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Bob Marley and The Wailers – Uprising
SACD44,00 €Add to cartBob Marley & The Wailers — Uprising Mastered Direct to DSD by Frank Arkwright and Ryan K. Smith at Abbey Road Studios in London, from the original master tape Hybrid Stereo SACD Plays in all CD and SACD players Uprising would be the final studio album featuring Bob Marley & the Wailers to be released during Marley's lifetime. Prophetically, it also contains some of the band's finest crafted material, as if they were cognizant that this would be their final outing. Released in 1980, Uprising stands as one of Bob Marley's most poignant and spiritually charged albums, embodying both his enduring reggae genius and his reflective, almost prophetic musings on life and faith. What makes Uprising particularly unique in Marley's discography is its duality-balancing socially conscious anthems with deeply personal expressions of faith, hope, and mortality. Tracks such as the iconic "Redemption Song," with its acoustic simplicity and universal message of liberation, and the haunting "Forever Loving Jah," reveal a man at peace with his spirituality. Meanwhile, songs such as "Could You Be Loved" deliver infectious grooves and crossover appeal, proving Marley's ability to blend message and melody effortlessly. Critics and fans alike hailed Uprising as a high point in Marley's career. It received acclaim for its mature sound and cohesive vision, with reviewers highlighting its raw emotional power. While it didn't achieve the explosive commercial success of Exodus or Kaya, it cemented Marley's status as a global ambassador for reggae and freedom. For Marley fans, it's more than an album — it's a testament to his enduring spirit. Now, Analogue Productions gives Uprising the deluxe treatment this album, with its rich heritage, deserves. Featured here on Hybrid Stereo SACD. Plays in all CD and SACD players.
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Van Morrison – Moondance
SACD44,00 €Add to cartVan Morrison — Moondance Melody, mood and romance — Morrison at his most effortless and inspired! Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! Hybrid Stereo SACD Mastered direct to DSD by Matthew Lutthans at The Mastering Lab Rolling Stone's 500 Greatest Albums of All Time No. 120/500! Equal parts blue-eyed soul shouter and wild-eyed poet-sorcerer, Van Morrison is among popular music's true innovators, a restless seeker whose incantatory vocals and alchemical fusion of R&B, jazz, blues, and Celtic folk produced what is regarded as perhaps the most spiritually transcendent body of work in the rock 'n' roll canon. Hailed by critics as one of the greatest albums of all time, Morrison's Moondance was an immediate and commercial success after the Northern Irish singer-songwriter released it on Feb. 27, 1970. After the commercial failure of his first Warner Bros. album Astral Weeks (1968), Morrison moved to upstate New York with his wife and began writing songs for Moondance. There, he met the musicians that would record the album with him at New York City's A & R Studios in August and September 1969. The album found Morrison abandoning the abstract folk jazz compositions of Astral Weeks in favor of more formally composed songs, which he wrote and produced entirely himself. Its lively rhythm and blues/rock music was the style he would become most known for in his career. The music incorporated soul, jazz, pop, and Irish folk sounds into songs about finding spiritual renewal and redemption in worldly matters such as nature, music, romantic love, and self-affirmation. Moondance helped establish Morrison as a major pop music artist while several songs from the album, including the title track, became staples of FM radio in the early 1970s. Rolling Stone's updated list of the 500 Greatest Albums of All Time has Moondance at No. 120. Mastered to DSD by Matthew Lutthans at The Mastering Lab (Mastered from a flat 24/192 digital transfer of the original master tape. EQ'd through The Mastering Lab's analog all-tube system).
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Genesis – Nursery Cryme
SACD44,00 €Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! First Genesis album to feature drummer/vocalist Phil Collins! Hybrid Stereo SACD Mastered directly to DSD from the original master tape by Chris Bellman at Bernie Grundman Mastering Genesis' album Nursery Cryme, released in November 1971, marked a significant moment in the band's evolution and showcased the burgeoning talents of their new drummer and vocalist, Phil Collins, plus guitarist Steve Hackett. Nursery Cryme saw the band take a more aggressive direction of some songs, with substantially improved drumming. The opening piece, "The Musical Box" combined the band's trademark mix of twelve-string guitars with harsh electric guitars and keyboards. The song, a macabre fairy story set in Victorian Britain, became the inspiration for the album cover, and went on to be a live favorite. This album played a pivotal role in establishing the band's progressive rock sound and laid the foundation for their future success. Although Peter Gabriel remained the band's primary vocalist, Collins' distinctive voice began to shine through on tracks like "For Absent Friends" and "Harlequin." Collins' vocals added a new dimension to the band's sound, blending seamlessly with Gabriel's, and hinting at the vocal prowess that would later define his solo career. His emotive and versatile singing style contributed to the album's overall charm. Nursery Cryme is regarded as a crucial stepping stone in Genesis' discography, and with time, became recognized as a progressive rock classic. The album received acclaim for its adventurous and intricate compositions, combining elements of folk, rock, and classical music. Genesis' signature storytelling lyrics, often filled with surreal and whimsical imagery, captivated listeners and added depth to the music. Critics praised the band's musicianship, with particular attention to the intricate guitar work of Steve Hackett and the melodic basslines of Mike Rutherford.
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SACD Bob Marley and The Wailers – Rastaman Vibration
SACD44,00 €Add to cartBob Marley & The Wailers — Rastaman Vibration Hybrid Stereo SACD release from Analogue Productions Mastered Direct To DSD by Ryan K. Smith at Sterling Sound from the original master tape Plays in all CD and SACD players When Rastaman Vibration was first released in America in 1976 it did what some in the music industry considered nearly impossible at the time. It took Bob Marley into the Top Ten alongside disco records and corporate rock, points out Rolling Stone, which rates the album 4 stars. Despite the good cheer of the title track and the upbeat "Roots, Rock, Reggae," Rastaman Vibration contains some of Marley's most intense images of oppression, paranoia and despair. Tracks such as "Who the Cap Fit," "Crazy Baldhead" and "War" are offered by the Wailers with dire urgency as Marley's brutal visions are echoed by his own church choir, the I-Threes. More than four decades later, neither Marley's music nor his message has lost its sting. For Bob Marley, 1975 was a triumphant year. The singer's Natty Dread album featured one of his strongest batches of original material (the first compiled after the departure of Peter Tosh and Bunny Wailer) and delivered Top 40 hit "No Woman No Cry." The follow-up Live set, a document of Marley's appearance at London's Lyceum, found the singer conquering England as well. Upon completing the tour, Marley and his band returned to Jamaica, laying down the tracks for Rastaman Vibration (1976) at legendary studios run by Harry Johnson and Joe Gibbs. At the mixing board for the sessions were Sylvan Morris and Errol Thompson, Jamaican engineers of the highest caliber. Of the material on Rastaman Vibration, "War," for one, remains one of the most stunning statements of the singer's career. Though it is essentially a straight reading of one of Haile Selassie's speeches, Marley phrases the text exquisitely to fit a musical setting, a quiet intensity lying just below the surface. Equally strong are the likes of "Rat Race,""'Crazy Baldhead," and "Want More." These songs are tempered by buoyant, lighthearted material like "Cry to Me," "Night Shift," and "Positive Vibration." Not quite as strong as some of the love songs Marley would score hits with on subsequent albums, "Cry to Me" seems like an obvious choice for a single and remains underrated. Rastaman Vibration — now a landmark production on Analogue Productions Hybrid Stereo SACD!
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SACD Bob Marley and The Wailers – Exodus
SACD44,00 €Add to cartBob Marley & The Wailers' Exodus Hybrid Stereo SACD release from Analogue Productions Mastered Direct To DSD by Ryan K. Smith at Sterling Sound from the original master tape Plays in all CD and SACD players By the time Bob Marley died, he was one of the world's first global superstars, famous and lauded from Europe through Africa and the Americas. Some even saw him as not just a reggae singer but as a folk hero, a sort of freedom fighter, and to this day his enduring image feels greater than the music he made, writes Pitchfork. In the 21st century, Bob Marley is a global cultural icon and the first Jamaican inducted into the Rock & Roll Hall of Fame. 1977's Exodus — recorded in London exile after a failed attempt on his life — turned out to be Marley's biggest-selling studio album. Time magazine named it the greatest LP of the 20th century. Other Marley discs had bigger hits and still others had better album tracks, but the balance Marley strikes between politics, religion, and romance on Exodus — compare and contrast the urgent title track and the laid-back "Jamming" — shows a pop star at the peak of his powers. After the success of 1974's Natty Dread and 1976's Rastaman Vibration, Bob Marley was not only the most successful reggae musician in the world, he was one of the most powerful men in Jamaica. Powerful enough, in fact, that he was shot by gunmen who broke into his home in December 1976, days before he was to play a massive free concert intended to ease tensions days before a contentious election for Jamaican Prime Minister. In the wake of the assassination attempt, Marley and his band left Jamaica and settled in London for two years, where he recorded Exodus. Exodus represented a subtle but significant shift for Marley; while he continued to speak out against political corruption and for freedom and equality for Third World people, his skill as a songwriter was as strong as ever, and Exodus boasted more than a few classics, "including the title song, 'Three Little Birds,' 'Waiting in Vain,' and 'Turn Your Lights Down Low,' tunes that defined Marley's gift for sounding laid-back and incisive at once," writes AllMusic. Exodus — now a landmark production on Analogue Productions Hybrid Stereo SACD!
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Steely Dan – Can’t Buy A Thrill
SACD44,00 €Add to cartCan't Buy A Thrill — Steely Dan's platinum-selling debut studio album reissue Hybrid Stereo SACD release from Analogue Productions! Mastered direct to DSD from the original master tape by Bernie Grundman Plays in all CD and SACD players Hi-Fi News' Album Choice for May 2024! "To avoid confusion, given that the Dan's stunning debut was reissued last year in a couple of vinyl forms including UHQR, the whole point of this release is Analogue Productions demonstrating its commitment to SACD. For this listener, it's the best digital format I know outside of the higher-res rates found only in professional situations, and I'm hard-pressed to find fault with this disc, even when auditioned side-by-side with the LPs. The sax break in 'Dirty Work' and the vocals throughout are enough to convince any who have been undecided about embracing SACD, which survives in spite of its relative obscurity. For now, this is the only way to enjoy Steely Dan if you've forsaken vinyl." — Sound Quality = 90% — Ken Kessler, HiFi News, May 2024 Steely Dan's platinum-selling debut studio album Can't Buy A Thrill, released in November 1972, was a commercial success, peaking at No. 17 on the Billboard chart. It later appeared on many professional listings of the greatest albums, including Colin Larkin's All Time Top 1000 Albums (2000) and Rolling Stone magazine's "500 Greatest Albums of All Time" (2003) The album was written by band members Donald Fagen and Walter Becker, recorded in August 1972 at The Village Recorder in Los Angeles, and produced by Gary Katz. Its music features tight song structure and sounds from soft rock, folk rock, and pop, alongside philosophical, elliptical lyrics. Two songs recorded during the Can't Buy A Thrill sessions were left off the album and released as a single: "Dallas" b/w "Sail the Waterway." This is the only Steely Dan album to include David Palmer as a lead vocalist, having been recruited after Donald Fagen expressed concerns over singing live. Drummer Jim Hodder also chips in lead vocals on one song, "Midnite Cruiser" (sometimes spelled "Midnight Cruiser"), as well as singing the "Dallas" single. By the time recording of the next album began, the band and producer Gary Katz had convinced Fagen to assume the full lead vocalist role. AllMusic gave the album 4.5 stars, with reviewer Stephen Thomas Erlewine praising the core duo Walter Becker and Donald Fagen as "remarkable craftsmen." Erlewine noted that "there are very few of the jazz flourishes that came to distinguish their (later) albums", but added that the first single from the album, "Do It Again," incorporates a tight Latin jazz beat, while the second single, "Reelin' In the Years," features jazzy guitar solos and harmonies. Rolling Stone, in its review, said the debut album was a collection of some of the group's best jazz/rock songs. "Two of Fagen's four (vocal solo) songs were the singles, ‘Do It Again' and ‘Reelin' In The Years,' the later starting off (and continues throughout) with a ripping solo by session player, Elliot Randall, and in fact, was rated by Led Zeppelin's Jimmy Page as his favourite guitar solo of all time. That's quite an endorsement. The song peaked at No. 11 on the Billboard Charts. ‘Do It Again' charted at No. 6, making it their second highest chart for a single. ‘Dirty Work,' another great song from the record features Palmer. The album is tight, with some of the best musicianship money can buy." — Rolling Stone The album cover features a photomontage by Robert Lockart that includes an image of a line of prostitutes, standing in a red-light area from Rouen in France waiting for clients. The image was chosen because of its relevance to the album title. Walter Becker and Donald Fagen themselves commented on the album art in their liner notes to the reissued The Royal Scam, saying that The Royal Scam album possessed "the most hideous album cover of the seventies, bar none (excepting perhaps Can't Buy A Thrill)." The cover was banned in Francisco Franco's Spain and was replaced with a photograph of the band playing in concert. After a brief battle with esophageal cancer, Walter Becker died on September 3, 2017 at the age of 67. Steely Dan has sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001. VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time. Rolling Stone ranked them No. 15 on its list of the 20 Greatest Duos of All Time.
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Steely Dan – Countdown To Ecstasy
SACD44,00 €Add to cartCountdown To Ecstasy — Steely Dan's gold-selling second studio album reissue Hybrid Stereo SACD release from Analogue Productions! Mastered direct to DSD from the original master tape by Bernie Grundman Plays in all CD and SACD players Steely Dan's second studio album, originally released in 1973 by ABC Records, was certified gold-selling by the Recording Industry Association of America (RIAA) for selling 500,000 copies in the U.S. Founded by core members Walter Becker (bass) and Donald Fagen (vocals, keyboards), Steely Dan's popularity rose throughout the late 1970s on, and their seven albums throughout that period of time blended elements of jazz, rock, funk, R&B, and pop. Steely Dan created a sophisticated, distinctive sound with accessible melodic hooks, complex harmonies and time signatures, and a devotion to the recording studio. Becker and Fagen, with producer Gary Katz, gradually changed Steely Dan from a performing band to a studio project, hiring session musicians to record their compositions. The duo didn't perform live between 1974 and 1993. But their popularity nevertheless grew throughout the '70s as their albums became critical favorites and their singles became staples of Adult Oriented Radio and pop radio stations. Like Steely Dan's 1972 debut album Can't Buy A Thrill, Countdown to Ecstasy has a rock sound that exhibits a strong influence from jazz. It comprises uptempo, four-to-five-minute rock songs, which, apart from the bluesy vamps of "Bodhisattva" and "Show Biz Kids," are subtly textured and feature jazz-inspired interludes. Countdown to Ecstasy was the only album written by Steely Dan for a live band. "My Old School" features reverent horns and aggressive piano riffs and guitar solos. "The Boston Rag" develops from a jazzy song to unrefined playing by the band, including a distorted guitar solo by Jeff "Skunk" Baxter. Jim Hodder's drumming eschews rock music for pop and jazz grooves. Bop-style jazz soloing is set in the context of a pop song on "Bodhisattva". Commenting on the album's style and production, Tom Hull says it is "clean, almost slick", with "no dissonance, no clutter," reminiscent of 1940s bop and "the overproduced early 60s pop rock." Countdown to Ecstasy has lyrical themes similar to Can't Buy A Thrill. It explores topics such as drug abuse, class envy, and West Coast excess. "My Old School" is inspired by a drug bust involving Walter Becker and Donald Fagen at Bard College, "King of the World" explores a post-Nuclear holocaust United States, and "Show Biz Kids" satirizes contemporary Los Angeles lifestyles. Rolling Stone described Countdown To Ecstasy as "another dose of mainstream rock and roll, restating the basic themes of Can't Buy A Thrill, but this time concentrating a bit more on the rocking side of their style." The original cover painting was by Fagen's then-girlfriend Dorothy White. At the insistence of ABC Records president Jay Lasker, however, several figures had to be added when he found the discrepancy between five band members and three figures on the cover unacceptable. The proofs for the album cover were later stolen during a dispute over the final layout. The back cover features an orchid surrounded by the band and their recording equipment. After a brief battle with esophageal cancer, Walter Becker died on September 3, 2017 at the age of 67. Steely Dan has sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001. VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time. Rolling Stone ranked them No. 15 on its list of the 20 Greatest Duos of All Time.
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Steely Dan – Katy Lied
SACD44,00 €Add to cartKaty Lied — Steely Dan's gold-selling fourth studio album reissue Hybrid Stereo SACD release from Analogue Productions! Mastered direct to DSD from the original master tape by Bernie Grundman Plays in all CD and SACD players " If, because you prefer digital, you've not been tempted by the recent vinyl reissue nor Analogue Productions' 2x45rpm UHQR LP, you haven't been forgotten, nor under-served. This SACD edition of Steely Dan's fourth album, from 1975, sounds simply sensational: clean, crisp and — yes — 'analogue-ish.' I'd forgotten how many superior numbers it contains: 'Black Friday,' 'Daddy Don't Live In That New York City No More,' 'Everyone's Gone To The Movies,' 'Doctor Wu,' and six more jazzy stunners. As you'd expect, the lineup of musicians is stellar (Rick Derringer!), and its elevated place in the audiophile pantheon is a no-brainer. For my money, it slaughters Aja. — Sound Quality: 90% — Ken Kessler, Hi Fi News, September 2025 Katy Lied, Steely Dan's fourth studio album, originally released in 1975 by ABC Records, was certified gold-selling and peaked at No. 13 on the U.S. charts. The single "Black Friday" also charted at No. 37. Pitchfork noted: "(Katy Lied) captures Steely Dan in the thick of it all, still hungry and energized by their early burst of creativity but not taking anything for granted. Before Katy Lied, Steely Dan was a rock band, but this is the record where they became something else." Founded by core members Walter Becker (bass) and Donald Fagen (vocals, keyboards), Steely Dan's popularity rose throughout the late 1970s on, and their seven albums throughout that period of time blended elements of jazz, rock, funk, R&B, and pop. Steely Dan created a sophisticated, distinctive sound with accessible melodic hooks, complex harmonies and time signatures, and a devotion to the recording studio. Becker and Fagen, with producer Gary Katz, gradually changed Steely Dan from a performing band to a studio project, hiring session musicians to record their compositions. The duo didn't perform live between 1974 and 1993. But their popularity nevertheless grew throughout the '70s as their albums became critical favorites and their singles became staples of Adult Oriented Radio and pop radio stations. Katy Lied was notable for Becker and Fagen being intially unhappy with the album's sound quality owing to an equipment malfunction with the then new dbx noise reduction system. Working with engineers at dbx, the sound was corrected and the album ultimately became successful, but Fagen and Becker still refused to listen to the completed version. Katy Lied also marks the first appearance of singer Michael McDonald on a Steely Dan album. Best known for his soulful voice as a member of the Doobie Brothers, McDonald is a five-time Grammy winner and was inducted into the Rock and Roll Hall of Fame as a member of the Doobie Brothers in 2020. The album cover features a picture of a katydid, a "singing" (stridulating) insect related to crickets and grasshoppers. This is most likely a pun on the album's title; the "singing" of a katydid sounds as though they're saying "Katy did, Katy didn't." Lyrics in the song "Doctor Wu" include "Katy tried, I was halfway crucified" and "Katy lies, you can see it in her eyes." The premise of the theme of Katy "lying" is based on a quote from Denny Dias when he came to the studio to play on "Your Gold Teeth II." Jeff Porcaro, then only 21 years old, played drums on all the songs except "Any World (That I'm Welcome To)," which features legendary session drummer Hal Blaine. After a brief battle with esophageal cancer, Walter Becker died on September 3, 2017 at the age of 67. Steely Dan has sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001. VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time. Rolling Stone ranked them No. 15 on its list of the 20 Greatest Duos of All Time.
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SACD Genesis – Foxtrot
SACD44,00 €Show itemAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Genesis's fourth album Foxtrot Includes "Watcher of the Skies" and "Supper's Ready" Hybrid Stereo SACD Mastered directly to DSD from the original master tape by Chris Bellman at Bernie Grundman Mastering Genesis' Foxtrot is the band's fourth studio album, released in 1972. Regarded as one of the seminal albums of the progressive rock genre, it marked a significant milestone in Genesis' discography. AllMusic's Stephen Thomas Erlewine says Foxtrot is where where Genesis began to pull all of its varied inspirations into a cohesive sound. The startling thing about the opening "Watcher of the Skies" is that it's the first time that Genesis attacked like a rock band, playing with a visceral power, he writes, giving the album a 5-star review. "There's might and majesty here, and it, along with 'Get 'Em Out by Friday,' is the truest sign that Genesis has grown muscle without abandoning the whimsy. Certainly, they've rarely sounded as fantastical or odd as they do on the epic 22-minute closer "Supper's Ready," a nearly side-long suite that remains one of the group's signature moments. It ebbs, flows, teases, and taunts, see-sawing between coiled instrumental attacks and delicate pastoral fairy tales. If Peter Gabriel remained a rather inscrutable lyricist, his gift for imagery is abundant, as there are passages throughout the album that are hauntingly evocative in their precious prose." — AllMusic This is the rare art-rock album that excels at both the art and the rock, and it's rightly celebrated for its enduring impact on the progressive rock genre, making it an essential listen for Genesis fans.
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SACD Steely Dan – The Royal Scam
SACD44,00 €Add to cartThe Royal Scam — Steely Dan's platinum-selling fifth studio album reissue Hybrid Stereo SACD release from Analogue Productions! Mastered direct to DSD from the original master tape by Bernie Grundman Plays in all CD and SACD players Steely Dan's platinum-selling fifth studio album The Royal Scam, was produced by Gary Katz and was originally released by ABC Records in 1976. The Royal Scam features more prominent guitar work than the prior Steely Dan album, Katy Lied, which had been the first without founding guitarist Jeff Baxter. Guitarists on the recording include Walter Becker, Denny Dias, Larry Carlton, Elliott Randall and Dean Parks. The album was certified platinum-selling and peaked at No. 15 on the Billboard 200. In common with other Steely Dan albums, The Royal Scam is littered with cryptic allusions to people and events both real and fictional. In a BBC interview in 2000, Becker and Fagen revealed that "Kid Charlemagne" is loosely based on Owsley Stanley, the notorious drug "chef" who was famous for manufacturing hallucinogenic compounds, and that "Caves of Altamira," based on a book by Hans Baumann, is about the loss of innocence, the narrative about a visitor to the Cave of Altamira who registers his astonishment at the prehistoric drawings. Rolling Stone, in its review of the album, described The Royal Scam, as Steely Dan's "mostatypical record, possessing neither obvious AM material nor seductive lyrical mysteriousness. It also contains some of their most accomplished and enjoyable music. "... the overall feeling of Scam is one of just that: tension. There is little of the self-confident gentleness that dotted Pretzel Logic, less still of the omniscience that suffused Katy Lied. The Royal Scam is a transitional album for Steely Dan; melody dominates lyric in the sense that the former pushes into new rhythmic areas for the group (more "pure" jazz, semireggae and substantially more orchestration than before) while the verbal content is clearer, even mundane, by previous Dan standards," said the Rolling Stone review. Nearly every song on Scam concerns a narrator's escape from a crime or sing recently committed, the review continued. "Becker and Fagen have really written the ultimate 'outlaw' album here, something that eludes myriad Southern bands because their concept of the outlaw is so limited. Rather than just, say, robbing banks ('Don't Take Me Alive,' in which the robber is a 'bookkeeper's son'), Becker and Fagen's various protagonists are also solipsistic jewel thieves ('Green Earrings'), spendthrift divorcées ('Haitian Divorce') and murderously jealous lovers ('Everything You Did')." AllMusic gives the album 4.5 stars, saying the best songs on The Royal Scam, "Kid Charlemagne" and "Sign in Stranger" "rank as genuine Steely Dan classics." The album cover shows a man in a suit, sleeping on a radiator, and apparently dreaming of skyscraper-beast hybrids. The cover was created from a painting by Zox and a photograph by Charlie Ganse, and was originally created for Van Morrison's unreleased 1975 album, Mechanical Bliss, the concept being a satire of the American Dream. In the liner notes for the 1999 remaster of the album, Fagen and Becker claim it to be "the most hideous album cover of the seventies, bar none (excepting perhaps Can't Buy a Thrill)." After a brief battle with esophageal cancer, Walter Becker died on September 3, 2017 at the age of 67. Steely Dan has sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001. VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time. Rolling Stone ranked them No. 15 on its list of the 20 Greatest Duos of All Time.
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SACD Genesis – A Trick Of The Tail
SACD44,00 €Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! First Genesis album to feature Phil Collins as lead vocalist! Featuring "Dance On A Volcano" and "Squonk" Hybrid Stereo SACD Genesis' seventh studio album was released in February 1976 on Charisma Records and was the first to feature drummer Phil Collins as lead vocalist after the departure of Peter Gabriel. The album was a critical and commercial success in the U.K. and U.S., reaching No. 3 and No. 31 respectively. A Trick Of The Tail was a landmark album for the band, and it still stands today as one of their best with classics such as "Dance On A Volcano" and "Squonk."
In the wake of Peter Gabriel's departure from the band, the remaining members of Genesis were determined to forge ahead, showcasing their songwriting prowess and recording prowess in the absence of their iconic frontman. This period marked the genesis of A Trick of the Tail. In mid-1975, the band embarked on an intensive creative journey, crafting new compositions and diligently rehearsing them. Their quest for a new lead vocalist led them to sift through a staggering 400 audition tapes. As the autumn leaves began to fall, Genesis found themselves at Trident Studios in October, accompanied by producer David Hentschel. Surprisingly, the recording sessions began with an air of uncertainty regarding who would take on the role of lead vocalist. However, fate intervened when Phil Collins was persuaded to step up and deliver a powerful rendition of "Squonk." The strength of his performance not only won over the band but also paved the way for him to assume lead vocals for the entirety of the album. Genesis has always been synonymous with grandeur and innovation, both in their electrifying live performances and their trailblazing studio albums. From timeless classics such as Nursery Cryme, Foxtrot, Selling England By The Pound, to the epic concept album The Lamb Lies Down On Broadway, the band has consistently pushed the boundaries of musical creativity. Over the span of four remarkable decades, Genesis has left an indelible mark on the music industry, having sold a staggering 150 million albums worldwide. Their influence extends far and wide, inspiring artists ranging from the indie rock stylings of Elbow to the experimental sounds of The Flaming Lips, and even the soulful resonance of Jeff Buckley. A Trick of the Tail stands as a testament to their enduring legacy and their ability to adapt and thrive in the face of change. -
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SACD Genesis – Abacab
SACD44,00 €Add to cartAnalogue Productions (Atlantic Series) Celebrating the 75th Anniversary of Atlantic Records! Genesis' multiplatinum-selling album Abacab! Featuring "Abacab," "No Reply At All," and "Man on the Corner" Hybrid Stereo SACD Certified multi-platinum-selling in several countries, including the United States and the United Kingdom, Genesis' album Abacab, released in 1981, marked the band's move from their progressive music roots to more accessible and pop-oriented songs. Genesis released four singles from the album, the most successful being "Abacab" and "No Reply at All," together with "Man on the Corner." Extensive radio play helped boost the album's commercial success. The album was engineered by Hugh Padgham, known for his work with other successful artists like Phil Collins and The Police. His production techniques, including the gated reverb drum sound, contributed to the album's modern and radio-friendly sound. In November 1980 the band bought Fisher Lane Farm, a farmhouse with an adjoining cowshed near Chiddingfold, Surrey, as their new private rehearsal and recording facility. In the process of remodelling the building into a studio, the trio reconvened in the farm house to write and rehearse new material, which initially took place in the living room, and they started recording Abacab in March 1981 once the studio was operational. It was the first Genesis album recorded in England since A Trick of the Tail (1976). This Hybrid Stereo SACD Analogue Productions (Atlantic 75 Series) reissue of the classic Abacab is a sonic gift for all true Genesis fans!
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SACD Hugh Masekela – Hope
SACD44,00 €Show item"…Hope is one of those intensely visceral, large as life, and immediately present recordings that will make pretty much any system sound at least very good, and will cause better ones to raise goose bumps." – Wayne Garcia, The Absolute Sound, August 2008 "…The high quality original mix plus Analogue Productions' superb mastering has resulted in a terrific, very transparent sonic with great impact." – John Henry, Audiophile Audition "A stunning demo disc to test or show off any stereo system." – Playback, June 2008 "Here's another masterpiece from Chad Kassem and Kevin Gray…you would swear that you are listening to a master tape in your living room…this one is great for showing off what your stereo system can do." – Jeff Dorgay, Tone Audio, No. 15, 2008 A longtime audiophile demonstration disc. Hope will show off your system's dynamic range as well as any record ever released. Hugh Masekela, the outstanding South African trumpeter, assembled a seven-piece group and recorded this great set live at Washington, D.C.'s Blues Alley. The songs stretch over a period of nearly five decades and serve as an informal guided tour of Masekela's life. The songs are honest and bare, and as for the sound – WOW! Reviews of the LP: "…Believe me, this double 45 makes the CD sound like digital dog crap. It you thought the CD version sounded good, you ain't heard nuttin' yet." "Wow! Hugh Masekela never sounded more real – the BEST Masekela album, a definitive must have!" – Danny Kaey, Positive-Feedback Online
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SACD Yes – Fragile
SACD44,00 €Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Yes' breakthrough album! Includes hit singles "Roundabout" and "Long Distance Runaround" Hybrid Stereo SACD Mastered by Kevin Gray at Cohearent Audio direct to DSD from the original master tape Fragile was Yes' breakthrough album, propelling them in a matter of weeks from a cult act to an international phenomenon. Not coincidentally, it also marked the point where all of the elements of the music (and more) that would define the group's success for more than a decade fell into place fully formed, writes AllMusic, giving Fragile a 5-Star rating. Propelled by the timeless hit "Roundabout," Yes' fourth album, Fragile, became an instant classic and is undoubtedly one of prog-rock's finest moments. It was the first Yes record to feature Rick Wakeman on keyboards and the first to display the inimitable artwork of Roger Dean. Here's the ultimate way to enjoy one of Yes's most popular and enjoyable albums. Dream on, on to the Heart of the Sunrise!
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SACD Dr. John – Gris Gris
SACD44,00 €Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! From the king of the psychedelic bayou, Dr. John! Hybrid Stereo SACD Rolling Stone's 500 Greatest Albums of All Time rated No. 356 in the 2020 edition The debut album from the king of the psychedelic bayou — the hypnotic, mystical and powerful sound of the swamp coming to life. As he became Dr. John (real name Mac Rebennack), it was his LA session work with musicians such as Sonny & Cher, Canned Heat, and Zappa that allowed him to start conjuring up his visions of guitar psych-pop to walk alongside his authentic New Orleans upbringing. Gris-Gris was released on Atco Records, a sub label of Atlantic, in 1968. The musical style of Gris-Gris is a hybrid of New Orleans rhythm and blues and psychedelic rock. The album introduced Rebennack's Dr. John character, inspired by a reputed 19th century voodoo doctor. The album was taken under the wing of a small percentage of the "underground" upon its release in 1968 and did not find a true following for years. Allmusic gave the album five out of five stars, referring to it as "The most exploratory and psychedelic outing of Dr. John's career" and "that it "sounds like a post-midnight ceremony recorded in the bayou swamp," naming it "among the most enduring recordings of the psychedelic era; it sounds as mysterious and spooky in the 21st century as it did in 1968."
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SACD David Crosby – If I Could Only Remember My Name
SACD44,00 €Add to cartAnalogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! If I Could Only Remember My Name —David Crosby's debut solo album! Hybrid Stereo SACD Mastered directly to DSD from the original master tape by Bernie Grundman If I Could Only Remember My Name was the debut solo record from David Crosby. Recorded in 1970 after the passing of his girlfriend Christine and released in February of 1971, the album explores themes including loss and disorientation. The album features a who's who of contributors from the San Francisco Bay area including Paul Kantner and Grace Slick of Jefferson Airplane, Jerry Garcia of the Grateful Dead, and Santana, and his cohort from Los Angeles including Graham Nash, Neil Young, and Joni Mitchell. The album has attained a cult status throughout the last 50 years, hailed for its spooky, psychedelic, and truly unique sounds. AllMusic gave the album 4.5 stars, with reviewer Stanton Swihart writing: "With his ringing, velvety voice — the epitome of hippie crooning — and inspired songwriting, he turns If I Could Only Remember My Name into a one-shot wonder of dreamy but ominous California ambience."