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America – America
82,00 €Add to cartAmerica — America 1971 Classic defined a generation! Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! Mastered by Matthew Lutthans at The Mastering Lab from the original master tape 180-gram 45 RPM double LP pressed at Quality Record Pressings Housed in a Stoughton Printing tip-on gatefold jacket When America released their self-titled album debut in the U.S. in January 1972, few could have predicted just how perfectly this young trio would capture the sound of an era. With shimmering acoustic guitars, golden harmonies, and songs that seemed tailor-made for open highways and endless skies, America became one of the defining folk-rock albums of the 1970s. From the instantly recognizable strum of "A Horse with No Name" to the wistful beauty of "I Need You" and "Sandman," this is the album that launched the band's career — and helped set the tone for the decade's laid-back West Coast sound. It's a record that feels both intimate and expansive, full of youthful wonder and a timeless sense of melody. America earned the band a Grammy Award for Best New Artist, went multi-platinum, and remains a touchstone for generations of songwriters and listeners alike. Collectors continue to prize early pressings for their warmth and musicality — and now, this definitive audiophile edition delivers the album with greater depth, detail, and realism than ever before. Cut from the original tape with meticulous care by Matthew Lutthans at The Mastering Lab, and pressed on ultra-quiet, perfectly flat vinyl by Quality Record Pressings, America has never sounded so alive. Every guitar shimmer, every breath of harmony, every heartbeat of Dewey Bunnell, Gerry Beckley, and Dan Peek's chemistry is restored with breathtaking clarity. America is a cornerstone of early '70s acoustic rock. It's evergreen magic, lovingly revived.
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George Benson – Breezin’
82,00 €Add to cartGeorge Benson — Breezin' Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! Mastered by Matthew Lutthans at The Mastering Lab from the original master tape 180-gram 45 RPM double LP pressed at Quality Record Pressings Housed in a Stoughton Printing tip-on gatefold jacket George Benson's 1976 classic album Breezin' redefined what jazz guitar could sound like. Effortless, melodic, and irresistibly smooth, Breezin' became the soundtrack to an era and the album that launched Benson into crossover superstardom. With timeless hits such as "This Masquerade" and the sunlit title track, Breezin', Benson's 15th album, bridges the worlds of jazz, pop, and R&B with rare grace. It not only was a Billboard Jazz Albums chart-topper but also went to No. 1 on the pop and R&B charts. It was certified triple platinum-selling, making it one of the best-selling jazz albums of all time. The record took home Grammy Awards for Best Pop Instrumental Performance and Record of the Year for "This Masquerade," while earning multiple nominations, including for Album and Song of the Year — an unprecedented feat for a jazz guitarist. Now, this classic shines brighter than ever. Mastered at 45 RPM by Matthew Lutthans at The Mastering Lab and pressed on flat, ultra-quiet vinyl by Quality Record Pressings, this edition reveals new layers of warmth, depth, and presence in Benson's silky tone and fellow rhythm and bass guitarist Phil Upchurch's signature groove. Breezin' isn't just a smooth jazz cornerstone — it's one of the most impeccably crafted and influential albums of its time. For collectors, audiophiles, and anyone who loves music that feels like pure sunlight, this definitive 45 RPM reissue is essential listening.
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Bill Evans – Quintessence
82,00 €Add to cartBill Evans — Quintessence Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering Double LP cut at 45 RPM and pressed on 180-gram vinyl at Quality Record Pressings! Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish Ready yourselves, jazz aficionados, for modal piano brilliance, Bill Evans style! Released in 1977, Bill Evans — Quintessence, has the maestro diving headfirst into a lush, melodic hornscape — an elegant, smoky surprise. Let's start with the man himself. By 1977, Bill Evans was less of a pianist and more of a philosopher with 88 keys. His technique? Still gentle, still whispery, still capable of melting diamonds. But here, he brings his lyrical poetry into a new context: a quintet. That's right — not just his beloved trio format, but a quintet, people. No safety net. No piano bench to hide behind. Just sheer harmonic magic. The Evans dream team of supporting players was a stellar lineup. Starting with Harold Land (tenor sax) — The West Coast legend whose tone is so smooth it could pass as jazz-flavored gelato. Warm, reflective, and the perfect foil to Evans' crystalline touch. Next, there's Kenny Burrell (guitar). Playing with such subtlety you'd swear he was painting chords with a sable brush. Never flashy, always perfect. On bass, Ray Brown — The anchor of jazz itself. You want groove? He'll give you groove. You want soul? He's got that in spades too. And on drums, Philly Joe Jones. Because if you're gonna swing, you call the guy who made Miles Davis' band sweat. Together, they form a unit so tight it's basically a telepathic jazz circle. They're not just supporting Bill — they're expanding him! What's On the Menu? "Sweet Dulcinea" — A tune that proves you don't need to play fast to say something profound. "Bass Face" — Ray Brown gets the spotlight, and boy does he shine. "Martina" — A waltz so beautiful it should come with a warning label: may cause reflective gazing into middle distance. "Second Time Around" — A standard for an album that's all about elegance, subtle swing, and refined musicianship. "A Child Is Born" — The kind of rendition that makes you think maybe the world isn't so bad after all. So why add Quintessence to your collection? Because this is Bill Evans unplugged from the trio comfort zone, letting his lush harmonic sensibilities dance with top-tier horn players and rhythm gods. This album is meditative but never sleepy, introspective but never self-indulgent. It's rich, warm, and brimming with the quiet confidence of a master stretching his wings just because he can. This reissue brims with superior quality. Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180-gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish. Bottom line, if your jazz collection is missing Quintessence, it's like owning a Picasso with a blank corner. This is the kind of record that sneaks up on you — not flashy, but unforgettable. Go ahead. You deserve this kind of quintet magic.
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Bill Evans – Interplay
82,00 €Add to cartBill Evans Trio —InterplayIndividual title from The Bill Evans Riverside Recordings Box Set180-gram 45 RPM double LPMastered by Kevin Gray & Steve Hoffman at AcousTech Mastering AAA analog from original master tapes Praise for our Riverside Recordings LP Box Set from Analogue Productions "Bill Evans' recordings almost always received good to excellent sound, and the Analogue Productions reissues are no exception. While I don't own the original releases, the 45 rpm reissues clearly better, even after VTA adjustments, the later OJC reissues or the earlier 33 1/3 rpm Analogue Productions releases. The 45 rpm reissues are more musical and transparent; instruments have greater three-dimensionality and frequency extremes, especially lower octaves, exhibit greater resolution and impact. Get them before they're sold out!" Myles Astor, Positive-Feedback Online, Issue 34, www.positive-feedback.com Almost every one of the 11 albums featuring Bill Evans that were issued during his pivotal early years (1956-1964) with Riverside were trio performances. Of the two exceptions, one was strictly speaking not an Evans record (Know What I Mean?, a quartet album that featured Bill but was under the leadership of Cannonball Adderley.) The other is Interplay. Adding trumpet and guitar to create an unusual quintet alignment, concentrating on the standard tunes, and with brighter tempos than are generally associated with his playing, it is a uniquely valuable addition to the catalog of perhaps the most important pianist in modern jazz. "There is nothing not to like on this two-record set from the Fantasy archives brought to new life by Messrs. Hoffman and Gray…Acoustic Sounds are half-way home with this, their third series of 45RPM re-issues. These releases have done wonders for my greater understanding and appreciation of jazz, simply by providing the best, most enjoyable sound from landmark albums such as this. When you see the names in this quintet, you can rest assured you've got some first-rate musicians waiting to perform. Add to this the history and depth of repertoire in the Riverside label (as well as the other catalogues that fall under the Fantasy – now Concord Music – umbrella) and you can see why this project just keeps on giving you great performances by great artists offered up in studio quality sound. There is something for everyone on this album and the pristine surfaces accompanied by excellent artistic arrangements and playing, set the stage for a real treat. Evans is so easy on the ears and his carefree, articulate style is mesmerizing." Recording = 8/10; Music = 7.5/10 – Richard Foster, Hi-Fi+, Issue 43 -
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Benny Carter & Dizzy Gillespie – Carter, Gillespie, Inc.
54,00 €Add to cart180-gram vinyl Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape Pressed at Quality Record Pressings Housed in a Stoughton Printing tip-on jacket Dizzy Gillespie wrote his classic "A Night in Tunisia" in 1942 when he was working with Benny Carter. Thirty-four years later the two recorded it together for this album and gave it one of its most luminous performances. In this encounter, Carter, at 70, and Gillespie, at 60, were inspired to some of the best playing of what might be described as their later years if it weren’t for the fact that, at this writing, both were going strong into the 1990s. Among the pieces are two less well-known masterpieces, Gillespie’s "Constantinople" and Carter’s "The Courtship." Gillespie’s superb bassist of the great 1947-48 big band, Al McKibbon, is in the rhythm section with Tommy Flanagan, Joe Pass, and Mickey Roker. Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape. Pressed at Quality Record Pressings for superior sound quality, and housed in a Stoughton Printing tip-on single pocket jacket.
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Zoot Sims – Passion Flower (Zoot Sims Plays Duke Ellington)
54,00 €Add to cart180-gram vinyl Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape Pressed at Quality Record Pressings Housed in a Stoughton Printing tip-on jacket Here is an album of Duke Ellington compositions arranged and conducted by Benny Carter, with Zoot Sims as principal soloist. Add those names to the list of musicians in the adjoining display and you get a total greater than the sum of its parts. Among the many albums Sims made for Pablo, the Ellington project was particularly close to his heart. The Ellington band of 1940 and '41 was a formative influence on the young tenor man setting out on his career. The great tenor saxophonist Ben Webster's solos profoundly affected him. It is true that his tone was closer to Lester Young's, but Webster's conception was always a major component of Sims's style, and toward the end of his life Zoot's sound took on more of Webster's heft and darkness. Fittingly, he and Webster's favorite pianist, Jimmy Rowles, do Bojangles to a rare turn, and Sims gives an achingly beautiful reading of Duke's "Your Love Has Faded." Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180-gram reissue is an exceptional audiophile disc. Housed in a gatefold Stoughton Printing tip-on jacket.
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Sarah Vaughan – Send In The Clowns
54,00 €Add to cart180-gram vinyl Mastered by Matthew Lutthans at The Mastering Lab from the original analog tape Pressed at Quality Record Pressings Housed in a Stoughton Printing tip-on jacket Sarah Vaughan and her working trio team with the "no Count" Basie band for this 1981 collection — their first studio meeting in 20 years! They create a magical album that evokes the days when singer and orchestra shared the stage at the original Birdland. The program looks back even further in the Divine One's career, with the inclusion of her early hit "If You Could See Me Now," while also featuring one of her last signature songs in the title track. The entire program, arranged with flair by Sammy Nestico and Allyn Ferguson, is a tour de force that finds Vaughan letting all stops out in a setting that matches her sublime vocals. Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape. Pressed at Quality Record Pressings for superior sound quality, and housed in a handsome Stoughton Printing tip-on jacket.
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Muddy Waters – Folk Singer (Mono)
44,00 €Add to cartMuddy Waters — Folk Singer (Mono) Chess Records 75 Series from Chess Records and Acoustic Sounds! The only acoustic album that Waters ever recorded! All-analog mastering by Matthew Lutthans at The Mastering Lab 180-gram vinyl pressed at Quality Record Pressings Few albums in the blues canon carry the authority and lasting impact of Muddy Waters' "Folk Singer." Originally released in 1964 — and presented here in its pure, intimate mono form — this is the only all-acoustic recording Muddy ever made. The result is a striking return to the Delta feel that shaped him, transformed into what many consider the first, and still the definitive, blues concept album. Worried that the rising folk boom might pull listeners away from the blues, Chess Records sent Muddy Waters into the studio for an all-acoustic session — and the results were nothing short of revelatory. Joined by Willie Dixon and a young Buddy Guy, Waters delivers an "unplugged" performance that stands today as one of the most captivating crossover moments in the genre's history. All-analog mastering by Matthew Lutthans at The Mastering Lab from the mono master, 180-gram vinyl pressed by Quality Record Pressings.
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Little Feat – Dixie Chicken
82,00 €Add to cartLittle Feat — Dixie Chicken The album where Little Feat came into full bloom! Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! Mastered by Matthew Lutthans at The Mastering Lab from the original master tape 180-gram 45 RPM double LP pressed at Quality Record Pressings Housed in a Stoughton Printing tip-on gatefold jacket With Dixie Chicken (1973), Little Feat came into full bloom. Here, the band locked into their signature sound: sly, soulful, and irresistibly funky. The title track oozes Southern charm, "Two Trains" rolls with hypnotic rhythm, and "Fat Man In The Bathtub" blends humor and groove in a way only Lowell George could. This 45 RPM pressing, with lacquers cut by Matthew Lutthans at The Mastering Lab from the original master tape, delivers deeper bass, crisper detail, and wider groove spacing for stunning playback realism. Every snare hit, every slide riff, every vocal inflection pops from the speakers with life and dimension. A cornerstone of ‘70s rock and funk, Dixie Chicken finally gets the deluxe, audiophile treatment it deserves.
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Little Feat – Sailin’ Shoes
82,00 €Add to cartLittle Feat — Sailin' Shoes Lowell George's vision takes flight! Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! Mastered by Matthew Lutthans at The Mastering Lab from the original master tape 180-gram 45 RPM double LP pressed at Quality Record Pressings Housed in a Stoughton Printing tip-on gatefold jacket Formed by the late, great Lowell George, Little Feat made music that was loose, funky, literate, and impossible to pin down. Sailin' Shoes (1972) caught the band just as their legend was taking shape — a mix of sharp-witted storytelling and swampy grooves that defined early-'70s cool. From "Willin'" and "Easy to Slip" to the swaggering title track, it's a master class in Southern California songwriting with a Louisiana twist. These songs defined Little Feat's legend as one of rock's most distinctive voices. This 45 RPM pressing, cut by Matthew Lutthans at The Mastering Lab from the original master tape, opens up the soundstage with wider grooves for superior tracking, lower distortion, and richer dynamics. Guitars shimmer, vocals breathe, and the rhythm section punches with warmth and clarity that only vinyl — at 45 RPM — can deliver. Pressed on ultra-quiet, perfectly flat 2LP by Quality Record Pressings, this timeless blend of storytelling from one of the most influential bands from the 70’s Warner catalog, sounds magnificent.
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Little Walter – The Best Of Little Walter
44,00 €Add to cartLittle Walter — The Best Of Little Walter (Mono) Chess Records 75 Series from Chess Records and Acoustic Sounds! Influential blues harmonica record Groundbreaking instrumentals include "Juke" and "My Babe" All-analog mastering by Matthew Lutthans at The Mastering Lab 180-gram vinyl pressed at Quality Record Pressings Little Walter — The Best of Little Walter is the album that became a cornerstone of Chicago Blues and one that turned a pocket-sized harp into a weapon of musical mass seduction! Originally released on Chess Records in 1958, this compilation is stacked with Walter Jacobs' most iconic sides: "Juke" (the only harmonica instrumental to ever top the Billboard R&B chart), "My Babe" (a Willie Dixon-penned classic), "Blues With a Feeling," "Off the Wall," and more. These tracks didn't just set the standard — they became the standard for electric blues harp, influencing everyone from Paul Butterfield to Mick Jagger and beyond. Walter amplified the harmonica — literally-plugging it into a microphone and pushing it through an amp for a dirty, distorted tone that changed the sound of blues forever. This isn't just a "greatest hits" package; it's a history lesson in how Chess Records built the DNA of modern music. Walter stood shoulder-to-shoulder with Muddy Waters and Howlin' Wolf in Chess' legendary lineup, and his innovations helped shape rock, soul, and blues for decades to come. This reissue smokes. Mastered by Matt Lutthans at The Mastering Lab from the original Chess tapes — the same golden ears behind numerous other reissue classics, combined with Quality Record Pressings' uncompromising vinyl craft. The result? The raw power of Walter's amplified harp leaps off the 180-gram vinyl with detail and punch that will make your system blush. This isn't background music. This is a front-row seat to the birth of electric blues, with dead-quiet pressings that let every reed vibration, every wailing bend, hang in the air like cigarette smoke in a sweaty club.
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Sonny Boy Williamson – The Real Folk Blues
44,00 €Add to cartSonny Boy Williamson — The Real Folk Blues Chess Records 75 Series from Chess Records and Acoustic Sounds! Brilliant collection of postwar blues! Electrifying tracks include "Bring It On Home," and "One Way Out" All-analog mastering by Matthew Lutthans at The Mastering Lab 180-gram vinyl pressed at Quality Record Pressings If you think the blues is just three chords and a cloud of dust, meet the man who turned that cloud into a thunderstorm: Sonny Boy Williamson II. This 1966 Chess Records gem, The Real Folk Blues, is a masterclass in attitude, sly humor, and harmonica sorcery. From the hypnotic sway of "Checkin' Up on My Baby" to the swaggering "Bring It On Home" and the heartbreak of "Sad to Be Alone," Sonny Boy's every note feels like he's letting you in on a dangerous secret. His tone? Razor-sharp and dripping with personality. His phrasing? As unpredictable as a pool hall hustler. He didn't just play the harmonica — he gave it a soul and a swagger that inspired a generation, influencing everyone from The Yardbirds to Led Zeppelin. (Hint: That "Bring It On Home" you love? Yeah, this is the blueprint.) Chess Records wasn't just a label; it was an institution of innovation. Muddy gave you muscle. Howlin' Wolf gave you menace. But Sonny Boy? He gave you mischief and magic in a 10-hole harp. This album captures that Chess-era electricity — a raw, amplified blues sound that rewrote the rules and laid the groundwork for rock's golden age. This isn't some dusty reprint. This is Matt Lutthans mastering at The Mastering Lab paired with Quality Record Pressings' world-class vinyl craft — translation: you're about to hear Sonny Boy like never before. The harmonica's growl, the guitar's bite, the Chess echo chamber's moody vibe — all rendered with jaw-dropping clarity on a 180-gram dead-quiet pressing. If you're building a serious blues collection — or just want to experience one of the most influential harmonica voices of all time — this is non-negotiable. Crank it up, and prepare to marvel at a man who made a small instrument sound bigger than life.
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Muddy Waters – The Real Folk Blues (Mono)
44,00 €Add to cartMuddy Waters — The Real Folk Blues (Mono) Chess Records 75 Series from Chess Records and Acoustic Sounds! All-analog mastering by Matthew Lutthans at The Mastering Lab 180-gram vinyl pressed at Quality Record Pressings Issued by Chess Records at the height of the 1960s folk revival, this classic compilation cleverly reframed Waters' early Chicago recordings with a title and cover that aligned him with a new, younger audience discovering the roots of American music. The irony, of course, is that Muddy didn't need repositioning. He was the source. Although most of these tracks were recorded in Chicago studios, often with electric guitar in the mix, the spirit is unmistakably down-home. There's a stark, front-porch authority in the performances — spare instrumentation, unvarnished arrangements, and a gritty, conversational vocal style that carries the emotional weight of Delta tradition straight into the urban blues era. This is the Muddy Waters who changed the language of modern blues. "Mannish Boy" stomps with primal swagger, its hypnotic riff and call-and-response vocal becoming one of the most recognizable signatures in postwar blues. "Screamin' & Cryin'" and "Just To Be With You" simmer with tension and longing, while "Walking Blues" reconnects directly to the Delta lineage that Waters absorbed in his youth. "Walking In The Park," "Same Thing," and "Canary Bird" round out a program that's stacked with grit, groove, and raw storytelling.
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Howlin’ Wolf – The Real Folk Blues (Mono)
44,00 €Add to cartHowlin' Wolf — The Real Folk Blues (Mono) Chess Records 75 Series from Chess Records and Acoustic Sounds! Mastered from digital sources by Matt Lutthans at The Mastering Lab 180-gram vinyl pressed at Quality Record Pressings Most of Chess Records' Real Folk Blues albums were compilations of singles recorded over a span of years (in Wolf's case, from 1956 to 1965). This album did not fit the usual definitions of "folk blues," featuring instead Chicago urban blues by an incomparable singer and a host of great sidemen (including Hubert Sumlin and Buddy Guy), but Chess was making a move to remarket the blues to a new audience that had developed with the boom in folk music. This was Chess' second LP of Wolf singles, and a comment posted on the Blues Hall of Fame web site about the first LP applies to this one too: "Considering how many of the songs here have become standards in the repertoires of countless blues and rock bands, it's hard to fathom that none of these Wolf 45s sold well enough to make the Billboard R&B charts." The Real Folk Blues classics include "Killing Floor," "Tail Dragger," "Built for Comfort," and "Three Hundred Pounds of Joy."
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Chuck Berry – St. Louis To Liverpool
44,00 €Add to cartChuck Berry — St. Louis To Liverpool Chess Records 75 Series from Chess Records and Acoustic Sounds! Rock 'n' roll pioneer's seventh studio album! All-analog mastering by Matthew Lutthans at The Mastering Lab 180-gram vinyl pressed at Quality Record Pressings Includes the charting singles "No Particular Place To Go," "You Never Can Tell," "Little Marie" and more! By 1964, Chuck Berry had already rewritten the rules of rock 'n' roll. With St. Louis to Liverpool, his seventh studio album for Chess Records, he proved he could still push the music forward with style, swagger, and unforgettable songwriting. This was the first Berry studio LP to crack the U.S. Billboard album chart — a long-overdue breakthrough that signaled just how deeply his sound had taken hold. The album is stacked with hits, featuring four of Berry's five charting singles from 1964: the cruising, grin-inducing "No Particular Place to Go," the effortlessly cool "You Never Can Tell," the runaway-train energy of "Promised Land," and the bright, melodic "Little Marie." Decades later, You Never Can Tell would achieve a second life — and iconic status — when John Travolta and Uma Thurman danced to it in Quentin Tarantino's Pulp Fiction. All-analog mastering by Matthew Lutthans at The Mastering Lab, 180-gram vinyl pressed by Quality Record Pressings. For collectors and rock enthusiasts, St. Louis to Liverpool stands as one of Berry's most cohesive, joyfully creative records — a perfect blend of sharp storytelling, signature guitar fire, and pure rock 'n' roll charm.
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Ella Fitzgerald – Fine and Mellow
54,00 €Add to cart180-gram vinyl Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape Pressed at Quality Record Pressings Housed in a Stoughton Printing tip-on jacket Step into the world of jazz like never before with Ella Fitzgerald — Fine And Mellow, a timeless masterpiece that captures the unparalleled artistry of Ella Fitzgerald, recorded live in a magic-filled moment. Released during the golden era of jazz in the early 1960s, this album is an audiophile's dream, showcasing not just the vocal brilliance of Ella, but the sonic chemistry of a legendary ensemble of jazz titans. The story behind Fine And Mellow begins with Ella Fitzgerald, often heralded as the "First Lady of Song," collaborating with a distinguished group of musicians who were at the pinnacle of jazz innovation. Recorded at the famed Los Angeles Philharmonic Auditorium in 1962, this live session presents a rare and authentic glimpse into the improvisational magic of the era. The album is a veritable "who's who" of jazz greats, chosen with a careful and deliberate focus on complementing Ella's vocal style. Ella's smooth yet powerful voice effortlessly rides the waves of a setlist filled with timeless classics, most notably the title track, Fine And Mellow. The album features Ella at the height of her vocal prowess, with each note floating in the air with an almost tactile quality. Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape. Pressed at Quality Record Pressings for superior sound quality, and housed in a Stoughton Printing tip-on single pocket jacket.
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Count Basie – Me And You
54,00 €Add to cart180-gram vinyl Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape Pressed at Quality Record Pressings Housed in a Stoughton Printing tip-on jacket Virtually to the end, Count Basie was at the piano in front of the band that was his natural environment for more than half a century, inspiring music that defined the verb "to swing." In this collection recorded a little more than a year before he died, Basie divided the performances between the big band and a small group. In his last couple of decades, Basie went into the Pablo studios frequently with combos ranging in size from two (the pianist and Zoot Sims) to the octet heard here. In this case, the small group came out of the big band and featured the bright young trumpeter Bob Summers along with veteran trombonist Booty Wood and saxophonists Eric Dixon and Chris Woods. In large group or small, Basie and guitarist Freddie Green were at the heart of the rhythm, lifting the proceedings to a rarified plane of swing never to be duplicated after they were gone. Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape. Pressed at Quality Record Pressings for superior sound quality, and housed in a Stoughton Printing tip-on single pocket jacket.
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Ella Fitzgerald & Oscar Peterson – Ella and Oscar
54,00 €Add to cart180-gram vinyl Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape Pressed at Quality Record Pressings Housed in Stoughton Printing tip-on jacket Even with less than essential bonus material, Ella and Oscar — recorded May 19, 1975 — is a welcome reissue that warrants repeated listening. Bassist Ray Brown, closely associated to both artists, appears on four tracks, but this is a decidedly duo effort that focuses on two close friends who happened to be among jazz's most historic figures. To call this collection of Great American Songbook standards intimate would be an understatement. Ella and Oscar is a low-key album of small, quiet pleasures. Even during the second half where Brown's bass provides additional rhythmic variety, the focus is squarely on voice and piano. Most of the album's tracks are under five minutes in length. Only on the closing number, "April In Paris," do they really stretch out significantly. Peterson delivers a relaxed but swinging solo. Fitzgerald follows suit with remarkably expressive scatting. Earlier on "When Your Lover Has Gone," she and Peterson trades four bars solos in captivating exchange of melodic ideas. Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180-gram reissue is a must-have for jazz fans. Housed in a single pocket Stoughton Printing tip-on jacket.
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Van Morrison – Astral Weeks
82,00 €Add to cartVan Morrison — Astral Weeks Morrison's timeless masterpiece — folk, jazz, and soul collide! Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! 180-gram 45 RPM double LP Mastered by Matthew Lutthans at The Mastering Lab Mastered from a flat 24/192 digital transfer of the original master tape. EQ'd through The Mastering Lab's analog all-tube system Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Rolling Stone's 500 Greatest Albums of All Time No. 60/500! As Rolling Stone puts it, "Van Morrison's second album is quite unlike his first. For a start, there's nothing on it like ‘Brown Eyed Girl,' and that's what the world was expecting." The founder of Bang Records, the label he was signed to, had unexpectedly died. His widow blamed Morrison as the two had been arguing over the direction of his new music. Bert Berns wanted Morrison to head to a more pop orientated sound, but Morrison wanted to explore new terrain. Following the death, Morrison was blocked from recording. Warner Brothers, who subsequently signed Morrison helped him out of that deal. And Morrison set to work on recording a folk rock masterpiece, a stream of consciousness record with music a mix between folk, blues, jazz and even classical music. Astral Weeks is more than an album — it's an experience. Van Morrison's 1968 masterpiece defies genre, while rewarding listeners with new emotional and musical discoveries. It's a fusion of folk, jazz improvisation, and ethereal soul that transports the listener to another realm. Often regarded as one of the greatest albums of all time, Astral Weeks doesn't fit neatly into any category. It's Morrison's most emotional vocal performance — his voice soars, whispers, and wails, delivering poetic lyrics with an intensity that feels deeply personal yet universally resonant. With upright bass, flute, vibraphone, and acoustic guitar weaving hypnotic textures, the album's organic, free-flowing arrangements create an unparalleled sense of atmosphere. Morrison's stream-of-consciousness lyrics paint vivid, mystical portraits of youth, love, nostalgia, and longing. Tracks such as "Madame George" and "Cyprus Avenue" are cinematic in their storytelling. Van Morrison fans will immediately recognize Astral Weeks as his most adventurous and soul-baring work. It's not just music-it's a meditative, dreamlike journey that lingers long after the final note fades. Lacquers cut by Matthew Lutthans at The Mastering Lab at 45 RPM (Mastered from a flat 24/192 digital transfer of the original master tape. EQ'd through The Mastering Lab's analog all-tube system). Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
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Van Morrison – Moondance
82,00 €Add to cartVan Morrison — Moondance Melody, mood and romance — Morrison at his most effortless and inspired! Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! 180-gram 45 RPM double LP Mastered by Matthew Lutthans at The Mastering Lab Mastered from a flat 24/192 digital transfer of the original master tape. EQ'd through The Mastering Lab's analog all-tube system Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Rolling Stone's 500 Greatest Albums of All Time No. 120/500! Equal parts blue-eyed soul shouter and wild-eyed poet-sorcerer, Van Morrison is among popular music's true innovators, a restless seeker whose incantatory vocals and alchemical fusion of R&B, jazz, blues, and Celtic folk produced what is regarded as perhaps the most spiritually transcendent body of work in the rock 'n' roll canon. Hailed by critics as one of the greatest albums of all time, Morrison's Moondance was an immediate and commercial success after the Northern Irish singer-songwriter released it on Feb. 27, 1970. After the commercial failure of his first Warner Bros. album Astral Weeks (1968), Morrison moved to upstate New York with his wife and began writing songs for Moondance. There, he met the musicians that would record the album with him at New York City's A & R Studios in August and September 1969. The album found Morrison abandoning the abstract folk jazz compositions of Astral Weeks in favor of more formally composed songs, which he wrote and produced entirely himself. Its lively rhythm and blues/rock music was the style he would become most known for in his career. The music incorporated soul, jazz, pop, and Irish folk sounds into songs about finding spiritual renewal and redemption in worldly matters such as nature, music, romantic love, and self-affirmation. Moondance helped establish Morrison as a major pop music artist while several songs from the album, including the title track, became staples of FM radio in the early 1970s. Rolling Stone's updated list of the 500 Greatest Albums of All Time has Moondance at No. 120. Lacquers cut by Matthew Lutthans at The Mastering Lab at 45 RPM (Mastered from a flat 24/192 digital transfer of the original master tape. EQ'd through The Mastering Lab's analog all-tube system), pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
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Bob Marley and The Wailers – Kaya
77,00 €Add to cartBob Marley & The Wailers — Kaya Mastered by Ryan K. Smith at Sterling Sound from the original master tape Two 45 RPM LPs pressed on 180-gram vinyl at Quality Record Pressings Deluxe Old-Style Tip-On Stoughton Printing gatefold jacket Kaya, released in 1978, was the tenth studio album by the Jamaican band Bob Marley & The Wailers, comprising tracks recorded alongside those released on the Exodus album. On Kaya, the band continued what has become an unspoken tradition in the evolution of Bob Marley & The Wailers discography — blending western sounds and motifs with the icons and traditions from the very core of Jamaican society. Released in 1978, Kaya wasn't necessarily made with American tastes in mind, but it was an album that presented a more accessible version of Bob Marley. Lyrically, the songs avoided the political commentary or Rastafarian philosophizing that was at the forefront of Natty Dread and Rastaman Vibration, and instead emphasized tunes about love and ganga, such as "Easy Skanking" and the title cut. And the palpable musical tension that simmered beneath the surface on the Wailers' earlier material gave way to a more laid-back riddim that was more comfortable but a bit less demanding. Kaya presented a gentler and friendlier version of Bob Marley & the Wailers, but it also documented Marley and his group at the peak of their abilities. Likewise, Kaya could also be easily construed as an open love letter or musical paean to the lifestyle that Marley so eagerly embraced and promoted. Evidence that the spirituality that permeates the Wailers music is real and not lip service. Now, Analogue Productions presents Kaya in sonic perfection — featured on 180-gram vinyl pressed at 45 RPM at Quality Record Pressings. Housed in a deluxe Old Style Tip-On Jacket from Stoughton Printing.
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Bob Marley and The Wailers – Uprising
77,00 €Add to cartBob Marley & The Wailers — Uprising Mastered by Ryan K. Smith at Sterling Sound from the original master tape Two 45 RPM LPs pressed on 180-gram vinyl at Quality Record Pressings/Also on Hybrid Multichannel SACD Deluxe Old-Style Tip-On Stoughton Printing gatefold jacket Uprising would be the final studio album featuring Bob Marley & the Wailers to be released during Marley's lifetime. Prophetically, it also contains some of the band's finest crafted material, as if they were cognizant that this would be their final outing. Released in 1980, Uprising stands as one of Bob Marley's most poignant and spiritually charged albums, embodying both his enduring reggae genius and his reflective, almost prophetic musings on life and faith. What makes Uprising particularly unique in Marley's discography is its duality-balancing socially conscious anthems with deeply personal expressions of faith, hope, and mortality. Tracks such as the iconic "Redemption Song," with its acoustic simplicity and universal message of liberation, and the haunting "Forever Loving Jah," reveal a man at peace with his spirituality. Meanwhile, songs such as "Could You Be Loved" deliver infectious grooves and crossover appeal, proving Marley's ability to blend message and melody effortlessly. Critics and fans alike hailed Uprising as a high point in Marley's career. It received acclaim for its mature sound and cohesive vision, with reviewers highlighting its raw emotional power. While it didn't achieve the explosive commercial success of Exodus or Kaya, it cemented Marley's status as a global ambassador for reggae and freedom. For Marley fans, it's more than an album — it's a testament to his enduring spirit. Now, Analogue Productions gives Uprising the deluxe treatment this album, with its rich heritage, deserves. Pressed on 180-gram vinyl pressed at 45 RPM at Quality Record Pressings. Housed in a deluxe Old Style Tip-On Jacket from Stoughton Printing.
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Miles Davis Quintet – Great Prestige Recordings
279,00 €Add to cartMiles Davis Quintet — The Great Prestige Recordings A classic box set reborn! Mastered from the original analog tapes by Kevin Gray at Cohearent Audio 180-gram vinyl 33 1/3 5LP pressed at Quality Record Pressings Set includes pressings of The New Miles Davis Quintet (Miles), Cookin' with the Miles Davis Quintet, Relaxin' with the Miles Davis Quintet, Workin' with the Miles Davis Quintet, and Steamin' with the Miles Davis Quintet LPs housed in Stoughton Printing old style tip-on jackets Also includes a 12-page booklet with liner notes by Bob Blumenthal One of Analogue Productions' most successful and collectible projects has been the Miles Davis Quintet/The Great Prestige Recordings deluxe box set on 33 1/3 LP. Now, that beautiful five-album set is being reintroduced. Featuring a 12" x 12" 12-page gorgeous booklet, packaged with the LPs (each housed in a Stoughton Printing tip-on jacket) in a deluxe, heavy-duty box, this set is the end-all of Miles' work for the legendary Prestige label from 1951 through 1956. Stereophile awarded the first incarnation of this set Recording of the Month in their March 1997 issue, giving it five stars for both music and sonics. Miles Davis's final Prestige sessions came from a desire to move to Columbia in 1956 while still owing Prestige several albums. Using producer Bob Weinstock's loose recording approach, Miles and his first great quintet knocked out the obligation in two marathon sessions (May 11 and October 26, 1956) at Rudy Van Gelder's studio, playing their regular live repertoire with little rehearsal. Prestige later released the music as Cookin', Relaxin', Workin', and Steamin'. Intended as quick contract fillers, the recordings became landmark hard-bop albums and some of the most natural, swinging jazz ever captured. The Miles Davis Quintet featured what is likely Miles' best-ever group, featuring Davis, John Coltrane, Philly Joe Jones, Paul Chambers and Red Garland. All of those albums are included in this limited edition box set. The albums are pressed on 180-gram vinyl and mastered from the original analog tapes by Kevin Gray at Cohearent Audio. They are packaged in a deluxe box with original album covers plus the 12-page booklet by Bob Blumenthal. These were not rehearsed studio constructions but living, breathing performances — spontaneous, swinging, and electrifying in their interplay. From the simmering cool of "My Funny Valentine" to the hard-driving pulse of "Airegin," these sessions distilled everything that made Miles and his sidemen legends. This box set is essential listening — meticulously mastered, beautifully presented, and historically vital. Own the sound that started it all — Miles, Coltrane, and company at their most inspired.
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Chet Baker – In New York
82,00 €Add to cartChet Baker — In New York Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering Double LP cut at 45 RPM and pressed on 180-gram vinyl at Quality Record Pressings! Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish On Chet Baker — In New York, Chet plays like an angel with a muted trumpet. In New York captures the moody prince of cool stepping into the East Coast hard bop ring — and holding his own with charm, tone, and those impossibly lyrical lines that seem to float above the beat like cigarette smoke in a club basement. Chet Baker didn’t play the trumpet. He seduced it. His tone? So velvety, you might try spreading it on toast. His solos? Like a conversation with someone who never raises their voice — but always gets the last word. On In New York, Chet proves that his famously fragile persona belied a rock-solid sense of melody, timing, and understated swagger. Chet may be the name on the cover, but he came to town with some serious firepower. Johnny Griffin (tenor sax), known as the “Little Giant” brings a big sound and a bebop bite, pushing Chet into edgier territory — and yes, it works. Al Haig (piano), is bebop royalty. Cool, crisp, and a perfect harmonic foil for Baker’s phrasing. Paul Chambers (bass), is from Miles’ first-call list. He doesn’t just walk the bass — he struts. Lastly, Philly Joe Jones (drums) swings so hard, it’s a wonder the studio walls didn’t cave in. This lineup turns In New York from a moody trumpet feature into a full-on jazz heavyweight bout, where elegance and energy shake hands for 42 glorious minutes. Among the tracks, “Fair Weather” opens like a sigh and builds to a gorgeous melodic statement. Chet’s tone is so pure, you’ll swear it’s whispering secrets. “Solar” is the Miles Davis tune. Chet steps into the master’s world and makes it his own. Confident, cool, and swinging. “Polka Dots and Moonbeams” is a ballad done Baker-style: Romantic, vulnerable, and smoother than a vintage Cadillac. These are just a taste of the treasures that await on In New York. This vinyl reissue is par excellence: Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180-gram vinyl at Quality Record Pressings! Plus it’s housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish. This is an album that deserves space in every jazz fan’s collection. It captures a unique moment in Chet’s career — between the breezy West Coast cool and the rawer later years. It’s a must-have for any jazz collector who values tone, taste, and a little touch of trumpet romance. Add to cart. Drop the needle. Cue the cool.
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Gene Ammons – Blue Gene
82,00 €Add to cartGene Ammons — Blue Gene Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering Double LP cut at 45 RPM and pressed on 180-gram vinyl at Quality Record Pressings! Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish Jazz lovers and sonic thrill seekers — here’s a horn-heavy hangout starring the smooth, swaggering Gene Ammons and a dream team of mid-century jazz legends. Think of it as a top-shelf jam session that someone wisely remembered to hit “record” on. This 1958 Prestige gem is bluesy by name and bluesier by nature — three of the four tracks ride those familiar blues changes like a Cadillac with velvet seats. But don’t get too comfortable, because pianist Mal Waldron penned the entire setlist, including the haunting, minor-key ballad “Hip Tip,” just to keep your ears on their toes. Gene Ammons, aka “Jug,” brings that famously expressive tenor sax of his — rich enough to butter toast with — and pairs up with two of the finest co-conspirators ever to bless a horn: the sharp, soulful Idrees Sulieman on trumpet and the baritone brawler himself, Pepper Adams. This trio doesn’t just blow; they converse, they duel, and occasionally they just throw down. Every player on this date had already jammed with Gene before, so the chemistry is tighter than a snare drum. It’s the kind of session where everyone shows up knowing it’s about to go down — and it does. The vinyl reissue is par excellence: Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180-gram vinyl at Quality Record Pressings! Plus it’s housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish. Blue Gene is a must-have slice of golden-era jazz — equal parts brains, brawn, and bluesy brilliance. File it under “Instant Vibe.”