the first chapter of an unforgettable legacy. This Analogue Productions (Atlantic Series) reissue of Pain in My Heart is a standout for your collection. First, we turned to Bernie Grundman to cut lacquers from the original master tape. Pressing on 180-gram vinyl is by Quality Record Pressings, and the album is housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
-
Sale!
Low stock
Aretha Franklin – Young, Gifted And Black
87,00 €Add to cartAretha Franklin — Young, Gifted and Black Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Features the chart-topping ballad "Day Dreaming" 180-gram 45 RPM double LP Mastered by Kevin Gray at Cohearent Audio from the original master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Released on Atlantic Records in 1972, Young, Gifted and Black is Aretha Franklin's acclaimed 18th studio album. The album was recorded between 1970 and 1971 at Atlantic Studios in New York City and Criteria Studios in Miami. This is a beautiful album that perfectly mixes both sides of Aretha Franklin's talents — the hard-edged soul singer who first flourished at Atlantic Records in the late '60s, and the artist who was growing even more as a vocalist — really reaching out her wings to more sophisticated material! The record teams Franklin with some of the best musicians of the day, including Billy Preston, Donny Hathaway, and Bernard Purdie — with backing vocals provided by Franklin's sisters, Carolyn and Erma, as well as The Sweet Inspirations. There's a balance here that makes the record one of the deepest that Franklin ever recorded for Atlantic — lots of larger Arif Mardin touches, but also some raw moments that really round things out — on titles that include Aretha's classic take on the Weldon Irvine/Nina Simone tune "Young Gifted & Black," the funky classic "Rock Steady," the wonderful mellow groover "Day Dreaming," the hit "Brand New Me," and the strangely compelling "First Snow In Kokomo." Lacquers cut by Kevin Gray/Cohearent Audio at 45 RPM, pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
-
Sale!
Low stock
Billy Cobham – Spectrum
77,00 €Add to cartBilly Cobham — Spectrum Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! No. 1 jazz charting release worldwide! 180-gram 45 RPM double LP Mastered by Kevin Gray at Cohearent Audio from the original master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing On his aptly titled 1973 solo debut, Spectrum, Billy Cobham revealed his interest and aptitude for the rock, jazz and funk genres. Cobham's impressive list of collaborators here include keyboardist Jan Hammer, guitarist Tommy Bolin, electric bassist Lee Sklar and Ray Barretto on congas. Cobham was fresh off his success with the Mahavishnu Orchestra when he recorded Spectrum. The guitar licks from Bolin (Zephyr, James Gang, Deep Purple), who overdosed three years later, are particularly memorable and he merges beautifully with Cobham's Mahavishnu band mate Hammer. Spectrum reached No. 1 on the jazz charts around the world and became a crossover phenomenon, serving as a big influence on the burgeoning funk/jazz and fusion movements. All the hallmarks of a top-notch Analogue Productions (Atlantic 75 Series) reissue are here for you to savor: Mastered directly from the original master tape by Kevin Gray at Cohearent Audio and cut at 45 RPM. Pressed on 180-gram 2LP at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
-
Sale!
In stock
Humble Pie – Smokin’ (45 RPM)
77,00 €Add to cart180-gram 45 RPM double LP! Turn up the heat with the iconic Smokin' 1972 album by Humble Pie! Mastered by Kevin Gray from a 1/2” flat tape copy of the original master Pressed at Quality Record Pressings Shortly before cutting the hard-rock classic Smokin', Humble Pie played the biggest US gig of them all: Shea Stadium, opening for Grand Funk Railroad. It was a make-or-break moment for the U.K. band, and just as the set was heating up, it began to rain. Playing during a storm is a risky situation in the best of times, but in 1971 it meant taking your life in your hands. Frontman Steve Marriott took the mic and dramatically announced that the group didn't care: "It's comin' down rain, and we don't give a f***! We're gonna rock your asses all night long!" "The audience went absolutely berserk," drummer Jerry Shirley recalls. Even Grand Funk's fastidious manager Terry Knight was impressed enough to allow a couple of encores. The band managed to avoid getting killed. And America was now Humble Pie territory. Lucky for the group, the next studio album they released had just as much rock ‘n roll bravado — seasoned with deep blues roots and a whole lot of soul. Smokin', Humble Pie's fifth studio set, made Steve Marriott a star for a second time, gave the band its most enduring song — "30 Days in the Hole" — and made them U.S. headliners. It was also the sound of a band in transition, both in sound and personnel. When Humble Pie formed in 1969, everybody had something of a profile: Marriott had been in the Small Faces; guitarist/singer Peter Frampton, fresh from the Herd, was known both for his chops and his good looks (the U.K. press called him the "face of ‘68"). Bassist Greg Ridley and drummer Jerry Shirley, meanwhile, came from cult favorite hard-rock bands Spooky Tooth and Apostolic Intervention. So Humble Pie initially functioned as a democratic supergroup: Everybody wrote songs, everybody sang lead, and the sound seesawed from heavy rock to the acoustic direction of their second LP, Town & Country. Eventually, they acquired a U.S. manager and booking agent — Dee Anthony and Frank Barsalona — who gave them a recipe for American success: More hard rock, more Marriott upfront. This paid off handsomely on the live album Rockin' the Fillmore, with their classic take on Ray Charles' "I Don't Need No Doctor." But shortly after its release, and just after the Shea show, Frampton jumped ship, realizing that the band's direction was shifting away from his interests. Frampton, of course, became a sensation with his own double live album, but it took some time. "He could see that acoustic side of things was going to be sidelined," Shirley now recalls. "But he'd be the first to tell you that when he left and wound up opening for us, he was thinking ‘Oh dear, what did I do?'" Humble Pie soldiered on. After the first round of auditions for a new guitarist didn't work out, they wrote a bunch of heavier songs and considered going out as a trio. Enter guitarist Dave "Clem" Clempson, who was immediately hired after Marriott spotted a couple of hot solos on a Colosseum live album. Clempson wasn't as much of a singer or acoustic player, but he was a powerhouse of a blues-based guitarist. But that's another story. Meanwhile, Humble Pie's fifth album remains incredibly influential — just ask the Black Crowes, Gov't Mule, or the countless other bands who've referenced it. In short, it's still Smokin' after all these years. Now, settle in with this ultimate reissue — mastered by Kevin Gray from a 1/2” flat tape copy of the original master. And pressed at 45 RPM on two LPs — flat, virtually silent vinyl pressed by Quality Record Pressings! Dive into a rock 'n' roll masterpiece that's guaranteed to leave you craving more!
-
Sale!
Low stock
Miles Davis – Seven Steps To Heaven
82,00 €Add to cart“…The Analogue Productions sound is visceral and crisp in the best sense, and the quiet pressings ensure that no musical detail is even mildly obscured…with these 45rpm LPs, if your system is up to the task, you’ll hear boundless high-frequency reach and lavish dynamic nuance and harmonic delicacy.” – Marc Mickelson, The Audio Beat, December 2010 In 1963, Miles Davis was at a transitional point in his career, without a regular group and wondering what his future musical direction would be. At the time he recorded the music heard on this disc, he was in the process of forming a new band, as can be seen from the personnel: tenor saxophonist George Coleman, Victor Feldman (who turned down the job) and Herbie Hancock on pianos, bassist Ron Carter, and Frank Butler and Tony Williams on drums. Recorded at two separate sessions, this set is highlighted by the classic “Seven Steps To Heaven,” “Joshua” and slow passionate versions of “Basin Street Blues” and “Baby Won’t You Please Come Home.” Mastered by George Marino at Sterling Sound.
-
Sale!
In stock
Louis Armstrong / Satchmo Plays King Oliver 180g
52,00 €Add to cartThis sought-after soundroom demo, originally released by Classic Records, is better than ever, featuring 180-gram pressing by Quality Record Pressings. Featuring two classic cuts from one of the most classic jazz and audiophile titles of all time, Satchmo Plays King Oliver. Side one is "St. James Infirmary." Side two is "I Ain't Got Nobody." Cut at 45 RPM. One of the most important events in the history of jazz took place on a hot July afternoon in 1922. Twenty-two-year-old Louis Armstrong was playing in a parade with the Tuxedo Brass Band in his native New Orleans that afternoon when he received a telegram from the man who had been his mentor a few years earlier Joe Oliver, the crusty, brilliant cornetist whose place in the jazz world of that day was implicit in the billing he always received, "King Oliver." The telegram asked young Louis to join Oliver's celebrated Creole Jazz Band in Chicago, a band which was then generally accepted as the best jazz band in existence. Armstrong leapt at the opportunity, took off for Chicago immediately and for the next two years Louis and Oliver formed the most brilliant two-horn team the jazz world has ever heard. Such a great album, as this one is, deserves the Analogue Productions reissue treatment. Remastered by Bernie Grundman from the original analog tape, the 180-gram super-silent pressing from Quality Record Pressings showcases the sound better than it's ever been heard before. This record is Louis' tribute to the man who helped shape his trumpet style back in New Orleans and whose invitation to join his band in Chicago put him in the spotlight which has shone on him ever since. Recorded at Radio Recorders Studio in Hollywood, Calif. over three days at the end of September and the beginning of October, 1959.