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The Doors – L.A. Woman UHQR
164,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Show itemhttps://www.youtube.com/watch?v=veNyPhEePZ4&t=29s The Doors L.A.Woman meets Analogue Productions' UHQR, the pinnacle of high-quality vinyl! Definitive limited run reissue Ultra High Quality Record! 33 1/3 RPM LP release limited to 4,500 copies Die-cut direct-to-board jacket to match original release Mastered by Bernie Grundman from the original analog master tapes Pressed at Quality Record Pressings using Clarity Vinyl® Purest possible pressing and most visually stunning presentation and packaging! Across the robust Doors discography, there is no better candidate for a UHQR treatment than the band's sixth studio album, L.A.Woman. Flawless is the only way to describe these limited edition 200-gram vinyl reissues. Featuring mastering by the legend, Bernie Grundman, from the original analog tape, and custom-pressing at Quality Record Pressings, these beauties are created using Clarity Vinyl, for the purest sound and most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. In addition, we've meticulously recreated the die-cut directy-to-board jacket from the original L.A.Woman release. Plus, we're including an 8-page booklet with liner notes by Ben Fong-Torres. The title track is “maybe the best Chuck Berry riffs since the Stones” said one reviewer. And that’s not even mentioning “Love Her Madly,” which became one of the highest charting hits for The Doors. “Love Her Madly,” was written by Doors' guitarist Robby Krieger, whose inspiration came from passionate arguments with his girlfriend and future wife, Lynn. The song peaked at No. 11 on the Billboard Hot 100 singles chart and reached No. 3 in Canada. Via such tracks as "The Changeling," "Crawling King Snake," and the frothy, rollicking title track, the collection leaned heavily toward the Blues — in particular, Morrison's boastful "Lizard King" brand of it. All-in-all, Rolling Stone proclaimed L.A.Woman, "The Doors' greatest album" and "A landmark worthy of dancing in the streets." A landmark indeed, now a landmark production on Analogue Productions UHQR Clarity Vinyl! Originally released in 1971 Set includes: UHQR Box Die-cut direct-to-board to match original release 11.75" x 11.75" original insert 8-pg Booklet including liner notes by Ben-Fong Torres UHQR Signature Sheet UHQR Technical Specs Manual Musicians: Jim Morrison, vocals Robby Krieger, guitar Ray Manzarek, keyboards John Densmore, drums
Side A 1. The Changeling (4:20) 2. Love Her Madly (3:18) 3. Been Down So Long (4:40) 4. Cars Hiss By My Window (4:10) 5. L.A. Woman (7:49) Side B 1. L'America (4:35) 2. Hyacinth House (3:10) 3. Crawling King Snake (4:57) 4. The WASP (Texas Radio And The Big Beat) (4:12) 5. Riders On The Storm (7:14) -
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The Velvet Underground – Loaded
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cart -
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T-Bone Walker – T-Bone Blues
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cart -
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Charles Mingus – Oh Yeah
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartTBA
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SACD Charles Mingus – Oh Yeah
SACD44,00 €Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! A powerful, passionate and expressive album! Hybrid Stereo SACD Mastered direct to DSD by Kevin Gray at Cohearent Audio from the original master tape After several sessions with Columbia and Candid, Charles Mingus briefly returned to Atlantic and cut the freewheeling Oh Yeah, which AllMusic says has to rank as the wildest of all his classic albums. Mingus displays all of his vigorous jazz feeling on this album; he plays no bass whatsoever, hiring Doug Watkins to fill in while he accompanies the group on piano and contributes bluesy vocals to several tracks (while shouting encouragement on nearly all of them). One of the really fine things about Mingus is that he always seems to keep an earthy touch no matter how wild the harmonies get, and that genius comes across with power here. Some of the colorful titles are "Devil Woman," "Eat That Chicken," and "Hog Callin' Blues." Mingus' vocal selections radiate the same dementia, whether it's the stream-of-consciousness blues couplets on "Devil Woman," the dark-humored modern-day spiritual "Oh Lord Don't Let Them Drop That Atomic Bomb on Me," or the dadaist stride piano bounce of "Eat That Chicken," a nod to Fats Waller's comic novelties.
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Stone Temple Pilots – Purple
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartPurple, the second studio album released in 1994 by the Stone Temple Pilots, stands as a monumental achievement in the band's career and a defining moment in the grunge and alternative rock music scene of the 1990s. With a potent blend of raw energy, introspective lyrics and masterful musicianship, Purple not only catapulted Stone Temple Pilots to superstardom, but it also marked a significant evolution in the band's sound. The album, building on the foundations laid by the band's debut album Core, was a huge success for the band, debuting at No. 1 on the Billboard 200 chart and quickly achieving multi-platinum status, worldwide. Its chart-topping single, "Interstate Love Song," became an anthem for a generation, and the album as a whole showcased the band's artistic prowess. Lyrically, "Purple" also revealed a more introspective and mature side of Stone Temple Pilots. Scott Weiland's songwriting delved into personal struggles and emotions, addressing themes of addiction, love, and self-discovery. This depth added a layer of authenticity to the album, allowing listeners to connect with the band on a profound level. Purple also demonstrated that Stone Temple Pilots were more than just another grunge act; they were a force to be reckoned with, capable of delivering powerful and emotionally resonant music. Purple remains a crucial chapter in the band's history and an essential listen for any fan of rock music. Analogue Productions has given the showstopping Purple the full reissue treatment: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
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Foreigner – 4
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cart"Nightlife" kicks off a series of energetic and nearly flawless melodic rock songs on the album. Within this collection, you'll find tracks like "Woman in Black," "Don't Let Go," and the '50s-inspired "Luanne." However, the standout gem in this album is "Juke Box Hero." This song manages to be both a mainstream hit and exceptionally unique. It blends heavy metal guitar riffs, harmonized vocals, and lyrics that capture the desire to become a rock star. But there's more to this album. It also includes the essential power ballad, "Waiting for a Girl Like You." This emotional song transcended genres, becoming one of the most successful tearjerkers of the decade. It's a constant presence on soft rock radio and has overshadowed another beautiful ballad from the album called "Girl on the Moon." And let's not forget the surprising and funky "Urgent." This track stands out as one of the band's most memorable and uncharacteristic smash hits, thanks to Junior Walker's signature saxophone solo. As awesome as the music is this definitive deluxe 180-gram 45 RPM 2LP package. Foreigner 4 has never sounded better!
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Willie Nelson – Shotgun Willie
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartBefore Shotgun Willie, Willie Nelson had struggled to gain widespread recognition as a solo artist, despite having written many successful songs for other artists. Nelson's big break came when he signed with Atlantic Records in 1973. The pivotal moment in his career came after Atlantic Records executive Jerry Wexler, known for his work with artists like Ray Charles and Aretha Franklin, took an interest in Nelson's music. Wexler saw potential in Nelson's unique approach to country music and signed him to the label. With the creative freedom offered by Atlantic Records, Nelson was able to record Shotgun Willie with the artistic freedom he had long desired. The album's unconventional sound and honest lyrics resonated with both critics and fans. Shotgun Willie marked a new beginning for Willie Nelson's career, and it set the stage for his subsequent albums and his emergence as one of the most influential and iconic figures in the history of country music. The recording was one of the first albums of outlaw country — a new subgenre of country music and an alternative to the conservative restrictions of the Nashville sound, the dominant style in the genre at the time The album — the first to feature Nelson with long hair and a beard on the cover — gained him the interest of younger audiences. It peaked at No. 41 on Billboard's Top Country Albums and the songs "Shotgun Willie" and "Stay All Night (Stay A Little Longer)" peaked at Nos. 60 and 22 on Hot Country Songs respectively. We are so pleased to bring you this deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic 75 Series) reissue of the timeless Willie Nelson classic, Shotgun Willie. Cue it up and prepare to be transported!
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Ella Fitzgerald & Joe Pass – Fitzgerald & Pass… Again
54,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cart180-gram vinyl Cut from existing metal parts mastered by Doug Sax from the original analog master tape Pressed at Quality Record Pressings Housed in Stoughton Printing tip-on single pocket jacket Ella Fitzgerald, often referred to as the "First Lady of Song," and Joe Pass, a legendary jazz guitarist, collaborated on four duet albums together. This album, their second, has endured as a classic in the jazz canon, remaining highly regarded by jazz enthusiasts and musicians alike. Fitzgerald's performance on this album, released in 1976, won her the 1977 Grammy Award for Best Jazz Vocal Album. Fitzgerald's celebrated musicianship remained exceptional after four decades in the limelight, and her ability to get inside the meaning of a lyric and convey it to an audience had been woefully underestimated. Pass, who gets to display the subtler aspects of his own virtuosity and his overlooked strengths as an accompanist, was the perfect partner for an effort where the relaxed "after hours" feeling intensified the level of communication. Duke Ellington's songbook is generously represented by four titles, "'Tis Autumn" and "Tennessee Waltz" are transformed, and there are spellbinding wordless performances of "Rain" and "One Note Samba." Cut from existing metal parts mastered by Doug Sax from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180-gram reissue is a must-have for jazz fans. Housed in a single pocket Stoughton Printing tip-on jacket.
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Sarah Vaughan – How Long Has This Been Going On?
54,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Show item180-gram vinyl Mastered by Kevin Gray from the original analog master tape Pressed at Quality Record Pressings Housed in Stoughton Printing tip-on gatefold jacket Step into the timeless embrace of jazz legend Sarah Vaughan's How Long Has This Been Going On? An auditory voyage through the depths of love, longing, and introspection, this album is a highlight of late-period Sarah Vaughan. Sassy sounds wonderful stretching out on such songs as "Midnight Sun," "More Than You Know," "Teach Me Tonight" and "Body and Soul" among others. Vaughan effortlessly navigates the complexities of emotion, her voice soaring and dipping with each nuanced phrase. Mastered by Kevin Gray from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180-gram reissue is an exceptional audiophile disc. Housed in a gatefold Stoughton Printing tip-on jacket.
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John Lee Hooker – Burning Hell
39,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartThe Bluesville Series from Craft Recordings and Acoustic Sounds! Inspired by the original Prestige label imprint established in 1959 Burning Hell by John Lee Hooker First worldwide LP release! Highlighting trailblazing blues musicians from legendary labels Burning Hell was recorded in 1959 in Detroit, MI, but wasn't released until 1964. Even then, it was only available in the U.K.. This 180-gram vinyl pressing marks the first official single LP worldwide release the album has seen. Pressed at QRP as part of the Bluesville Records / Acoustic Sounds series, the album features Hooker solo as he plays originals and classics. AllMusic states that, on this album, "Hooker shows himself to be an excellent interpreter who could have held his own with Delta bluesmen of any era." Craft Recordings, in partnership with Acoustic Sounds, is releasing Burning Hell as part of the Bluesville Series. Bluesville is a brand-new hub for all things blues, including vinyl reissues, curated playlists, and more! Inspired by the original label imprint established under Prestige Records in 1959, the Bluesville Series will highlight the many trailblazing musicians who contributed to the rich tradition of the blues, including titles from legendary artists on labels such as Vee-Jay, Riverside, Vanguard, Stax, and Rounder Records. The albums in the Bluesville Series are pressed on 180-gram vinyl at Quality Record Pressings and feature all-analog (AAA) mastering by Grammy-nominated engineer Matthew Lutthans at The Mastering Lab at Blue Heaven Studios, plus a tip-on jacket and obi strip with notes written by Grammy-winning producer, writer and musician Scott Billington.
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Diana Krall – When I Look In Your Eyes
62,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartNew for 2024!Acoustic Sounds Series reissues from Verve/Universal Music Enterprises!Monthly releases highlighting the world's most historic and best jazz records! Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes 180-gram LPs pressed at Quality Record Pressings! Stoughton Printing gatefold old-style tip-on jackets Series supervised by Chad Kassem CEO of Acoustic Sounds When I Look in Your Eyes is the fifth studio album by Canadian singer Diana Krall, released on June 8, 1999, by Verve Records. It was nominated for a Grammy Award for Album of the Year, the first time in 25 years that a jazz album was nominated in that category, and won two awards for Best Jazz Vocal and Best Engineered Album, Non-Classical at the 42nd Grammy Awards. The album also won the Juno Award for Best Vocal Jazz Album in 2000. If artistry is about growth, then count Krall as one of jazz's consummate artists. When I Look In Your Eyes is yet another step ahead for the vocalist/pianist. This gorgeous Verve release breaks away from the standard piano trio setting of her two previous releases; several of the album's cuts feature the graceful orchestrations of maestro Johnny Mandel. When I Look In Your Eyes features Krall on piano and vocals with long-time trio mate Russell Malone on guitar. Ben Wolfe and John Clayton share bass duties and Jeff Hamilton and Lewis Nash alternate on drums. The album was produced by Grammy-winner and Verve Music Group Chairman Tommy LiPuma, with some tracks being co-produced by LiPuma and Mandel. It was recorded by Al Schmitt. Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.1. Let's Face The Music And Dance 2. Devil May Care 3. Let's Fall In Love 4. When I Look In Your Eyes 5. Popsicle Toes 6. I've Got You Under My Skin 7. I Can't Give You Anything But Love 8. I'll String Along With You 9. East Of The Sun (West Of The Moon) 10. Pick Yourself Up 11. The Best Thing For You 12. Do It Again -
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Count Basie – Basie Jam
54,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cart180-gram vinyl Cut from parts mastered by Doug Sax from the original analog master tape Pressed at Quality Record Pressings Housed in Stoughton Printing tip-on gatefold jacket Basie Jam is two sides of some of the best swing ever recorded. This record was produced by Norman Granz and Pablo Records. Granz, responsible for one of the greatest jazz labels ever — Verve — knew what he was doing in a studio. The Big Band sound of Count Basie and the other orchestra leaders dominated dance halls and the airwaves for almost two decades. This late 1973 session features the Count with an eight-piece band. As the title indicates, this recording is like a jam session, so all the tracks are based around the blues. After a classic Basie Piano intro the first track "Doubling Blues" swings like mad, but then you notice there's something different going on when the solos start. What's different is that Basie is playing Organ for most of the rest of the track and the difference is amazing. The little Piano phrases that we're all so used to hearing Basie play aren't there. Then after six minutes the piano comes back in and we finish track with Basie as we started. For more of Basie's organ playing have a listen to "One-Nighter" — a lovely medium tempo number on which he plays a restrained introductory solo, before Zoot Sims plays the opening tenor sax solo. The running time is just under 50 minutes, and with only five tracks on the album that tells you that the musicians were given plenty of opportunity to stretch out. They do, and its well worth getting a copy of this album. Cut from metal parts mastered by Doug Sax from the original analog master tape. Pressed at Quality Record Pressings for superior sound quality, and housed in a handsome Stoughton Printing tip-on gatefold jacket.
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Dizzy Gillespie – Dizzy Gillespie’s Big 4
54,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cart180-gram vinyl Cut from parts mastered by Doug Sax from the original analog master tape Pressed at Quality Record Pressings Housed in Stoughton Printing tip-on single pocket jacket The relationship between Dizzy Gillespie and Ray Brown goes back to the mid-1940s when Brown was the bassist in Gillespie's magnificent big band. Joe Pass and Mickey Roker came along somewhat later. When he heard them, Dizzy understood immediately that they were worthy of admission into the inner circle of musicians whose artistic life was centered in the bebop tradition that he and Charlie Parker had established. The core of that tradition is perfectly expressed in this blistering version of "Be Bop," a piece Dizzy wrote in 1942 that still tests musicians' ability to express themselves at high velocity. Gillespie's tender side and harmonic wisdom are disclosed in "Hurry Home" and "September Song," his blues expressiveness in his classic "Birks' Works." Pass solos beautifully and rounds out a stunning rhythm section. Cut from metal parts mastered by Doug Sax from the original analog master tape. Pressed at Quality Record Pressings for superior sound quality, and housed in a Stoughton Printing tip-on single pocket jacket.
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Diana Krall – The Look Of Love
62,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Show itemNew for 2024! Acoustic Sounds Series reissues from Verve/Universal Music Enterprises! Monthly releases highlighting the world's most historic and best jazz records! Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes 180-gram LPs pressed at Quality Record Pressings! Stoughton Printing gatefold old-style tip-on jackets Series supervised by Chad Kassem CEO of Acoustic Sounds Diana Krall's sixth studio album topped the Canadian Albums Chart after its release in 2001, and in 2002 it earned Al Schmitt a Grammy Award for Best Engineered Album, Non-Classical. It also received a Juno Award for Album of the Year in Canada. Jim Santella of All About Jazz commented, "Lush strings and gliding flutes surround Diana Krall's tender vocals. Even her substantial piano interludes take on the appearance of drifting mists, through the mix of orchestral timbres. With an emphasis on her sultry vocal interpretations, the latest album reaches out to a broad, popular music audience. Nothing wrong with that. It's just that jazz fans usually want the improvised licks along with their melodies... By interpreting classic love songs, Krall's latest album turns toward romantic interests. The clutter of a large string orchestra, however, obscures the total picture." John Kreicbergs of PopMatters wrote, "Simply said, her piano chops are more than adequate to back up her incredible voice." Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
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Skip James – Today!
39,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartThe Bluesville Series from Craft Recordings and Acoustic Sounds! Inspired by the original Prestige label imprint established in 1959 Today! by Skip James Highlighting trailblazing blues musicians from legendary labels "I have multiple copies of this record and this Bluesville reissue is by far the best sounding. It puts you in the room with the artist, or the artist in your room, whichever you prefer and there's no mystery about why that is. Matthew Lutthans cut lacquers multiple ways: from the original two track tape, from a mix down he created from the four track tape and finally a live to lathe cut, which is what this is. The improvement in 'you are there' transparency will be obvious to anyone reading this who's a fan of the record and has a previous iteration. Add Doug Sax's lathe, once again operating as TML fans expect, a dead quiet QRP pressing, a Stoughton 'Tip-on' jacket and a $29.98 price and this is a 'must have' reissue, especially worth picking up if you're unfamiliar with the record and/or the artist, though of course everyone knows Cream's cover of 'I'm So Glad' found here in the original version (though if you listen casually it sounds nothing like the 'rocked up' cover). Another plus is Bruce Jackson's excellent original annotation that tells the whole story and more. And you get the original orange Vanguard Stereolab label (by 1966 the black and silver label had been changed to orange and black). The Bluesville series is now two for two!" — Music = 10/11; Sound = 10/11 — Michael Fremer, TrackingAngle.com. To read Fremer's full review, click here. Today! is Skip James' second album, originally released in 1966. The album features James solo on all but one track, "How Long," which includes Russ Savakus on bass. AllMusic asserts, "wonderful vocals, superb guitar and a couple of tunes with tasty piano make this essential." Craft Recordings, in partnership with Acoustic Sounds, is releasing Today! as part of the Bluesville Series. Bluesville is a brand-new hub for all things blues, including vinyl reissues, curated playlists, and more! Inspired by the original label imprint established under Prestige Records in 1959, the Bluesville Series will highlight the many trailblazing musicians who contributed to the rich tradition of the blues, including titles from legendary artists on labels such as Vee-Jay, Riverside, Vanguard, Stax, and Rounder Records. The albums in the Bluesville Series are pressed on 180-gram vinyl at Quality Record Pressings and feature all-analog (AAA) mastering by Grammy-nominated engineer Matthew Lutthans at The Mastering Lab at Blue Heaven Studios, plus a tip-on jacket and obi strip with notes written by Grammy-winning producer, writer and musician Scott Billington.