180 Gram Vinyl Record
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Aretha Franklin – Aretha Now
87,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAretha Franklin — Aretha Now Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Includes the knockout anthem "Think"! 180-gram 45 RPM double LP Mastered by Kevin Gray at Cohearent Audio from the original master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Aretha Franklin had some modest success as a singer of standards and torch songs, during her tenure with Columbia Records in the early- and mid-'60s, but it wasn't until she signed with Atlantic Records in 1967 that she found her true voice, becoming, in essence, the Aretha Franklin the world came to love — the Queen of Soul! 1968 was a watershed year for Franklin. In January, she released Lady Soul, one of her finest and most popular albums — a No. 2 record that featured her take on Carole King's "(You Make Me Feel Like a) Natural Woman" and the immortal "Chain of Fools." She closed out the year with her first live album, Aretha In Paris, performing some of her best Atlantic material in a concert setting. Sandwiched between those two records was Aretha Now, a continuation of the great, grooving R&B she'd made her own since signing with Atlantic. Side One is a flat-out classic. It starts with "Think," the timeless empowerment anthem, with its gospel call and response and "Freedom!" refrain-truly one of the '60s great soul songs. A reinvention of the Bacharach/David hit "I Say a Little Prayer" follows, as Franklin both leads and yields to the Sweet Inspirations, whose harmonies define this new version of the Dionne Warwick hit. A slinky take on "See Saw" leads into Franklin's brassy cover of "The Night Time is the Right Time," taking the sweaty Nappy Brown/Ray Charles bedroom come-on to church, as only Franklin could do it. She also takes a spritely stroll through Sam Cooke's "You Send Me," ending the side on a romantic high. Take a breath before flipping over to Side Two — you're going to need it, not just to recover from the string of knockouts on Side One, but also to marshal the energy you'll need to dance through the up-tempo stunners to come. Roger Hawkins' drums are the first thing you hear when the needle hits the groove-the count in to "You're a Sweet, Sweet Man," which gets the head bobbing. By the time Franklin sprints through the Clyde Otis tune "A Change," you'll be shimmying across whatever floor you happen to be standing on. It all leads up to the album closer, the simmering "I Can't See Myself Leaving You," an R&B chart smash with an understated vocal that should be considered among Franklin's finest performances. Aretha Now was a hit album in its own right, but it's sometimes overlooked, standing as it does in the shadow of Lady Soul. Still, Aretha Now is an effortless-sounding showcase of her range and versatility; portraying her talent for not only elevating any song she sang, but to make it completely hers in such a way that it's impossible to imagine anyone else singing it. This definitive deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic 75 Series) reissue of Aretha Now , is mastered by Kevin Gray at Cohearent Audio from the original master tape, and is pressed on 180-gram double LP at Quality Record Pressings. Housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
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Ray Charles – What’d I Say
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartRay Charles — What'd I Say Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Album popularized Ray Charles' first Top 10 hit! 180-gram 45 RPM double LP Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Ray Charles' 1959 album What'd I Say popularized Charles' first Top 10 hit, "What I'd Say" and became his first gold-selling record. The tune was written on the fly by the American singer, songwriter, pianist and composer during a 1958 live show. Indeed, "What'd I Say" stands as one of the most recognizable and enduring songs of the 20th century. Its electrifying combination of gospel fervor, bluesy sensuality, and soulful exuberance sent shockwaves through the music industry. Daringly different, wildly sexy — Ray Charles' gritty, impassioned vocals combined with his virtuosic piano playing created an irresistible groove that had listeners dancing in the aisles. In addition to the title track, the album boasts other standout songs like "Tell Me How Do You Feel," "Rockhouse," and "Roll with My Baby," each showcasing Ray Charles' unmatched ability to infuse his music with raw emotion and soulful authenticity. "What'd I Say" became an instant classic and a commercial juggernaut. Notably, it was a Top 10 hit on the Billboard Hot 100 chart, peaking at No. 6. In addition to the title track, the album boasts other standout songs such as "Tell Me How Do You Feel," "Rockhouse," and "Roll with My Baby," each showcasing Ray Charles' unmatched ability to infuse his music with raw emotion and soulful authenticity. Upon its release, a reviewer for Billboard referred to What'd I Say as "A fine, swinging album," and wrote that Charles "is at his best here." This definitive deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic 75 Series) reissue of What'd I Say is going to be a keepsake for Ray Charles fans.
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Graham Nash – Songs For Beginners
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartGraham Nash — Songs For Beginners Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Graham Nash's auspicious solo album debut! Features "I Used to Be a King" and "Man in the Mirror" plus "Chicago" 180-gram 45 RPM double LP Mastered by Bernie Grundman from the original analog master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing After finding fame with the Hollies and Crosby, Stills, Nash & Young, expatriate Englishman turned West Coast rock icon Graham Nash made an auspicious solo debut on this 1971 disc. It's an exemplary singer-songwriter effort, striking a vital balance between graceful introspection and political fervor — and while it's deeply personal, it still carries the harmonies, heart and politics that made CSN(Y) so essential. With assistance from the likes of David Crosby, Jerry Garcia, and Dave Mason, highlights include the sensitive internal explorations "I Used to Be a King" and "Man in the Mirror" and the impassioned protest anthems "Chicago" and "Military Madness." If Déjà Vu was a wild canyon party with four competing egos, Songs for Beginners is Nash's introspective morning after — a mix of heartbreak, hope, and a little bit of righteous protest. He recorded it while reeling from his split with Joni Mitchell, and you can feel that melancholy seeping through the grooves. But don't mistake this for a wallowing breakup album — it's also a call to action, packed with the kind of folk-rock anthems that made Nash an indispensable voice of his era. If you love CSN's folk-rock harmonies but also crave a more personal, raw touch, this is a must-listen. This Analogue Productions (Atlantic Series) reissue of Pain in My Heart is a standout for your collection. First, we turned to Bernie Grundman to cut lacquers from the original master tape. Pressing on 180-gram vinyl is by Quality Record Pressings, and the album is housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
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Count Basie & Joe Turner – The Bosses
52,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cart180-gram vinyl Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape Pressed at Quality Record Pressings Housed in a Stoughton Printing tip-on jacket The essence of Kansas City wafts from the tracks of this album. How could it not, with Count Basie and Joe Turner in charge? The essence, of course, is the blues, and every man in the band is a master of that most basic and most demanding of forms. Their résumés cover every jazz environ from the 12th Street clubs where Southwest swing matured to the Harlem hothouses that germinated bebop. The common language of the blues, and Basie's catalytic keyboard, bind them tightly together in support of Big Joe Turner, a shouter, a smooth talker, a testifier to the power, tenderness, despair, and joy of the blues and of life, which are the same. Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape. Pressed at Quality Record Pressings for superior sound quality, and housed in a Stoughton Printing tip-on single pocket jacket.
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Duke Ellington – The Ellington Suites
52,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cart180-gram vinyl Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape Pressed at Quality Record Pressings Housed in a Stoughton Printing tip-on jacket The three Ellington Suites in this release were recorded at different times along Ellington's legendary and prolific arc: "The Queen's Suite" in February and April 1959 (written for and dedicated to Queen Elizabeth II, but not widely released until 1970); "The Goutelas Suite" in April 1971; and "The Uwis Suite" in October 1972. "Ellington would record his orchestra at his own expense, and then stockpile the recordings," says Nick Phillips, Vice President, Catalog and Jazz A&R at Concord and producer of the Original Jazz Classics Remasters series. "These were recordings that were later sold to Norman Granz, who had the good sense in the '70s to collect these then-unreleased suites on one album." Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape. Pressed at Quality Record Pressings for superior sound quality, and housed in a Stoughton Printing tip-on single pocket jacket.
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Wishbone Ash – Argus
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartWishbone Ash — Argus 180-gram 45 RPM double LP Mastered from the original analog master tape by Sean Magee at Abbey Road Studios Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Features the beloved fan favorite "Blowin' Free," plus "The King Will Come," "Time Was," "Warrior" and more! Wishbone Ash reigned supreme through the 1970s — centered on inspired musicianship, joyful spirit and inventive songs. Their concerts were uplifting and their recorded work sublime. Argus remains a stunning high point in the band's startling repertoire. Argus was a 1972 tour de force, a hard-rocking masterpiece that has gone on to have a huge impact on rock bands moving forward. If you've never heard Argus, you've surely heard music that it inspired. The British quartet's trademark harmony guitars became a touchstone for many: Thin Lizzy, Iron Maiden, Opeth, and Lynyrd Skynyrd have all acknowledged an Ash influence, and tracks such as Lizzy's "The Boys Are Back in Town," Maiden's "The Trooper," and even Steely Dan's "Reeling in the Years" all have twin-guitar moments that hark back to Argus. But Wishbone Ash were different from the start. They were never strictly a hard rock band; their soaring vocal harmonies and musical grandeur placed them close to progressive rock. But they weren't strictly prog either: They had no keyboards, no real classical influence and weren't into side-long suites. Their roots were in the blues, and their calling card was twin lead guitars in harmony (played in the original lineup by Ted Turner and Andy Powell). Even the hardest Ash rockers — like "Blowin' Free," the most famous track from Argus — had an ethereal touch. They could rock the big stages, but they did it with subtlety and grace. This is reflected perfectly in the classic album sleeve by prog-associated designers Hipgnosis: The front cover shows a Greek sentry — the "argus" of the title — staring off into the distance. It's a mythic, old-world kind of image until you look closely at the back cover, and see that he's heralding the arrival (or perhaps watching the departure) of a spaceship. Two worlds colliding. Exactly what the band and album were all about. By the time of Argus, Wishbone Ash were stars in England and cult heroes among Anglophiles in the US. What made Argus a step forward was its flow of moods. The songs don't run together, but there's an emotional connecting thread from the album's somber beginning to its heroic end. The band insisted at the time that lyrics were something of an afterthought: Shortly after its release, main lyricist Martin Turner told NME that he wrote them mainly to fit the mood of the music: "The music that was coming out was very English, very medieval, and the lyrics had to reflect that." Added Powell at the time, "The expression comes out in the guitars. We wouldn't play it if it didn't express something." Now, Analogue Productions has applied all of its vaunted craft and technical expertise to make this epic album shine! Two 45 RPM LPs pressed on virtually silent 180-gram vinyl at Quality Record Pressings make the remastered audio sparkle. Quieter lyrical sentiments and softer musical passages are rendered precisely, while majestic riffs and fist-waving anthems fully reveal the energy of the music! Argus isn't just another rock record — it's a journey through a sonic landscape rich with depth, emotion and technical prowess. It's the album that solidified Wishbone Ash as masters of twin guitar harmony. Discerning audiophiles will find Argus an essential addition to their record collection. It's a masterclass in sound engineering that fully captures the intricate interplay of dual guitars with pristine clarity and a warmth that only analog recordings can provide.
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Joan Baez – Diamonds & Rust
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartJoan Baez — Diamonds & Rust 180-gram 45 RPM double LP Numbered and strictly limited to 2,000 copies Mastered by Matthew Lutthans at The Mastering Lab from a 1/2" flat tape copy of the original analog master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing Natural tonalities, superb balances, prinstine clarity and richer sonic detail are what separate this exceptional Analogue Productions 45 RPM reissue of this Joan Baez classic from previous versions. This is dedication to preserving deserving recordings for future generations to enjoy. Vinyl enthusiasts will find this definitive 180-gram 45 RPM audiophile reissue of Diamonds & Rust to be an essential addition to their record collections — an epic sonic journey through Baez's most personal and refined work. Released in 1975, this album marked a pivotal moment in Baez's career, where her powerful folk roots seamlessly blend with the lush, polished production of the era. Her voice-pure, haunting, and timeless-has never sounded richer, and on this reissue, the analog warmth of her vocals will immerse you in every note like never before. At the heart of Diamonds & Rust is the title track, one of Baez's most celebrated songs. It's a nostalgic, poetic reflection on her relationship with Bob Dylan, a song that resonates with anyone who's experienced the bittersweet sting of love and loss. On vinyl, every detail-from the intimate strumming of her guitar to the breathy quiver in her voice-comes alive with the clarity and texture that only analog recordings can deliver. But it's not just the title track that makes this album indispensable. Baez's interpretations of songs such as Jackson Browne's "Fountain of Sorrow" and Stevie Wonder's "Never Dreamed You'd Leave in Summer" reveal her unmatched gift for bringing new depth to songs. Her renditions cut to the core, revealing emotional layers that other artists can only aspire to touch. And on "Winds of the Old Days" and "Dida," Baez gives listeners an intimate window into her ever-evolving artistry. For those less familiar with Joan Baez, Diamonds & Rust serves as the perfect entry point into her discography. It's a masterclass in storytelling, and an album that shows the full spectrum of her talent — from folk ballads to contemporary covers, all delivered with an emotional intensity that lingers long after the last note fades. Baez's legacy as a voice for social justice and a champion of acoustic beauty is firmly grounded in her ability to make the personal feel universal — and Diamonds & Rust is the purest expression of that gift. This reissue brings the album back in all its original analog glory. Mastered by Matthew Lutthans at The Mastering Lab from a 1/2" flat tape copy of the original analog master tape. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold jacket with textured stock by Stoughton Printing. If you want to experience the soul of Joan Baez, there's no better place to start — or return to — than Diamonds & Rust.
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Joe Pass and Zoot Sims – Blues For 2
54,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cart180-gram vinyl Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape Pressed at Quality Record Pressings Housed in a Stoughton Printing tip-on jacket Joe Pass observed in his notes for this album that when he was a young man he determined that his ideal tenor saxophone companion would have a rich tone, harmonic wisdom, respect of the melody, and the will to swing. That figures; Pass was describing his own qualities, and in 1982 when the time came for the guitarist and Zoot Sims to record as a duo, it became clear after about six bars that this was a perfect artistic match. Pass was a supremely natural player whose solos swung from the first note. Sims was also in his later years a master of lyrical expression in ballads. His lyricism here, notably in "Remember," is complemented by his relaxed urgency in the faster pieces. Pass accompanies Sims beautifully and solos with his customary ingenuity. Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape. Pressed at Quality Record Pressings for superior sound quality, and housed in a Stoughton Printing tip-on single pocket jacket.
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Joe Pass – Portraits Of Duke Ellington
54,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cart180-gram vinyl Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape Pressed at Quality Record Pressings Housed in Stoughton Printing tip-on jacket Portraits of Duke Ellington is a 1975 album by jazz guitarist Joe Pass that pays tribute to the jazz legend Duke Ellington. The album was recorded just a month after Ellington's death and reached No. 37 on the Jazz Albums Chart. Featuring guitarist Joe Pass (just beginning to become famous), bassist Ray Brown, and drummer Bobby Durham, they are jamming on eight Ellington tunes and "Caravan" (which was penned by one of Duke's key sidemen, Juan Tizol). AllMusic says "The interplay between the three musicians is quite impressive, and Pass' mastery of the guitar is obvious (he didn't really need the other sidemen). Highlights include "In a Mellow Tone," "Don't Get Around Much Anymore," and "I Got It Bad (And That Ain't Good)." Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180-gram reissue is a must-have for jazz fans. Housed in a single pocket Stoughton Printing tip-on jacket.
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Duke Ellington & Johnny Hodges – Side By Side
44,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartDuke Ellington & Johnny Hodges — Side By Side Acoustic Sounds Series reissues from Verve/Universal Music Enterprises! Monthly releases highlighting the world's most historic and best jazz records! All-analog mastering by Matthew Lutthans at The Mastering Lab 180-gram vinyl pressed at Quality Record Pressings When Norman Granz signed Johnny Hodges to a recording contract in 1951, it was a prelude to Hodges' leaving the Duke Ellington orchestra to lead his own small band. Four years later Hodges was back in the Ellington fold, but he continued to record for Granz under his own name. Side By Side, recorded in 1958 and 1959, is a throwback to the small-group sessions Ellington recorded with Hodges and other members of his orchestra in the 1930s, but with a couple of important differences: the absence of Ellington himself on several cuts (with Billy Strayhorn taking over on piano), and the presence of such notable non-Ellingtonians as drummer Jo Jones and trumpeters Roy Eldridge and Harry "Sweets" Edison. The Verve Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
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Mississippi John Hurt – Today!
42,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartThe Bluesville Series from Craft Recordings and Acoustic Sounds! Inspired by the original Prestige label imprint established in 1959 Today! by Mississippi John Hurt All-analog mastering by Matthew Lutthans at The Mastering Lab 180-gram vinyl pressed at Quality Record Pressings Replica tip-on jacket Obi with notes by Scott Billington Highlighting trailblazing blues musicians from legendary labels John Smith Hurt, known as Mississippi John Hurt, was an American country blues singer, songwriter, and guitarist. He taught himself to play guitar at the age of 9, and would play dances and parties while working as a sharecropper as he grew into adulthood. His first recordings, made for Okeh Records in 1928, were commercial failures. However, Dick Spottswood and Tom Hoskins, a blues enthusiast, located Hurt in 1963 and persuaded him to move to Washington, D.C. He was recorded by the Library of Congress in 1964. This helped further the American folk music revival, which led to the rediscovery of many other bluesmen of Hurt's era. Hurt performed on the university and coffeehouse concert circuit with other Delta blues musicians who were brought out of retirement. He also recorded several albums for Vanguard Records. Hurt returned to Grenada, Mississippi, in 1966, where he passed away at the age of 73. Today! is the second studio album, but third body of work recorded by Hurt. It was released in 1966 by Vanguard Records. This album contains some of the first commercial material recorded after his "rediscovery" in 1963, and is the first he recorded for Vanguard. The album spans several genres and styles of music, ranging from traditional blues andfolk songs, to country, to African-American spirituals. In 2009, the album was one of 25 selections that were added to the Library of Congress's National Recording Registry. According to Rolling Stone, Hurt is "the rare Delta blues legend who bowls you over with grace, generosity, and warmth." (AAA) lacquers cut by Matthew Lutthans from the original tapes and pressed on 180-gram vinyl at QRP complete with a tip-on jacket.
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Lonnie Johnson – Blues & Ballads
42,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartThe Bluesville Series from Craft Recordings and Acoustic Sounds! Inspired by the original Prestige label imprint established in 1959 Blues & Ballads by Lonnie Johnson All-analog mastering by Matthew Lutthans at The Mastering Lab 180-gram vinyl pressed at Quality Record Pressings Replica tip-on jacket Obi with notes by Scott Billington Highlighting trailblazing blues musicians from legendary labels Alonzo "Lonnie" Johnson was an American blues and jazz singer, guitarist, violinist and songwriter. He was a pioneer of jazz guitar and jazz violin and is recognized as the first to play an electrically amplified violin. Blues & Ballads is Johnson's third album, originally released in 1960. The diverse offering of originals and covers demonstrates Johnson's versatility on electric guitar and vocals. Johnson is joined by his contemporaries Elmer Snowden on acoustic guitar and Wendell Marshall on bass on this album. AllMusic declared Johnson "effortlessly (reveals) his artistic range." Features (AAA) lacquers cut by Matthew Lutthans at The Mastering Lab from the original tapes and pressed on 180-gram vinyl at QRP. A replica tip-on jacket completes the package.
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John Lee Hooker – It Serve You Right To Suffer
44,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAcoustic Sounds Series reissues from Verve/Universal Music Enterprises! Monthly releases highlighting the world's most historic and best jazz records! Mastered by Matthew Lutthans at The Mastering Lab from the original analog tapes 180-gram LPs pressed at Quality Record Pressings! Stoughton Printing gatefold old-style tip-on jackets Series supervised by Chad Kassem CEO of Acoustic Sounds John Lee Hooker's style of guitar playing has been imitated but never matched. The iconic bluesman's 1966 album It Serve You Right to Suffer for Impulse! was unusual because it teamed him with a jazz ensemble rather than a typical blues band. This setup was part of Impulse!'s broader effort to explore and expand the boundaries between jazz, blues, and other genres. The collaboration was partly driven by the growing interest in the blues among jazz audiences in the 1960s. Hooker's raw, emotional music resonated with the improvisational spirit of jazz. Impulse! wanted to showcase his talents in a new light by pairing him with a sophisticated jazz rhythm section — guitarist Barry Galbraith, bassist Milt Hinton, and drummer Panama Francis. These musicians had deep jazz credentials but were flexible enough to adapt to Hooker's deeply personal and rhythmically unique style. The producer was Bob Thiele, head of the foundational jazz label Impulse! Records. The idea was to keep the tracklist down to just eight songs and let each one inhabit a mood, unencumbered by commercial demands for a single. The album combined Hooker's earthy, hypnotic blues sound with the polished backing of the jazz combo. Hooker's deep, gravelly voice and his raw, syncopated guitar riffs stood at the forefront, while the jazz players added a smoother, more textured groove underneath. The result was a unique fusion: it retained the grit and authenticity of Hooker's Delta blues roots but added a subtle, swinging sophistication. It Serve You Right to Suffer stands out in Hooker's discography because it formed a bridge between blues and jazz. It introduced Hooker's music to a broader audience and showcased his adaptability as an artist. For blues fans, it highlighted the universality of Hooker's sound; for jazz fans, it was a chance to experience blues in a more refined context. Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
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The New Stan Getz Quartet – Getz Au Go Go
44,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAcoustic Sounds Series reissues from Verve/Universal Music Enterprises Monthly releases highlighting the world's most historic and best jazz records! Mastered by Matthew Lutthans at The Mastering Lab from the original master tape 180-gram LPs pressed at Quality Record Pressings! Stoughton Printing gatefold old-style tip-on jackets Series supervised by Chad Kassem CEO of Acoustic Sounds Recorded in 1964 during two concerts at the venerable Greenwich Village venue, Café Au Go Go, two months after Astrud Gilberto's "Girl From Ipanema" became a Top 5 pop single. The focus of these sets, however, moved away from the Brazilian flavored fare, bringing Gilberto into the realm of a decidedly more North American style. The band features a young Gary Burton (vibraphone), Kenny Burrell (guitar), Gene Cherico (bass), and Joe Hunt (drums). There are a few personnel substitutions, with Helcio Milito (drums) and Chuck Israels (bass), respectively, filling in. Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
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J.J. Johnson & Kai Winding – The Great Kai & J.J.
44,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAcoustic Sounds Series reissues from Verve/Universal Music Enterprises! Monthly releases highlighting the world's most historic and best jazz records! Mastered by Matthew Lutthans at The Mastering Lab from the original master tape 180-gram LPs pressed at Quality Record Pressings! Stoughton Printing gatefold old-style tip-on jacket Series supervised by Chad Kassem CEO of Acoustic Sounds The first-ever Impulse release (catalog number A-1) and known as one of the best efforts of Kai Winding and J.J. Johnson, this 1960 session features a collection of jazz heavyweights, including Bill Evans (piano), Paul Chambers (bass), and Art Taylor & Roy Haynes (drums). Evans' playing, in particular, raises this album beyond a mere Kai & J.J. and spotlights the group as a whole. Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
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Lightnin’ Hopkins – Lightnin’ Strikes
44,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartLightnin' Hopkins — Lightnin' Strikes Acoustic Sounds Series reissues from Verve/Universal Music Enterprises! Monthly releases highlighting the world's most historic and best jazz records! All-analog mastering by Matthew Lutthans at The Mastering Lab 180-gram vinyl pressed at Quality Record Pressings Recorded in 1966 for the Verve Folkways label, Lightnin' Strikes may not have the notoriety as some of Hopkins' other albums, but this set backed by Jimmy Bond (bass), Earl Palmer (drums) and Don Crawford (harmonica) is classic Lightnin'. From the opener, "Mojo Hand," to the ballad "Woke Up This Morning," Lightnin' Strikes showcases classic blues from one of the best there was. Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.