Analogue Productions (Atlantic 75 Series)
Showing 1–16 of 75 results
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Roberta Flack – Killing Me Softly
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Platinum-selling, Grammy-nominated album featuring the No. 1 smash title track! Tip-on old style gatefold double pocket jacket by Stoughton Printing Female R&B singers were expected to be forceful, big-voiced divas (like Aretha Franklin) or come-hither seductresses (like Diana Ross), but, as AllMusic says, Roberta Flack had her own unique approach. Flack's voice is vast, deep, and stately — where some singers confuse frenzy with passion, she is confident, majestic, and unhurried, intense in a profound yet reserved manner. The title song of this 1973 masterful eight track album, "Killing Me Softly," was her second No. 1 hit, establishing her as a major modern R&B stylist. Killing Me Softly reached No. 3 on the Billboard Top LPs & Tape and No. 2 on the Soul LPs chart. The Recording Industry Association of America (RIAA) certified the album gold on August 27, 1973, and double platinum on January 30, 2006, denoting shipments of 2 million copies in the United States. It was nominated for a Grammy Award for Album of the Year, which it lost to Stevie Wonder's 1973 album Innervisions. The album's title track was released as a single and topped the Billboard Hot 100. The title track won the 1974 Grammy Award for Record of the Year. This deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic Series) reissue of Killing Me Softly is a true audiophile gem and a worthy addition to your music collection.
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John Coltrane – Coltrane Jazz
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Coltrane playing with his former Miles Davis bandmates Featuring originals "Harmonique" and "Like Sonny" 180-gram 45 RPM double LP Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing The first album to hit the shelves after Giant Steps, Coltrane Jazz was recorded in November and December 1959, although one of the eight tracks ("Villiage Blues") was recorded in late 1960. On everything save the aforementioned "Village Blues," Coltrane used the Miles Davis rhythm section of pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb AllMusic describes Coltrane Jazz as the saxophone legend's preparation for his launch into his peak years of the 1960s. There are three standards aboard, but the group reaches their peak on Coltrane's original material, particularly "Harmonique" with its melodic leaps and upper-register saxophone strains and the winding, slightly Eastern-flavored principal riffs of "Like Sonny," dedicated to Sonny Rollins. The moody "Village Blues" features the lineup of McCoy Tyner on piano, Elvin Jones on drums, and Steve Davis on bass; with the substitution of Jimmy Garrison on bass, that personnel would play on Coltrane's most influential and beloved 1960s albums. Sound excellence can be found on this definitive deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic 75 Series) reissue of Coltrane Jazz.
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Ray Charles – The Genius Of Ray Charles
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Rolling Stone list of 500 Greatest Albums 265/500 for 2012 180-gram 45 RPM double LP Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing The Genius of Ray Charles, his sixth studio album, released in 1959 by Atlantic Records, eschewed the the soul sound of his 1950s recordings, which fused jazz, gospel, and blues, for swinging pop with big band arrangements. Charles is joined bymany ringers from the Count Basie and Duke Ellington bands for the first half of this program, featuring Charles belting out six songs arranged by Quincy Jones. "Let the Good Times Roll" and "Deed I Do" are highlights, and there are solos by tenorman David "Fathead" Newman, trumpeter Marcus Belgrave, and (on "Two Years of Torture") tenor Paul Gonsalves. The remaining six numbers are ballads, with Charles backed by a string orchestra arranged by Ralph Burns (including "Come Rain or Come Shine" and "Don't Let the Sun Catch You Cryin'"). Charles' voice is heard throughout in peak form, giving soul to even the veteran standards. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
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Jethro Tull – Benefit
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cart180-gram 45 RPM double LP from Analogue Productions! Mastered by Matthew Lutthans at The Mastering Lab from flat copies of the original U.K. and U.S. analog master tapes Third studio album featured advanced studio recording techniques Featuring original U.S. tracklisting with bonus track "Alive And Well And Living In" from U.K. release Plated and pressed at Quality Record Pressings Gatefold old-style tip-on jacket by Stoughton Printing Jethro Tull's 1970 classic Benefit was their third studio album in as many years, following the successes of This Was (1968) and Stand Up (1969). For Benefit, Ian Anderson (flute, guitars, vocals), Martin Barre (guitars), Glenn Cornick (bass), and Clive Bunker (drums) were joined by John Evan on piano and organ. Evan would go on to play on all of Jethro Tull's albums throughout the '70s. It was also the last to include Cornick, who was fired from the band upon completion of touring for the album. Recorded at Morgan Studios, where the band recorded Stand Up, the album featured more advanced studio techniques, such as a backward-recorded flute on "With You There To Help Me" and a sped-up guitar on "Play In Time." Frontman Ian Anderson said Evan had changed the band's style: "John has added a new dimension musically and I can write more freely now. In fact anything is possible with him at the keyboard." Compared to Stand Up, although containing a similar mix of bluesy hard-rockers and melodic acoustic numbers, Benefit had, as Ian Anderson put it, a "harder, slightly darker feel" compared to previous material. The eclectic fusion of folk, rock, and progressive elements creates a sonic tapestry unlike any other. Anderson's virtuosic flute playing intertwines with Barre's electrifying guitar work, weaving intricate melodies that transport listeners to a world of introspection and imagination. From the hauntingly beautiful "With You There to Help Me" to the whimsical energy of "To Cry You a Song," each track invites exploration of both the inner self and the world beyond. This Analogue Productions 45 RPM release, plated and pressed at Quality Record Pressings, gives this historic album the rich sonic presentation it deserves. The dead-quiet double-LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. Benefit stands as a testament to Jethro Tull's pioneering spirit, pushing the boundaries of musical expression and leaving an indelible mark on the landscape of rock music. This reissue is clean, balanced and richly detailed, the way an Analogue Productions reissue should sound.
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Bad Company – Burnin’ Sky
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! One of the finest albums of the classic rock era! 180-gram 45 RPM double LP Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Bad Company's Burnin' Sky, released in March 1977, continued to showcase the band's bluesy rock roots, with Paul Rodgers' soulful and powerful vocals leading the way. The album's musical style is characterized by its gritty, guitar-driven sound and blues-infused melodies. The 12 songs were recorded in France at studio Château d Hérouville, where David Bowie would record Low later that same year. The album's hit single and title track "Burnin' Sky" reached No. 78 on the U.S. Billboard pop singles chart. The album peaked at No. 15 on the Billboard 200 chart. This 180-gram 45 RPM 2LP of Burnin' Sky is the definitive reissue of this chart-making classic.
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Dr. John – Dr. John’s Gumbo
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! No. 404 on Rolling Stone's list of 500 Greatest Albums of All Time! A tribute by the New Orleans singer and pianist to his native city! 180-gram 45 RPM double LP Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Dr. John's Gumbo is the fifth album by New Orleans singer and pianist Dr. John, a tribute to the music of his native city. The album is a collection of covers of New Orleans classics, played by a major figure in the city's music. Dr John's Gumbo was released in 1972 and is in many ways a tribute by Dr. John, aka the Night Tripper, to his hometown of New Orleans. It features excellent interpretations of New Orleans traditionals ("Iko Iko", "Tipitina", "Junko Partner" and "Stack-O-Lee") and contemporary R&B written or played by the likes of Huey Piano Smith ("Blow Wind Blow" and "Huey Smith Medley") and Earl King ("Big Chief" and "Those Lonely Lonely Nights"). Dr. John delivers a strong set of infectious songs drenched in good vibes and spiced with a pinch of voodoo. His eccentric (stage) appearance adds unique color to his stature as master of the ivories and as an entertainer. We expect this definitive deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic Series) reissue of Dr. John's Gumbo to be a cherished addition to the music collections of all fans of New Orleans classics.
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Yes – Fragile
SACD44,00 €Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Yes' breakthrough album! Includes hit singles "Roundabout" and "Long Distance Runaround" Hybrid Stereo SACD Mastered by Kevin Gray at Cohearent Audio direct to DSD from the original master tape Fragile was Yes' breakthrough album, propelling them in a matter of weeks from a cult act to an international phenomenon. Not coincidentally, it also marked the point where all of the elements of the music (and more) that would define the group's success for more than a decade fell into place fully formed, writes AllMusic, giving Fragile a 5-Star rating. Propelled by the timeless hit "Roundabout," Yes' fourth album, Fragile, became an instant classic and is undoubtedly one of prog-rock's finest moments. It was the first Yes record to feature Rick Wakeman on keyboards and the first to display the inimitable artwork of Roger Dean. Here's the ultimate way to enjoy one of Yes's most popular and enjoyable albums. Dream on, on to the Heart of the Sunrise!
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Dr. John – Gris Gris
SACD44,00 €Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! From the king of the psychedelic bayou, Dr. John! Hybrid Stereo SACD Rolling Stone's 500 Greatest Albums of All Time rated No. 356 in the 2020 edition The debut album from the king of the psychedelic bayou — the hypnotic, mystical and powerful sound of the swamp coming to life. As he became Dr. John (real name Mac Rebennack), it was his LA session work with musicians such as Sonny & Cher, Canned Heat, and Zappa that allowed him to start conjuring up his visions of guitar psych-pop to walk alongside his authentic New Orleans upbringing. Gris-Gris was released on Atco Records, a sub label of Atlantic, in 1968. The musical style of Gris-Gris is a hybrid of New Orleans rhythm and blues and psychedelic rock. The album introduced Rebennack's Dr. John character, inspired by a reputed 19th century voodoo doctor. The album was taken under the wing of a small percentage of the "underground" upon its release in 1968 and did not find a true following for years. Allmusic gave the album five out of five stars, referring to it as "The most exploratory and psychedelic outing of Dr. John's career" and "that it "sounds like a post-midnight ceremony recorded in the bayou swamp," naming it "among the most enduring recordings of the psychedelic era; it sounds as mysterious and spooky in the 21st century as it did in 1968."
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David Crosby – If I Could Only Remember My Name
SACD44,00 €Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! If I Could Only Remember My Name —David Crosby's debut solo album! Hybrid Stereo SACD Mastered directly to DSD from the original master tape by Bernie Grundman If I Could Only Remember My Name was the debut solo record from David Crosby. Recorded in 1970 after the passing of his girlfriend Christine and released in February of 1971, the album explores themes including loss and disorientation. The album features a who's who of contributors from the San Francisco Bay area including Paul Kantner and Grace Slick of Jefferson Airplane, Jerry Garcia of the Grateful Dead, and Santana, and his cohort from Los Angeles including Graham Nash, Neil Young, and Joni Mitchell. The album has attained a cult status throughout the last 50 years, hailed for its spooky, psychedelic, and truly unique sounds. AllMusic gave the album 4.5 stars, with reviewer Stanton Swihart writing: "With his ringing, velvety voice — the epitome of hippie crooning — and inspired songwriting, he turns If I Could Only Remember My Name into a one-shot wonder of dreamy but ominous California ambience."
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Donny Hathaway – Everything Is Everything
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Grammy-nominated and critically-acclaimed soul and R&B album Featuring "The Ghetto," and "To Be Young, Gifted and Black" 180-gram 45 RPM double LP Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Donny Hathaway's first studio album Everything is Everything is a significant work in the realm of soul and R&B music, released in 1970. It marked an important point in Hathaway's career and showcased his exceptional talent as a singer, songwriter, and pianist. The album was Hathaway's first release after being signed to Atlantic in 1969. Hathaway had already built a reputation early in his life, first as a gospel singer as a child under the name Donny Pitts. Raised in St. Louis, with religious influences, his grandmother Martha Crumwell was herself an accomplished gospel singer and guitarist. After dropping out of Howard University in 1967, Hathaway moved to Chicago, his birthplace, and started working on music for Curtis Mayfield's Curtom Records label where he was a songwriter, producer, arranger, composer, conductor and session player. Everything Is Everything was produced by Hathaway and Ric Powell, who plays drums and percussion on the album; Hathaway wrote or co-wrote five of the album's nine songs. Hathaway had met Powell while at Howard University, as well as the future Impressions lead singer, Leroy Hutson, who jointly wrote the hit song that would eventually make it on the album, "The Ghetto." The track was mostly an instrumental, except for Hathaway's vocal ad-libs and his singing of the chorus. Hathaway and Hutson composed another socially conscious song for the album, titled "Tryin' Times." Other songs were split between covers (Ray Charles's "I Believe to My Soul" and Nina Simone's "To Be Young, Gifted and Black"), spiritual affairs ("Thank You Master for My Soul") and love songs ("Je Vous Aime (I Love You)"). Released in July 1970, the album peaked at No. 73 on the Billboard Top 200 Albums chart and No. 33 on the Billboard R&B Albums chart. This timeless classic is now reissued in the definitive deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic 75 Series) format.
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Foreigner – Double Vision
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Foreigner's singles smash follow-up to its blockbuster debut! Driving title track and "Hot Blooded" rock strong! 180-gram 45 RPM double LP Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Foreigner's Double Vision album achieved success through a combination of well-crafted songs, strong songwriting, talented musicians, extensive radio airplay, and favorable timing within the music industry. Double Vision, released in 1978, followed up the group's blockbuster debut with an album of FM mega-hits. Songs such as "Hot Blooded," "Double Vision," and "Blue Morning, Blue Day" became radio staples and resonated with a wide audience. Lou Gramm's powerful vocals and Mick Jones' guitar playing were key components of the band's sound, and their musical prowess was evident throughout the album. The album peaked at No. 3 on the Billboard 200 chart and earned platinum-selling certification just a week after its release, and now has marked 7x platinum for sales in excess of 7 million units. "Hot Blooded," reached No. 3 on the Billboard Hot 100 chart. In September, it was followed by "Double Vision," which charted at No. 2. This was the highest position Foreigner had attained to that time. The third and final single, "Blue Morning, Blue Day," was released in December and climbed to No. 15 on the chart. Foreigner was known for their energetic live performances, and they toured extensively to promote Double Vision. Their live shows helped to further connect with fans and promote the album. Analogue Productions is proud to offer the definitive reissue deluxe 45 RPM 2LP of Double Vision. For Foreigner fans, this is a can't-miss addition to your album collection.
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In stock
Bad Company – Run With The Pack
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Third studio album, featuring "Young Blood" and "Honey Child" 180-gram 45 RPM double LP Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Released in early 1976, the title track of Bad Company's third album Run With The Pack is, what one critic described as, "a male-bonding type of song" that frontman Paul Rodgers was inspired to write about the group's non-stop touring adventures. "Run With The Pack" is notable for its string arrangement, which Rodgers said he had in mind from the outset. "I wrote that song on the piano, and when I played it to the guys they fell right in. In my head, strings were always part of the song." The album was recorded in France using the Rolling Stones Mobile Truck in September 1975 with engineer Ron Nevison, and mixed in Los Angeles by Eddie Kramer. The Run With The Pack album reached No. 5 on the Billboard 200 and No. 4 on the U.K. chart. It was also Bad Company's third consecutive platinum-selling album. Rolling Stone, in its review, calls Run With The Pack Bad Company's third and best album, reiterating the raw, rowdy style of their debut, Bad Company. Cut at 45 RPM, pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
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SACD Bad Company – Straight Shooter
SACD44,00 €Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Second studio album, featuring "Good Lovin' Gone Bad" Hybrid Stereo SACD Recorded straight on the heels of Bad Company's 1974 debut — just a matter of three months later; not quite long enough to know how big a success the first LP would be — Straight Shooter is seemingly cut from the same cloth as its predecessor. It is, after all, a tight collection of eight strong, steady, heavy rockers that never, ever proceed in a hurry, but from the moment "Good Lovin' Gone Bad" kicks off the proceedings, it's clear that Bad Company have decided to expand their palette this second time around, writes AllMusic. The album, released in April 1975, reached No. 3 on both the U.K. Albums Chart and the U.S. Billboard 200. It was certified gold (500,000 units sold) by the Recording Industry Association of America (RIAA) a month after its release. The jacket for the album was designed by Hipgnosis, who also designed their debut album. "Good Lovin' Gone Bad," was released in March 1975 and reached No. 36 on the Billboard Hot 100. The album was released in April. The album's final single "Feel like Makin' Love" was released in August and reached No. 10 on the Hot 100. "Feel Like Makin' Love" and "Shooting Star," became classic rock staples due to this expanded aural vocabulary, and even straight-ahead rockers like "Good Lovin' Gone Bad" and "Deal with the Preacher" benefit from this additional muscle, while they feel comfortable enough to settle into a soulful groove on "Anna" and "Call on Me."
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SACD INXS – Kick
SACD44,00 €Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! 6x platinum-selling album includes "New Sensation," "Never Tear Us Apart," "Devil Inside," and the No. 1 hit "Need You Tonight" Hybrid Stereo SACD Mastered by Ryan K. Smith direct to DSD from an EQ'd tape copy Kick, the sixth and best-selling 1987 studio album by Australian band INXS, has the unmistakable sound personified by its four U.S. Top 10 singles, "New Sensation," "Never Tear Us Apart," "Devil Inside" and "Need You Tonight," — which reached the top of the U.S. Billboard singles charts. Between 1980 and 1984, INXS released four studio albums and had toured their native country Australia extensively. With Kick, producer Chris Thomas fused the funk and soul of their previous album The Swing with the mainstream rock of Listen Like Thieves. In an interview with MusicRadar, Andrew Farriss stated, "The melding of funk and rock was always in our heads. We were very excited about the idea of overlaying two types of songs and genres together." Kick showcased a diverse range of musical styles, blending rock, pop, funk, and dance elements. This versatility appealed to a wide audience, making the album accessible to fans of different genres. It's four catchy singles became radio staples and were accompanied by stylish music videos, helping propel INXS to international stardom. Incorporating elements such as electronic percussion and synthesizers gave Kick a modern sound, helping it stand out, together with Michael Hutchence's charismatic and sultry vocals that created a strong emotional connection.
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Genesis – Genesis
82,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartUS Street date February 7th 2025 Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Genesis' self-titled Grammy-nominated album Featuring "Mama," "That's All" and "Second Home By The Sea" 180-gram 45 RPM double LP Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing In the spring of 1983, members of Genesis reconvened at their studio, named The Farm in Chiddingfold, Surrey, to start work on a new studio album, their first since Abacab (1981). Genesis became their first album written, recorded, and mixed in its entirety at the studio room; previously they had to write in an adjoining space. Having the group work in their own space without the additional pressure of booking studio time and fees resulted in a more relaxed environment. They were joined by engineer Hugh Padgham, who had also worked on Abacab, AllMusic writes: "Moments of Genesis are as spooky and arty as those on Abacab — in particular, there's the tortured howl of "Mama," uncannily reminiscent of Phil Collins' Face Value, and the two-part 'Second Home by the Sea' — but this eponymous 1983 album is indeed a rebirth, as so many self-titled albums delivered in the thick of a band's career often are. ... Anybody who paid attention to 'Misunderstanding' and 'No Reply at All' could tell that this was a good pop band, primarily thanks to the rapidly escalating confidence of Phil Collins, but Genesis illustrates just how good they could be, by balancing such sleek, pulsating pop tunes as 'That's All' with a newfound touch for aching ballads, as on 'Taking It All Too Hard.'" AllMusic reviewer Stephen Thomas Erlewine gives the album 4.5 Stars. For fans who appreciate the evolution of the band's music over the years, owning this album is important as it represents a distinctive phase in their career. This is the definitive deluxe 45 RPM 2LP Analogue Productions (Atlantic 75 Series) reissue of the classic Genesis. A classic for all true Genesis fans!
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Crosby, Stills and Nash – CSN
86,00 €
Includes 19% MwSt DEplus shippingAdditional costs (e.g. for customs or taxes) may occur when shipping to non-EU countries.Add to cartUS Street date February 7th 2025 Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Fifth album from Crosby, Stills & Nash featuring "Just a Song Before I Go" and "Fair Game" No. 2 on Billboard's Top Pop Albums chart 180-gram 45 RPM double LP Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing "CSN was the trio's last fully realized album, and also the last recording on which the three principals handled all the vocal parts without the sweetening of additional voices. It has held up remarkably well, both as a memento of its time and as a thoroughly enjoyable musical work." — AllMusic Crosby, Stills & Nash was a folk rock supergroup made up of American singer-songwriters David Crosby, Stephen Stills, and English singer-songwriter Graham Nash. CSN's 1977 self-titled album is a return to the harmony-soaked idealism with which the trio had been catapulted to popularity; it reached No. 2 on the charts, behind Fleetwood Mac's megasuccessful Rumours. AllMusic says the songs on CSN show a "great deal of lyrical maturity and compositional complexity compared to those earlier albums (from a far more innocent time). "Just a Song Before I Go" was the latest of Graham Nash's radio-friendly acoustic numbers, and a Top Ten single. "See the Changes" and "Dark Star" ranked with the best of Stephen Stills' work, while David Crosby contributed three classics from his distinctive oeuvre: "Shadow Captain," "Anything at All," and the beautiful "In My Dreams."And Nash's multi-part "Cathedral," a recollection of an acid trip taken in Winchester Cathedral on his 32nd birthday, became a staple of the group's live repertoire. Ground-breaking music perfection deserves definitive sound and top-notch packaging. This reissue was mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing.