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Van Morrison – His Band And The Street Choir
85,00 €Add to cartVan Morrison — His Band And The Street Choir 1970 album includes "Domino," "Blue Money" and "Call Me Up In Dreamland" Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! Mastered from the original analog master tape 180-gram 45 RPM double LP pressed at Quality Record Pressings Housed in a Stoughton Printing tip-on gatefold jacket Legendary Irish singer-songwriter Van Morrison produced two of the most famous albums of his career — Astral Weeks and Moondance — but overlooked is this gem because of its proximity to those two heavyweights. His Band And The Street Choir came into existence predominantly during the first half of 1970 at A&R Recording Studios in New York City, with recording wrapping up in July and August. Produced by Morrison himself, the album actually started out in Woodstock, New York, where he recorded some demos in a small church. By March, however, the album's session had begun in earnest in NYC. Some of the songs had actually been first recorded for those earlier two albums we mentioned, but Morrison decided to rewrite them and rearrange them for the new LP, since the musical sensibilities on His Band And The Street Choir were decidedly different from the albums that preceded it. As Stephen Thomas Erlewine wrote on Pitchfork., "The album gives an illusion of buoyant immediacy thanks in no small part to its heavy R&B kick. Where Moondance traded in jazz — even its liveliest moment was named after a Duke Ellington song — His Band And The Street Choir relied on soul and gospel, using folk almost as an accent." It's fair to say that critics at the time gushed over the album. "His Band And The Street Choir is a free album," Jon Landau wrote in his Rolling Stone review. "It was recorded with minimal over-dubbing and was obviously intended to show the other side of Moondance." His Band And The Street Choir captures Van Morrison at his most joyful and spontaneous — a luminous counterpoint to the introspection of Moondance. This is the sound of a great artist unguarded, caught in the groove of the moment, with the energy of the studio practically spilling out of the grooves. If you love the sound of real instruments recorded with warmth and soul, Street Choir belongs in your collection.
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Tony Joe White – Tony Joe White
85,00 €Add to cartTony Joe White — Tony Joe White Southern soul, swamp rock, and the restless spirit of a changing America Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! 180-gram 45 RPM double LP Mastered from the original master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Tony Joe White, nicknamed the Swamp Fox, released his fourth album, and his first for Warner Bros. Records in 1971. The album was recorded over a two-week period in December 1970, in two different Memphis studios (one was Ardent Studios, where Big Star later recorded their influential power pop albums). His producer was none other than London-born Peter Asher, who had just produced James Taylor's early hits for the label (he would continue to produce hits for Taylor and Linda Ronstadt on his way to becoming one of the most successful producers of the '70s). AllMusic describes the songs on Tony Joe White as "standard and straightforward ... White's husky southern warble remains the album's key focus." Still, White digs into the turbulence of the late '60s and early '70s with both heart and heat. "The Change" sets the tone, a smoky, spoken-word sermon that taps into the era's yearning for progress. "I Just Walked Away" (the album's standout single) balances Southern funk and raw emotional punch, while "The Daddy" and "Five Summers for Jimmy" reveal White's tender, introspective side. The autobiographical "A Night in the Life of a Swamp Fox" closes the album with a nod to the man behind the myth — a road-weary musician caught between fame and freedom. Tony Joe White stands as a defining moment for one of music's most distinctive voices — a swamp-rock masterpiece steeped in social reflection and Southern soul, raw and timelessly American.
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The Meters – Rejuvenation
85,00 €Add to cartThe Meters — Rejuvenation Includes "People Say," "Just Kissed My Baby" and "It Ain't No Use" Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! Mastered from the original analog master tape 180-gram 45 RPM double LP pressed at Quality Record Pressings Housed in a Stoughton Printing tip-on gatefold jacket When The Meters dropped Rejuvenation in 1974, the funk world shifted on its axis. Produced by Allen Toussaint, this is the New Orleans groove machine at full throttle — a masterclass in rhythm, feel, and fire. Every track locks into that deep pocket only The Meters could create, powered by George Porter Jr.'s elastic bass, Zigaboo Modeliste's razor-tight drumming, Art Neville's soulful keys, and Leo Nocentelli's greasy, gritty guitar lines. Now restored to its full glory by Analogue Productions and pressed at Quality Record Pressings, this definitive reissue lets Rejuvenation breathe with new life. The clarity, warmth, and punch reveal every nuance of Toussaint's production — from the steamy pulse of "Just Kissed My Baby" to the swaggering "People Say" and the slow-burn funk sermon "It Ain't No Use." Rejuvenation captures the raw, rhythmic genius that would go on to fuel generations of hip-hop, rock, and R&B artists. Pressed to perfection for your turntable, Rejuvenation isn't just a funk essential — it's a cornerstone of American music history. Spin it loud and experience that unmistakable New Orleans groove.
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The Meters – Fire On The Bayou
85,00 €Add to cartThe Meters — Fire On The Bayou Gritty and punchy originals "Out In The Country," "They All Ask'd For You" and the title track! Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! Mastered from the original analog master tape 180-gram 45 RPM double LP pressed at Quality Record Pressings Housed in a Stoughton Printing tip-on gatefold jacket Members of The Meters were longstanding musical luminaries in New Orleans, but by the time of 1975's Fire On The Bayou, the world beyond the Big Easy had also taken notice; The Rolling Stones tapped the band to open their U.S. tour that year. Produced by the great Allen Toussaint at his Sea-Saint Studios, the collection was the quintet's third for Reprise and arguably their best for the label. With percussionist Cyril Neville joining the ranks, the grooves get even funkier on these 11 tracks, as a couple of fine covers ("Mardi Gras Mambo") join ace originals like "Out in the Country," "They All Ask'd For You," and the title track. Gritty and punchy, Fire On The Bayou simmers from start to finish. Now restored to its full glory by Analogue Productions and pressed at Quality Record Pressings, this definitive reissue of Fire On The Bayou captures The Meters at their funkiest and most fearless — a swampy, hard-grooving New Orleans classic that radiates heat, grit, and soul from the first note to the last.
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Seals & Crofts – Summer Breeze
85,00 €Add to cartSeals & Crofts — Summer Breeze Feel the sunshine, hear the harmony — Summer Breeze brings it all back! Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! 180-gram 45 RPM double LP Mastered from the original master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Few songs capture the spirit of the 1970s quite like "Summer Breeze." The title track from Seals & Crofts' 1972 breakthrough album became an enduring soft-rock anthem, reaching No. 6 on the Billboard Hot 100 and forever defining the duo's warm, harmony-rich sound. With Summer Breeze, Seals & Crofts — Jim Seals and Dash Crofts — found the perfect balance of breezy melodies, intricate musicianship, and lyrical introspection. It was the record that transformed them from respected songwriters into household names, helping usher in the smooth California sound that would dominate radio throughout the decade. Every track here glows with the easygoing optimism that made Seals & Crofts a lasting favorite among music lovers and audiophiles alike. More than 50 years later, Summer Breeze still radiates that same golden warmth — an album built for open windows, long drives and timeless replay.
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Seals & Crofts – Diamond Girl
85,00 €Add to cartSeals & Crofts — Diamond Girl Shimmering harmonies, golden melodies — the sound of '70s sophistication at its brightest Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! 180-gram 45 RPM double LP Mastered from the original master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing The title track of Seals & Crofts' fifth studio album made its debut on the Billboard Hot 100 in 1973. Like the majority of their material, the jazz-influenced "Diamond Girl" was written by Jim Seals and Dash Crofts. Alan Bershaw of Paste Magazine described the song as "the infectious title track" of the album, praising the way that its lyrics are "skillfully depicting the love for a woman or a commitment to God, depending on how one interprets them." (The latter aspect is no surprise, given that the duo was famously affiliated with the Baha'i faith.) "Diamond Girl" was another Top 10 hit for Seals & Crofts, and it helped send the album of the same name hurtling all the way to No. 4 on the Billboard 200, thereby turning it into the highest-charting album of their career. It was also the end of the duo's tendency to embrace the acoustic side of music, as they henceforth tended to focus more on a band-oriented approach to their tunes. If you've got to leave a certain percentage of your fans behind, it's best to do it with an album that sticks with them, and Diamond Girl certainly achieved that in spades.
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Ry Cooder – Paris, Texas
85,00 €Add to cartRy Cooder — Paris, Texas Cooder's soul-stirring soundtrack to the 1985 film Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! 180-gram 45 RPM double LP Mastered from the original master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Released in 1985, the Paris, Texas soundtrack by Ry Cooder blends slide guitar and minimalist music to reflect the film's emotional depth. The iconic track "Paris, Texas" helped the album earn critical acclaim, including a BAFTA for Best Film Music. Cooder's score perfectly captured the film's themes of isolation and redemption. It's been more than four decades since the film was awarded the 1984 Palme d'Or at its acclaimed Cannes Film Festival debut. The film's mystifying personae and desolate neo-western vistas have lost none of their original intrigue, thanks in large part to Ry Cooder's iconic soundtrack — a defining showpiece by a slide guitar savant. Recorded over three days, his music plays a pivotal mood-setting role, providing a plangent underpinning for German director Wim Wenders' postcard renderings of Americana.
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Ry Cooder – Paradise And Lunch
85,00 €Add to cartRy Cooder — Paradise and Lunch A savory mix of blues, soul and deep Southern spirit! Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! 180-gram 45 RPM double LP Mastered from the original master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Few artists blend roots, soul, and sheer musicianship as effortlessly as Ry Cooder. A virtuoso guitarist, producer, and musical historian, Cooder has long been revered for unearthing the heart of American music — and Paradise and Lunch (1974) stands as one of his crowning achievements. A good 20 years have passed since a band with ancient musicians from Cuba — the Buena Vista Social Club — took the world by storm. Behind the project, in the wings yet right in the midst of this unheard-of music, was Ry Cooder, who regarded this encounter as the greatest musical event of his entire life. The bottleneck guitar hero had always been very interested in the music from the other Americas ever since the solo albums he made in his early years, in which he told the story of the American folk and blues in a multitude of styles. Paradise and Lunch is no exception. The faint smell of a wooden church from pioneering days wafts out of the processional antiphonal song "Jesus On The Mainline" and a healthy 12-bar blues paints a picture of what silent witnesses could tell if they could ("If Walls Could Talk"). Cooder and his sidemen felt themselves perfectly at home when adventuring further afield and this is testified to in the laid-back calypso rhythm of "It's All Over Now" and the clip-clop of "Mexican Divorce." Steeped in gospel, blues, R&B, and Tex-Mex groove, this is Cooder at his most inspired — relaxed, confident, and surrounded by an ace lineup that includes jazz legend Earl "Fatha" Hines, gospel great Bobby King, and the irresistible rhythm of Jim Keltner. His interpretations of "Tattler," "Jesus on the Mainline," and "Ditty Wah Ditty" shimmer with warmth and personality, transforming traditional material into something timeless and distinctly his own. This is essential listening for anyone who values authenticity, artistry, and great sound.
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Ry Cooder – Chicken Skin Music
85,00 €Add to cartRy Cooder — Chicken Skin Music A roots music tapestry combining Hawaiian, gospel, conjunto, folk and blues! Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! 180-gram 45 RPM double LP Mastered from the original master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing The title says it all — Chicken Skin Music means goosebumps, and Ry Cooder delivers them in spades. Released in 1976, this groundbreaking album captures Cooder at his most adventurous, blending gospel, Tex-Mex, Hawaiian, folk, and blues into one seamless, soul-stirring whole. Long before "world music" was a genre, Cooder was already building the bridges — connecting sounds, cultures, and traditions with unmatched taste and precision. What makes Chicken Skin Music so extraordinary is the joy in the playing. Cooder's slide guitar glides effortlessly alongside Flaco Jiménez's accordion, Gabby Pahinui's slack-key stylings, and gospel-choir harmonies that lift every track skyward. Songs like "He'll Have to Go," "Stand by Me," and "Always Lift Him Up / Kanaka Wai Wai" radiate warmth and humanity, revealing Cooder's rare gift for honoring tradition while reinventing it in his own unmistakable voice. Few records sound this alive, this inclusive, or this downright moving. It's Ry Cooder at his most inspired.
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Ramones – Ramones
85,00 €Add to cartRamones — Ramones The album that launched punk rock — raw, fast, loud, and utterly unstoppable! Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! 180-gram 45 RPM double LP Mastered from the original master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing The Ramones ignited the punk-rock movement with their eponymous 1976 debut album, revitalizing rock and roll at one of it's lowest ebbs with attitude, energy and a loud, fast new sound. By cutting music down to it's bare essentials — four chords; a simple, catchy melody; a sped-up tempo and irresistibly inane lyrics, the Ramones blazed the trail for thousands of bands that followed, influencing everyone from The Clash and The Sex Pistols to Green Day and The Offspring. Although The Ramones never achieved mainstream financial success, they released 21 live and studio albums, had a devoted fan base and were inducted into the Rock & Roll Hall of Fame in 2002. Other bands, such as the Stooges and the New York Dolls, came before them and set the stage and aesthetic for punk, and bands that immediately followed, such as the Sex Pistols, made the latent violence of the music more explicit, but the Ramones crystallized the musical ideals of the genre. Still the loudest wake-up call rock ever had.
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Montrose – Montrose
85,00 €Add to cartMontrose — Montrose The Birth of American Hard Rock — now on audiophile vinyl! Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! Mastered by Matthew Lutthans at The Mastering Lab from the original master tape 180-gram 45 RPM double LP pressed at Quality Record Pressings Housed in a Stoughton Printing tip-on gatefold jacket Few debut albums hit with the seismic force of Montrose. Released in 1973, this powerhouse record didn't just introduce guitarist Ronnie Montrose and a then-unknown vocalist named Sammy Hagar — it practically rewrote the rules for American hard rock. From the opening riff of "Rock the Nation" to the thunder of "Bad Motor Scooter" and "Space Station #5," Montrose delivers 35 minutes of pure, high-octane energy. It's lean, loud, and loaded with attitude — the album that bridged the gap between Led Zeppelin's muscle and Van Halen's flash. In fact, Eddie Van Halen himself cited Montrose as a blueprint for what would come next. Produced by Ted Templeman (soon to helm Van Halen's own breakout), the record's sound is all killer instinct and no filler — massive guitar tones, airtight grooves, and Hagar's raw, unfiltered vocals in peak form. It's the kind of album that never left the turntables of rock fans, and it's still hailed by critics as one of the greatest debut albums in rock history. Now, this classic gets the treatment it's always deserved. Mastered with precision from the original tape by Matthew Lutthans at The Mastering Lab, and pressed on dead-quiet, perfectly flat vinyl by Quality Record Pressings, this edition captures every ounce of the album's fire and punch — the way it was meant to be heard. Turn it up, drop the needle, and feel the spark that lit an era. Montrose isn't just hard rock history — it's the sound of ignition.
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KC & The Sunshine Band
85,00 €Add to cartKC & The Sunshine Band — KC & The Sunshine Band Includes the hits "Get Down Tonight," "That's The Way (I Like It)" and "Boogie Shoes" Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! Mastered from the original analog master tape 180-gram 45 RPM double LP pressed at Quality Record Pressings Housed in a Stoughton Printing tip-on gatefold jacket KC and the Sunshine Band got their start in Hialeah, Florida in 1973, starting out as KC and the Sunshine Junkanoo Band before dropping one of the words in their name, possibly to avoid spending the rest of their career being asked, "What's a Junkanoo?" It was the 1975 release of "Get Down Tonight" from their self-titled album that sent KC and the Sunshine Band into the stratosphere. It wasn't the only future No. 1 hit to be included in the track listing: also in the mix was "That's the Way (I Like It)." So, for that matter, was the soon-to-be Top-40 hit "Boogie Shoes." Between those three tracks, it became virtually impossible to escape KC and the Sunshine Band during 1975...and that's the way Harry Casey liked it.
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John David Souther – Black Rose
85,00 €Add to cartJohn David Souther — Black Rose A gem from the golden age of 1970s singer-songwriters Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! Mastered from the original analog master tape 180-gram 45 RPM double LP pressed at Quality Record Pressings Housed in a Stoughton Printing tip-on gatefold jacket Black Rose stands as John David Souther's defining artistic statement — a lush, soulful record that bridges the California country-rock sound with elegant, jazz-inflected sophistication. Originally released in 1976 on Asylum Records, this was the moment Souther fully came into his own: a songwriter's songwriter, surrounded by the very best of L.A.'s musical elite. With appearances by Linda Ronstadt, Glenn Frey, Don Henley, Joe Walsh, and David Crosby, Black Rose captures that intimate, sunlit West Coast magic like few albums of its time. Sonically, Black Rose is a marvel — warm, organic, and deeply textured. The original analog recordings deliver that unmistakable '70s Asylum fidelity: silky vocals, airy acoustic guitars, and rhythm sections that feel both loose and immaculate. Every note glows with studio craftsmanship. Souther mined themes of heartbreak and grace, love and loss, with precision on Black Rose. Songs such as "If You Have Crying Eyes," "Faithless Love," and the haunting title track embody a blend of vulnerability and effortless cool that defined the era. Rich, timeless, and radiantly human — Black Rose by John David Souther is a masterpiece that still blooms with every play.
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Gram Parsons – Grievous Angel
85,00 €Add to cartGram Parsons — Grievous Angel Parsons' final studio album — breathtaking fusion of country, soul and rock Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! Mastered from the original analog master tape 180-gram 45 RPM double LP pressed at Quality Record Pressings Housed in a Stoughton Printing tip-on gatefold jacket After a summer tour, Gram Parsons dashed off a couple of new songs ("Return Of The Grievous Angel," "In My Hour Of Darkness"), dusted off a few old ones (including "Hickory Wind" and "$1000 Wedding" from his days with The Byrds and The Flying Burrito Brothers, respectively) and convened his band in the studio to cut his second Reprise album. With Grievious Angel in the can, Parsons headed for Joshua Tree, California, and history. Released a few months after his untimely demise there, this 1974 album stands among his best work as a shining example of the cosmic American music he pioneered, with superb playing from the likes of guitarist James Burton, and some beautiful harmonizing from Emmylou Harris (and on the final track, Linda Ronstadt). Tracks such as "Brass Buttons," "Return of the Grievous Angel," and "Love Hurts" (a duet for the ages) carry emotional weight and effortless beauty, delivered with the warmth and immediacy only analog recording can capture. Every note feels alive — the pedal steel sighs, the harmonies soar, and Parsons' voice, tender and world-weary, sits perfectly in the center of the soundstage. Though Parsons passed away before the album's release, Grievous Angel became his legacy — the work that turned cult admiration into lasting influence. Its impact can be heard in generations of artists, from the Eagles to Wilco, from Lucinda Williams to Sturgill Simpson. Cut from the original analog masters, Grievous Angel offers that unmistakable '70s depth and presence. Grievous Angel endures because it's a pure, analog expression of beauty, longing, and timeless sound.
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Gordon Lightfoot – Sundown
85,00 €Add to cartGordon Lightfoot — Sundown Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! Mastered by Matthew Lutthans at The Mastering Lab from the original master tape 180-gram 45 RPM double LP pressed at Quality Record Pressings Housed in a Stoughton Printing tip-on gatefold jacket When Sundown hit the airwaves in 1974, Gordon Lightfoot didn't just top the charts — he captured a moment in time. With its mix of folk storytelling, country warmth, and pop polish, Sundown became one of the defining albums of the decade. The title track alone — haunting, hypnotic, and unforgettable — remains one of the greatest songs ever written about love and jealousy. But it's the full album that keeps drawing listeners back: "High and Dry," "Carefree Highway," "Seven Island Suite" — each a masterclass in songwriting craft and emotional subtlety. Now, Sundown sounds better than ever. Cut at 45 RPM by Matthew Lutthans at The Mastering Lab, this new edition brings every shimmer of 12-string guitar and nuance of Lightfoot's unmistakable baritone into sharper, more lifelike focus. The pressing — handled by Quality Record Pressings, the gold standard for vinyl perfection — offers the quietest surfaces and flattest profiles possible, ensuring every note plays with breathtaking presence and clarity. For fans of Lightfoot, for lovers of the singer-songwriter era, and for anyone who wants to hear a timeless album in the form it deserves, this Sundown reissue is the definitive way to experience a classic reborn.
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George Benson – Breezin’
85,00 €Add to cartGeorge Benson — Breezin' Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! Mastered by Matthew Lutthans at The Mastering Lab from the original master tape 180-gram 45 RPM double LP pressed at Quality Record Pressings Housed in a Stoughton Printing tip-on gatefold jacket George Benson's 1976 classic album Breezin' redefined what jazz guitar could sound like. Effortless, melodic, and irresistibly smooth, Breezin' became the soundtrack to an era and the album that launched Benson into crossover superstardom. With timeless hits such as "This Masquerade" and the sunlit title track, Breezin', Benson's 15th album, bridges the worlds of jazz, pop, and R&B with rare grace. It not only was a Billboard Jazz Albums chart-topper but also went to No. 1 on the pop and R&B charts. It was certified triple platinum-selling, making it one of the best-selling jazz albums of all time. The record took home Grammy Awards for Best Pop Instrumental Performance and Record of the Year for "This Masquerade," while earning multiple nominations, including for Album and Song of the Year — an unprecedented feat for a jazz guitarist. Now, this classic shines brighter than ever. Mastered at 45 RPM by Matthew Lutthans at The Mastering Lab and pressed on flat, ultra-quiet vinyl by Quality Record Pressings, this edition reveals new layers of warmth, depth, and presence in Benson's silky tone and fellow rhythm and bass guitarist Phil Upchurch's signature groove. Breezin' isn't just a smooth jazz cornerstone — it's one of the most impeccably crafted and influential albums of its time. For collectors, audiophiles, and anyone who loves music that feels like pure sunlight, this definitive 45 RPM reissue is essential listening.