UHQR Vinyl Record
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The Jimi Hendrix Experience – Axis: Bold As Love (Stereo)
198,00 €Add to cartNewly Remastered by Bernie Grundman from the Original Master TapesPressed at Quality Record Pressings Using Clarity Vinyl®Includes 24-Page Booklet with Session Notes and Essay by Brad Tolinski (Guitar World Magazine)Analogue Productions is revisiting its first-ever UHQR (Ultra High Quality Record) title — The Jimi Hendrix Experience's 1967 masterpiece Axis: Bold As Love - newly remastered and available for the first time as a 45 RPM edition, in both stereo and mono pressings. Both the stereo and mono versions have been cut by noted mastering engineer Bernie Grundman from the original analog master tapes, and pressed at Acoustic Sounds' industry-leading pressing plant Quality Record Pressings (QRP) using hand-selected 200-gram Clarity Vinyl. Each UHQR is packaged in a deluxe clamshell box and includes a booklet with liner notes by Brad Tolinski, along with a certificate of inspection. Each LP jacket is gold foil numbered. -
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The Jimi Hendrix Experience – Axis: Bold As Love (Mono)
198,00 €Add to cartNewly Remastered by Bernie Grundman from the Original Master TapesPressed at Quality Record Pressings Using Clarity Vinyl®Includes 24-Page Booklet with Session Notes and Essay by Brad Tolinski (Guitar World Magazine)Analogue Productions is revisiting its first-ever UHQR (Ultra High Quality Record) title — The Jimi Hendrix Experience's 1967 masterpiece Axis: Bold As Love - newly remastered and available for the first time as a 45 RPM edition, in both stereo and mono pressings. Both the stereo and mono versions have been cut by noted mastering engineer Bernie Grundman from the original analog master tapes, and pressed at Acoustic Sounds' industry-leading pressing plant Quality Record Pressings (QRP) using hand-selected 200-gram Clarity Vinyl. Each UHQR is packaged in a deluxe clamshell box and includes a booklet with liner notes by Brad Tolinski, along with a certificate of inspection. Each LP jacket is gold foil numbered. -
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Vince Guaraldi Trio – A Charlie Brown Christmas (45 RPM 200 Gram Double LP on Clarity Vinyl)
198,00 €Add to cartVince Guaraldi — A Charlie Brown Christmas now on UHQR! The holiday album as iconic as Charlie Brown's little tree Definitive reissue Ultra High Quality Record, the pinnacle of high-quality vinyl! 45 RPM 2LP release limited to 2,750 numbered copies Mastered by Matthew Lutthans at The Mastering Lab from the original analog tapes Pressed at Quality Record Pressings using 200-gram Clarity Vinyl® Purest possible pressing and most visually stunning presentation and packaging! Tip-on old style gatefold double pocket jackets with scuff resistant matte finish by Stoughton Printing Few albums have rooted themselves deeper into American culture than A Charlie Brown Christmas. Vince Guaraldi's charming, swinging score for the 1965 classic CBS TV animated special brought jazz into millions of homes, wrapped in tinsel, nostalgia, and a chorus of "Christmastime is Here." Guaraldi, with his melodic sense and West Coast cool, translated the Peanuts gang's whimsy and melancholy into pure musical gold. Whether it's the airy piano riff of "Skating," the finger-snapping joy of "Linus and Lucy," or the tender brushwork on "Greensleeves," this album did what few thought possible: it turned bebop into bedtime music and made jazz a holiday tradition. And now, it's back-better than ever-as a UHQR (Ultra High Quality Record) reissue from Analogue Productions. Pressed at Quality Record Pressings and mastered with care by Matthew Lutthans at The Mastering Lab directly from the original analog tapes. These are experts who treat vinyl like sacred text, and this edition delivers Guaraldi's piano trio with breathtaking clarity and warmth. Lastly, reissues in this series are housed in archival quality Stoughton Printing tip-on gatefold jackets with a scuff-resistant finish, for a truly premium product. It's not just a reissue; it's like hearing A Charlie Brown Christmas for the first time — only this time, it's in hi-fi heaven. Perfect for audiophiles, jazz fans, and anyone who tears up when Charlie Brown saves Christmas.
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Art Pepper – Art Pepper – Meets The Rhythm Section (45 RPM 200 Gram Double LP on Clarity Vinyl)
198,00 €Add to cartArt Pepper's Contemporary Records debut — Now on UHQR! 200-gram 45 RPM 2LP release Numbered edition limited to 2,750 copies! Mastered AAA by Bernie Grundman from the original analog tapes Set includes deluxe 16-page booklet telling the history of Contemporary Records together with new album liner notes by John Koenig, son of the label founder Pressed on Clarity Vinyl at Quality Record Pressings Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish Purest possible pressing and most visually stunning presentation and packaging! Step into the timeless jazz realm of saxophone great Art Pepper! Embark on a musical journey like no other with Pepper's iconic album Art Pepper Meets The Rhythm Section, now available in a breathtaking Ultra High Quality Record vinyl edition from Analogue Productions. The Perfect Trio: Pepper, Garland, Chambers, and Jones Imagine the magic when Art Pepper, the virtuoso of the alto saxophone, joins forces with the legendary rhythm section of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums. This 1957 Contemporary Records label debut spotlights their synergy on classics such as "You'd Be So Nice To Come Home To" and "Waltz Me Blues," sounding nothing short of sublime! For Pepper, known for his emotionally charged performances, Art Pepper Meets The Rhythm Section marked a career milestone. According to him, the album was recorded under enormous pressure, as he first learned of the recording session the morning he was due in the studio, and he had never met the other musicians, all of whom he greatly admired. His horn was also in less than exceptional condition. Still, the session produced results that Becky Byrkit, writing for AllMusic, deemed, "a diamond of recorded jazz history." Brian Morton and Richard Cook, writing for The Penguin Jazz Guide (10th ed.), described Meets The Rhythm Section as "a poetic, burning date, with all four men playing above themselves... Between them, they'd delivered a masterpiece." Meets The Rhythm Section also shares a storied link to the origins of Contemporary Records, founded in 1951 by Lester Koenig. For this UHQR edition of Meets The Rhythm Section we have an included a 16-page booklet that tells the history of Contemporary Records as well as offering new liner notes from John Koenig, Lester's son, known for his insightful jazz reviews. Why UHQR vinyl? • Craftsmanship: Analogue Productions' UHQR editions are crafted with the utmost precision and care, ensuring each note is faithfully reproduced with unparalleled clarity and warmth. Four glorious sides of 200-gram Clarity Vinyl from Quality Record Pressings, the world's best pressing plant. Cut at 45 RPM by Bernie Grundman to reduce distortion and frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. Lastly, your record is housed in a Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish. The record and supporting materials are contained in a deluxe textured clamshell box. • Collectibility: UHQRs are more than records; they're sought-after pieces of art cherished by audiophiles and collectors worldwide for their exceptional sound quality and rarity. • Exclusivity: Limited to a select few, owning an UHQR edition is a testament to your passion for music and dedication to experiencing it in its purest form. Rediscover the Magic Relive the brilliance of Art Pepper Meets The Rhythm Section with a vinyl pressing that honors its legacy and elevates your listening experience to new heights. Whether you're a seasoned jazz aficionado or discovering the genre anew, this is a must-have addition to your collection. Secure your piece of jazz history, now!
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Sonny Rollins – Way Out West (45 RPM 200 Gram Double LP on Clarity Vinyl)
198,00 €Add to cartSonny Rollins' groundbreaking album _ Now on UHQR! 200-gram 45 RPM 2LP release Numbered edition limited to 2,750 copies! Mastered AAA by Bernie Grundman from the original analog tapes Set includes deluxe 16-page booklet telling the history of Contemporary Records together with new album liner notes by John Koenig, son of the label founder Pressed on Clarity Vinyl at Quality Record Pressings Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish Purest possible pressing and most visually stunning presentation and packaging! A classic of the genre, Rollins' first album for the Contemporary Records label! Dive into the timeless brilliance of Sonny Rollins' legendary album Way Out West like never before with the Analogue Productions UHQR edition! Meticulously pressed at Quality Record Pressings, this definitive audiophile version stands as a testament to one of jazz's most formidable talents. Way Out West, his classic 1957 album, received 5 Stars from Rolling Stone's prestigious Jazz Record Guide and has prompted Pitchfork to deem it, "an album that looks like a novelty and sounds like transcendence." How Way Out West shaped jazz • Masterful Trio: The album's infamous 3 a.m. recording sessions featured Rollins' sax strolling over the contributions of onetime Ella Fitzgerald bassist Ray Brown and iconic West Coast Jazz drummer Shelly Manne, neither of whom Rollins had ever played with. An open setting gives Rollins space to be harmonically inventive. Rollins' saxophone mastery shines brightly on every track! • Musical innovation: From the swinging "I'm an Old Cowhand (From the Rio Grande)," written by Johnny Mercer and made famous by Bing Crosby — skillfully mixing country and jazz, to the haunting Rollins' original composition and title track "Way Out West," the album redefines jazz improvisation. • Frequently included in "Best Saxophone Albums" and "Best Jazz Trios" lists. AllMusic rates it 5/5 Stars! Sonny Rollins' groundbreaking album is a cornerstone of jazz history. The Ultimate Listening Experience • UHQR Vinyl: Immerse yourself in unparalleled sound quality with the Acoustic Sounds UHQR pressing, crafted for audiophiles who demand the best, with attention paid to every single detail of this one-of-a-kind reissue. • Precision craftsmanship: Four glorious sides of 200-gram Clarity Vinyl from Quality Record Pressings, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. UHQRs from Analogue Productions are the gold-standard in premium vinyl releases. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. The heavier vinyl minimizes resonance and warping, providing a stable and flat playing surface. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process. Lastly, your record is housed in a Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish. The record and supporting materials are contained in a deluxe textured clamshell box. Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records. Own a Piece of Jazz History: Rediscover Way Out West in its purest form and elevate your vinyl collection with this essential masterpiece. Limited edition — reserve yours today and experience jazz like never before!
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Steely Dan – The Royal Scam (45 RPM 200 Gram Clarity Vinyl)
198,00 €Add to cartSteely Dan's gold-selling fifth studio album The Royal Scam, was produced by Gary Katz and was originally released by ABC Records in 1976. The Royal Scam features more prominent guitar work than the prior Steely Dan album, Katy Lied, which had been the first without founding guitarist Jeff Baxter. Guitarists on the recording include Walter Becker, Denny Dias, Larry Carlton, Elliott Randall and Dean Parks. The album was certified gold-selling and peaked at No. 15 on the Billboard 200. In common with other Steely Dan albums, The Royal Scam is littered with cryptic allusions to people and events both real and fictional. In a BBC interview in 2000, Becker and Fagen revealed that "Kid Charlemagne" is loosely based on Owsley Stanley, the notorious drug "chef" who was famous for manufacturing hallucinogenic compounds, and that "Caves of Altamira," based on a book by Hans Baumann, is about the loss of innocence, the narrative about a visitor to the Cave of Altamira who registers his astonishment at the prehistoric drawings. Rolling Stone, in its review of the album, described The Royal Scam, as Steely Dan's "mostatypical record, possessing neither obvious AM material nor seductive lyrical mysteriousness. It also contains some of their most accomplished and enjoyable music. "... the overall feeling of Scam is one of just that: tension. There is little of the self-confident gentleness that dotted Pretzel Logic, less still of the omniscience that suffused Katy Lied. The Royal Scam is a transitional album for Steely Dan; melody dominates lyric in the sense that the former pushes into new rhythmic areas for the group (more "pure" jazz, semireggae and substantially more orchestration than before) while the verbal content is clearer, even mundane, by previous Dan standards," said the Rolling Stone review. Nearly every song on Scam concerns a narrator's escape from a crime or sing recently committed, the review continued. "Becker and Fagen have really written the ultimate 'outlaw' album here, something that eludes myriad Southern bands because their concept of the outlaw is so limited. Rather than just, say, robbing banks ('Don't Take Me Alive,' in which the robber is a 'bookkeeper's son'), Becker and Fagen's various protagonists are also solipsistic jewel thieves ('Green Earrings'), spendthrift divorcées ('Haitian Divorce') and murderously jealous lovers ('Everything You Did')." AllMusic gives the album 4.5 stars, saying the best songs on The Royal Scam, "Kid Charlemagne" and "Sign in Stranger" "rank as genuine Steely Dan classics." The album cover shows a man in a suit, sleeping on a radiator, and apparently dreaming of skyscraper-beast hybrids. The cover was created from a painting by Zox and a photograph by Charlie Ganse, and was originally created for Van Morrison's unreleased 1975 album, Mechanical Bliss, the concept being a satire of the American Dream. In the liner notes for the 1999 remaster of the album, Fagen and Becker claim it to be "the most hideous album cover of the seventies, bar none (excepting perhaps Can't Buy a Thrill)." After a brief battle with esophageal cancer, Walter Becker died on September 3, 2017 at the age of 67. Steely Dan has sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001. VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time. Rolling Stone ranked them No. 15 on its list of the 20 Greatest Duos of All Time. This stereo UHQR reissue will be limited to 20,000 copies, with gold foil individually numbered jackets, housed in a premium slipcase with a wooden dowel spine.
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Bob Marley and The Wailers – Exodus (45 RPM 180 Gram Double LP on Clarity Vinyl)
198,00 €Add to cartBob Marley & The Wailers' Exodus Analogue Productions' UHQR, the pinnacle of high-quality vinyl! 45 RPM Ultra High Quality Record release limited to 4,500 copies Mastered from the original tapes by Ryan K. Smith at Sterling Sound Pressed at Quality Record Pressings using Clarity Vinyl® Purest possible pressing and most visually stunning presentation and packaging! By the time Bob Marley died, he was one of the world's first global superstars, famous and lauded from Europe through Africa and the Americas. Some even saw him as not just a reggae singer but as a folk hero, a sort of freedom fighter, and to this day his enduring image feels greater than the music he made, writes Pitchfork. In the 21st century, Bob Marley is a global cultural icon and the first Jamaican inducted into the Rock & Roll Hall of Fame. 1977's Exodus — recorded in London exile after a failed attempt on his life — turned out to be Marley's biggest-selling studio album. Time magazine named it the greatest LP of the 20th century. Other Marley discs had bigger hits and still others had better album tracks, but the balance Marley strikes between politics, religion, and romance on Exodus — compare and contrast the urgent title track and the laid-back "Jamming" — shows a pop star at the peak of his powers. Now, Analogue Productions presents perfection — Exodus in UHQR 45 RPM format on Clarity Vinyl. This Ultra High Quality Record release will be limited to 4,500 copies, with gold foil individually numbered jackets. After the success of 1974's Natty Dread and 1976's Rastaman Vibration, Bob Marley was not only the most successful reggae musician in the world, he was one of the most powerful men in Jamaica. Powerful enough, in fact, that he was shot by gunmen who broke into his home in December 1976, days before he was to play a massive free concert intended to ease tensions days before a contentious election for Jamaican Prime Minister. In the wake of the assassination attempt, Marley and his band left Jamaica and settled in London for two years, where he recorded Exodus. Exodus represented a subtle but significant shift for Marley; while he continued to speak out against political corruption and for freedom and equality for Third World people, his skill as a songwriter was as strong as ever, and Exodus boasted more than a few classics, "including the title song, 'Three Little Birds,' 'Waiting in Vain,' and 'Turn Your Lights Down Low,' tunes that defined Marley's gift for sounding laid-back and incisive at once," writes AllMusic. This UHQR is remastered at 45 RPM by Sterling Sound's Ryan K. Smith from the original analog master tapes. Each UHQR will be pressed on 180-gram vinyl at Acoustic Sounds' industry-leading pressing plant Quality Record Pressings (QRP) using hand-selected Clarity Vinyl® with attention paid to every single detail. These records will feature the same flat profile that helped to make the original UHQR so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer's stylus to play truly perpendicular to the grooves from edge to center. Clarity Vinyl allows for the purest possible pressing and the most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a custom clamshell box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product. Exodus — now a landmark production on 180-gram 45 RPM Analogue Productions UHQR Clarity Vinyl!
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Bob Marley and The Wailers – Rastaman Vibration (45 RPM 180 Gram Double LP on Clarity Vinyl)
198,00 €Add to cartBob Marley & The Wailers' Rastaman Vibration Analogue Productions' UHQR, the pinnacle of high-quality vinyl! 45 RPM 2LP Ultra High Quality Record release limited to 4,500 copies Mastered from the original tapes by Ryan K. Smith at Sterling Sound Pressed on 180-gram at Quality Record Pressings using Clarity Vinyl® Includes "12 x 12" 8-page booklet featuring new liner notes by musician and Marley biographer Leroy Jodie Pierson (APO Records Direct-To-Disc AAPO 005), plus exclusive photos by Kim-Gottlieb Walker Purest possible pressing and most visually stunning presentation and packaging! When Rastaman Vibration was first released in America in 1976 it did what some in the music industry considered nearly impossible at the time. It took Bob Marley into the Top Ten alongside disco records and corporate rock, points out Rolling Stone, which rates the album 4 stars. Despite the good cheer of the title track and the upbeat "Roots, Rock, Reggae," Rastaman Vibration contains some of Marley's most intense images of oppression, paranoia and despair. Tracks such as "Who the Cap Fit," "Crazy Baldhead" and "War" are offered by the Wailers with dire urgency as Marley's brutal visions are echoed by his own church choir, the I-Threes. More than four decades later, neither Marley's music nor his message has lost its sting. Now, Analogue Productions presents perfection — Rastaman Vibration cut at 45 RPM in UHQR format on 180-gram 2LP Clarity Vinyl. This Ultra High Quality Record release will be limited to 4,500 copies, with gold foil individually numbered jackets. For Bob Marley, 1975 was a triumphant year. The singer's Natty Dread album featured one of his strongest batches of original material (the first compiled after the departure of Peter Tosh and Bunny Wailer) and delivered Top 40 hit "No Woman No Cry." The follow-up Live set, a document of Marley's appearance at London's Lyceum, found the singer conquering England as well. Upon completing the tour, Marley and his band returned to Jamaica, laying down the tracks for Rastaman Vibration (1976) at legendary studios run by Harry Johnson and Joe Gibbs. At the mixing board for the sessions were Sylvan Morris and Errol Thompson, Jamaican engineers of the highest caliber. Of the material on Rastaman Vibration, "War," for one, remains one of the most stunning statements of the singer's career. Though it is essentially a straight reading of one of Haile Selassie's speeches, Marley phrases the text exquisitely to fit a musical setting, a quiet intensity lying just below the surface. Equally strong are the likes of "Rat Race,""'Crazy Baldhead," and "Want More." These songs are tempered by buoyant, lighthearted material like "Cry to Me," "Night Shift," and "Positive Vibration." Not quite as strong as some of the love songs Marley would score hits with on subsequent albums, "Cry to Me" seems like an obvious choice for a single and remains underrated. This UHQR is remastered at 45 RPM by Sterling Sound's Ryan K. Smith from the original analog master tapes. Each UHQR will be pressed at Acoustic Sounds' industry-leading pressing plant Quality Record Pressings (QRP) using hand-selected Clarity Vinyl® with attention paid to every single detail. These records will feature the same flat profile that helped to make the original UHQR so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer's stylus to play truly perpendicular to the grooves from edge to center. Clarity Vinyl allows for the purest possible pressing and the most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a custom clamshell box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product. In addition to the UHQR booklet the package will contain a 8-page 12" x 12" booklet containing new liner notes by musican and Marley biographer Leroy Jodie Pierson as well as exclusive photos by Kim-Gottlieb Walker. Pierson is a past performer for Blues Masters at the Crossroads, the two-night historic blues festival at Blue Heaven Studios in Salina, Kansas. He's also recorded a Direct-To-Disc blues album for APO Records. (AAPO 005) Rastaman Vibration — now a landmark production on 180-gram 45 RPM Analogue Productions UHQR Clarity Vinyl!
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Steely Dan – Katy Lied (45 RPM 200 Gram Clarity Vinyl)
198,00 €Add to cartKaty Lied, Steely Dan's fourth studio album, originally released in 1975 by ABC Records, was certified gold-selling and peaked at No. 13 on the U.S. charts. The single "Black Friday" also charted at No. 37. Pitchfork noted: "(Katy Lied) captures Steely Dan in the thick of it all, still hungry and energized by their early burst of creativity but not taking anything for granted. Before Katy Lied, Steely Dan was a rock band, but this is the record where they became something else." Founded by core members Walter Becker (bass) and Donald Fagen (vocals, keyboards), Steely Dan's popularity rose throughout the late 1970s on, and their seven albums throughout that period of time blended elements of jazz, rock, funk, R&B, and pop. Steely Dan created a sophisticated, distinctive sound with accessible melodic hooks, complex harmonies and time signatures, and a devotion to the recording studio. Becker and Fagen, with producer Gary Katz, gradually changed Steely Dan from a performing band to a studio project, hiring session musicians to record their compositions. The duo didn't perform live between 1974 and 1993. But their popularity nevertheless grew throughout the '70s as their albums became critical favorites and their singles became staples of Adult Oriented Radio and pop radio stations. Katy Lied marks the first appearance of singer Michael McDonald on a Steely Dan album. Best known for his soulful voice as a member of the Doobie Brothers, McDonald is a five-time Grammy winner and was inducted into the Rock and Roll Hall of Fame as a member of the Doobie Brothers in 2020. The album cover features a picture of a katydid, a "singing" (stridulating) insect related to crickets and grasshoppers. This is most likely a pun on the album's title; the "singing" of a katydid sounds as though they're saying "Katy did, Katy didn't." Lyrics in the song "Doctor Wu" include "Katy tried, I was halfway crucified" and "Katy lies, you can see it in her eyes." The premise of the theme of Katy "lying" is based on a quote from Denny Dias when he came to the studio to play on "Your Gold Teeth II." Jeff Porcaro, then only 21 years old, played drums on all the songs except "Any World (That I'm Welcome To)," which features legendary session drummer Hal Blaine. After a brief battle with esophageal cancer, Walter Becker died on September 3, 2017 at the age of 67. Steely Dan has sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001. VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time. Rolling Stone ranked them No. 15 on its list of the 20 Greatest Duos of All Time. This stereo UHQR reissue will be limited to 20,000 copies, with gold foil individually numbered jackets, housed in a premium slipcase with a wooden dowel spine.
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Bob Marley and The Wailers – Natty Dread (45 RPM 180 Gram Double LP on Clarity Vinyl)
198,00 €Add to cartBob Marley & The Wailers — Natty Dread Analogue Productions UHQR, the pinnacle of high-quality vinyl Definitive limited run reissue Ultra High Quality Record! 45 RPM 2LP release limited to 4,500 copies Mastered by Ryan K. Smith at Sterling Sound from the original master tape Pressed at Quality Record Pressings using Clarity Vinyl® Custom clamshell box — highest quality pressing and packaging! Natty Dread, the seventh album by Bob Marley & The Wailers, released in 1974, was Marley's first recorded without Peter Tosh and Bunny Wailer as the Wailers. Natty Dread was most popularly received in the U.K., where it peaked at No. 43 and sold in excess of 100,000 copies, making it a gold album. Over time it gained popularity in other parts of the world, and in 2003 it was ranked No. 181 on Rolling Stone magazine's list of the 500 greatest albums of all time. Natty Dread was a pivotal album in Bob Marley's discography, embodying the spirit of Rastafarian culture and the socio-political landscape of Jamaica during that era. It's key track "No Woman, No Cry" not only became one of Marley's most famous and most-covered songs, it served as a powerful anthem of resilience and hope, capturing the struggles and joys of everyday life in the ghetto. Natty Dread propelled Marley to international fame and acclaim and established his worldwide reputation. Today, Natty Dread is considered Marley's finest album, the ultimate reggae recording of all time. Flawless is the only way to describe these limited edition 180-gram vinyl reissues. Featuring mastering by Ryan K. Smith at Sterling Sound from the original analog tape, and custom pressing at Quality Record Pressings, these beauties are created using Clarity Vinyl, for the purest sound and most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a custom clamshell box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. Natty Dread — now a landmark production on Analogue Productions UHQR Clarity Vinyl!
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Bob Marley and The Wailers – Natty Dread (33 1/3 RPM 180 Gram Clarity Vinyl)
178,00 €Add to cartBob Marley & The Wailers — Natty Dread Analogue Productions UHQR, the pinnacle of high-quality vinyl Definitive limited run reissue Ultra High Quality Record! 33 1/3 RPM LP release limited to 4,500 copies Mastered by Ryan K. Smith at Sterling Sound from the original master tape Pressed at Quality Record Pressings using Clarity Vinyl® Custom clamshell box — highest quality pressing and packaging! Natty Dread, the seventh album by Bob Marley & The Wailers, released in 1974, was Marley's first recorded without Peter Tosh and Bunny Wailer as the Wailers. Natty Dread was most popularly received in the U.K., where it peaked at No. 43 and sold in excess of 100,000 copies, making it a gold album. Over time it gained popularity in other parts of the world, and in 2003 it was ranked No. 181 on Rolling Stone magazine's list of the 500 greatest albums of all time. Natty Dread was a pivotal album in Bob Marley's discography, embodying the spirit of Rastafarian culture and the socio-political landscape of Jamaica during that era. It's key track "No Woman, No Cry" not only became one of Marley's most famous and most-covered songs, it served as a powerful anthem of resilience and hope, capturing the struggles and joys of everyday life in the ghetto. Natty Dread propelled Marley to international fame and acclaim and established his worldwide reputation. Today, Natty Dread is considered Marley's finest album, the ultimate reggae recording of all time. Flawless is the only way to describe these limited edition 180-gram vinyl reissues. Featuring mastering by Ryan K. Smith at Sterling Sound from the original analog tape, and custom pressing at Quality Record Pressings, these beauties are created using Clarity Vinyl, for the purest sound and most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a custom clamshell box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. Natty Dread — now a landmark production on Analogue Productions UHQR Clarity Vinyl!
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Bob Marley and The Wailers – Burnin’ (45 RPM 180 Gram Double LP on Clarity Vinyl)
198,00 €Add to cartBob Marley & The Wailers — Burnin' Analogue Productions' UHQR, the pinnacle of high-quality vinyl! 45 RPM Ultra High Quality Record release. Limited to 4,500 copies Mastered by Ryan K. Smith at Sterling Sound from the original master tape Pressed at Quality Record Pressings using Clarity Vinyl® on double LP! Custom clamshell box — highest quality pressing and packaging! Burnin' is the Wailers' sixth album, released in October 1973. All three members of the band — Bob Marley, Peter Tosh, and Bunny Wailer (the last time before Tosh and Bunny departed for solo careers and the band became known as Bob Marley & The Wailers) — wrote for, recorded and produced the album in Jamaica. Burnin' promoted the Wailers into international fame, led by the classic hits "I Shot The Sheriff" (a subsequent U.S. No. 1 for Eric Clapton) and the enduring anthem of people power, adopted by civil rights activists worldwide "Get Up, Stand Up." Burnin' was, to some degree, a summary of the Wailers' progress to this point. An album full of revolutionary fire and fervor, it was also the last, heroic distillation of a lineup that had taken the teenaged Wailer, Tosh, and Marley on a journey from the streets of Trenchtown to the brink of global stardom. Although a "new" act in Britain and America, the Wailers had been singing and recording together since 1963, and could boast a plentiful catalog of songs which were largely unknown outside Jamaica. Several of the tracks on Burnin' were re-recordings of songs that had been released before. "Put It On," a gentle, spiritual groove with the more emollient chant of "Lord I Thank You," had been released as a single on the Studio One label in Jamaica in 1965, when it was one of the first songs to coin the word "toasting" to refer to the lyrical style of chanting by the dancehall DJs. Likewise "Duppy Conqueror" and "Small Axe" were both new recordings of songs that were old favorites in the Wailers' story. From Burnin' forward it would be Bob Marley who was very much the man in charge. Here, with our UHQR format in Clarity Vinyl, you receive the added bonus of a 45 RPM cut that enhances the clarity and transparency of the music. It's all set against Quality Record Pressings' usual noiseless backgrounds 180-gram flawless records. Each UHQR will be packaged in a custom clamshell box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.
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Bob Marley and The Wailers – Burnin’ (33 RPM 180 Gram LP on Clarity Vinyl)
178,00 €Add to cartBob Marley & The Wailers — Burnin' Analogue Productions' UHQR, the pinnacle of high-quality vinyl! Definitive limited run reissue Ultra High Quality Record! Mastered by Ryan K. Smith at Sterling Sound from the original master tape 33 1/3 RPM LP release limited to 4,500 copies Pressed at Quality Record Pressings using Clarity Vinyl® Custom clamshell box — highest quality pressing and packaging! Burnin' is the Wailers' sixth album, released in October 1973. All three members of the band — Bob Marley, Peter Tosh, and Bunny Wailer (the last time before Tosh and Bunny departed for solo careers and the band became known as Bob Marley & The Wailers) — wrote for, recorded and produced the album in Jamaica. Burnin' promoted the Wailers into international fame, led by the classic hits "I Shot The Sheriff" (a subsequent U.S. No. 1 for Eric Clapton) and the enduring anthem of people power, adopted by civil rights activists worldwide "Get Up, Stand Up." Burnin' was, to some degree, a summary of the Wailers' progress to this point. An album full of revolutionary fire and fervor, it was also the last, heroic distillation of a lineup that had taken the teenaged Wailer, Tosh, and Marley on a journey from the streets of Trenchtown to the brink of global stardom. Although a "new" act in Britain and America, the Wailers had been singing and recording together since 1963, and could boast a plentiful catalog of songs which were largely unknown outside Jamaica. Several of the tracks on Burnin' were re-recordings of songs that had been released before. "Put It On," a gentle, spiritual groove with the more emollient chant of "Lord I Thank You," had been released as a single on the Studio One label in Jamaica in 1965, when it was one of the first songs to coin the word "toasting" to refer to the lyrical style of chanting by the dancehall DJs. Likewise "Duppy Conqueror" and "Small Axe" were both new recordings of songs that were old favorites in the Wailers' story. From Burnin' forward it would be Bob Marley who was very much the man in charge. Flawless is the only way to describe these limited edition 180-gram vinyl reissues. Featuring mastering by Ryan K. Smith at Sterling Sound from the original analog tape, and custom pressing at Quality Record Pressings, these beauties are created using Clarity Vinyl, for the purest sound and most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a custom clamshell box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. Burnin' — now a landmark production on Analogue Productions UHQR Clarity Vinyl!
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Bob Marley – Catch A Fire (45 RPM 180 Gram Double LP on Clarity Vinyl)
198,00 €Add to cartBob Marley & The Wailers — Catch A Fire Analogue Productions UHQR, the pinnacle of high-quality vinyl Definitive limited run reissue Ultra High Quality Record! 45 RPM LP release limited to 4,500 copies Mastered by Ryan K. Smith at Sterling Sound from the original master tape Pressed at Quality Record Pressings using Clarity Vinyl® Custom clamshell box — highest quality pressing and packaging! Catch A Fire is the Wailers' fifth studio album and their major label debut for Island Records — becoming an international success after its release in 1973. The album has nine songs, two of which were written and composed by Peter Tosh; the remaining seven were by Bob Marley. While Bunny Wailer is not credited as a writer, the group's writing style was a collective process. Although Marley may have been the main voice, every member of the Wailers made valuable contributions and they were never more united in their vision and sound. Catch A Fire did for reggae what Please Please Me, the first Beatles album, had done for pop and rock exactly a decade earlier. An album of revolutionary genius, which combined perfect timing with lasting cultural significance, Catch A Fire laid a foundation stone for the career of the world's first and indeed only reggae superstar and established a bridgehead between the deep roots music of Jamaica and the commercial pop mainstream of the First World. Its release marked the moment that reggae truly did begin to "catch fire" on the international stage. The result was an album with a groove that was languid, soulful, and sun-drenched, yet lean and taut as a coiled spring. The bass and drum parts — supplied by Aston "Family Man" Barrett and his younger brother Carlton Barrett, respectively — were welded together by the distinctive staccato scratch-strokes of Marley's rhythm guitar. The irresistible rhythmic tug which this produced was a revelation to the great majority of listeners discovering the band for the first time. Here, with our UHQR format in Clarity Vinyl, you receive the added bonus of a 45 RPM cut that enhances the clarity and transparency of the music. It's all set against Quality Record Pressings' usual noiseless backgrounds 180-gram flawless records. Each UHQR will be packaged in a custom clamshell box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Catch A Fire — now a landmark production on Analogue Productions UHQR Clarity Vinyl!
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Bob Marley – Catch A Fire (33 1/3 RPM 180 Gram Clarity Vinyl)
178,00 €Add to cartBob Marley & The Wailers — Catch A Fire Analogue Productions UHQR, the pinnacle of high-quality vinyl Definitive limited run reissue Ultra High Quality Record! 33 1/3 RPM LP release limited to 4,500 copies Mastered by Ryan K. Smith at Sterling Sound from the original master tape Pressed at Quality Record Pressings using Clarity Vinyl® Custom clamshell box — highest quality pressing and packaging! Catch A Fire is the Wailers' fifth studio album and their major label debut for Island Records — becoming an international success after its release in 1973. The album has nine songs, two of which were written and composed by Peter Tosh; the remaining seven were by Bob Marley. While Bunny Wailer is not credited as a writer, the group's writing style was a collective process. Although Marley may have been the main voice, every member of the Wailers made valuable contributions and they were never more united in their vision and sound. Catch A Fire did for reggae what Please Please Me, the first Beatles album, had done for pop and rock exactly a decade earlier. An album of revolutionary genius, which combined perfect timing with lasting cultural significance, Catch A Fire laid a foundation stone for the career of the world's first and indeed only reggae superstar and established a bridgehead between the deep roots music of Jamaica and the commercial pop mainstream of the First World. Its release marked the moment that reggae truly did begin to "catch fire" on the international stage. The result was an album with a groove that was languid, soulful, and sun-drenched, yet lean and taut as a coiled spring. The bass and drum parts — supplied by Aston "Family Man" Barrett and his younger brother Carlton Barrett, respectively — were welded together by the distinctive staccato scratch-strokes of Marley's rhythm guitar. The irresistible rhythmic tug which this produced was a revelation to the great majority of listeners discovering the band for the first time. Flawless is the only way to describe these limited edition 180-gram vinyl reissues. Featuring mastering by ????, from the original analog tape, and custom pressing at Quality Record Pressings, these beauties are created using Clarity Vinyl, for the purest sound and most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a custom clamshell box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. Catch A Fire — now a landmark production on Analogue Productions UHQR Clarity Vinyl!
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The Doors – L.A. Woman UHQR
164,00 €Show itemhttps://www.youtube.com/watch?v=veNyPhEePZ4&t=29s The Doors L.A.Woman meets Analogue Productions' UHQR, the pinnacle of high-quality vinyl! Definitive limited run reissue Ultra High Quality Record! 33 1/3 RPM LP release limited to 4,500 copies Die-cut direct-to-board jacket to match original release Mastered by Bernie Grundman from the original analog master tapes Pressed at Quality Record Pressings using Clarity Vinyl® Purest possible pressing and most visually stunning presentation and packaging! Across the robust Doors discography, there is no better candidate for a UHQR treatment than the band's sixth studio album, L.A.Woman. Flawless is the only way to describe these limited edition 200-gram vinyl reissues. Featuring mastering by the legend, Bernie Grundman, from the original analog tape, and custom-pressing at Quality Record Pressings, these beauties are created using Clarity Vinyl, for the purest sound and most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. In addition, we've meticulously recreated the die-cut directy-to-board jacket from the original L.A.Woman release. Plus, we're including an 8-page booklet with liner notes by Ben Fong-Torres. The title track is “maybe the best Chuck Berry riffs since the Stones” said one reviewer. And that’s not even mentioning “Love Her Madly,” which became one of the highest charting hits for The Doors. “Love Her Madly,” was written by Doors' guitarist Robby Krieger, whose inspiration came from passionate arguments with his girlfriend and future wife, Lynn. The song peaked at No. 11 on the Billboard Hot 100 singles chart and reached No. 3 in Canada. Via such tracks as "The Changeling," "Crawling King Snake," and the frothy, rollicking title track, the collection leaned heavily toward the Blues — in particular, Morrison's boastful "Lizard King" brand of it. All-in-all, Rolling Stone proclaimed L.A.Woman, "The Doors' greatest album" and "A landmark worthy of dancing in the streets." A landmark indeed, now a landmark production on Analogue Productions UHQR Clarity Vinyl! Originally released in 1971 Set includes: UHQR Box Die-cut direct-to-board to match original release 11.75" x 11.75" original insert 8-pg Booklet including liner notes by Ben-Fong Torres UHQR Signature Sheet UHQR Technical Specs Manual Musicians: Jim Morrison, vocals Robby Krieger, guitar Ray Manzarek, keyboards John Densmore, drums
Side A 1. The Changeling (4:20) 2. Love Her Madly (3:18) 3. Been Down So Long (4:40) 4. Cars Hiss By My Window (4:10) 5. L.A. Woman (7:49) Side B 1. L'America (4:35) 2. Hyacinth House (3:10) 3. Crawling King Snake (4:57) 4. The WASP (Texas Radio And The Big Beat) (4:12) 5. Riders On The Storm (7:14)