Showing 1–25 of 332 results
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In stock
12″ Dual Pocket Outer Sleeves (Resealable Pack of 25)
28,50 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartVinyl Record Outer Sleeves 4 mil – Crystal Clear CPP-25 Sleeves to a Pack. Available as RESEALABLE and both single and double Resealable. This design is meant to protect your album cover while still giving you easy access to the vinyl record. The album pocket has a 1.125-inch sealable flap to give you a perfect archival seal. The record pocket is open to easily slide your record in. We don’t recommend storing your record in the pocket without a good inner sleeve. CPP sleeves have excellent properties:
- clear transparency;
- heat resistance;
- and moisture-proof.
- Environmentally inert. 100% recyclable.
- Acid-free. Contains no PVC.
- Highly non-polar.
- Excellent optics. Highly reflective.
- Moderate WVTR (water vapor transmission rate) barrier against moisture and odours.
- High resistance to acids, alkaline, grease, oil and corrosive chemicals.
- Exceptional toughness, wear and abrasion resistance.
- Natural living hinge properties, Fold won’t easily crack or crinkle.
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In stock
12″ Rice Paper Inner Sleeves (Pack of 25)
17,50 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartTested and certified by an independent lab in the USA to meet ISO PHOTOGRAPHIC ACTIVITY TEST ISO 18916! Made just slightly larger to ensure proper fit for 180 and 200 gram records, while still fitting inside of the album jacket or dual pocket sleeve. This is the sleeve you will love for those expensive records. ALMOST CRUMPLE PROOF! This is the rice paper sleeve you have dreamed about! 3 mil rice paper, standard square, anti-static. HDPE, high density polyethylene film, only virgin resin, no recycled content. The 3 mil sleeve is THREE times as thick as most of it competitors, and 50% thicker than the 2 mil rice paper inner sleeve. Made in China Note that the sleeves are branded Mint, not VSS. Apart from that, the sleeves are exactly the same as the VSS sleeves.
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In stock
12″ Dual Pocket Outer Sleeves (Single Tuckable Flap Pack of 25)
28,50 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartVinyl Record Outer Sleeves 4 mil – Crystal Clear CPP-25 Sleeves to a Pack. Available as RESEALABLE and both single and double TUCKABLE FLAP. This design is meant to protect your album cover while still giving you easy access to the vinyl record. The album pocket has a 1.125-inch sealable flap to give you a perfect archival seal. The record pocket is open to easily slide your record in. We don’t recommend storing your record in the pocket without a good inner sleeve. CPP sleeves have excellent properties:
- clear transparency;
- heat resistance;
- and moisture-proof.
- Environmentally inert. 100% recyclable.
- Acid-free. Contains no PVC.
- Highly non-polar.
- Excellent optics. Highly reflective.
- Moderate WVTR (water vapor transmission rate) barrier against moisture and odours.
- High resistance to acids, alkaline, grease, oil and corrosive chemicals.
- Exceptional toughness, wear and abrasion resistance.
- Natural living hinge properties, Fold won’t easily crack or crinkle.
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In stock
12″ Gatefold Outer Sleeve (Pack of 10)
28,50 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartVinyl Record Outer Sleeves – Crystal Clear CPP-10 Sleeves to a pack – WITH TUCKABLE FLAPS This product is for traditional storage of gatefold albums that allow you to open the gatefold like a book. Opened at both ends to allow you to store the records in the gatefold pockets. Tuck in the flaps for added security and to minimize the album sliding in the sleeve. Only need one end opened? Simply tape the other end shut, if you wish. There is a center relief cut into the sleeve to allow unobstructed closure. Our CPP sleeves have excellent properties including clear transparency, scratch resistance, heat resistance, and moisture-proof. CPP (cast polypropylene) film has a clear advantage over standard BOPP, polyethylene, Mylar or PVC sleeves. What are the advantages of cast polypropylene? CPP has higher tear and impact resistance, better cold-temperature performance, and moisture transmission properties than standard sleeves. CPP won’t turn cloudy over the normal life of the product, unlike other films. CPP is very hard to crease unlike BOPP and has some stretch forgiveness. Cast film is usually used in applications that require superior optical properties such as gloss, transparency, surface smoothness, and good tear resistance. This is a true premium product to protect your expensive, irreplaceable record collection for years to come. No other product will give you this amazing clarity. Environmentally inert. 100% recyclable. Acid free. Contains no PVC. Highly non-polar. Excellent optics. Highly reflective. Moderate WVTR (water vapor transmission rate) barrier against moisture and odours. High resistance to acids, alkaline, grease and oil. Exceptional resistance to corrosive chemicals. Exceptional toughness, wear and abrasion resistance. Natural living hinge properties, Fold won’t easily crack or crinkle. Passes the P. A. T. test for no photographic enclosure reactivity. Measurements, each pocket is approx. 321mm x 321mm, with a tolerance of +/- 2 to 3mm Made in Canada with Canadian/American made film. Pure polypropylene resin, no recycle contents, no questionable offshore material. Tested in the USA to meet ISO 18916 (PAT)! Patented/Patent Pending This item will ship folded at the center, inwards. Otherwise, it would be too large of a shipping box. This is the naturally closed position for a sleeved album. Designed to hold most standard gatefold albums. Some smaller Analog Productions, Tone Poets and the like may fit, if they are no larger than 320 mm x 320 mm and not very thick. Do NOT force in a large album, as the exposed edge of the cardboard may cut the seam of the sleeve!
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In stock
Phil Collins – Face Value
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartThe 5x platinum-selling album in the U.S., Face Value, was the debut solo album released by Genesis drummer and singer-songwriter Phil Collins, released in February 1981 by Virgin Records. The album was recorded from mid-1980 to early 1981 with Collins and Hugh Padgham as producers. Additional musicians include the Phenix Horns, Alphonso Johnson, and Eric Clapton. Face Value was an instant commercial success and reached No. 1 on the U.K. Albums Chart for three weeks and No. 7 on the U.S. Billboard 200. It has since sold more than 5 million copies in the U.S. and more than 1.5 million in the U.K. The album received widespread praise from critics. Its lead single "In the Air Tonight," released in January 1981, reached No. 2 on the U.K. Singles Chart and became known for its drum arrangement and use of gated reverb. This Analogue Productions (Atlantic Series) reissue of Face Value has the essential elements that make it a standout for your collection. First, we turned to Chris Bellman at Bernie Grundman Mastering to cut lacquers from a 1/4" EQ'd Dolby tape copy of the original master. Pressing is by Quality Record Pressings and RTI, and the album is housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing. Like "Misunderstanding" (one of Genesis's best songs), Face Value is pop music about personal turmoil: in this case, the dissolution of Collins' marriage. Rolling Stone wrote: "At times, the singer's broken heart is too clearly on his sleeve, and musical missteps abound: the annoying Munchkin-like Vocoder effects in 'I'm Not Moving,' some rote horn charts, a batch of indistinguishable ballads and a flaccid cover version of the Beatles' 'Tomorrow Never Knows.' "But Collins hits more often than not, adeptly blending moody keyboard trills and bone-crunching drumbeats in 'In the Air Tonight' and shifting with surprising sure-footedness from the Eno-esque repetition of 'Droned' through the percussive horn blasts of 'Hand in Hand' to the persuasive intimacy of 'If Leaving Me Is Easy.'" AllMusic gave the album 5 stars, with reviewer Tim Sendra writing: "Phil Collins' first solo album, 1981's Face Value, was a long time coming, but it proved worth the wait, both for the Genesis drummer/vocalist himself and fans of thoughtful, emotionally charged pop. ... (He made)an album that stands as a classic moment of '80s pop/rock. ... Collins felt driven to make this album to help him heal. It's not a career move or a cash grab; it's a transmission from a wounded soul delivered with a soft touch and sensitivity."
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Pre-order
12.75″ Dual Pocket ( Pack of 25 )
31,50 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartNote that these sleeves are currently only available with resealable tape on the flap. Fits: 12" record jackets up to .25" (6 mm) thick (most single albums, some double albums)* Dimensions: 12.75" x 12.75" (324 mm x 324 mm) Pockets: Dual Flaps: One, sealable, tape on flap, 1.25" (32 mm) Material: 4mil cast polypropylene Please note all outer sleeves have a size tolerance of +/- 2mm
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Low stock
Genesis – Selling England By The Pound
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartRecorded in August 1973 — the tour for Foxtrot (1972) having ended in May of that year — Genesis' members joined for a short time to write new material which covered a number of themes, including the loss of English folk culture and an increased American influence. Hence the inspiration for the title Selling England by the Pound. Several tracks from the album became fan favorites and were featured as a regular part of the band's live setlist well into the 1980s. "I Know What I Like (In Your Wardrobe)," was released in February 1974 and became the band's first top 30 hit in the U.K. In 2012, the album ranked seventh in Rolling Stone's "Readers' Poll: Your Favorite Prog Rock Albums of All Time." Selling England by the Pound reached No. 3 on the U.K. charts and No. 70 on the U.S. Billboard Pop Albums chart. AllMusic reviewer Stephen Thomas Erlewine wrote that Genesis hadn't sacrificed its newfound immediacy of Foxtrot with that album's follow-up. They found ways to infuse with the delicate whimsy that was their calling card since the group began. "This, combined with many overt literary allusions — the Tolkeinisms of the title of 'The Battle of Epping Forest' only being the most apparent — gives this album a storybook quality. It plays as a collection of short stories, fables, and fairy tales, and it is also a rock record, which naturally makes it quite extraordinary as a collection, but also as a set of individual songs. Genesis has never been as direct as they've been on the fanciful yet hook-driven 'I Know What I Like (In Your Wardrobe)' — apart from the fluttering flutes in the fade-out, it could easily be mistaken for a glam single — or as achingly fragile as on 'More Fool Me,' sung by Phil Collins. It's this delicate balance and how the album showcases the band's narrative force on a small scale as well as large that makes this their arguable high-water mark." All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
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In stock
Steely Dan – Aja (45 RPM 200 Gram Clarity Vinyl)
198,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartIf you were an audiophile in the late 1970s, you owned Aja. Rolling Stone, which ranks 1977's Aja at No. 63 on its latest 500 Greatest Albums of All Time list, says "this was Walter Becker and Donald Fagen's no-holds barred stab at becoming a huge mainstream jazz-pop success. "And sure enough, thanks to sweet, slippery tracks like 'Deacon Blues,' and 'Peg,' this collegiate band with a name plucked from a William Burroughs novel and a songbook full of smart, cynical lyrics became bona fide superstars, shooting to the Top Five and selling platinum. And yes, Aja even won a Grammy for Best Engineeed Album." Fagan and Becker would assemble a revolving cast of almost 40 session musicians to play on the album, consisting of some of the all-time greats, including Joe Sample, Larry Carlton, Wayne Shorter, Steve Gadd, Lee Ritenour, Timothy B. Schmidt — it's a long list. It's a Who's Who of session superstars. The album name and its title track were inspired by a South Korean woman whom a high school friend's brother had married after serving in the army in her country. The chord progressions and melodies are so unique and so typically Steely Dan. The drum solo at the end of the title track by Steve Gadd is also astounding. Founded by core members Walter Becker (bass) and Donald Fagen (vocals, keyboards), Steely Dan's popularity rose throughout the late 1970s on, and their seven albums throughout that period of time blended elements of jazz, rock, funk, R&B, and pop. Steely Dan created a sophisticated, distinctive sound with accessible melodic hooks, complex harmonies and time signatures, and a devotion to the recording studio. Becker and Fagen, with producer Gary Katz, gradually changed Steely Dan from a performing band to a studio project, hiring session musicians to record their compositions. The duo didn't perform live between 1974 and 1993. But their popularity nevertheless grew throughout the '70s as their albums became critical favorites and their singles became staples of Adult Oriented Radio and pop radio stations. After a brief battle with esophageal cancer, Walter Becker died on September 3, 2017 at the age of 67. Steely Dan has sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001. VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time. Rolling Stone ranked them No. 15 on its list of the 20 Greatest Duos of All Time. This stereo UHQR reissue will be limited to 30,000 copies, with gold foil individually numbered jackets, housed in a premium slipcase with a wooden dowel spine.
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In stock
Crystal clear polypropylene inner sleeves
28,90 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartShow off your coloured vinyl in these crystal clear polypropylene inner sleeves. These sleeves have an anti-static treatment, offering the same protection as our HDPE inner sleeves.
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Low stock
The White Stripes’ – Elephant
198,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartThe fourth studio album by the American rock duo the White Stripes was an extraordinary success. It peaked at No. 6 on the Billboard charts and topped the U.K. Albums Charts. To date it's sold 4 million copies worldwide, achieving platinum-sales certification from the Recording Industry Association of America and 3x platinum from the British Phonographic Industry. It spawned the hit single "Seven Nation Army," the band's signature track that's become a sports anthem, plus the hits "I Just Don't Know What to Do with Myself," "The Hardest Button to Button" and "There's No Home for You Here." Elephant has received critical acclaim and it's often cited as the White Stripe's best work, including receiving a nomination for Album of the Year and a win for Best Alternative Music Album at the 46th Grammy Awards in 2004. Rolling Stone ranked the album No. 449 on its 2020 list of the 500 Best Albums of All Time. The Stripes, it said, exploded out of Detroit with a minimalist garage-blues attack: just Jack White on guitar and Meg White on drums, taking on the world. To give Elephant the sonic perfection and signature packaging it deserves, Analogue Productions and Third Man Records have teamed up for the ultimate reissue edition. We present in UHQR format on Clarity Vinyl this rock masterpiece, limited to 10,000 copies. It comes with gold foil numbered jackets, housed in a premium slipcase with a wooden dowel spine. Jack and Meg insisted they were a brother and sister, even after people learned they were secretly a divorced couple. But against all odds, the low-budget duo became a global sensation for their sheer rock power. Rolling Stone says Elephant "seethes with raw desperation and lust" in "Seven Nation Army," "Hypnotize," and "The Hardest Button to Button." Jack plays guitar hero in the seven-minute jam "Ball and Biscuit." More About Clarity Vinyl The off-white color of the record you are receiving is the color of raw vinyl in its purest form (un-tinted vinyl). To make the ultimate record, we decided to enhance sound quality by removing potential sources of noise contamination or sonic interference. By not adding traditional carbon black colorant, we eliminate that potential due to carbon black particles, instead allowing your stylus to effortlessly slide down a silky smooth groove wall.
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In stock
Genesis – The Lamb Lies Down On Broadway
169,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartGenesis' sixth studio album was released as a double album in November 1974 by Charisma Records and is the last to feature original frontman Peter Gabriel. The group's longest album to date, The Lamb Lies Down on Broadway peaked at No. 10 on the U.K. Albums Chart and No. 41 on the Billboard 200 in the U.S.. The album is a concept album and tells the surreal story, devised by Gabriel, of a young Puerto Rican named Rael who embarks on a journey through a series of strange and bizarre events in New York City. Musically, the album is a departure from the band's previous works, incorporating a wide range of styles including progressive rock, art rock, funk, and jazz fusion. The album features complex rhythms, intricate melodies, and dense layers of instrumentation, showcasing the band's virtuosic musicianship. The album is notable for its use of storytelling, with each track contributing to the larger narrative of Rael's journey. The lyrics are often cryptic and abstract, and the album's surreal imagery has been interpreted in a variety of ways by listeners and critics. The Lamb Lies Down On Broadway gained acclaim in the years after its release, reaching gold certification for sales in the U.K. and U.S.. In 1978, Nick Kent wrote for NME that it "had a compelling appeal that often transcended the hoary weightiness of the mammoth concept that held the equally mammoth four sides of vinyl together." In a special edition of Q and Mojo magazines titled Pink Floyd & The Story of Prog Rock, The Lamb ranked at No. 14 in its 40 Cosmic Rock Albums list. The album came third in a list of the 10 best concept albums by Uncut magazine, where it was described as an "impressionistic, intense album" and "pure theatre (in a good way) and still Gabriel's best work." A Rolling Stone poll to rank readers' favourite progressive rock albums of all time placed The Lamb fifth in the list. The Lamb Lies Down On Broadway is widely regarded as one of Genesis's most important and influential works, inspiring generations of progressive rock musicians.
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Low stock
Kenny Dorham – Quiet Kenny (Stereo)
58,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cart"I've never heard an original pressing, but this reissue by Chad Kassem's Analogue Productions — a 200-gram QRP pressing, mastered at 33 1/3 RPM by Kevin Gray — is every bit the equal of Van Gelder's Blue Note LPs from the same era: the trumpet's brash brass and bushels of air, the pluck and wood of the bass, the sizzling hi-hat and smashing snare of the trap set. ... Listen to 'Blue Friday,' and you'll be reminded of the trumpet-led passages on 'Stolen Moments,' the high point of Oliver Nelson's The Blues and the Abstract Truth. There's a similar sound, and it's no accident." — Fred Kaplan, Stereophile, Feb. 8, 2017. Read the whole review here. Quiet Kenny is yet another reminder of what a trumpet giant Kenny Dorham was. Whether limning ballads such as "My Ideal," "Alone Together," "I Had the Craziest Dream," and "Old Folks," or investigating the timelessness and intricacies of the blues (his originals in this set with "Blue" in their titles), the former Charlie Parker cohort and ex-Jazz Messenger exhibits his subtle swing, personal sound, and finely-honed harmonic sense. Along the way these reflections and connections with Bird, Coleman Hawkins, Sonny Rollins, Max Roach, Harry James, and Louis Armstrong make for a rich legacy. With Tommy Flanagan, Paul Chambers and Arthur Taylor
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In stock
Charles Mingus – Blues & Roots
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAllMusic marks Charles Mingus' Blues & Roots as a rejoinder to the critical carping that the virtuoso bass player and accomplished jazz pianist and bandleader and his evocative music "somehow didn't swing enough." For this album Mingus turned to the earthiest and earliest sources of black musical expression — blues, gospel, and old-time New Orleans jazz. The resulting album ranks arguably as Mingus' most joyously swinging outing. Recorded in 1959 and released in 1960, Blues & Roots' birth was explained by Mingus in the album's liner notes: "This record is unusual-it presents only one part of my musical world, the blues. A year ago, Nesuhi Ertegün suggested that I record an entire blues album in the style of 'Haitian Fight Song' (in Atlantic LP 1260), because some people, particularly critics, were saying I didn't swing enough. He wanted to give them a barrage of soul music: churchy, blues, swinging, earthy. I thought it over. I was born swinging and clapped my hands in church as a little boy, but I've grown up and I like to do things other than just swing. But blues can do more than just swing. So I agreed." Anyone who had heard "Haitian Fight Song" shouldn't have been surprised that such an album was well within Mingus' range. Mingus boosts the complexity of the music by assembling a nine-piece outfit and arranging multiple lines to be played simultaneously — somewhat akin to the Dixieland ensembles of old, but with an acutely modern flavor. That modern flavor is reinforced and enhanced by the lush Analogue Productions reissue treatment that gives this new version more depth, richer sonic execution and acute audio clarity, particularly in the higher frequencies. Expert mastering from the original master tape by Kevin Gray at Cohearent Audio, and two 45 RPM flat-as-a-table 180-gram LP platters from Gary Salstrom and his crew at Quality Record Pressings properly unveil the loose and free-swinging performance. The wider-spaced grooves promote better cartridge tracking and the silent black playing surface stays clear of the audio playback. There's no question of Mingus' firm grounding in the basics on Blues & Roots, writes AllMusic, nor of his deeply felt affinity with them. Whether the music is explicitly gospel-based — like the groundbreaking classic "Wednesday Night Prayer Meeting" — or not, the whole album is performed with a churchy fervor that rips through both the exuberant swingers and the aching, mournful slow blues. Still, it's the blues that most prominently inform the feeling of the album, aside from the aforementioned "Wednesday Night Prayer Meeting" and the Jelly Roll Morton tribute "My Jelly Roll Soul."
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In stock
Box Set Outer Sleeve (Pack of 10)
45,00 € – 48,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Select options This product has multiple variants. The options may be chosen on the product pageAvailable with or without flap. There really aren't any "great" outer sleeves for box sets on the market. They are either really loose bags, too thin (1.6 mil BOPP), have corners that stick out or made from foggy polyethylene. Until now! I have developed a special crystal clear super strong 3 mil cast polypropylene (CPP) outer sleeve that has a square bottom. This sleeve is actually the same shape as the box set! Made from the same material as all of my other outer sleeves and tested to ISO 18916! For closing the flap, I'd recommend using a small piece of soft release tape or you can purchase my resealable sticker (as shown in the picture) , once they are available. Size 326mm x 326mm x34mm.
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In stock
John Coltrane – A Love Supreme (45 RPM 200 Gram Clarity Vinyl)
198,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAudiophile reviews rave about saxophone master John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). In fact, jazz critics have lauded A Love Supreme as Coltrane's most important recording. The rave reviews which appeared in the magazines Downbeat, Jazz Hot, Jazz Podium and Swingjournal reflected this: critics all over the world, in America, Europe and Japan recognized that Coltrane's deep religious belief had influenced both his approach to life and his music-making. You're about to experience A Love Supreme at its peak of vinyl perfection — in UHQR format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product. For this 45 RPM 2LP edition you'll also receive a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and images from the Coltrane home. The original master tape is available but it's not in the best shape. This LP was cut from a flat tape copy made by Rudy Van Gelder and used for cutting in the UK in April of 1965. Of course, the original recording was in December '64, so only a handful of months later. This tape was discovered at Abbey Road and had been untouched between 1965 and 2002. So while the original tape is available and while we would always opt for the original whenever we can, in this case this copy was the better choice as the tape has incurred less overall wear and sounds much better than the original. A Love Supreme was Coltrane's pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped in and created one of the most thought-provoking albums of their relationship. The album not only enabled Coltrane to express himself with great intensity but also lent him the necessary inner peace to conceive a work of almost 40 minutes in length and to lead his quartet along the same path as himself.
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In stock
Miles Davis – Kind of Blue (45 RPM 200 Gram Clarity Vinyl)
198,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cart“Kassem’s new edition-also stamped in an edition of 25,000 — is from the same master, pressed on the same type of vinyl (but not “hand pressed” this time, which actually results in greater pressing consistency, plus now there’s a good chance everyone who orders will get their copy in a reasonable time period), packed in the same fancy box. The only difference is that the music is on two LPs, cut at 45rpm, meaning the grooves are much wider. All things equal, this should make for finer detail, an airier ambience, more lifelike sound generally. And that’s what you get here. Take the passage from my Stereophile review and step it up a few notches: “finer touches…even more stunningly clear…still more layers…the ecstatic beauty…” Everything is more present, more brassy, woody, or metallic, depending on the instrument. There’s a more palpable sense of a human being blowing through a mouthpiece, plucking a string, coaxing a keyboard, or tapping a snare drum. There is more of a sense that you are with the musicians in the studio. In short, take any account you’ve read-or any memory you treasure-of this album’s sonic glories, and embellish every admiring adjective with more, more, better, better.” — Music = 11/11; Sound = 11/11 Fred Kaplan, TrackingAngle.com. To read Kaplan’s full review, click here. Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis’ Kind of Blue. The top-selling jazz album of all time, it has been lauded, entered into “Best Of” lists and Halls of Fame, and universally acknowledged as a landmark recording — a five-track masterpiece of melancholy mood and melody. It continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian “Cannonball” Adderley with Wynton Kelly playing piano on “Freddy the Freeloader.” Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting Kind of Blue where it belongs: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl with attention paid to every single detail of every single record. The 200-gram records will feature the same flat profile that helped to make the original UHQR so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer’s stylus to play truly perpendicular to the grooves from edge to center. Clarity Vinyl allows for the purest possible pressing and the most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product. For this 45 RPM 2LP edition we’ve set the bar for excellence higher. Lifelike distinct detail that was palpable enough in 33 1/3 RPM is holographic at 45. Four glorious sides of 200-gram vinyl from QRP, the best presser in the business, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. There’s also a 20-page booklet with updated session photos and liner notes by Robert Palmer and Ashley Kahn. Plus, we’ve included photos of legendary mastering engineer Bernie Grundman’s mastering notes from this release. Kind of Blue is more than Miles Davis’s most enduring recording, it’s a testament to Miles’ experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time. “The music has gotten thick,” Davis complained in a 1958 interview for The Jazz Review. “… There will be fewer chords but infinite possibilities as to what to do with them.” Kind of Blue is, in a sense, all melody — and atmosphere. None of the musicians had played any of the tunes before heading into the first of two recording sessions in early spring of 1959. In fact Miles had written out the settings for most of them only a few hours before the session. Miles also stuck to his old recording procedure of having virtually no rehearsal and only one take for each tune. Miles remained proud of the album, performing at least two of its tracks — “So What” and “All Blues” — for years after, until his musical path took him in a different direction. History was on the side of Kind of Blue; it was born in 1959, at the peak of the golden age of high-fidelity, featuring innovations in studio equipment (magnetic tape, high-quality condenser microphones), matched by advancements in home audio reproduction (long-player records — LPs; high-end turntables, and other stereo components). Kind of Blue also benefited from Miles’ being signed to the leading major record company of the day — Columbia Records, a part of the CBS media conglomerate. Columbia had the means and wisdom to invest in cutting edge recording technology, and their own professional recording studio. A minor audio complication with Kind of Blue has been addressed with this UHQR edition. The motor on the studio’s 3-track master recorder was running slowly the day of the album’s first session. This speed issue affected the album’s first three tracks, “So What,” “Freddie Freeloader” and “Blue in Green,” making them a barely perceptible quarter-tone sharp. Before now, it was only addressed in 1995 for the Classic Records edition and by Columbia Records — or their latter-day parent, Sony Music — on a CD reissue in the late ’90s. Sixty years have passed; this LP bridges that time span in the best way possible, struck from the master reel of Kind of Blue, free of speed issues and replete with all the instrumental detail, sonic environment and minimal noise. As we set out to make our UHQR series the world’s best-sounding vinyl records, we have also used Clarity Vinyl, which is free of any carbon black pigment which might introduce surface noise. All-in-all this edition of Kind of Blue meets the highest audiophile standards and offers the truest sound for the most enjoyment.
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John Coltrane – Ballads UHQR
198,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAudiophile reviews rave about saxophone master John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). Ballads is an album that will never go out of style and never be unwelcome on any jazz lover's turntable. You're about to experience Ballads at its peak of vinyl perfection — in UHQR format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product. For this 45 RPM 2LP edition you'll also receive a !2" x 12" 12-page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall. The intense passionate Coltrane interpretation of standards such as "All Or Nothing At All," "What's New," "It's Easy To Remember" and the Sinatra classic "Nancy (With The Laughing Face)" are the essence of Ballads. When asked why attempt such an undertaking, Coltrane replied "Variety." While it may have been a short detour by Trane before he exploded off into the nether regions of jazz music a few years later, it is still a fantastic document of one of the premier jazz groups of the 1960s. Recorded December 21, 1961 and September 18 & November 13, 1962 at Rudy Van Gelder Studios. "It's impossible to sleepwalk through tracks like "You Don't Know What Love Is" and "I Wish I Knew" and impart them with even a fraction of the emotional heft that the Quartet achieves. This is the type of jazz album in which the music just washes over the listener with it's restrained grace and beauty, and while it may not have the adventurousness that some listeners think Trane should have had each and every time he recorded, I'd say it shows off a side of him that only makes us appreciate his more bold and daring albums even more." — The Jazz Record
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The Doors – L.A. Woman UHQR
164,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to carthttps://www.youtube.com/watch?v=veNyPhEePZ4&t=29s The Doors L.A.Woman meets Analogue Productions' UHQR, the pinnacle of high-quality vinyl! Definitive limited run reissue Ultra High Quality Record! 33 1/3 RPM LP release limited to 4,500 copies Die-cut direct-to-board jacket to match original release Mastered by Bernie Grundman from the original analog master tapes Pressed at Quality Record Pressings using Clarity Vinyl® Purest possible pressing and most visually stunning presentation and packaging! Across the robust Doors discography, there is no better candidate for a UHQR treatment than the band's sixth studio album, L.A.Woman. Flawless is the only way to describe these limited edition 200-gram vinyl reissues. Featuring mastering by the legend, Bernie Grundman, from the original analog tape, and custom-pressing at Quality Record Pressings, these beauties are created using Clarity Vinyl, for the purest sound and most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. In addition, we've meticulously recreated the die-cut directy-to-board jacket from the original L.A.Woman release. Plus, we're including an 8-page booklet with liner notes by Ben Fong-Torres. The title track is “maybe the best Chuck Berry riffs since the Stones” said one reviewer. And that’s not even mentioning “Love Her Madly,” which became one of the highest charting hits for The Doors. “Love Her Madly,” was written by Doors' guitarist Robby Krieger, whose inspiration came from passionate arguments with his girlfriend and future wife, Lynn. The song peaked at No. 11 on the Billboard Hot 100 singles chart and reached No. 3 in Canada. Via such tracks as "The Changeling," "Crawling King Snake," and the frothy, rollicking title track, the collection leaned heavily toward the Blues — in particular, Morrison's boastful "Lizard King" brand of it. All-in-all, Rolling Stone proclaimed L.A.Woman, "The Doors' greatest album" and "A landmark worthy of dancing in the streets." A landmark indeed, now a landmark production on Analogue Productions UHQR Clarity Vinyl! Originally released in 1971 Set includes: UHQR Box Die-cut direct-to-board to match original release 11.75" x 11.75" original insert 8-pg Booklet including liner notes by Ben-Fong Torres UHQR Signature Sheet UHQR Technical Specs Manual Musicians: Jim Morrison, vocals Robby Krieger, guitar Ray Manzarek, keyboards John Densmore, drums
Side A 1. The Changeling (4:20) 2. Love Her Madly (3:18) 3. Been Down So Long (4:40) 4. Cars Hiss By My Window (4:10) 5. L.A. Woman (7:49) Side B 1. L'America (4:35) 2. Hyacinth House (3:10) 3. Crawling King Snake (4:57) 4. The WASP (Texas Radio And The Big Beat) (4:12) 5. Riders On The Storm (7:14) -
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Sonny Rollins – Saxophone Colossus (Mono)
58,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cart"Since 2002, mastering facilities like those helmed by Kevin Gray have improved. Analogue Productions' 33RPM mastering produces an even larger soundstage with better depth. Add to that the fact that the new packaging is far superior to the 45RPM issue, and this one-disc package is Sonny Rollins nirvana. — 5/5 stars, Dennis Davis, vinylreviews.com. Read the whole review here. "Analogue Productions has continued to push its own already high bar higher still. Its Quality Record Pressings plant is delivering the best vinyl discs to be found, its jackets and cover reproduction quality have hit new levels, and it continues to have the best in the biz — such as Kevin Gray for this series (25 mono LPs from the Prestige label's exceptional late-50s run) cut lacquers from original analog master tapes. ... The sound on Saxophone Colossus is upfront and immediate. Rollin's tenor is appealingly fat and sweet-sounding, the piano and bass are as nimble as kittens' paws, and the drums have a great crispness and snap." — Wayne Garcia, The Absolute Sound, December 2015 One of the pivotal recordings in bringing about the widespread acceptance of Sonny Rollins as a major figure, Saxophone Colossus inspired critics to write scholarly analyses and fans to revel in the hard-swinging invention, humor, and tender-strength balladry. Up to this album, while most musicians recognized Rollins as one of the new influential forces in the jazz of the ’50s, most critics were carping at Rollins or damning him with faint praise. "St. Thomas," a traditional West Indian melody which Mal Waldron remembered as "The Carnival," was recorded by many artists after Sonny introduced it here, and it remains a jazz standard today. The contributions of Tommy Flanagan’s elegant swing, Doug Watkins’s steady lift, and Max Roach’s most musical accompaniment and soloing (hear "Blue 7") make this a landmark album.
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7″ Dual Pocket Outer Sleeves (Resealable Pack of 25)
15,50 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartVinyl Record Outer Sleeves 4 mil (RESEALABLE) – Crystal Clear CPP-25 Sleeves to a Pack. Available as resealable and with double tuckable flaps. Absolutely crystal clear protection for your cherished 7-inch collection. Revive old sleeves to look almost new and protect new sleeves for years to come. This product is exactly the same as our standard 12-inch 4 mil dual pocket sleeve, except in 7-inch size. This design is meant to protect your album cover while still giving you easy access to the vinyl record. I don’t recommend storing your record in the pocket without a good inner sleeve. The pictures are just to demonstrate the two-pocket design. Our CPP sleeves have excellent properties including clear transparency, scratch resistance, heat resistance, and moisture-proof. CPP (cast polypropylene) film has a clear advantage over standard BOPP, polyethylene, Mylar or PVC sleeves. What are the advantages of cast polypropylene? CPP has higher tear and impact resistance values, better cold-temperature performance and moisture transmission properties than standard sleeves. CPP won’t turn cloudy over the normal life of the product, unlike other films. CPP is very hard to crease unlike BOPP and has some stretch forgiveness. Cast Polypropylene is usually used in applications that require superior optical properties such as gloss, transparency, surface smoothness, and good tear resistance. They are a true premium product to protect your expensive, irreplaceable record collection for years to come. No other product will give you this amazing clarity. Upgrade 1/2 inch resealable closure tape. Environmentally inert. 100% recyclable. Acid-free. Contains no PVC. Highly non-polar. Excellent optics. Highly reflective. Moderate WVTR (water vapor transmission rate) barrier against moisture and odours. High resistance to acids, alkaline, grease and oil. Exceptional resistance to corrosive chemicals. Exceptional toughness, wear and abrasion resistance. Natural living hinge properties, Fold won’t easily crack or crinkle. Passes the P. A. T. test for no photographic enclosure reactivity. Typically used for high-end photo albums, sports cards and DVDs. All sizes are designed to fit most single and gatefold record jackets. Strong 1/16” seams. Made in Canada with Canadian and American made film and tape. Pure polypropylene resin, no recycle contents, no questionable offshore material. With this design, there are only 2 seams, 1 on each side. Available only in 4 mil thickness.
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John Coltrane – Lush Life (Mono Version)
58,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cart"Analogue Productions has continued to push its own already high bar higher still. Its Quality Record Pressings plant is delivering the best vinyl discs to be found, its jackets and cover reproduction quality have hit new levels, and it continues to have the best in the biz - such as Kevin Gray for this series (25 mono LPs from the Prestige label's exceptional late-'50s run) cut lacquers from original analog master tapes. ... Lush Life mixes ballads (like the beautifully read title track) with up-tempo tunes, and the sound here is sweet, airy and open, with an especially lovely capturing of Coltrane's tenor and the lively percussion." — Wayne Garcia, The Absolute Sound, December 2015 Here is one of the musical giants of the 20th century, poised on the precipice of greatness. Between the spring of 1957 and the winter of 1958, during which time Lush Life was recorded, the music of tenor saxophonist John Coltrane (1926-1967) was developing in giant steps, thanks in great part to a six-month 1957 stint with Thelonious Monk that had much to do with sharpening Coltrane’s harmonic conception and torrential attack. Lush Life contains Coltrane’s first recordings as sole leader, his initial date fronting a pianoless trio, and one of his first extended readings of a ballad, Billy Strayhorn’s resplendent title track. We also hear him at the helm of a quartet and quintet, featuring pianist Red Garland, with trumpeter Donald Byrd, bassist Paul Chambers and drummer Louis Hayes added to “Lush Life.” Coltrane handles the tune’s delicate complexities with infinite style and finesse. Coltrane and jazz would never be the same.
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Phil Collins – Hello I Must Be Going!
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartOn his first solo album, 1981's Face Value, Genesis drummer-singer Phil Collins showed that he wasn't about to be left behind in the mire of classical-rock sludge. That LP boasted shorter songs and demonstrated that Collins had a true pop sensibility. Hello, I Must Be Going! continues that trend, with some familiar patterns emerging, wrote Rolling Stone's John Milward. "First, there are the dramatic rock dirges that use drums as a lead instrument; 'I Don't Care Anymore,' with Collins' one-man band playing alongside Daryl Stuermer's atmospheric guitars, wins in this category. Then there are the buttery ballads, of which "Don't Let Him Steal Your Heart Away" is the best by virtue of a Beatles-like melody that buoys Collins' anonymously sweet voice. Both of these styles were already Genesis staples; it was Collins' uptempo soul tunes on Face Value and Genesis' Abacab that surprised old fans and found new ones. 'I Cannot Believe It's True,' with Earth, Wind and Fire's Phoenix Horns casting out clean lines, clobbers the other soul contenders on Hello, I Must Be Going!, especially his remake of the Supremes' 'You Can't Hurry Love.' Collins took the golden-oldie route on that song and the result isn't soulful, it's superfluous. Despite its trend-bucking boast of an 8-track recording, the album's rich luster is of the old classical-rock school. In fact, the LP sounds like stripped-down Genesis, ornamental but not too ostentatious. — John Milward, Rolling Stone (3 Stars)." This Analogue Productions (Atlantic Series) reissue of Hello, I Must Be Going! has the essential elements that make it a standout for your collection. First, we turned to Chris Bellman at Bernie Grundman Mastering to cut lacquers from a 1/4" EQ'd Dolby tape copy of the original master. Pressing is by Quality Record Pressings and RTI, and the album is housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing. Hello, I Must Be Going! was a triple-platinum-selling hit in the U.S. for Collins in the 1980s and it stayed on the U.K. album charts for more than a year, peaking at No. 2. For the fans it is a drummer's album, a record that expresses rage and desperation as well as loneliness and longing. Not an album for every day, but one that really speaks to you when you need it, wrote Martin Klinkhardt, in a review for genesis-news.com.
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Bad Company – Bad Company
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartFrom the wreckage of Free came Bad Company, the English hard rock supergroup fronted by singer Paul Rodgers and featuring his drummer bandmate Simon Kirke, Mott the Hoople guitarist Mick Ralphs, and King Crimson bassist Boz Burrell. Peter Grant, who managed the rock band Led Zeppelin, also managed Bad Company until 1982. The group's eponymous 1974 album debut decidedly proves the band is proudly not progressive — the details make a difference, as do the pastoral acoustics of the closing "Seagull" — reducing their rock 'n' roll to a strong, heavy crunch; compare "Ready for Love," a tune Ralphs brought over from Mott the Hoople, to the original to see how these quartet members keep their heads down as they do their business. Appropriately enough given their name, there's a sense of slow, churning menace to Bad Company, writes AllMusic reviewer Stephen Thomas Erlewine. Their first three albums, Bad Company (1974), Straight Shooter (1975), and Run with the Pack (1976), reached the Top Five in the album charts in both the U.K. and the U.S.. Many of their singles and songs, such as "Bad Company," "Can't Get Enough," "Good Lovin' Gone Bad," "Feel Like Makin' Love," "Ready for Love," "Shooting Star," and "Rock 'n' Roll Fantasy," remain staples of classic rock radio. They have sold 20 million RIAA-certified albums in the U.S. and 40 millon worldwide. The self-titled debut album was recorded at Headley Grange, Hampshire, in Ronnie Lane's Mobile Studio. The album reached No. 1 on the Billboard 200 in the U.S, and No. 3 on the U.K. Albums Chart, spending 25 weeks on the U.K. charts. The album has been certified five times platinum in the U.S., and became the 46th-best-selling album of the 1970s. The singles "Can't Get Enough" and "Movin' On" reached No. 5 and No. 19 on the Billboard Hot 10. All the hallmarks of a top-notch Analogue Productions reissue are here for your pleasure: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed at Quality Record Pressings and RTI, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
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Miles Davis Quintet – Relaxin’ With The Miles Davis Quintet (mono)
58,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Show item"Analogue Productions has continued to push its own already high bar higher still. Its Quality Record Pressings plant is delivering the best vinyl discs to be found, its jackets and cover reproduction quality have hit new levels, and it continues to have the best in the biz - such as Kevin Gray for this series (25 mono LPs from the Prestige label's exceptional late-50s run) cut lacquers from original analog master tapes. ... the sound has a great sense of 'jump' or energy, and it's warmly textured yet precise and well detailed, with nice body. Coltrane's sax was very nicely recorded, plus this was when he was really coming into his own as a player." — Wayne Garcia, The Absolute Sound, December 2015
Relaxin’ with the Miles Davis Quintet is in every way a masterpiece. When Davis the trumpeter (1926-1991) had formed the band in 1955, his colleagues — tenor saxophonist John Coltrane, pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones — were not considered jazz-world A-listers. And before conquering his narcotics addiction earlier in the ’50s, Davis had seen his once-promising career go into eclipse. By 1956, however, his sound, especially when muted, was an achingly personal counterpart to the vocals of Billie Holiday and Frank Sinatra. Relaxin’ (plus its Prestige companions, Miles, Cookin’, Workin’, and Steamin’) reestablished Davis, and elevated his quintet as the gold standard of small groups.This set is called Relaxin’ because of the ballad performances in several different bright tempos. From medium-bounce to crisply up, Relaxin’ remains one of Davis’s sunniest outings, a prime example of one of the outstanding ensembles of the 20th century reaching the summit of their artistry.Originally released in 1957.Miles Davis, trumpetRed Garland, pianoJohn Coltrane, tenor saxophone Paul Chambers, bass Philly Joe Jones, drums -
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Alice Cooper – Welcome To My Nightmare
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cart1975 was a banner year for superstar Alice Cooper with the release of the groundbreaking concept album Welcome To My Nightmare. This album showcases Cooper's theatricality, storytelling prowess, and ability to create an immersive world of horror and fantasy. From the opening notes of the title track, "Welcome to My Nightmare," listeners are transported into a dark and twisted dreamscape. Cooper's signature blend of rock, glam, and theatricality shines throughout the album. His gritty yet melodic vocals, combined with a richly layered musical backdrop, create an atmosphere of eerie enchantment. The album's production incorporates haunting orchestral arrangements, catchy hooks, and powerful guitar riffs, crafting a sonically diverse and captivating listening experience. Teaming up again with his longtime producer Bob Ezrin, the duo assembled some of the greatest music to go along with the David Winter produced film, and in doing so, created some of h is best known songs like the huge hit single "Only Women Bleed." This Top 5 single carried Welcome To My Nightmare into multiple platinum territory and forever etched the word superstar to the name of Alice Cooper. All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed at Quality Record Pressings and RTI, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.