Exclude HP
Showing 1–16 of 24 results
-
Sale!
Backorder
Buffalo Springfield – Buffalo Springfield
82,00 €Show itemBuffalo Springfield was the short-lived yet influential band that united such superstars as Neil Young and Stephen Stills. Aptly named for a steamroller, they charged through their two-year tenure with such enduring, politically-charged songs as "For What It's Worth." Buffalo Springfield brought together brilliant songwriters and musical powerhouses that set the tone for Seventies folk- and country-rock. They formed in 1966 and spit in 1968; their self-titled debut album was led by the impactful single "For What It's Worth" which climbed its way into the Billboard Top Ten in March 1967. Written by Stephen Stills after he witnessed a riot on the Sunset Strip, the song swiftly spread across the U.S. Founding members of Buffalo Springfield — Stills, Richie Furay, and Neil Young went on to fame either on their own or with such groups as Poco and Manassas. But their legacy as Buffalo Springfield was ensured by "For What It's Worth," becomming an enduring anthem and eventually serving as shorthand for all the political turmoil of the 1960s. So popular was the song that it threatened to obscure how instrumental Buffalo Springfield's original run of three albums were in reshaping the sound of rock & roll in the late '60s. Nominally a folk-rock band, Buffalo Springfield also showed a facility with country-rock, psychedelia, soul, and hard rock, all the while embracing the possibilities of the recording studios of Los Angeles. Now on 180-gram 45 RPM double LP you'll hear Foreigner in all its phenomenal glory. Mastered from the original tape by Chris Bellman at Bernie Grundman Mastering, this reissue rocks. Double LP cut at 45 RPM, pressed at Quality Record Pressings, and housed in a Stoughton Printing tip-on old style gatefold jacket. That's how you upgrade a classic.
-
Sale!
Backorder
Buffalo Springfield – Buffalo Springfield Again
82,00 €Show itemDue in part to personnel problems which saw Bruce Palmer and Neil Young in and out of the group, Buffalo Springfield's second album did not have as unified an approach as their debut, writes AllMusic. Still, the group continued to make major strides in both their songwriting and arranging, and this record stands as the band's greatest triumph, peaking at No. 44 on the Billboard Top LPs chart. As of 2012 the album was No. 188 on Rolling Stone's list of the 500 Greatest Albums of All Time. Stephen Stills' "Bluebird" and "Rock & Roll Woman" were masterful folk-rockers that should have been big hits (although they did manage to become small ones); his lesser-known contributions "Hung Upside Down" and the jazz-flavored "Everydays" were also first-rate. Young contributed the Rolling Stones-derived "Mr. Soul," as well as the brilliant "Expecting to Fly" and "Broken Arrow," both of which employed lush psychedelic textures and brooding, surrealistic lyrics that stretched rock conventions to their breaking point. Richie Furay (who had not written any of the songs on the debut) takes tentative songwriting steps with three compositions, although only "A Child's Claim to Fame," with its memorable dobro hooks by James Burton, meets the standards of the material by Stills and Young; the cut also anticipates the country-rock direction of Furay's post-Springfield band, Poco. Analogue Production's reissue skill makes this record sound killer. Mastered from the original tape by Chris Bellman at Bernie Grundman Mastering. Double LP cut at 45 RPM, pressed at Quality Record Pressings, and housed in a Stoughton Printing tip-on old style gatefold jacket. That's how you upgrade a classic.
-
Sale!
Backorder
Crosby, Stills and Nash – Daylight Again
82,00 €Show itemAlthough Crosby, Stills & Nash had, in effect, been together for well over a decade when Daylight Again (1982) was issued, it was only their third studio long-player of concurrently new material. Initially, the project began as a collaborative effort between Stephen Stills (guitar/banjo/keyboards/percussion/vocals) and Graham Nash (guitar/keyboards/percussion/vocals), as David Crosby was descending into a self-induced state of perpetual drug dependency. However, Crosby was included, although arguably in name alone, and his hauntingly lyrical "Delta" stands as one of his finest contributions. Perhaps the most telling element in the trio's state of affairs was the addition of the Eagles' Timothy B. Schmit and CSN bandmember Mike Finnigan (keyboards/vocals) on vocals throughout. Among the most notable material on the album are Graham Nash's "Wasted on the Way," and "Southern Cross," composed by Michael and Richard Curtis with Stephen Stills. Both were extracted as singles and became among the best-known tracks not only on Daylight Again, but also in the post-'60s CSN canon. This reissue has all the earmarks of a phenomenal Analogue Productions reissue. Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
-
Sale!
Backorder
Crosby, Stills, Nash and Young – Deja Vu
82,00 €Show item"Déjà Vu" is the title track to Crosby, Stills, Nash & Young's first album as a quartet. With Neil Young now in the mix, the album reached No. 1 on the Billboard 200 after its release in March 1970. The album remains a high point for the supergroup, having sold more than 7 million copies. Also on the record are hit singles "Teach Your Children," "Our House," and a cover of Joni Mitchell's "Woodstock." The late David Crosby penned "Déjà Vu" for the group. Though it wasn't released as a single, it gave that iconic album its name and has subsequently received its fair share of love from CSNY fans. "I'm one of those people who thinks we go round again," said Crosby back in 2008. "The Buddhists have got it right. It's a wheel and we get on and get off. I think life energy gets recycled. That's why I wrote ‘Déjà Vu.'" CSNY took a while to craft the album-which is largely considered their magnum opus. "Getting that second album out of us was like pulling teeth, there was song after song that didn't make it," Stephen Stills once said. "The track ‘Déjà Vu' must have meant 100 takes in the studio. But ‘Carry On' happened in a grand total of eight hours from conception to finished master. So you never know." All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
-
Sale!
Backorder
SACD Dr. John – Dr. John’s Gumbo
SACD38,00 €Show itemDr. John's Gumbo is the fifth album by New Orleans singer and pianist Dr. John, a tribute to the music of his native city. The album is a collection of covers of New Orleans classics, played by a major figure in the city's music. Dr John's Gumbo was released in 1972 and is in many ways a tribute by Dr. John, aka the Night Tripper, to his hometown of New Orleans. It features excellent interpretations of New Orleans traditionals ("Iko Iko", "Tipitina", "Junko Partner" and "Stack-O-Lee") and contemporary R&B written or played by the likes of Huey Piano Smith ("Blow Wind Blow" and "Huey Smith Medley") and Earl King ("Big Chief" and "Those Lonely Lonely Nights"). Dr. John delivers a strong set of infectious songs drenched in good vibes and spiced with a pinch of voodoo. His eccentric (stage) appearance adds unique color to his stature as master of the ivories and as an entertainer. We expect this definitive deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic Series) reissue of Dr. John's Gumbo to be a cherished addition to the music collections of all fans of New Orleans classics.
-
Sale!
Backorder
Genesis – Foxtrot
82,00 €Show itemGenesis' Foxtrot is the band's fourth studio album, released in 1972. Regarded as one of the seminal albums of the progressive rock genre, it marked a significant milestone in Genesis' discography. AllMusic's Stephen Thomas Erlewine says Foxtrot is where where Genesis began to pull all of its varied inspirations into a cohesive sound. The startling thing about the opening "Watcher of the Skies" is that it's the first time that Genesis attacked like a rock band, playing with a visceral power, he writes, giving the album a 5-star review. "There's might and majesty here, and it, along with 'Get 'Em Out by Friday,' is the truest sign that Genesis has grown muscle without abandoning the whimsy. Certainly, they've rarely sounded as fantastical or odd as they do on the epic 22-minute closer "Supper's Ready," a nearly side-long suite that remains one of the group's signature moments. It ebbs, flows, teases, and taunts, see-sawing between coiled instrumental attacks and delicate pastoral fairy tales. If Peter Gabriel remained a rather inscrutable lyricist, his gift for imagery is abundant, as there are passages throughout the album that are hauntingly evocative in their precious prose." — AllMusic This is the rare art-rock album that excels at both the art and the rock, and it's rightly celebrated for its enduring impact on the progressive rock genre, making it an essential listen for Genesis fans. Analogue Productions has given Foxtrot the deserving full reissue treatment: Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
-
Sale!
Backorder
John Coltrane – Coltrane’s Sound
82,00 €Show itemTBA
-
Sale!
Backorder
Otis Redding – The Soul Album
82,00 €Show itemOtis Redding's fourth studio album, released in 1966, features Redding performing songs that he co-wrote, as well as covers of songs by such peers as Sam Cooke, Eddie Floyd, Roy Head and Smokey Robinson. Guitarist Steve Cropper contributed guitar on the album, and is also credited as the co-author of three tracks. AllMusic says The Soul Album shows Redding moving from strength to strength in a string of high-energy, sweaty soul cover performances, recasting them in his own style, so that they're not "covers" so much as reinterpretations. Redding still had a little way to go as a songwriter — the jewel of this undervalued collection is "Cigarettes and Coffee," co-authored by Eddie Thomas and Jerry Butler — but as an iterpreter he was without peer, and his albums were showing a remarkably high level of consistency. Place this deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic Series) reissue of The Soul Album on your turntable and prepare for a sublime listening experience.
-
Sale!
Low stock
SACD Ray Charles – Ray Charles (Mono Version)
SACD44,00 €Add to cartRay Charles' self-titled 1957 album was one of the first handful of LPs issued by Atlantic (and was later retitled Hallelujah I Love Her So). As AllMusic reviewer Bruce Elder notes, the album is weighted about three to one in favor of Charles' own compositions, with the hits "Hallelujah I Love Her So" and the pounding, soaring "Ain't That Love," which opens the LP, its raison d'etre. Charles does just as well with his interpretations of others' work, most notably the ominous, gospel-focused rendition of "Sinner's Prayer" (which offers a virtuoso piano performance, and comes courtesy of the pen of Charles' former mentor Lowell Fulson) and Henry Glover's wrenching ballad "Drown in My Own Tears," which is topped out on each verse by a gorgeous chorus. "Funny (But I Still Love You)" offers a guitar break played in such an understated fashion that it almost doesn't seem so much a part of R&B as it was usually being offered in 1957 as it does a part of Charles' early career output. The second side of the LP is even better, opening with the title track, a number that is almost too ubiquitous in its various cover versions — the original has a mix of urgency and playfulness that's absolutely bracing, and the album carries this mood forward with "Mess Around," an Ahmet Ertegun-authored piano- and sax-driven romp with Charles at his most ebullient as a singer. "This Little Girl of Mine" offers him in a surprisingly light, almost acrobatic vocal mode, while "Greenbacks" is a knowing, clever cautionary narrative that is almost a throwback to 1940s-style R&B. "Don't You Know" is as salacious a piece of R&B as one was likely to hear in 1957, and "I Got a Woman" closes the record out on a pounding, driving note. All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed at Quality Record Pressings and RTI, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
-
Sale!
Backorder
Ray Charles – The Genius After Hours (Mono)
82,00 €Show itemTBA
-
Sale!
Backorder
Ray Charles – The Great Ray Charles
82,00 €Show itemThe Great Ray Charles is the second studio album by American musician Ray Charles, released in 1957 by Atlantic Records. An instrumental jazz album, it afforded Charles a rare opportunity to be a jazz-oriented pianist. Two selections are with a trio (bassist Oscar Pettiford joins Charles on "Black Coffee"), while the other six are with a septet taken from his big band of the period. Key among the sidemen are David Newman (soloing on both tenor and alto) and trumpeter Joseph Bridgewater; highlights include Quincy Jones' "The Ray," "My Melancholy Baby," "Doodlin', and "Undecided." "Doodlin'" (written by Horace Silver and arranged by Quincy Jones) and "Sweet Sixteen Bars" generated much spontaneous radio airplay. A great album and a point of distinction in Ray Charles' Hall of Fame career, The Great Ray Charles 180-gram 45 RPM 2LP reissue from Analogue Productions is a stellar release and one Ray Charles fans will play often.
-
Sale!
Backorder
Nina Simone – Pastel Blues
44,00 €Show item"The sound of both of these records is the best that's been produced from these tapes and both records are well worth owning." — Music = 9/11; Sound = 9/11 — Michael Fremer, AnalogPlanet.com. Read the whole review here. Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings. This is Nina at the piano, joined by a small band as she ignites a set of late-night torch songs: "Nobody Knows You When You're Down and Out," "Strange Fruit," "Trouble in Mind," her stunning version of "Sinner Man," and more. Originally issued in 1965 by Philips.
-
Sale!
Low stock
Nina Simone – I Put A Spell On You
44,00 €Add to cart"The sound of both of these records is the best that's been produced from these tapes and both records are well worth owning." — Music = 9/11; Sound = 9/11 — Michael Fremer, AnalogPlanet.com. Read the whole review here. Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings. I Put a Spell on You is the 1965 album by Nina Simone, and features some of her best known songs. "I Put a Spell on You" is a song originally by Screamin' Jay Hawkins. The original version gave the song an ironic theme, but Simone transformed it into a thrilling love song, complete with horns and strings. It had become one of her most well-known songs. She used the title for her autobiography I Put A Spell On You (1992).
-
Sale!
Backorder
Hugh Masekela – Hope (45 RPM 180 Gram 4 LP Box Set)
178,00 €Show item"How sad, if timely: this stunning reissue of the 1994 live album arrived in the very week that trumpeter Masekela passed away. One of the most successful ambassadors ever for African music, his fusing of the continent's rhythms and instruments with contemporary jazz and rock proved irresistible. Nearly every one of you has heard him, thanks to guess spots with The Byrds and Paul Simon. His breakthough hit from 1968 — the infectious "Grazing In The Grass" — is here, along with another 11 tracks recorded at Blues Alley, the U.S. club that gave us Eva Cassidy. Notably, despite its early-1990s origins, this is all-analogue." — Sound Quality = 90% - Ken Kessler, HiFi News, May 2018 "...Hope is one of those intensely visceral, large as life, and immediately present recordings that will make pretty much any system sound at least very good, and will cause better ones to raise goose bumps." - Wayne Garcia, The Absolute Sound, August 2008 "...The high quality original mix plus Analogue Productions' superb mastering has resulted in a terrific, very transparent sonic with great impact." - John Henry, Audiophile Audition What more can be captured from the masterpiece that the late trumpet great Hugh Masekela left devoted fans, the effervescent Hope. Now cut at 45 RPM and spread over four 180-gram premium LPs, you're about to discover the answer to that question. The eight sides of vinyl reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. Two Stoughton Printing old-style tip-on gatefold jackets house the four LPs, which are contained in a custom-designed slipcase reproducing the original artwork. A longtime audiophile demonstration disc. Hope will show off your system's dynamic range as well as any record ever released. Hugh Masekela, the outstanding South African trumpeter, assembled a seven-piece group and recorded this great set live at Washington, D.C.'s Blues Alley. The songs stretch over a period of nearly five decades and serve as an informal guided tour of Masekela's life. The songs are honest and bare, and as for the sound — WOW! Unlike a prior 45 RPM version that included seven songs, this 45 RPM reissue contains the full program as originally recorded with all 12 tracks included! Plus, as an added bonus, we've included a special insert — featuring an exclusive interview with Grammy/Emmy Award-winning engineer David Hewitt, who recorded Hope originally. "Hugh's record is right up near the top for a lot of reasons," Hewitt says. Hewitt and his team were afforded the time they needed, and they pulled out all the stops to pull off what's now recognized as an all-time great recording. They used better-quality microphones, they were micing the room for ambient sound, and Masekela was performing for a sophisticated and appreciative audience. "We used stuff from our stash of mics as opposed to what you'd find typically at a jazz club. We actually had control via the record label and producers, so we could take our time. We had the ability to mic the room for abient sound. ... you've got people that actually know and appreciate the music and respond accordingly. What you've got there is all the right stuff at the right time and the right people, and then something magical happens." Listen to that magic unfold — put on this Analogue Productions 45 RPM 4LP reissue of Hope, and be transported.
-
Sale!
Backorder
SACD Jackie McLean – 4, 5, and 6
SACD38,00 €Show itemThese SACD jackets feature printed wraps mounted to chipboard shells, producing an authentic, "old school" look and feel. Some people call these "mini LP" jackets.This LP for Prestige helped establish alto sax giant McLean on the jazz scene. He was joined by trumpeter Donald Byrd (who shines with the altoist on Charlie Parker’s “Confirmation”) and tenor saxophonist Hank Mobley (also bopping hard on the tune), in a date solidified by McLean’s rhythm section: Mal Waldron on piano, Doug Watkins on bass and Arthur Taylor on drums. McLean also plays ballads, including Waldron’s sublime tune “Abstraction.” Writing in the original notes, Ira Gitler said, ”Jackie McLean is musically coming of age. His playing, out of Charlie Parker and Sonny Rollins, has become a personalized, more individual voice in 1956 and he has not lost any of the basic emotion, swinging qualities that help his style live up to the second syllable of his last name so well.” -
Sale!
Backorder
SACD John Coltrane – Soultrane (Mono)
SACD38,00 €Show itemThese SACD jackets feature printed wraps mounted to chipboard shells, producing an authentic, "old school" look and feel. Some people call these "mini LP" jackets. This album continued the reinforcement of Coltrane’s importance as a stylist. As in Coltrane and John Coltrane and the Red Garland Trio, his first two albums as a leader for Prestige, the material in Soultrane is away from the ordinary. The Garland–Paul Chambers–Arthur Taylor rhythm section is a perfect accompanying unit for Trane who, by this time, was acknowledged to be — along with Sonny Rollins — one of the two most influential tenor saxophonists in jazz. Soultrane opens with an exploration at length of "Good Bait," a Tadd Dameron-Count Basie collaboration, first recorded by Dizzy Gillespie in the 1940s. The way Coltrane plays the turns in the melody gives it a slight minuet flavor, complimented by solos by Garland and Chambers in the same, solid groove. "I Want To Talk About You" is a ballad written and originally recorded by Billy Eckstine in the mid-1940s. It’s entirely new to jazz interpretation. Side Two opens with a Joe Stein-Leo Robin tune, "You Say You Care," never heard before this in a jazz context. Trane makes the most of chord changes in a swinging, medium-up setting. "Theme For Ernie" is a smoldering ballad dedicated by Philadelphian Freddie Lacey to Ernie Henry, the ex-Gillespie alto saxophonist who died suddenly in December 1957. Red begins the final track "Russian Lullaby" with an out-of-tempo introduction before Coltrane comes ripping in. Taking this and Coltrane’s prior interpretation of "Soft Lights And Sweet Music," it seems as though the boys like to play their Irving Berlin at high velocity. Because of the astounding Coltrane solo works that both precede and follow Soultrane — most notably Lush Life and Blue Train — All Music Guide says this album has "perhaps not been given the exclusive attention it so deserves."