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Art Tatum and Ben Webster – The Tatum Group Masterpieces
58,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Show item180-gram vinyl Mastered by Kevin Gray from the original analog master tape Pressed at Quality Record Pressings Housed in Stoughton Printing tip-on single pocket jacket A historic meeting between pianist Art Tatum and tenor sax giant Ben Webster — recorded in 1956, but only first issued by Pablo Records in the 70s! At some level, it's clear that Tatum's the star of the sessions — as most tracks start out with that introspective and often complicated approach to the keys that marks his trio and solo work — but Webster always slides in just in time to keep the record from being a standard Tatum outing — blowing with a crisp tone that's beautifully recorded here, and hardly concerned at all with the presence of Red Callender on bass and Bill Douglass on drums - who are much lower in the mix. Titles include "Night & Day," "Where Or When," "My Ideal," "Gone With The Wind," and "All The Things You Are." Mastered by Kevin Gray from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180-gram reissue is everything jazz fans expect from an audiophile reissue. Housed in a single pocket Stoughton Printing tip-on jacket.
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Count Basie & The Kansas City 3 – For The Second Time
58,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Show item180-gram vinyl Mastered by Kevin Gray from the original analog master tape Pressed at Quality Record Pressings Housed in Stoughton Printing tip-on single pocket jacket Anyone who ever heard Count Basie launch his band into a blues with several choruses of effortless piano has lamented that there is far too little of Basie the soloist among his recorded legacy. This shortage was rectified to a certain extent by the trio albums Basie made with Ray Brown and Louis Bellson in the Seventies, of which this is the sequel to the For the First Time set of the previous year. Once again, Basie's poetic introductions, precise calibrations of touch and coloration, and definitive swing create a joyous program of four venerable standards and an equal number of new blues. Bellson is empathetic throughout and dances with his brushes on "Sandman," while Brown's robust tone and earth-moving walking lines bring out the best in Basie the soloist and accompanist. Mastered by Kevin Gray from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180-gram reissue is a reissue jazz fans and audiophiles alike will treasure. Housed in a single pocket, Stoughton Printing tip-on jacket.
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Ella Fitzgerald – Take Love Easy
58,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Show item180-gram vinyl Cut from parts mastered by Stan Ricker from the original analog master tape Pressed at Quality Record Pressings Housed in Stoughton Printing tip-on single pocket jacket Ella Fitzgerald and guitarist Joe Pass teamed up in 1973 for a set of duets for this album. The fabulous pairing's highlights include "Don't Be That Way" and "A Foggy Day." The album is the first of four studio albums that Ella recorded with Pass, and it was the latest in a long line of duets for Ella with just one other instrument. Cut from metal parts mastered by Stan Ricker from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180-gram reissue is an audiophile treasure. Housed in a Stoughton Printing tip-on jacket.
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Sarah Vaughan, Clark Terry, Zoot Sims, Quadrant – A Celebration of Duke
58,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Show item180-gram vinyl Mastered by Kevin Gray from the original analog master tape Pressed at Quality Record Pressings Housed in Stoughton Printing tip-on jacket Producer Norman Granz was an associate of Duke Ellington's for many years, and it is not surprising that his labels have frequently hosted Ellington tributes that bring out the best in the participating world-class musicians. Although Clark Terry is the only participant in the present celebration to have logged significant time as an Ellingtonian, all hands draw sustenance from the unbeatable material here. Of special interest are the tracks on which Zoot Sims plays soprano sax, especially the neglected "Tonight I Shall Sleep," and Sarah Vaughan's pair of urbane and intense vocals, accompanied only by the guitar of album-MVP Joe Pass and pianist Mike Wofford. Mastered by Kevin Gray from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180-gram reissue is everything jazz fans expect from an audiophile reissue. Housed in a Stoughton Printing tip-on jacket.
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Bad Company – Burnin’ Sky
88,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Show itemBad Company's Burnin' Sky, released in March 1977, continued to showcase the band's bluesy rock roots, with Paul Rodgers' soulful and powerful vocals leading the way. The album's musical style is characterized by its gritty, guitar-driven sound and blues-infused melodies. The 12 songs were recorded in France at studio Château d Hérouville, where David Bowie would record Low later that same year. The album's hit single and title track "Burnin' Sky" reached No. 78 on the U.S. Billboard pop singles chart. The album peaked at No. 15 on the Billboard 200 chart. This 180-gram 45 RPM 2LP of Burnin' Sky is the definitive reissue of this chart-making classic.
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Bad Company – Desolation Angels
88,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Show item -
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Bad Company – Run With The Pack
88,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Show itemTBA
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Boz Scaggs – Boz Scaggs
88,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Show itemBoz Scaggs' self-titled album, released in 1969, is an iconic and pivotal record in his career, marking a shift in his musical direction to incorporate elements of soul, R&B, and showcasing his musical versatility. Departing from the Steve Miller Band after a two-album stint, Boz Scaggs found himself on his own but not without support. Rolling Stone publisher Jann Wenner, his friend, helped him sign with Atlantic Records and the label had him set up shop in Muscle Shoals, recording his debut album with that legendary set of studio musicians, known for their down-and-dirty backing work for Aretha Franklin and Wilson Pickett, among many other Southern soul legends. AllMusic writes: "The Muscle Shoals rhythm section, occasionally augmented by guitarist Duane Allman, gives this music genuine grit, but this isn't necessarily a straight-up blue-eyed soul record, even if the opening 'I'm Easy' and 'I'll Be Long Gone' are certainly as deeply soulful as anything cut at Muscle Shoals." Scaggs dabbled in country and blues along with the soul and R&B that grounds this record. The extended 11-minute blues workout "Loan Me a Dime," functions as much as a showcase for a blazing Duane Allman as it does for Boz. But even with that show-stealing turn, and even with the Muscle Shoals musicians giving this album its muscle and part of its soul, this album is still thoroughly a showcase for Boz Scaggs' musical vision. "Loan Me a Dime" is blues-rock classic. It showcased Scaggs' soulful vocals and Allman's remarkable guitar skills. Boz Scaggs' songs garnered significant radio airplay and helped introduce Boz Scaggs to a wider audience. The impact of Boz Scaggs extended beyond its initial release. It has continued to influence and inspire subsequent generations of musicians, particularly those interested in blending blues, rock, and soul. This definitive deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic 75 Series) reissue of Boz Scaggs will be a highlight in your most-listened-to album rotation.
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Buffalo Springfield – Buffalo Springfield
88,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Show itemBuffalo Springfield was the short-lived yet influential band that united such superstars as Neil Young and Stephen Stills. Aptly named for a steamroller, they charged through their two-year tenure with such enduring, politically-charged songs as "For What It's Worth." Buffalo Springfield brought together brilliant songwriters and musical powerhouses that set the tone for Seventies folk- and country-rock. They formed in 1966 and spit in 1968; their self-titled debut album was led by the impactful single "For What It's Worth" which climbed its way into the Billboard Top Ten in March 1967. Written by Stephen Stills after he witnessed a riot on the Sunset Strip, the song swiftly spread across the U.S. Founding members of Buffalo Springfield — Stills, Richie Furay, and Neil Young went on to fame either on their own or with such groups as Poco and Manassas. But their legacy as Buffalo Springfield was ensured by "For What It's Worth," becomming an enduring anthem and eventually serving as shorthand for all the political turmoil of the 1960s. So popular was the song that it threatened to obscure how instrumental Buffalo Springfield's original run of three albums were in reshaping the sound of rock & roll in the late '60s. Nominally a folk-rock band, Buffalo Springfield also showed a facility with country-rock, psychedelia, soul, and hard rock, all the while embracing the possibilities of the recording studios of Los Angeles. Now on 180-gram 45 RPM double LP you'll hear Foreigner in all its phenomenal glory. Mastered from the original tape by Chris Bellman at Bernie Grundman Mastering, this reissue rocks. Double LP cut at 45 RPM, pressed at Quality Record Pressings, and housed in a Stoughton Printing tip-on old style gatefold jacket. That's how you upgrade a classic.
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Buffalo Springfield – Buffalo Springfield Again
88,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Show itemDue in part to personnel problems which saw Bruce Palmer and Neil Young in and out of the group, Buffalo Springfield's second album did not have as unified an approach as their debut, writes AllMusic. Still, the group continued to make major strides in both their songwriting and arranging, and this record stands as the band's greatest triumph, peaking at No. 44 on the Billboard Top LPs chart. As of 2012 the album was No. 188 on Rolling Stone's list of the 500 Greatest Albums of All Time. Stephen Stills' "Bluebird" and "Rock & Roll Woman" were masterful folk-rockers that should have been big hits (although they did manage to become small ones); his lesser-known contributions "Hung Upside Down" and the jazz-flavored "Everydays" were also first-rate. Young contributed the Rolling Stones-derived "Mr. Soul," as well as the brilliant "Expecting to Fly" and "Broken Arrow," both of which employed lush psychedelic textures and brooding, surrealistic lyrics that stretched rock conventions to their breaking point. Richie Furay (who had not written any of the songs on the debut) takes tentative songwriting steps with three compositions, although only "A Child's Claim to Fame," with its memorable dobro hooks by James Burton, meets the standards of the material by Stills and Young; the cut also anticipates the country-rock direction of Furay's post-Springfield band, Poco. Analogue Production's reissue skill makes this record sound killer. Mastered from the original tape by Chris Bellman at Bernie Grundman Mastering. Double LP cut at 45 RPM, pressed at Quality Record Pressings, and housed in a Stoughton Printing tip-on old style gatefold jacket. That's how you upgrade a classic.
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Crosby, Stills and Nash – CSN
88,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Show itemCrosby, Stills & Nash was a folk rock supergroup made up of American singer-songwriters David Crosby, Stephen Stills, and English singer-songwriter Graham Nash. CSN's 1969 self-titled debut album is one the true masterpieces of the rock 'n' roll genre; together the group put an original twist on folk, country, blues, and rock, topped by their masterfully blended three-part harmonies. The trio of vocalists / guitarists which forged this group each came from successful 1960s pop/rock acts. David Crosby was from The Byrds, and Stephen Stills played in Buffalo Springfield, both Southern California folk/rock groups, while Graham Nash was from the British pop group The Hollies. Many credit CSN's debut album for helping spawn the prolific soft rock groups of the 1970s, which would dominate the pop charts through that decade. Musically, Stills took the lead role by providing most of the lead guitars, bass, and keyboards along with his vocal parts. Crosby and Nash each added some acoustic and/or rhythm guitar along with their vocals, with Dallas Taylor providing drums. The iconic album cover shows the three band mates sitting on a couch in front of an abandoned home, just days before that dwelling was torn down. This album instantly lifted the band to stardom. The album features some of their best-known songs, including "Helplessly Hoping," "Long Time Gone," "Suit: Judy Blue Eyes," "Wooden Ships" and "Marrakesh Express." The album won CSN the Grammy Award for Best New Artist in 1970; in 1999 the album was inducted into the Grammy Hall of Fame. In 2003, Rolling Stone ranked Crosby, Stills & Nash No. 259 on their list of the 500 Greatest Albums of All Time, then reranked it No. 262 in 2012. Ground-breaking music perfection deserves definitive sound and top-notch packaging. This reissue was mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
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Crosby, Stills and Nash – Daylight Again
88,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Show itemAlthough Crosby, Stills & Nash had, in effect, been together for well over a decade when Daylight Again (1982) was issued, it was only their third studio long-player of concurrently new material. Initially, the project began as a collaborative effort between Stephen Stills (guitar/banjo/keyboards/percussion/vocals) and Graham Nash (guitar/keyboards/percussion/vocals), as David Crosby was descending into a self-induced state of perpetual drug dependency. However, Crosby was included, although arguably in name alone, and his hauntingly lyrical "Delta" stands as one of his finest contributions. Perhaps the most telling element in the trio's state of affairs was the addition of the Eagles' Timothy B. Schmit and CSN bandmember Mike Finnigan (keyboards/vocals) on vocals throughout. Among the most notable material on the album are Graham Nash's "Wasted on the Way," and "Southern Cross," composed by Michael and Richard Curtis with Stephen Stills. Both were extracted as singles and became among the best-known tracks not only on Daylight Again, but also in the post-'60s CSN canon. This reissue has all the earmarks of a phenomenal Analogue Productions reissue. Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
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Crosby, Stills, Nash and Young – Deja Vu
88,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Show item"Déjà Vu" is the title track to Crosby, Stills, Nash & Young's first album as a quartet. With Neil Young now in the mix, the album reached No. 1 on the Billboard 200 after its release in March 1970. The album remains a high point for the supergroup, having sold more than 7 million copies. Also on the record are hit singles "Teach Your Children," "Our House," and a cover of Joni Mitchell's "Woodstock." The late David Crosby penned "Déjà Vu" for the group. Though it wasn't released as a single, it gave that iconic album its name and has subsequently received its fair share of love from CSNY fans. "I'm one of those people who thinks we go round again," said Crosby back in 2008. "The Buddhists have got it right. It's a wheel and we get on and get off. I think life energy gets recycled. That's why I wrote ‘Déjà Vu.'" CSNY took a while to craft the album-which is largely considered their magnum opus. "Getting that second album out of us was like pulling teeth, there was song after song that didn't make it," Stephen Stills once said. "The track ‘Déjà Vu' must have meant 100 takes in the studio. But ‘Carry On' happened in a grand total of eight hours from conception to finished master. So you never know." All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
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Donny Hathaway – Donny Hathaway
88,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Show itemTBA
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Donny Hathaway – Everything Is Everything
88,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Show itemTBA
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Dr. John – Dr. John’s Gumbo
88,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Show itemDr. John's Gumbo is the fifth album by New Orleans singer and pianist Dr. John, a tribute to the music of his native city. The album is a collection of covers of New Orleans classics, played by a major figure in the city's music. Dr John's Gumbo was released in 1972 and is in many ways a tribute by Dr. John, aka the Night Tripper, to his hometown of New Orleans. It features excellent interpretations of New Orleans traditionals ("Iko Iko", "Tipitina", "Junko Partner" and "Stack-O-Lee") and contemporary R&B written or played by the likes of Huey Piano Smith ("Blow Wind Blow" and "Huey Smith Medley") and Earl King ("Big Chief" and "Those Lonely Lonely Nights"). Dr. John delivers a strong set of infectious songs drenched in good vibes and spiced with a pinch of voodoo. His eccentric (stage) appearance adds unique color to his stature as master of the ivories and as an entertainer. We expect this definitive deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic Series) reissue of Dr. John's Gumbo to be a cherished addition to the music collections of all fans of New Orleans classics.